In the first edition of Theater to launch since the November 2016 election altered the American political landscape, the magazine looks to theater artists “to provide clarity where leaders sow confusion, to inspire when cynicism reigns, and to offer a moral compass while the nation reels in disorientation,” writes editor Tom Sellar.
Nobel laureate playwright Elfriede Jelinek’s newest work On the Royal Road: The Burgher King delves into the psyche of a businessman tyrant whose hold on power gets channeled through American pop culture iconography, among other creative filters. An intimate conversation between Jelinek and her longtime translator Gitta Honegger accompanies the script.
In her new performance text Grace Notes: Reflections for Now, celebrated artist Carrie Mae Weems contemplates grace in the face of racism and violence through music, song, spoken word, and video. Carl Hancock Rux introduces the text with a panoramic essay on Grace Notes as “a non-decorative inclusive self-portrait,” interrupting the peripheralization of black women.
Jennifer Krasinski’s rumination on Taylor Mac’s recent 24-hour marathon performance of music from the American songbook, as well as performance criticism from Krasinski and David Bruin, complete the issue.
To read the issue online, visit read.dukeupress.edu/theater.