The five essays collected in this special issue focus closely on the period many have identified as a turning point for poet Marianne Moore: the poems and essays she published between 1935 and 1944. The recent editions of The Pangolin and Other Verse and What Are Years account in part for this focus, but there are particular aspects of Moore’s career in this crucial decade that also compel attention. Like other poets of her generation, Moore turned her mind more fully to national and world events in the 1930s; with this came the explicitly ethical emphasis in her writing discussed in the first and last essays in this issue, by Heather White and David Herd, respectively. Like these two, the other articles make their larger claims—about criticism, about revision, about verse form, about performance, about politics—by means of detailed case study.
Read the introduction to this issue, now freely available.