June is Pride Month, and we’re proud to take this opportunity to revisit recent books and journal issues that center on queer studies, trans studies, and LGBTQ+ histories.
The contributors to “Left of Queer,” an issue of Social Text edited by David L. Eng and Jasbir K. Puar, offer a detailed examination of queerness and its nearly three-decade academic institutionalization, exploring how emergent debates in three key areas—debility, indigeneity, and trans—connect queer studies to a host of urgent sociopolitical issues. Taking a position that is politically left of the current academic and political mainstreaming of queerness, the essays in this issue examine what is left of queer—what remains outside of the political, economic, and cultural mandates of the state and the liberal individual as its prized subject.
In Wild Things Jack Halberstam offers an alternative history of sexuality by tracing the ways in which the wild—a space located beyond normative borders of sexuality—offers sources of opposition to knowing and being that transgress Euro-American notions of the modern subject.
The HIV/AIDS crisis is often imagined as over, yet it remains in ongoing relevance to trans life and trans death. Contributors to “Trans in a Time of HIV/AIDS,” an issue of TSQ: Transgender Studies Quarterly edited by Eva Hayward and Che Gossett, examine the intersection of HIV/AIDS and trans studies, theory, and politics. Topics include differences between past and present conjuncture of trans and the virus; how HIV/AIDS matters for present-day trans studies scholarship, especially in our purportedly post-AIDS-crisis moment; and the relationship between the virus and “trans visibility.”
“Queer Political Theologies,” an issue of GLQ: A Journal of Lesbian and Gay Studies edited by Ricky Varghese, David K. Seitz, and Fan Wu, brings together queer studies and political theology in order to explore the relationship between the self and politics, theism, and queerness. Going beyond previous work in queer political theology that has focused primarily on Christianity, contributors to this issue consider how queer sexualities appear in other theological contexts, including articles on astrological, Blackpentecostal, Thirunangai, hijra, and sarimbavy ways of life, recentering marginalized and underrepresented minorities, beliefs, and practices.
Drawing from ethnographic work with queer activist groups in contemporary Turkey, in Queer in Translation Evren Savcı explores how Western LGBT politics are translated and reworked there in ways that generate new spaces for resistance and solidarity.
In “The AIDS Crisis Is Not Over,” a Radical History Review issue edited by Emily K. Hobson and Dan Royles, contributors trace histories from around the globe and examine how HIV/AIDS has been shaped by the political economies of neoliberalism and state violence. They expand understandings of the AIDS crisis to include issues of labor, housing, and carcerality and consider ways to teach the global history of AIDS and examine key questions in writing, preserving, and remembering histories of AIDS activism.
In Sexual Hegemony Christopher Chitty traces the 500 year history of capitalist sexual relations, showing how sexuality became a crucial dimension of the accumulation of capital and a technique of bourgeois rule. The book, published posthumously, is edited by Max Fox.
The Sense of Brown, which he was completing at the time of his death, is José Esteban Muñoz’s treatise on brownness and being as well as his most direct address to queer Latinx studies. The book is edited and introduced by Joshua Chambers-Letson and Tavia Nyong′o.
In The Small Book of Hip Checks Erica Rand uses multiple meanings of hip check—an athlete using their hip to throw an opponent off balance and the inspection of racialized gender—to consider the workings of queer gender, race, and writing.
In Information Activism Cait McKinney traces how lesbian feminist activists in the United States and Canada between the 1970s and the present developed communication networks, databases, and digital archives to use as a foundation for their feminist, antiracist, and trans-inclusive work.
Ricardo Montez traces the drawn and painted line that was at the center of Keith Haring’s artistic practice, engaging with Haring’s messy relationships to race-making and racial imaginaries in Keith Haring’s Line.