Critique and Cosmos: After Masao Miyoshi

Contributors to the newest issue of boundary 2: an international journal of literature and culture explore the works of Masao Miyoshi, who introduced the concept of “aftering” — the act of prolonging and transforming impacts across cultural, political, and disciplinary borders.

Critique and Cosmos: After Masao Miyoshi,” edited by Rob Wilson and Paul A. Bové, is a reflection of Miyoshi’s concept and a tribute to the scholar himself, as illustrated in Harry Harootunian’s essay “As We Saw Him: Masao Miyoshi and the Vocation of Critical Struggle,” available free for three months.

The remaining essays offer fresh takes on several of his critical visions, including a humility of our knowledge system and the quest to exceed it, relearning the sense of the world in which we live, the practice of “anti-photography,” and the need for humanistic disciplines to address the global commons created by runaway consumption and environmental deterioration.

Browse the table of contents and read the introduction, freely available.

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