November is a huge book release month! Check out all the great new titles coming out this month. Many of them will be making their debuts at the academic conferences that are happening this month. Be sure to stop by our booths at the American Studies Association, the National Women’s Studies Association, the African Studies Association, the American Academy of Religion, and the American Anthropological Association, where you can pick up these and other titles for only $20 each.
In My Butch Career, Esther Newton—a pioneer figure in gay and lesbian studies—tells the compelling and disarming story of her struggle to write, teach, and find love, all while coming to terms with her lesbian identity during one of the worst periods of homophobic persecution in the twentieth century.
Collective Creative Actions, edited by Ryan Dennis, highlights the twenty-five-year history of Project Row Houses in Houston’s Third Ward by addressing the idea of social practice through its five pillars of art, education, social safety nets, architectural preservation, and sustainability.
In How Art Can Be Thought Allan deSouza examines the popular terminology through which art is discussed, valued, and taught, showing how pedagogical language and practices within art schools can adapt to a politicized and rapidly changing world, as well as to the demands of contemporary art within a global industry.
More than fifty years after the publication of C. L. R. James’s classic Beyond a Boundary, the contributors to Marxism, Colonialism, and Cricket, edited by David Featherstone, Christopher Gair, Christian Høgsbjerg, and Andrew Smith, investigate its production and reception and its implication for debates about sports, gender, aesthetics, race, popular culture, politics, imperialism, and Caribbean and English identity.
Featuring work spanning six decades, Robert Christgau’s Is It Still Good to Ya? sums up the career of legendary rock critic and longtime Village Voice stalwart Robert Christgau, whose album and concert reviews, essays, and reflections on his career tackle the whole of pop music, from Louis Armstrong to M.I.A..
In Best Practice, Kimberly Chong offers a rich ethnographic account of how a global management consultantcy translates and implements the logic of financialization in contemporary China.
Dai Jinhua’s After the Post–Cold War interrogates history, memory, and the future of China as a global economic power in relation to its Cold War past to show how the recent erasure of the country’s socialist history signifies socialism’s failure and forecloses the imagining of a future beyond that of globalized capitalism.
In After Ethnos, Tobias Rees proposes an understanding of anthropology as a philosophically and poetically oriented and fieldwork-based investigation into the human and human thought rather than a study of culture or society in which anthropology is synonymous with ethnography and fieldwork.
In Unruly Visions, Gayatri Gopinath traces the interrelation of affect, aesthetics, and diaspora through an exploration of a wide range of contemporary queer visual cultural forms by South Asian, Middle Eastern, African, Australian, and Latinx artists such as Tracey Moffatt, Akram Zaatari, and Allan deSouza.
In None Like Us Stephen Best offers a bold reappraisal of the critical assumptions that undergird black studies’ use of the slave past as an explanatory prism for understanding the black political present, thereby opening the circuits between past and present and charting a queer future for black study.
In An Intimate Rebuke, an ethnography of female empowerment, Laura S. Grillo offers new perspectives on how elder West African women deploy an ancient ritual in which they dance naked and slap their genitals and bare breasts to protest abuses of state power, globalization, witchcraft, rape, and other social dangers.
Drawing on numerous examples from popular culture, in Empowered Sarah Banet-Weiser examines the relationship between popular feminism and popular misogyny as it plays out in advertising, online and multi-media platforms, and nonprofit and commercial campaigns, showing how feminism is often met with a backlash of harassment, assault, and institutional neglect.
Aren Z. Aizura’s Mobile Subjects examines transgender narratives about traveling for gender reassignment from 1952 to the present, showing how transgender fantasies about reinvention and mobility are racialized as white and often rely on violent colonial global divisions.
Through global case studies that explore biometric identification, border control, forensics, militarized policing, and counterterrorism, the contributors to Bodies as Evidence, edited by Mark Maguire, Ursula Rao, and Nils Zurawski, show how bodies have become critical sources of evidence that is organized and deployed to classify, recognize, and manage human life.
In Plan Colombia John Lindsay-Poland examines a 2005 massacre in Colombia, its subsequent investigation, official cover-up, and the international community’s response to outline how the U.S. military’s support for the Colombian Army contributed to atrocities while shaping the United States’s dominant model of military intervention.
Melissa Gregg’s Counterproductive explores the obsession with using productivity as the primary measure of most workers’ sense of value and success in the workplace, showing how it isolates workers from each other while erasing their collective efforts to define work limits.
Drawing on indigenous social movements and politics, contributors to A World of Many Worlds, edited by Marisol de la Cadena and Mario Blaser, question Western epistemologies, theorize new forms of knowledge production, and critique the presumed divide between nature and culture—all in service of creating a pluriverse: a cosmos composed of many worlds partially connected through divergent political practices.
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