Celebrating International Women’s Day

White background logo of International Women's Day with purple text centered at bottom and circle with arrow in purple with the middle as a symbol for female in white.

Today is International Women’s Day, a day to celebrate the achievements of women globally. This year’s theme is #EmbraceEquity: going beyond equality to create an inclusive world. We’re excited to share recent books and journals from Duke University Press that align with this mission and commemorate women around the world and throughout history. March is also Women’s History Month, so you can keep the celebration going with these books all month long!

Cover of Feminism in Coalition: Thinking with US Women of Color Feminism. Cover features colorful line drawing of four women's heads with a hut in between the four and a blue-white background. Title in blue is top center and subtitle is beneath in black. Bottom of the cover is tan with author name in purple. A black border surrounds the entire cover.

In honor of March being Women’s History Month, Feminism in Coalition by Liza Taylor kicks off our list with a nod to the past. Taylor examines how U.S. women of color feminists’ coalition collective politics of the 1960s, 70s, and 80s is an indispensable resource to contemporary political theory, feminist studies, and intersectional social justice activism.

Legacies of War shifts the stage to the Andes as Kimberly Theidon draws on ethnographic research in post-conflict Peru and Columbia to examine the lives of children born of wartime rape and the impact of violence on human and more-than-human lives, bodies, and ecologies.  

Genevieve Alva Clutario’s Beauty Regimes blends American and Southeast Asia Studies in tracing how beauty and fashion in the Philippines shaped the intertwined projects of imperial expansion and modern nation building during the turbulent transition between Spanish, US, and Japanese empires

Cover of Changing the Subject: Queer Politics in Neoliberal India by Srila Roy. Cover features drawing of a woman in bottom left in front of a red background, yellow sun, and tan plants. Author name is top left and subtitle is bottom left with both text in yellow. Title in left-middle in white.

Changing the Subject by Srila Roy traces the impact of neoliberalism on gender and sexuality rights movements in the Global South, highlighting queer and feminist activism in India.

In Dancer’s Voice, Rumya Sree Putcha uses the figure of the Indian classical dancer to explore the complex dynamics of contemporary transnational Indian womanhood.

AnaLouise Keating’s Anzaldúan Theory Handbook delves into Chicanx and Latinx Studies in providing a comprehensive investigation of the foundational theories, methods, and philosophies of Gloria E. Anzaldúa.

Cover of or, on being the other woman by Simone White. The cover features a black and white image of the author, a Black woman, in profile, with her hair in a bun. She is wearing glasses and a hoop earring and a dark shirt with a scoop neck.

Throughout a book-length poem, Simone White considers the dynamics of contemporary black feminist life, attesting to the narrative complexities of writing and living as a black woman and artist in or, on being the other woman.

The contributors to Reframing Todd Haynes, edited by Theresa L. Geller and Julia Leyda, blend media studies and women’s studies by reassessing the film and television work of award-winning independent filmmaker Todd Haynes in light of his longstanding feminist commitments and his exceptional position as a director of women’s films.

Catherine Grant in Time of One’s Own examines how contemporary feminist artists such as Sharon Hayes, Mary Kelly, Allyson Mitchell, Deirdre Logue, Lubaina Himid, Pauline Boudry, and Renate Lorenz are turning to the history of feminism in the twenty-first century as a way to understand the present moment.

Cover of The Lives of Jessie Sampter: Queer, Disabled, Zionist by Sarah Imhoff. Cover features a black and white image of a side profile of Jessie Sampter's face. She holds back her hair with her left arm, which sports a watch. Around this image is a transparent pink and blue pastel pattern.

Lives of Jessie Sampter by Sarah Imhoff tells of the queer, disabled, Zionist writer Jessie Sampter (1883-1938), whose body and life did not match typical Zionist ideals and serves as an example of the complex relationships between the body, queerness, disability, religion, and nationalism.

The contributors to Re-Understanding Media, edited by Sarah Sharma and Rianka Singh, advance a feminist version of Marshall McLuhan’s key text, Understanding Media: The Extensions of Man, repurposing his insight that “the medium is the message” for feminist ends.

Kelli Moore’s Legal Spectatorship traces the political origins of the concept of domestic violence through visual culture in the United States, showing how it is rooted in the archive of slavery.

Also, don’t miss these special issues of journals in feminist and women’s studies:

Black Feminism in the Caribbean and the United States: Representation, Rebellion, Radicalism, and Reckoning,” a special issue of Meridians, “Class and Consent,” a special issue of Labor edited by Christopher Phelps, “Gendered Struggles over the Medical Profession in the Middle East and North Africa, 1880-1990,” a special issue of Journal of the Middle East Women’s Studies edited by Liat Kozma and Nicole Khayat, and “Feminist Mournings,” a special issue of Meridians edited by Kimberly Juanita Brown and Jyoti Puri.  

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s