Author: Laura Sell

Publicity and Advertising Manager, Duke University Press

January Events

As we start a new year and a new semester, we hope you’ll be able to get out and see some of our authors at events around the U.S. You can also catch us at the MLA conference in Seattle and the AHA in New York City.

978-1-4780-0653-4January 11: Marsha Gordon and Allyson Nadia Field, co-editors of Screening Race in American Nontheatrical Film, show films and discuss their book at UCLA’s Film and Television Archive.
7:30 pm, Billy Wilder Theater, 10899 Wilshire Blvd, Los Angeles, CA 90024

January 12: E. Patrick Johnson is joined by Alexis Pauline Gumbs, author of Dub, to discuss Johnson’s new book Honeypot at the Seminary Co-op Bookstore.
3:00 pm, 5751 S. Woodlawn Ave, Chicago, IL 60637

January 22: Alexis Pauline Gumbs again joins E. Patrick Johnson, this time at Durham’s Regulator Bookshop, to discuss Honeypot. This event is sponsored by Duke’s Forum for Scholars and Publics.
7:00 pm, 720 9th St, Durham, NC 27705

January 23: E. Patrick Johnson heads west to Malaprop’s Bookstore/Cafe to read from Honeypot.
55 Haywood St, Asheville, NC 28801

Work!.jpgJanuary 23: Elspeth Brown lectures about her book Work! A Queer History of Modeling at UCLA’s LGBTQ Studies department.
4:00 pm, Charles E. Young Research Library, 280 Charles E Young Dr N., Los Angeles, CA 90095

January 29: E. Patrick Johnson, author of Honeypot, will appear at Harvard Book Store.
7:00 pm, 1256 Massachusetts Ave, Cambridge, MA 02138

January 30: Elspeth Brown speaks about Work!at USC Libraries ONE Archives. A reception follows.
6:30 pm, 909 West Adams Boulevard, Los Angeles, CA 90007

A Decade of Duke University Press

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As we enter a new decade, we thought it would be interesting to take a look back at what was happening at Duke University Press ten years ago, in 2010, and consider how we plan to move forward in the 2020s.

Director of Duke University Press in 2010: Steve Cohn
Director in 2019: Dean Smith

We are excited to be starting a new decade at the Press with a new director. After serving as director for twenty-five years, Steve Cohn retired in June 2019 and Dean Smith took over our helm. Dean plans to continue our commitment to open access, deepen our partnerships with other units on campus, develop new products and business models, and expand into new subject areas.

Number of Employees
2010: 93
2019: 120

As we expand the number of books and journals we publish, we need more staff to acquire, edit, produce, and market our products. We’ve also been expanding our efforts to become a more inclusive workplace through the efforts of our Equity and Inclusion group. In 2019 over half our staff participated in initiatives sponsored by that group. Think you’d make a great addition to our team? Check out our job openings.

Number of Books Published
2010: 120
2019: 140

We’ve increased the number of titles we publish each year and expect to continue expanding as we enlarge our editorial team with a new Editorial Director in 2020.

Bestselling Books

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2010: African Rhythms: The Autobiography of Randy Weston
It’s bittersweet to revisit our bestselling title of 2010, as jazz great Randy Weston passed away in 2018. Booklist called his autobiography “a moving testament to a life well lived.”

Living a Feminist Life2019: Living a Feminist Life by Sara Ahmed
Our bestselling book of 2019 is also our bestselling book of the decade. Living a Feminist Life was called “an instant classic” by Bitch Magazine. And check out Sara Ahmed’s latest book What’s the Use?, published this October.

Top Selling Books of the Decade

Living a Feminist Life by Sara Ahmed
Staying with the Trouble by Donna Haraway
Vibrant Matter by Jane Bennett
The Mexico Reader edited by Gilbert M. Joseph and Timothy J. Henderson
Cruel Optimism by Lauren Berlant
The Affect Theory Reader edited by Melissa Gregg and Gregory J. Seigworth
The Queer Art of Failure by Jack Halberstam
Liquidated by Karen Ho
The Cuba Reader edited by Aviva Chomsky, Barry Carr, Alfredo Prieto, and Pamela Maria Smorkaloff
Meeting the Universe Halfway by Karen Barad

Number of Open-Access Books
2010: 0
2019: 80+

We are pleased to participate in several open access programs, including TOME (where we have more open-access titles than any other university press) and Knowledge Unlatched. You can find most of our open access books on the OAPEN platform.

Number of Open-Access Journals

2010: 0
2019: 2

Our efforts to make scholarship widely available also include the publication of two fully open-access journals: Critical Times: Interventions in Global Critical Theory and Environmental Humanities.

Number of Journals Published

2010: 40
2019: 54

In 2020, we look forward to adding two more journals to our publishing program: History of the Present: A Journal of Critical History and the Romanic Review. We’ve enjoyed expanding our list in subject areas including Asian studies, gender and feminist studies, language and literature, mathematics, and more.

Most Popular Articles on Social Media

Published in 2010: “Creaky Voice: A New Feminine Voice Quality for Young Urban-Oriented Upwardly Mobile American Women?” by Ikuko Patricia Yuasa, American Speech 85:3

Published in 2019: “The Trump Effect: Postinauguration Changes in Marketplace Enrollment” by David Anderson and Paul Shafer, Journal of Health Politics, Policy and Law 44:5

Social Media

Twitter (@DukePress) Followers
2010: 3200
2019: 33,800

Facebook (Duke University Press) Page Followers
2010: 1000
2019: 12,828

Social Media was still pretty new in 2010, but the Press has been on Twitter since 2008 and Facebook since 2007. Over the decade we’ve added presences on YouTube, Pinterest, and Instagram. Please join us on all these sites!

In the next decade, we will celebrate our centennial (2026) and we look forward to continuing our work publishing bold, progressive scholarship for many more decades.

W. Ian Bourland on the Legacy of Rotimi Fani-Kayode

Ian_BourlandIn this guest post, W. Ian Bourland writes about artist Rotimi Fani-Kayode on the eve of the thirtieth anniversary of his death, December 21, 1989. Bourland is the author of Bloodflowers: Rotimi Fani-Kayode, Photography, and the 1980s, which examines Fani-Kayode’s art as a touchstone for cultural debates surrounding questions of gender and queerness, race and diaspora, aesthetics and politics, and the enduring legacy of slavery and colonialism. Bourland is Assistant Professor of Global Contemporary Art History at Georgetown University.

 

This month, Rotimi Fani-Kayode’s would have been 64 years old. Instead, he died in a hospital for infectious diseases in north London, survived by his partner, the writer Alex Hirst. They had met six years earlier when Fani-Kayode returned to London after seven years in the United States. There, he received formal and informal educations in Washington and New York, at university and in the countercultural spaces of clubland, the black gay poetry, and the rapidly changing eighties art world. In so doing, he broke with his family’s aspirations that he go into a “respectable” field, and consigned himself to permanent exile as an out gay man during a time of widespread homophobia and in the wake of the early days of the AIDS crisis. I explore this art and the context in which it was created in Bloodflowers.

BloodflowersFrom the time that Fani-Kayode knocked on Hirst’s door, he was a fixture in the community spaces around Brixton. Intellectuals like C.L.R. James, luminaries of the Caribbean Arts Movement, experimental theatre producers, and local non-profit gallery owners all converged in this landscape south of the Thames; they were part of a larger movement on the part of the Greater London Council and leftist leaders—from Darcus Howe to Ken Livingstone—to push back against the austerity and xenophobia of the Thatcher years. Perhaps unsurprisingly, in this era of conservatism and in advance of the art sector boomtimes of the 1990s, Fani-Kayode’s art existed below the radar for mainstream audiences. He published in the pages of Square Peg, a queer journal that Hirst co-edited; and showed his photographs at a range of smaller spaces throughout the city. Dozens of his black-and-white photographs of men were published by Gay Men’s Press by 1988, and they circulated globally, mostly in specialist book shops. He also co-founded Autograph ABP, which continues to thrive to this day. It is now housed in a David Adjaye-designed building in the Shoreditch neighborhood that it shares with the Stuart Hall library. They recently staged a powerful show of portraits by South African artist and activist Zanele Muholi who, in many ways, is a successor of Fani-Kayode’s.

To some extent, it is remarkable that Fani-Kayode’s art has persisted. He died with few resources, his archive only preserved by the grace of friends like Hirst and Autograph director Mark Sealy. In the closing weeks of 1989, the “globalized” network of the contemporary art world that we now take for granted was in its infancy. The idea of professors and curators and academic journals taking his photographs seriously—taking contemporary African art seriously at all—seemed unlikely. And yet, the work survived: in shows in France, a collection with the publisher Revue Noire, and in 1996 in the landmark In/Sight exhibition of modern and contemporary African photography at the Guggenheim Museum in New York. The museum still has some of those magnificent chromogenic prints, initially secured by the late Okwui Enwezor over two decades ago. They were on display this autumn alongside works by Lyle Ashton Harris, Glenn Ligon, Catherine Opie, Robert Mapplethorpe, and others. Smaller solo shows have been held throughout the United States, and even as far away as Cape Town.

I came to know Fani-Kayode’s work through the writing of Enwezor, Kobena Mercer, and Steven Nelson back in 2006. Then, he was widely celebrated as a key figure in the emerging field of contemporary African art history: he had written a powerful artist’s statement declaring himself to be a Yoruban photographer working in Europe, and his virtuosic photographs drew freely on iconographies from the western Africa and its diasporas. These he put in dialogue with Baroque painting, photographic modernism, classical myth and Christian symbolism. In short, his oeuvre is an art historian’s dream, and a source of boundless inspiration to viewers from many walks of life.

But I think Fani-Kayode was so important then, as now, for the visionary quality of his life and practice. This was literally true, in his invocation of a Yoruban “technique of ecstasy,” states of reverie in his method. But it was also socially resonant. He built on histories of gay liberation and black radicalism, but merged them in provocative ways that put pressure on a range of cultural boundaries and stereotypes. His pictures figured subjects that we might now think of in terms of queer or intersectional identities and what Stuart Hall was then theorizing as “New Ethnicities.” Moreover, Fani-Kayode was attuned to European history and contemporary politics—wary of ethno-nationalism and the lures of fascism, he thought of his camera as a weapon in a fight for survival fought every day by people of color, refugees, and exiles all over the world. Certainly these problems are as pressing today as they were in 1989.

I often felt a deep sadness writing Bloodflowers. I wondered what it would have been like for Fani-Kayode to survive long enough to see his work hang in some of the most important museums in the world, to see friends and contemporaries go on to great success, securing blue chip gallery representation, winning the prestigious Turner Prize. If only he had made it a few more years, he might have enjoyed the fruits of a post-Cold War world in which “difference” was suddenly so highly valued. Of course, Mercer and others wrote of the ambivalence with which such victories were won, the narrow path and creative strictures many black artists faced as the price of admission to the gilded circuit of fairs and biennials and wealthy dealers. As a singular voice and a defiantly independent artist, Fani-Kayode would have likely chafed at such expectations, but his perspective would have been a vital one as the decade unfolded.

Fani-Kayode is now widely recognized as one of the most important artists of the 1980s, is part of landmark group shows, and his reputation seems to grow with each passing year. He’s even featured alongside peers like Yinka Shonibare in the textbook I use in many of my courses. Looking back during this season of retrospection, on the anniversary of the fall of the Berlin Wall, and the apparent cultural and political sea change that it augured, it is easy to wonder how much progress we have made. Three decades later, it seems that the art world has caught up to Fani-Kayode’s powerful example; in so many other ways, our collective work is only beginning.

You can read the introduction of Bloodflowers free online now, and purchase a paperback copy of for 30% off using the coupon code E19BRLND.

 

Our Editors Pick Their Books of the Decade

As we come to the end of a decade, our editors look back at some of the most influential books we’ve published since 2010.

Ken Wissoker, Editorial Director

In the WakeI’m proud to have worked on a great number of field-changing and prize-winning books this decade, many of which had sway far beyond the academy. The one title that stands out for me is Christina Sharpe’s In the Wake. I’d worked with Christina on her exceptional first book Monstrous Intimacies so knew there was more brilliance to come. I can still picture the room at MLA in Vancouver where I first heard her present In the Wake’s powerful poetic text, compelling at so many layers at once. We were awed by her ability to move from the deeply familial and personal to the scale of world history without losing either the tone or the theory; by the stark realism of her account of Black death; and by the call to live on despite the weather. The book came out in November of 2016, by mid-March of the following year, artist Cauleen Smith had adopted the book’s title for her contribution to the 2017 Whitney Biennial.  I’ve since seen Sharpe’s work deeply engaged by Torkwase Dyson and other artists. Her narrating of the wake, the ship, the hold, and the weather — along with the idea of wakework itself — has been taken up by writers, critics, activists and readers, who felt Sharpe had named something for their lives. This quick recognition —the sense of being recognized, seen, or heard — is unusual and deeply special.  The book is an extraordinary gift to our ongoing political moment, one that will resonate for many years to come.

Courtney Berger, Executive Editor

Vibrant MatterIt’s been 10 years since we published Jane Bennett’s Vibrant Matter: A Political Ecology of Things (January 2010).  When I first read the manuscript, I knew it would be important. I knew that Bennett’s generous and reflective way of thinking and her engaging writing style would widen its audience beyond political theory (Bennett’s home discipline). But I had no idea how influential the book would be, setting the stage for a decade of conversation and debate about “thing-power” and the agential capacities of the nonhuman. Bennett’s plea to recognize the influence of nonhuman forces and things in the political realm and to decenter the human resonated with me and many others seeking new ways of thinking about our relationship to our environment. Influential books often provoke debate and this one certainly has done that. But, for me, the books that matter in the long run are the ones that invite me to think with them. Vibrant Matter is that kind of book. Bennett’s ideas have generated critique, disagreement, and reflection, all of which has pushed scholarship in new and important directions.  Notably, Mel Chen’s Animacies: Biopolitics, Racial Mattering, and Queer Affect (2012) builds upon Bennett’s attention to the affective dimensions of the nonhuman material world, but shows us how race, sexuality, and disability have shaped our notions of liveliness and of who and what matters in this world.  In The Biopolitics of Feeling: Race, Sex, and Science in the Nineteenth Century (2017) Kyla Schuller extends this critique, illustrating how the 19th century sciences of “impressibility” and animacy helped to solidify ontologies of racial difference, ideas that have had an often unacknowledged afterlife in new materialist philosophies.  Moreover, Bennett’s work has helped to lay the ground work for innovative book series like ANIMA, edited by Mel Chen and Jasbir Puar, which brings queer, race, and disability theory to bear on our understanding of life and matter, and Elements, edited by Stacy Alaimo and Nicole Starosielski, which foregrounds the material elements as lively forces that shape politics and culture.

My task was to name one book of the decade, and as you see, instead I named one book, and two more, and then two book series. Maybe that’s my way of dodging the task. But it also speaks to the expansive and generative quality of books, as they travel, intersect, and influence one another, as well as the vibrancy of the scholarly conversations I’m so privileged to be a part of. I can’t wait to see which books make their mark in the coming decade. . . .

Gisela Fosado, Editor

Light in the DarkGloria Anzaldúa’s brilliant book Light in the Dark/Luz en lo Oscuro is a work that is decades ahead of its time.  Published in 2015, but written before Anzaldúa’s untimely death in 2004, the book engages feminist and queer aesthetics, ontologies, epistemologies, and ethics, offering a new decolonial vision for our world.  It’s a must-read for all feminist scholars.

Elizabeth Ault, Editor

My book of the decade is Kristin Peterson’s Speculative Markets. I arrived at Duke Press in 2012, mere weeks after Speculative Marketsdefending my dissertation in American studies (focused on Black-cast sitcoms of the 1970s). I was pretty burnt out after 6 years of grad school, and feeling a little distant and alienated from the political passion and the joy of intellectual inquiry that had put me on an academic path in the first place. Speculative Markets was one of the first books I got to work on at the Press. Peterson’s book, an ethnography of pharmaceuticals in Nigeria, wasn’t an obvious fit with my areas of expertise. But the book begins with a blistering account of structural adjustment in the global 1970s and 80s, providing African perspectives on the global rise of neoliberalism, which had loomed large in my previous work. Thinking neoliberalism, the durability of colonial forms, speculation, and global anti-Blackness from Nigeria with Peterson introduced me to what cultural and medical anthropology and African studies can do. The book reoriented my perspective, introduced me to new conversations, and reminded me of the power of scholarship. It’s helped me chart the course that has comprised my career here at the Press over the past 7 years, which is why it’s my book of the decade.

Miriam Angress, Associate Editor

RemnantsOne of the books I’m joyful to have worked on is Remnants: A Memoir of Spirit, Activism, and Mothering, written by Rosemarie Freeney Harding with her daughter Rachel Elizabeth Harding. The author—an influential civil-rights activist—believed in the unity of all great spiritual teachings, and practiced multiple religions herself; she looked for the compassionate underpinnings of these traditions, such as the link she saw between Tibetan Buddhist teachings and lessons she learned from her mother as they visited dying relatives. Remnants incorporates stories of her civil rights leadership, co-founding an early integrated community center in Atlanta with her husband Dr. Vincent Harding, and working with friends and colleagues including Dr. Martin Luther King, Jr. and Coretta Scott King, Anne Braden, Dr. Howard Thurman and Sue Bailey Thurman, and Sweet Honey in the Rock singer Bernice Reagon.

Rachel Harding (Associate Professor of Indigenous Spiritual Traditions at University of Colorado) worked with her mother on the memoir for a decade before Freeney Harding’s death in 2004. After that, she excavated her mother’s voice from journals, previously published material, recordings, and her own memories.

Sandra Korn, Assistant Editor

Normal Life2011 was the year I realized that I was queer, and the year that I officially scrapped my parents’ dreams that I would become a scientist, when I switched my undergraduate major to Women, Gender, and Sexuality studies. It’s also the year that Dean Spade first published Normal Life: Administrative Violence, Critical Trans Politics, and the Limits of Law with South End Press. Same-sex marriage legalization and hate crime laws covering gender identity were slowly sweeping the U.S. state by state. Yet Dean Spade taught me that waiting for the courts to grant legal equality (the model adopted by the gay and lesbian rights movement) would never be sufficient to address the root causes of violence against trans people across the planet. Instead, Spade argues that trans liberation requires a grassroots movement, led by trans people most impacted by criminalization, surveillance, and detention and deportation. Duke Press published the second edition of Normal Life in 2015, and this book feels just as necessary as we head into 2020.

 

 

A Fool for Christmas Will Be Back in Stock Soon

978-1-4780-0938-2_prA few weeks ago we were pleased to announce that, along with Horse & Buggy Press and the Duke University Libraries, we were bringing out a special limited edition of Allan Gurganus’s beloved short story “A Fool for Christmas,” which had never before appeared in print. Readers were excited and we sold out all the copies immediately. We are pleased to announce that a reprint is on the way. The book should be available for purchase on our website by Wednesday, December 14 and can be pre-ordered now by calling our customer service department at 888-651-0122. You can also check your local bookstores in the Triangle area. We’ll be offering them the opportunity to restock next week as well.

Save 40% During Our Cyber Monday Sale

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Today only! Save 40% on all in-stock books and journal issues during our special one-day-only Cyber Monday sale.

To get the discount, shop our website and enter the coupon code CYBER40 when you check out. Please note that the discount does not apply to journal subscriptions or society memberships. See all the fine print here.

Stock up on books for next semester’s courses or get your holiday shopping done. Books ordered today will arrive in time for Hannukah and Christmas if shipped to a U.S. address. We cannot guarantee holiday arrival for international shipments.

But act fast, because this sale is over at 11:59 PM EST.

Preview Our Spring 2020 Catalog

S20-catalog-coverWe’re excited to unveil our Spring 2020 catalog. Check out some highlights from the season below and then download a copy for a closer read. These titles will be published between January and July 2020.

On the cover we’re featuring a portrait of writer and activist Margaret Randall, whose memoir I Never Left Home is on page one. Randall is the author of over 150 books of poetry and prose and she has lived a remarkable life that included harrowing escapes from a Mexican government crackdown, life among revolutionaries in Nicaragua and Cuba, and fighting the U.S. government after they attempted to take away her citizenship.

DubWe are publishing several books that straddle the line between poetry and scholarship. We’re pleased to welcome back returning authors David Grubbs and Alexis Pauline Gumbs. Grubbs’s The Voice in the Headphones is an experiment in music writing in the form of a long poem centered on the culture of the recording studio. Gumbs offers the final book in her trilogy (begun with Spill and continued with M Archive): Dub: Finding Ceremony, which takes inspiration from theorist Sylvia Wynter, dub poetry, and ocean life to offer a catalog of possible methods for remembering, healing, listening, and living otherwise. And Ashon T. Crawley’s The Lonely Letters is an epistolary blackqueer critique of the normative world in which he meditates on the interrelation of blackqueer life, sounds of the black church, theology, mysticism, and the potential for platonic and erotic connection in a world that conspires against blackqueer life.

Every Day I Write the BookWe’re also pleased to welcome back returning author Amitava Kumar. Fresh off the tremendous success of his novel Immigrant, Montana (Alfred A. Knopf), Kumar’s Every Day I Write the Book offers academics and all writers advice on style and process as well as inspiring examples from conversations with novelists and other writers.

Since we published the English translation of German novelist Peter Weiss’s The Aesthetics of Resistance, Volume 1 in 2005, readers have been asking us when they could get Volume 2. The wait is over! Volume 2 will be out in March. And Volume 3 is under contract with a translator, so we hope to have the whole trilogy available in English in the next few years. The novel is one of the truly great works of postwar German literature and an essential resource for understanding twentieth-century German history.

Influx and EffluxOther returning authors include photographer William Craft Brumfield, whose new book Journeys through the Russian Empire juxtaposes his own contemporary photographs alongside those of nineteenth-century photographer Sergey Prokudin Gorsky. Jane Bennett, whose Vibrant Matter (2010) is one of our bestselling books of all time, returns with Influx and Efflux, which draws on Walt Whitman and other writers to explore the question of human agency amidst a world teeming with powerful nonhuman influences. Anthropologist Arturo Escobar’s new book Pluriversal Politics continues his work in Designs for the Pluriverse (2018), showing how the key to addressing planetary crises is the creation of the pluriverse—a world of many epistemological and ontological worlds.

RelationsOther notable anthropology titles include Relations, by Marilyn Strathern, which provides a critical account of this key concept and its usage and significance in the English-speaking world. Porkopolis by Alex Blanchette explores how the daily lives of a Midwestern town that is home to a massive pork complex were reorganized around the life and death cycles of pigs while using the factory farm as a way to detail the state of contemporary American industrial capitalism. And in Writing Anthropology, editor Carole McGranahan brings together fifty-two anthropologists to reflect on scholarly writing as both craft and commitment.

You’ll also want to check out Poor Queer Studies, in which Matt Brim shows how queer studies also takes place beyond the halls of flagship institutions: in night school; after a three-hour commute; in overflowing classrooms at no-name colleges; with no research budget; without access to decent food; with kids in tow; in a state of homelessness. And in A People’s History of Detroit, Mark Jay and Philip Conklin use a class framework to tell a sweeping story of Detroit from 1913 to the present, embedding Motown’s history in a global economic context.

tsq_7_2_prAnd don’t miss the exceptional journal issues in this catalog. To name a few: “Radical Care,” upcoming from Social Text, draws on a historical trajectory of feminist, queer, and black activism to consider how communities receive and provide care in order to survive environments that challenge their existence. “Trans Pornography,” an issue of TSQ: Transgender Studies Quarterly offers insight into a largely neglected topic from both scholars and industry insiders. And “Revolutionary Positions,” a Radical History Review issue, explores the impact of the Cuban Revolution through the lens of sexuality and gender.

There’s so much more! We invite you to download the entire catalog and check out all the great books and journals inside. And be sure to sign up for our email alerts so you’ll know when titles you’re interested in are available.

Duke University Press, Duke University Libraries, and Horse & Buggy Press to Release Special Print Edition of Allan Gurganus’s Holiday Story “A Fool for Christmas”

978-1-4780-0938-2Allan Gurganus’s “A Fool for Christmas” first charmed audiences when he read it on NPR’s “All Things Considered” in 2004. Together with Duke University Libraries, which acquired Gurganus’s archives in 2018, and Horse & Buggy Press, Duke University Press is pleased to be bringing the story into print for the first time in a limited edition with hand-printed letterpress covers.

The story is set during the Christmas season, when mall pet store manager Vernon Ricketts splits his time between selling irresistible puppies and kittens festooned with holiday bows and shielding the mall’s loiterers from its over-zealous manager, “Terminator” Vanderlip. Just days before Christmas, Vernon notices a small, bedraggled girl in a worn overcoat desperately trying to blend into the mall’s background. Sensing she’s a runaway in trouble, Vernon feels obliged to help. His kindness and their chance encounter will produce a Christmas miracle that becomes a legend as it changes lives.

Allan Gurganus‘s fiction has been translated into sixteen languages. His books Gurganusinclude Oldest Living Confederate Widow Tells AllWhite PeoplePlays Well with OthersThe Practical Heart; and Local Souls. He has been awarded the Los Angeles Times Book Prize, the American Academy’s Sue Kaufman Prize for best first novel, a Guggenheim Fellowship, the Lambda Literary Award, and the National Magazine Prize.

Dave Wofford of Horse & Buggy Press has designed over 150 books, including over 20 fine press titles that bear the H&B imprint, many which have won awards for their content and design. This includes It Had Wings, the 1997 publication which features eight pen and ink drawings Allan made to illustrate his oft anthologized short story (originally published by Knopf in White People). This hand-printed, hand-bound edition was produced in a limited edition of 335 signed and numbered copies and also included a “Story of the Story,” in which Allan details turning a novella into a much shorter form after receiving insightful feedback from music composer Bruce Saylor, who in turn set the story to a musical score.

Gurganus created eleven hand-drawn color illustrations for this special edition.

In a new afterword for the story, Allan Gurganus says, “The seasonal reading of this tale always stirs discussion about the state of our imperiled nation: how can we live lives like his—making virtue a daily possibility?”

Deborah Jakubs, Rita DiGiallonardo Holloway University Librarian & Vice Provost for Library Affairs at Duke University Libraries says, “When Duke acquired the literary archive of Allan Gurganus, we knew we were adding a remarkable body of work to our already strong collection of writers in the southern literary tradition. We are delighted to work with Horse & Buggy Press and Duke University Press to bring this first publication of “A Fool for Christmas” out of the archive and onto the page— a gift to us all.”

“We are honored to play a role in this publication,” said Dean Smith, Director of Duke University Press. “Allan Gurganus is a wonderful writer and this holiday story is a compassionate and important one for our time.”

Allan Gurganus will appear at The Regulator Bookshop in Durham to read his beloved story on December 12. He is available for interviews. Copies of the limited edition will be available at Triangle area bookshops.

The publication date is November 26, 2019.

Booksellers wanting more information or wishing to place an order for the book can contact Sales Manager Jennifer Schaper at jennifer.schaper@dukeupress.edu.
All other inquiries: Laura Sell, Publicity, lsell@dukeupress.edu or 919-687-3639.

University Press Week: How to Be an Environmental Steward

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Welcome to Day 3 of the University Press Week blog tour. Today’s theme is How to Be an Environmental Steward. We asked some of our authors to answer the question,“What is one thing that more people need to understand about the current global climate crisis?”

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Orrin Pilkey, James B. Duke Professor Emeritus of Geology at Duke University and co-author of Sea-Level Rise: A Slow Tsunami on America’s Shores

Much of the CO2 we are putting in the air now will be with us for many years. If we don’t control and lower CO2 emissions within the next 2 decades, climate change will be become a runaway event causing massive global migration, wars over water and migration patterns, critical sea level rise impacts and important, perhaps devastating changes in food sources. The time for action is now.

0Shawna Ross, Assistant Professor of Modern British Literature and the Digital Humanities at Texas A&M University and author of “Teaching in Stormy Weather” (Pedagogy, vol. 19, issue 3)

“Climate change” is a loose and baggy monster of a word, as Henry James might put it. It should not be understood as a single phenomenon, but as a multifaceted problem that manifests in ways that differ profoundly depending on where you are on the globe. We all experience climate change in a local way, and our efforts to combat it must include careful attention to these local conditions.

Bethany Allen, studio portraitsTeena Gabrielson, Professor of Political Science at the University of Wyoming and author of “The Visual Politics of Environmental Justice” (Environmental Humanities vol. 11, issue 1)

In a visually saturated global culture, images are powerful means of communication. Today, there is growing awareness that those hit first and hardest by the escalating climate emergency disproportionately come from the world’s most marginalized communities. To envision a more just and green future and create a more inclusive climate justice movement, we need a better understanding of the visual politics that shape the depiction of environmental injustice and visual strategies that disrupt and resist ways of seeing entrenched in dominant power hierarchies.

cymene-howeCymene Howe, Associate Professor of Anthropology at Rice University and author of Ecologics: Wind and Power in the Anthropocene

We need to understand that it is imperative to immediately transition away from fossil fuels and create a new, global energy infrastructure for a sustainable future. This is an incredible opportunity because we can learn from our past mistakes—where hydrocarbon extraction has led to both environmental destruction and social inequalities. We now have a chance to do it right. What if we were to see new energy sources—such as solar, wind and biofuels—as not only fuels but as the foundation for new political forms that are committed to environmental justice rather than the petrologics of endless growth and resource exploitation?

0Nicole Welk-Joerger, PhD candidate in the History and Sociology of Science at the University of Pennsylvania and author of “Restoring Eden in the Amish Anthropocene” (Environmental Humanities vol. 11, issue 1)

As we approach this global dilemma, many of us place unreasonably high expectations on farmers and farm workers. They need to adapt to our changing tastes and continue to provide us with cheap and convenient food, all while mitigating their own contributions to the climate crisis. Our chance for a sustainable future relies on the recognition that food production and consumption are only one part of a much larger, interdependent system of questionable practices. The transportation and energy industries need to feel the same weight of blame and the necessity to adapt that many of the world’s farmers currently experience.

dominc-boyerDominic Boyer, Professor of Anthropoogy at Rice University and author of Energopolitics: Wind and Power in the Anthropocene.

There is no way to bend our current ecocidal trajectory through individual actions. If you want to fly less or recycle more, those are great choices, but they won’t impact climate change. Individual consumption is simply the wrong scale of intervention. And the petrocultural powers that be want you to feel guilty and complicit. The fact is that all that matters where we are now in the neo-Pliocene is coordinated governmental initiatives aimed at developing the infrastructure of a post-growth global civilization committed to values of sustainability, peace and justice. If you want to help, my advice would be to take your guilt and fear and redirect those emotions toward principled passionate work to develop responsible and effective government. Maybe that’s government of a liberal-democratic nature or maybe it’s in the form of a non-state collective. If you can’t find political leadership worthy of your support, become that leader yourself. The world will thank you for it.

CallisonCandis Callison is Associate Professor in the Graduate School of Journalism and in the Institute for Critical Indigenous Studies at the University of British Columbia. She is the author of How Climate Change Comes to Matter: The Communal Life of Facts.

How we define and think about climate change has changed immensely in the last 30 years, and we’re currently in the midst of a window of time (until 2030) defined by the Intergovernmental Panel on Climate Change (IPCC) to act (i.e. change infrastructure to decrease emissions) in order to limit long term impacts and the increase in global temperature. This is what defines climate change as a global crisis, but that shouldn’t also foreclose on questions about what kind of crisis it is, for whom, and who has a seat at the table where decisions about how to act (and when) are being made.  Many Indigenous communities, globally are already dealing with climate change impacts, yet diverse Indigenous knowledges, experiences, and histories that could offer profound insight into the climate crisis are often not at the table where decisions are being made—limiting the frameworks within which the climate crisis is considered and addressed.

Please continue on the blog tour by visiting the other university presses participating today. At University of Pittsburgh Press, author Patricia Demarco writes about global and local sustainability. Columbia University Press features a guest post from the author of Live Sustainably Now with tips to decreasing your carbon footprint. University of California Press offers a post by the author of forthcoming book A Field Guide to Climate Anxiety: How to Keep Your Cool on a Warming Planet. Head to Yale University Press for a post with actionable steps on helping the environment and to University of South Carolina Press for photos from the authors of Carolina Bays about preservation of these unique ecological systems. Bucknell University Press offers a post by Tim Wenzell, editor of Woven Shades of Green: An Anthology of Irish Nature Writing on why ecocriticism makes us better stewards of nature. At Oregon State University Press, Marcy Cottrell Houle discusses her new book, A Generous Nature: Lives Transformed by Oregon. University of Minnesota Press shares a post by Jennifer Telesca on the managed extinction of the giant bluefin tuna. University of Mississippi Press features author Jessica H. Schexnayder, whose work documents the dying histories of coastal communities. And University of Toronto Press has a post by sales rep Alex Keys, discussing the ways in which he is able to merge his job with his desire to be a better steward for the environment.

University Press Week 2019: Read. Think. Act.

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It’s University Press Week! University Press Week highlights the extraordinary work of nonprofit scholarly publishers and their many contributions to culture, the academy, and an informed society. We’ll be celebrating with displays at the Durham County Library’s South Regional branch, the LGBTQ Center of DurhamNorth Carolina Central University, Durham’s Riverside High School library, and around Duke University’s campus at the Center for Sexual and Gender Diversity, the Music Library, the Office for Faculty Advancement, the John Hope Franklin Center, the Forum for Scholars and Publics, the Rubenstein Arts Center, the Center for Muslim Life,  the Center for Documentary Studies, and the Sarah P. Duke Gardens. If you’re in Durham please stop by and check out some of our recent titles and pick up a bookmark.

This year’s University Press Week theme is “Read. Think. Act.” It’s is a particularly apt theme as many citizens around the globe continue to engage in important debates that will influence vital decision-making in the months ahead; in fact, this year’s UP Week will begin exactly one year to the day before the 2020 Election Day in the U.S. Through this positive theme AUPresses members worldwide seek to encourage people to read the latest peer-reviewed publications about issues that affect our present and future—from politics to economics to climate change to race relations and more—and to better understand academic presses’ important contribution to these vital areas of concern. To that end, AUPresses members have suggested a “Read. Think. Act. Reading List” that can serve as a starting place for any reader who wants to learn more. Our contribution to that list is Sea Level Rise: A Slow Tsumani on America’s Shores, by Orrin H. Pilkey and Keith C. Pilkey, who argue that the only feasible response to climate change along much of the US shoreline is an immediate and managed retreat.

A blog tour has been set up to highlight university press books, authors, and editors that fit the “Read. Think. Act.” theme. Today’s tour features presses blogging about “how to be a better (global) citizen.” Participating presses are University of California Press, University of Virginia Press, Purdue University Press, Georgetown University Press, University of Wisconsin Press, Manchester University Press, University Press of Florida, and University of Minnesota Press. Check out their posts today and come back here Wednesday, when several of our authors and editors will be participating in a roundtable about the global climate crisis.

Please share your love for university presses and all they do for scholarship on social media this week with the hashtag #ReadUP.