Author: Mackensie Pless

New Books in October

It’s official—fall has arrived! With the start of this new season, we’re releasing dynamic new reads in art and visual culture, anthropology, feminist studies, cultural studies, sociology, and more. Check out all of these exciting books available in October.

Continuing the work she began in The Promise of Happiness and Willful Subjects by taking up a single word and following its historical, intellectual, and political significance, Sara Ahmed explores how use operates as an organizing concept, technology of control, and tool for diversity work in What’s the Use?

In Where Histories Reside Priya Jaikumar examines seven decades of films shot on location in India to show how attending to filmed space reveals alternative timelines and histories of cinema as well as the myriad ways cinema constructs India as a place.

Eva Haifa Giraud contends in What Comes after Entanglement? that recent theory that foregrounds the ways that human existence is entangled with other nonhuman life and the natural world often undermine successful action and calls for new modes of activist organizing and theoretical critique.

The contributors to Reading Sedgwick (edited by Lauren Berlant) reflect on the long and influential career of Eve Kosofsky Sedgwick, whose pioneering work in queer theory has transformed understandings of affect, intimacy, politics, and identity.

Conceptualizing anthropology as a mode of practical and transformative inquiry in A Possible Anthropology, Anand Pandian stages an ethnographic encounter with the field in an effort to grasp its impact on the world and its potential for addressing and offering solutions to the profound crises of the present.

In Symbolic Violence Michael Burawoy brings Pierre Bourdieu into an extended debate with Marxism by outlining the parallels and divergences between Bourdieu’s thought and preeminent Marxist theorists including Gramsci, Fanon, Beauvoir, and Freire.

Achille Mbembe theorizes the genealogy of the contemporary world—one plagued by inequality, militarization, enmity, and a resurgence of racist, fascist, and nationalist forces—and calls for a radical revision of humanism a the means to create a more just society in Necropolitics.

In Fidel between the Lines Laura-Zoë Humphreys tracks late-socialist Cuba’s changing dynamics of social criticism and censorship through Cuban cinema and its cultural politics.

In A Fragile Inheritance, Saloni Mathur investigates the work of two seminal figures from the global South: the New Delhi-based critic and curator Geeta Kapur and contemporary multimedia artist Vivan Sundaram, illuminating  how their political and aesthetic commitments intersect and foreground uncertainty, difficulty, conflict, and contradiction.  

Ronak K. Kapadia examines multimedia visual art by artists from societies besieged by the US war on terror in Insurgent Aesthetics, showing how their art offers queer feminist critiques of US global warfare that forge new aesthetic and social alliances with which to sustain critical opposition to the global war machine.

In Eros Ideologies Laura E. Pérez analyzes Latina art to explore a new notion of decolonial thought and love based on the integration of body, mind, and spirit that offers a means to creating a more democratic and just present and future.

Edited by Frances Richard, I Stand in My Place with My Own Day Here features essays by more than fifty renowned international writers considering thirteen monumental works of art commissioned by The New School between 1930 and the present. We are distributing this beautiful art book for The New School.

Between Form and Content is a catalog that accompanied the first exhibition to focus on Jacob Lawrence’s experience at Black Mountain College in North Carolina in 1946, where his interaction with Josef Albers had a lasting impact on his future career. We are distributing this catalog for Black Mountain College Museum + Art Center.

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New Books in September

Summer’s almost over, which means it’s time to start to replenishing your reading list! Celebrate the start of a new academic year with us by checking out this diverse array of books arriving in September.

Acknowledging the impending worldwide catastrophe of rising seas in the twenty-first century, Orrin H. Pilkey and Keith C. Pilkey outline the impacts on the United States’ shoreline and argue that the only feasible response along much of the U.S. shoreline is an immediate and managed retreat in Sea Level Rise.

Brenda R. Weber’s Latter-day Screens examines the ways in which the mediation of Mormonism through film, TV, blogs, YouTube videos, and memoirs functions as a means through which to understand conversations surrounding gender, sexuality, spirituality, capitalism, justice, and individualism in the United States.

Self-Devouring Growth by Julie Livingston shows how the global pursuit of economic and resource-driven growth comes at the expense of catastrophic destruction, thereby upending popular notions that economic growth and development is necessary for improving a community’s wellbeing.

In Under Construction, Daniel Mains explores the intersection of infrastructural development and governance in contemporary Ethiopia by examining the conflicts surrounding the construction of specific infrastructural technologies and how that construction impacts the daily lives of Ethiopians.

Elizabeth Freeman’s Beside You in Time expands bipolitical and queer theory by outlining a temporal view of the long nineteenth century and showing how time became a social and sensory means by which people resisted disciplinary regimes and assembled into groups in ways that created new forms of sociality.

Terry Smith—who is widely recognized as one of the world’s leading historians and theorists of contemporary art—traces the emergence of contemporary art and further develops his concept of contemporaneity in Art to Come through analyses of topics ranging from Chinese and Australian Indigenous art to architecture.

Henry Cow by Benjamin Piekut tells the story of the English experimental rock band Henry Cow and how it linked its improvisational musical aesthetic with a collectivist, progressive politics.

Davina Cooper’s Feeling Like a State explores the unexpected contribution a legal drama of withdrawal—as exemplified by some conservative Christians who deny people inclusion, goods, and services to LGBTQ individuals—might make to conceptualizing a more socially just, participative state.

In Making The Black Jacobins, Rachel Douglas traces the genesis, transformation, and afterlives of the different versions of C. L. R. James’s landmark The Black Jacobins across the decades from the 1930s onwards, showing how James revised it in light of his evolving politics.

William E. Connolly links climate change, fascism, and the nature of truth to demonstrate the profound implications of the deep imbrication between planetary nonhuman processes and cultural developments in Climate Machines, Fascist Drives, and Truth.

Cara New Daggett’s The Birth of Energy traces the genealogy of the idea of energy from the Industrial Revolution to the present, showing how it has informed fossil fuel imperialism, the governance of work, and our relationship to the Earth.

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Orrin H. Pilkey’s Fall Tour for Sea Level Rise

Orrin H. Pilkey, co-author of Sea Level Rise: A Slow Tsunami on America’s Shores (Duke University Press), will be reading and discussing his new book at various locations throughout the Carolinas this September. For some of these events, he will be in conversation with Gilbert M. Gaul, author of The Geography of Risk: Epic Storms, Rising Seas and the Costs of America’s Coasts (Farrar Straus and Giroux). They’re calling it the “Old Men and the Sea Tour,” and we hope you can make it to one of the events.

Reading and Discussion
Tuesday, September 10
Croasdaile Village
2600 Croasdaile Farm Pkwy, Durham, NC 27705

Reading and Discussion with Gilbert M. Gaul
Monday, September 23 at 6:00 pm
College of Charleston
66 George St, Charleston, SC 29424

978-1-4780-0637-4Reading and Discussion with Gilbert M. Gaul
Tuesday, September 24 at 6:30 pm
North Carolina Coastal Federation
309 W Salisbury St, Wrightsville Beach, NC 28480

Reading and Discussion with Gilbert M. Gaul
Wednesday, September 25 at 7:00 pm
New Hanover County Public Library – Pine Valley Branch
3802 S College Rd, Wilmington, NC 28412

Reading and Discussion (Community & Scholars Series)
Thursday, September 26 at 7:00 pm
The Regulator Bookshop
720 9th St, Durham, NC 27705

Reading and Discussion
Thursday, October 3
Flyleaf Books
752 M.L.K. Jr Blvd, Chapel Hill, NC 27514

Acknowledging the impending worldwide catastrophe of rising seas in the twenty-first century, Sea Level Rise outline the impacts on the United States’ shoreline and argue that the only feasible response along much of the U.S. shoreline is an immediate and managed retreat. It’s a must-read for anyone who lives or works near the coast and who cares about the future of our beaches and coastal communities.

 

 

Honoring Hawai’i on Statehood Day

Today marks the sixtieth anniversary of Hawai‘i’s official admission into the U.S. as a state. While many tourists visiting Hawai‘i may commemorate Statehood Day by experiencing the astounding natural beauty and rich cultural traditions of the islands firsthand, anyone can devote some time to honoring Hawai‘i on this holiday by learning more about the archipelago’s complicated path to statehood.

We’ve highlighted several of our related titles below. By delving into historical issues of native sovereignty and popular protest against annexation, these books not only challenge wholly celebratory narratives of Hawaiian statehood but also illuminate the complex legacy of settler colonialism in contemporary Hawai‘i.

In the Hawaiian Homes Commission Act (HHCA) of 1921, the U.S. Congress defined “native Hawaiians” as those people “with at least one-half blood quantum of individuals inhabiting the Hawaiian Islands prior to 1778.” In Hawaiian Blood, J. Kēhaulani Kauanui provides an impassioned assessment of how the arbitrary correlation of ancestry and race imposed by the U.S. government on the indigenous people of Hawai‘i has had far-reaching legal and cultural effects.

Kauanui is also the author of Paradoxes of Hawaiian Sovereignty, which examines contradictions of indigeneity and self-determination in U.S. domestic policy and international law. In this book, Kauanui shows how Hawaiian elites’ approaches to reforming land, gender, and sexual regulation in the early nineteenth century that paved the way for sovereign recognition of the kingdom complicate contemporary nationalist activism, which too often includes disavowing the indigeneity of indigenous Hawaiians.

In Unsustainable Empire Dean Itsuji Saranillio offers a bold challenge to conventional understandings of Hawai‘i’s admission as a U.S. state, showing that statehood was neither the expansion of U.S. democracy nor a strong nation swallowing a weak and feeble island nation, but the result of a U.S. nation whose economy was unsustainable without enacting a more aggressive policy of imperialism.

A powerful critique of colonial historiography, Noenoe K. Silva’s Aloha Betrayed provides a much-needed history of native Hawaiian resistance to American imperialism. Drawing on Hawaiian-language texts, primarily newspapers produced in the nineteenth century and early twentieth, Silva demonstrates that print media was central to social communication, political organizing, and the perpetuation of Hawaiian language and culture.

Nation Within by Tom Coffman details the complex history of the events between the overthrow of the Kingdom of Hawaiʻi in 1893 and its annexation to the United States in 1898. Highlighting the native Hawaiians’ resistance during that five-year span, Coffman shows why occupying Hawaiʻi was crucial to American imperial ambitions.

A Nation Rising, edited by Noelani Goodyear-Kaopua, Ikaika Hussey, and Erin Kahunawaika′ala Wright, chronicles the political struggles and grassroots initiatives collectively known as the Hawaiian sovereignty movement, raising issues that resonate far beyond the Hawaiian archipelago such as Indigenous cultural revitalization, environmental justice, and demilitarization.

Are you planning a trip to Hawai‘i? If you’re interested in learning more about how to practice forms of socially conscious tourism during your visit, we recommend checking out our forthcoming book, Detours: A Decolonial Guide to Hawai‘i, edited by Hokulani K. Aikau and Vernadette Vicuna Gonzalez. In this brilliant reinvention of the travel guide, artists, activists, and scholars redirect readers from the fantasy of Hawai‘i as a tropical paradise and tourist destination toward a multilayered and holistic engagement with Hawai‘i’s culture and complex history. The essays, stories, artworks, maps, and tour itineraries in Detours create decolonial narratives in ways that will forever change how readers think about and move throughout Hawai‘i. Detours will be available in November.

New Books in August

Our Fall 2019 season is off to a phenomenal start with a diverse range of titles in Theory and Philosophy, African American Studies, Native and Indigenous Studies, and more. Take a look at all of these great new books coming in August!

Intersectionality as Critical Social Theory by Patricia Hill Collins

Intersectionality as Critical Social Theory by Patricia Hill Collins offers a set of analytical tools for those wishing to develop intersectionality’s capability to theorize social inequality in ways that would facilitate social change.

In Animate Literacies, Nathan Snaza proposes a new theory of literature and literacy in which he outlines how literacy operates at the interface of humans, nonhuman animals, and objects and has been used as a means to define the human in ways that marginalize others.

Fictions of Land and Flesh by Mark Rifkin

Mark Rifkin’s Fictions of Land and Flesh turns to black and indigenous speculative fiction to show how it offers a site to better understand black and indigenous political movements’ differing orientations in ways that can foster forms of mutual engagement and cooperation without subsuming them into a single political framework in the name of solidarity.

In The Black Shoals Tiffany Lethabo King uses the shoal—an offshore geologic formation that is neither land nor sea—as metaphor, mode of critique, and methodology to theorize the encounter between Black studies and Native studies and its potential to create new epistemologies, forms of practice, and lines of critical inquiry.

Savage Ecology by Jairus Victor Grove

Jairus Victor Grove’s Savage Ecology offers an ecological theorization of geopolitics in which he contends that contemporary global crises are better understood when considered within the larger history of geopolitical practice, showing how political violence is the principal force behind climate change, mass extinction, slavery, genocide, extractive capitalism, and other catastrophes. Watch the trailer for the book here.

In How to Make Art at the End of the World Natalie Loveless examines the institutionalization of artistic research-creation—a scholarly activity that considers art practices as research methods in their own right—and its significance to North American higher education.

Wages Against Artwork Leigh Claire La Berge’s Wages Against Artwork shows how socially engaged art responds to and critiques what she calls decommodified labor—the slow diminishment of wages alongside an increase of demands of work—as a way to work toward social justice and economic equality.

In Sounds of Vacation, edited by Jocelyne Guilbault and Timothy Rommen, the contributors examine the commodification of music and sound at popular vacation destinations throughout the Caribbean in order to tease out the relationships between political economy, hospitality, and the legacies of slavery and colonialism. 

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Series Launch: Theory in Forms

This year we are pleased to launch a new series, Theory in Forms, edited by Nancy Rose Hunt and Achille Mbembe. A few of the books came out this spring and we have several more on the fall list.

Theory in Forms presents new writing showcasing the import of new political contours in our planetary times of crisis, racializations, and securitization. The books address temporal and spatial scales—whether global, transnational, or intimate—and emphasize movement, borders, enclaves, and impasses in (post)colonies, global South(s), and beyond. Inciting experimentation with structure, methods, and the practice of writing, the series argues that form enables theory. Theory in Forms seeks new work that addresses the politics of life and death—whether in history, anthropology, aesthetics, geography, architecture, urban design, or environmental, medical, oceanic, literary, and postcolonial studies—and creates a transversal space for new modes of writing, reflection, and timely interventions.

Experiments with Empire by Justin IzzoThe first book in this series is Experiments with Empire by Justin Izzo, which examines how twentieth-century writers, artists, and anthropologists from France, West Africa, and the Caribbean experimented with ethnography and fiction in order to explore new ways of knowing the colonial and postcolonial world. Focusing on novels, films, and ethnographies that combine fictive elements and anthropological methods and modes of thought, Izzo shows how empire gives ethnographic fictions the raw materials for thinking beyond empire’s political and epistemological boundaries.

 

The Fixer by Charles Piot

In the West African nation of Togo, applying for the U.S. Diversity Visa Lottery is a national obsession, with hundreds of thousands of Togolese entering each year. In The Fixer Charles Piot follows Kodjo Nicolas Batema, a Togolese visa broker—known as a “fixer”—as he shepherds his clients through the application and interview process. Relaying the experiences of the fixer, his clients, and embassy officials, Piot captures the ever-evolving cat-and-mouse game between the embassy and the hopeful Togolese as well as the disappointments and successes of lottery winners in the United States.

 

Colonial Transactions by Florence Bernault

In Colonial Transactions Florence Bernault moves beyond the racial divide that dominates colonial studies of Africa. Instead, she illuminates the strange and frightening imaginaries that colonizers and colonized shared on the ground. Bernault looks at Gabon from the late nineteenth century to the present, historicizing the most vivid imaginations and modes of power in Africa today: French obsessions with cannibals, the emergence of vampires and witches in the Gabonese imaginary, and the use of human organs for fetishes. Overturning theories of colonial and postcolonial nativism, this book is essential reading for historians and anthropologists of witchcraft, power, value, and the body.

Coming this fall we will publish series editor Achille Mbembe’s own book Necropolitics; Beneath the Surface: A Transnational History of Skin Lighteners by Lynn M. Thomas; and The Complete Lives of Camp People: Colonialism, Fascism, Concentrated Modernity by Rudolf Mrázek.

About the series editors: Nancy Rose Hunt is Professor of History & African Studies at the University of Florida, and the author of the prizewinning A Colonial Lexicon: Of Birth Ritual, Medicalization, and Mobility in the Congo. Achille Mbembe is Research Professor in History and Politics at the Wits Institute for Social and Economy Research, University of the Witwatersrand, Johannesburg. He is author of Critique of Black Reason and coeditor of Johannesburg: The Elusive Metropolis. 

We look forward to watching this exciting new series expand. 

 

New Books in June

Looking for some compelling reads this summer? Check out these new titles coming out in June!

Presenting ethnographic case studies from across the globe, the contributors to Anthropos and the Material, edited by Penny Harvey, Christian Krohn-Hansen and Knut G. Nustad, question and complicate long-held understandings of the divide between humans and things by examining encounters between the human and the nonhuman in numerous social, cultural, technological, and geographical contexts.

In Anti-Japan Leo T. S. Ching traces the complex dynamics that shape persisting negative attitudes toward Japan throughout East Asia, showing how anti-Japanism stems from the failed efforts at decolonization and reconciliation, the U.S. military presence, and shifting geopolitical and economic conditions in the region.

The contributors to Captivating Technology, edited by Ruha Benjamin, examine how carceral technologies such as electronic ankle monitors and predictive-policing algorithms are being deployed to classify and coerce specific populations and whether these innovations can be appropriated and reimagined for more liberatory ends.

Focusing on Costa Rica and Brazil, Andrea Ballestero’s A Future History of Water examines the legal, political, economic, and bureaucratic history of water in the context of the efforts to classify it as a human right, showing how seemingly small scale devices such as formulas and lists play large role in determining water’s status.

In Making the World Global, Isaac A. Komola examines how the relationships between universities, the American state, philanthropic organizations, and international financial institutions inform the academic understanding of the world as global in ways that frame higher education as a commodity, private good, and source of human capital.

Therí Alyce Pickens examines the speculative and science fiction of Octavia Butler, Nalo Hopkinson, and Tananarive Due in Black Madness :: Mad Blackness to rethink the relationship between race and disability, thereby unsettling the common theorization that they are mutually constitutive.

In Entre Nous, Grant Farred examines the careers of international soccer stars Lionel Messi and Luis Suarez, along with his own experience playing for an amateur township team in apartheid South Africa, to theorize the relationship between sports and the intertwined experiences of relation, separation, and belonging.

In The Fixer, Charles Piot follows Kodjo Nicolas Batema, a visa broker in the West African nation of Togo as he helps his clients apply for the U.S. Diversity Visa Lottery program. The lively stories shed light on current immigration debates.

In The African Roots of Marijuana, an authoritative history of cannabis in Africa, Chris S. Duvall challenges what readers thought they knew about cannabis by correcting widespread myths, outlining its relationship to slavery and colonialism, and highlighting Africa’s centrality to knowledge about and the consumption of one of the world’s most ubiquitous plants.

In Experiments with Empire, Justin Izzo examines how twentieth-century writers, artists, and anthropologists from France, West Africa, and the Caribbean experimented with ethnography and fiction in order to explore new ways of making sense of the complicated legacy of imperialism and to imagine new democratic futures.

Elizabeth M. DeLoughrey traces how indigenous and postcolonial peoples in the Caribbean and Pacific Islands grapple with the enormity of colonialism and anthropogenic climate change through art, poetry, and literature by using allegorical narratives in Allegories of the Anthropocene.

The Romare Bearden Reader, edited by Robert G. O’Meally, brings together a collection of newly written essays and canonical writings by novelists, poets, historians, critics, and playwrights, as well as Bearden’s most important writing, making it an indispensable volume on one of the giants of twentieth-century American art.

Terry Adkins: Infinity is Less Than One, which we are distributing for ICA Miami, accompanies the first institutional posthumous exhibition of the sculptural work of Terry Adkins (1953–2014), one of the great conceptual artists of the twenty-first century renowned for his pioneering work across numerous mediums. The catalogue is edited by Gean Moreno and Alex Gartenfeld.

The contributors to Racism Postrace, edited by Roopali Mukherjee, Sarah Banet-Weiser, and Herman Gray, theorize and examine the persistent concept of post-race in examples ranging from Pharrell Williams’s “Happy” to public policy debates, showing how proclamations of a post-racial society can normalize modes of racism and obscure structural antiblackness.

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