The most recent issue of differences, “Bad Object,” returns to the work of the journal’s founding co-editor Naomi Schor, a leading scholar in feminist and critical theory. This issue takes as its starting point Schor’s book Bad Objects: Essays Popular and Unpopular (1995), in which she discussed her attraction to the “bad objects” the academy had overlooked or ignored: universalism, essentialism, and feminism. Underpinning these bad objects was her mourning of the literary, a sense that her work—and feminist theory more generally—had departed from the textual readings in which they were grounded.
Schor’s question at the time was “Will a new feminist literary criticism arise that will take literariness seriously while maintaining its vital ideological edge?” The contributors to this issue take that literariness—the “bad object”— and her question seriously.
From the editor’s note:
“This is not a thematic issue; we did not ask contributors to address the question of language, or the new formalism, or debates about reading, nor to engage literary texts—though all those things were welcome. Our wager was that the essays, collected as a “Bad Object,” would be at once an invigorating and unsettling reading experience and would thus “speak for themselves.”