Welcoming liquid blackness to Duke University Press

We are excited to announce that “liquidity,” the first issue of the open-access journal liquid blackness: journal of aesthetics and black studies published by Duke University Press, is now available. Start reading “liquidity” here.

In this inaugural Duke University Press issue—the first of three on the journal’s foundational concepts of “liquidity,” “blackness,” and “aesthetics”—leading voices in Black studies and beyond reflect on the conceptual and practical possibilities and shortcomings of Black liquidity. Conceived as a musical ensemble and framed by a lyrical history of the liquid blackness research group’s method, practice, and praxis, the issue gathers the work of theorists and practitioners spanning different modes of intellectual inquiry and champions experimentalism as a theoretical and artistic practice. In doing so, the issue unflinchingly addresses the entanglement between race, capital, and the constitution of the modern subject as well as the jurisgenerativity of liquid aesthetic practices and their unruly archives—all within the context of what Toni Morrison described as the liquidity of the Black arts.

liquid blackness, edited by Alessandra Raengo and Lauren McLeod Cramer, seeks to carve out a place for aesthetic theory and the most radical agenda of Black studies to come together in productive ways, with the goal of attending to the aesthetic work of Blackness and the political work of form. In this way, the journal develops innovative approaches to address points of convergence between the exigencies of Black life and the many slippery ways in which Blackness is encountered in contemporary sonic and visual culture. The journal showcases a variety of scholarly modes, including audio-visual work and experimental and traditional essays. It aims to explore who can do theory (scholars, artists, activists, individuals, and ensembles), how theory can be done (in image, writing, archiving, curating, social activism), and what a Black aesthetic object is (“high”/“low” art, sound and image, practice and praxis).

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