Here we finally are in September, which always means a welcome reprieve from the sticky summer heat, as well as a healthy roster of forthcoming books. These are the titles to keep an eye out for this month:
Allison McCracken’s book, Real Men Don’t Sing: Crooning in American Culture, charts the rise and fall of crooners between 1925 and 1934, showing how the backlash against crooners’ perceived sexual and gender deviance created stylistically masculine norms for white male pop singers that continue to exist today.
In The Repeating Body: Slavery’s Visual Resonance in the Contemporary, Kimberly Juanita Brown explores the literary and visual representations of how black women bear the marks of slavery, centers black women in narratives of slavery, and uncovers and critiques the refusal to see the violence done to black women’s bodies.
In Muslim Fashion: Contemporary Style Cultures, Reina Lewis analyzes Muslim modest clothing as fashion and shows how young Muslim women (with a focus on Britain, North America, and Turkey) are part of an emergent transnational youth subculture who use fashion to negotiate religion, identity, ethnicity, and mainstream consumer culture.
Rachel Hall characterizes post-9/11 airport security practices in The Transparent Traveler: The Performance and Culture of Airport Security as operating under the “aesthetics of transparency,” which requires passengers to perform innocence and be open to inspection—those who cannot are deemed opaque and presumed to be a threat. Travelers are no longer innocent until proven guilty; they are guilty until proven transparent.
In Edgar Heap of Birds, the first book-length study of contemporary Native American artist Edgar Heap of Birds, Bill Anthes analyzes Heap of Bird’s art and politics in relation to Native American history, spirituality, and culture, the international art scene, and how his art critiques the subjugation of Native Americans.
Petra R. Rivera-Rideau shows in Remixing Reggaetón: The Cultural Politics of Race in Puerto Rico how the popular music style reggaetón offers a space for Puerto Rican musicians to express identities that center blackness, forge links across the African diaspora, and critique the popular Puerto Rican discourse of racial democracy, which conceals racism and marginalizes black Puerto Ricans.
In Dark Matters: On the Surveillance of Blackness, Simone Browne shows how racial ideologies and the long history of policing black bodies under transatlantic slavery structure contemporary surveillance technologies and practices. Analyzing a wide array of archival and contemporary texts, she demonstrates how surveillance reifies boundaries, borders, and bodies around racial lines.
Light in the Dark/Luz en lo Oscuro is the culmination of Gloria E. Anzaldúa’s mature thought and the most comprehensive presentation of her philosophy. Focusing on aesthetics, ontology, epistemology, and ethics, it contains several developments in her many important theoretical contributions.
Mayra Rivera outlines the relationship between the ways ancient Christian thinkers and Western philosophers conceive of the “body” and “flesh” in Poetics of the Flesh. Rivera’s analysis furthers developments in new materialism and helps us to better understand the influence of Christian texts on contemporary theorizations of social structure, gender, race, and faith.
In Strip Cultures: Finding America in Las Vegas, The Project on Vegas shows how the Las Vegas Strip concentrates and magnifies American culture’s core truths. Among others, the Strip’s buffets, surveillance, large scale branding and consumption, and transformation of nature reflects larger trends and practices throughout America. Includes over 100 photographs by Karen Klugman.
In Pipe Politics, Contested Waters, Lisa Björkman explores why water is chronically unavailable in Mumbai, India’s economic and financial capital. She attributes water shortage to economic reforms that allowed urban development to ignore the water infrastructure, which means that in Mumbai, politics is often about water.
Microgroove continues John Corbett’s exploration of diverse musics, with essays, interviews, and musician profiles that focus on jazz, improvised music, contemporary classical, rock, folk, blues, post-punk, and cartoon music, as well as painting, design, dance, and poetry.