African American Studies

Duke University Press to Bring James Baldwin’s Only Children’s Book Back Into Print

LittleManLittleManLittle Man, Little Man is the only children’s book by acclaimed writer James Baldwin. Published in 1976 by Dial Press, the book quickly went out of print. Now, at a time when Baldwin is more popular than ever, and readers, librarians, and booksellers are clamoring for more diverse children’s books, Duke University Press is proud to bring the book back into print. It will be available in August 2018.

In the book, four-year-old TJ spends his days on his lively Harlem block playing with his best friends WT and Blinky and running errands for neighbors. As he comes of age as a “Little Man” with big dreams, TJ faces a world of grown-up adventures and realities. Little Man, Little Man celebrates and explores the challenges and joys of black childhood. In it we not only see life in 1970s Harlem from a black child’s perspective; we gain a fuller appreciation of the genius of one of America’s greatest writers.

James Baldwin called Little Man, Little Man a “celebration of the self-esteem of black children.” In their brief introduction to the book, Baldwin scholars Nicholas Boggs and Jennifer DeVere Brody explain that the illustrations and text invite readers to “look again and experience the social ills represented in the book—violence, economic disparity, alcoholism and drug abuse, and the distortions of mass media—from the perspective of a black child, and one, it is important to note in closing, who is not innocent.” They suggest that audiences at the time were not ready for this perspective, which might explain the book’s initial reception.

Duke University Press’s new edition of Little Man, Little Man retains the charming original illustrations by French artist Yoran Cazac and includes a foreword by Baldwin’s nephew Tejan “TJ” Karefa-Smart (the inspiration for the title character) and an afterword by his niece Aisha Karefa-Smart.

Booksellers wanting more information or wishing to place an order for the book can contact Sales Manager Jennifer Schaper at jennifer.schaper@dukeupress.edu.

All other inquiries: Laura Sell, Publicity, lsell@dukeupress.edu or 919-687-3639.

Little Man, Little Man: A Story of Childhood
By James Baldwin. Illustrated by Yoran Cazac.
Edited and with an introduction by Nicholas Boggs and Jennifer DeVere Brody
With a foreword by Tejan Karefa and an afterword by Aisha Karefa-Smart
ISBN: 978-1-4780-0004-4
Hardcover, 128 pages, $22.95
Fully illustrated in color
August 2018

New Books in November

Another month, another batch of great new releases! Check out all the new books we have coming out in November.

978-0-8223-7016-1In Black and Blur—the first volume in his consent not to be a single being trilogy—Fred Moten engages in a capacious consideration of the place and force of blackness in African diaspora arts, politics, and life, exploring a wide range of thinkers, musicians, and artists. The other two volumes in the series will be out in the spring.

The contributors to Asian Video Cultures: In the Penumbra of the Global examine Asian video cultures—from video platforms in Indonesia to amateur music videos in India—in the context of social movements, market economies, and local popular cultures, showing how Asian video practices are central to shaping contemporary experiences and mainstream global media.

Melanie Yergeau’s Authoring Autism challenges the academic and cultural stereotypes that do not acknowledge the rhetorical capabilities of autistic people, and shows how autistics both embrace and reject the rhetorical, thereby queering the lines of rhetoric, humanity, agency, and the very essence of rhetoric itself.

978-0-8223-7021-5Reckoning with one’s role in perpetuating systematic inequality, in The Beneficiary Bruce Robbins examines the implications of a humanitarianism in which the prosperous are the both the cause and the beneficiaries of the abhorrent conditions they seek to remedy.

In Domestic Economies Susanna Rosenbaum examines how immigrant Mexican and Central American domestic workers in Los Angeles and the predominantly white, upper-middle-class women who employ them seek to achieve the “American Dream,” underscoring how the American Dream’s ideology is racialized and gendered while exposing how pursuing it lies at the intersection of motherhood and domestic labor.

In Epigenetic Landscapes Susan Merrill Squier follows the cultural trail of C. H. Waddington’s “epigenetic landscape” metaphor from its first visualization by the artist John Piper to its use beyond science, examining how it has been used to illustrate complex systems that link scientific and cultural practices: graphic medicine, landscape architecture, and bioArt.

In Passionate and Pious Monique Moultrie explores the impact of faith-based sexual ministries on black women’s sexual agency to trace how these women navigate sexuality, religious authority, and their spiritual walk with God.

978-0-8223-6898-4.jpgIn Saving the Security State Inderpal Grewal traces the changing relations between the US state and its citizens in an era she calls advanced neoliberalism, under which everyday life is militarized, humanitarianism serves imperial aims, and white Christian men become exceptional citizens tasked with protecting the nation from racialized others.

In Sounds of CrossingAlex E. Chávez explores the contemporary politics of Mexican migrant cultural expression manifest in huapango arribeño, a musical genre from north-central Mexico that helps Mexicans build communities on both sides of the US border and give voice to the transnational migrant experience.

N. Fadeke Castor’s Spiritual Citizenship explores the roles African religious practice play in the formation of social and political identities play in post-independence Trinidad and Tobago, showing how Ifá/Orisha practitioners build and perceive a sense of diasporic belonging that leads them to work toward black liberation and a decolonial future.978-0-8223-7150-2

In Street Archives and City Life Emily Callaci maps a new terrain of political and cultural production in mid-twentieth-century Tanzanian cities. While the postcolonial Tanzanian ruling party adopted a policy of rural socialism—Ujamaa—an influx of youth migrants to the city of Dar es Salaam generated innovative forms of urbanism through the production and circulation of street archives.

We are excited to publish a tenth anniversary expanded edition of Jasbir K. Puar’s pathbreaking book, Terrorist Assemblages—which features a new preface by Tavia Nyong’o and a new postscript by the author. Puar argues that configurations of sexuality, race, gender, nation, class, and ethnicity are realigning in relation to contemporary forces of securitization, counterterrorism, and nationalism.

978-0-8223-7034-5In Test of Faith photographer Lauren Pond documents a Signs Following preacher and his family in rural West Virginia, offering a deeply nuanced, personal look at serpent handling that invites a greater understanding of a religious practice that has long faced derision and criticism. The book is the eighth winner of the Center for Documentary Studies/Honickman First Book Prize in Photography.

978-0-8223-7001-7Paul Rabinow continues his explorations of “a philosophic anthropology of the contemporary” in Unconsolable Contemporary by examining the work of German painter Gerhard Richter. Defining the contemporary as a moving ratio in which the modern becomes historical, Rabinow uses Richter’s work to illustrate how meaning is created within the contemporary.

The contributors to Unfinished, edited by João Biehl and Peter Lockeexplore the ethnographic essay’s expressive potentials by pursuing an anthropology of becoming, which attends to the contingency of lived experience and provides new means to represent what life means and how it can be represented.

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Black Poetry Day

In honor of Black Poetry Day, we’re more than pleased to share a few poems from Black poets on our list.

978-0-8223-6272-2  978-0-8223-4696-8-frontcover  978-0-8223-9620-8-frontcover

 

try to silence the loud. the overly proud. the preacher. the
shroud. the sprung and the plowed. try to leaven the low so
the children can grow but the neighbors won’t know, unbossed
but still bowed. try to open the hope with braids and with
rope and with water and soap try to truss out the truth. try to
piecemeal the peace stitch together some sleep and relax for the
reap for the road for the real stuff. try to sap out the stay and
partition the play it is better that way someone whispered once.
try to grow out the grout, groan when you should shout, you
know what it’s about, you know you know you know you know
you know you know but you don’t hear me though.

-Alexis Pauline Gumbs, Spill

 

b jenkins

just so you know, no one could have told me you didn’t want to go
outside. this exercises phonograph to take the receiver and call you
for something we hear together, some of the same stories, some of the
same things. to stretch repeat so thin it fades to various is the aim of
the phone call. the phonograph is also a photograph of movement and
what it bears. you found dances waiting for dancers. your silhouette is
patient form. I know you can cant. I know you can make it if you try.

I’m getting along alright. I say a little prayer. mama’s baby sadie mae
ms. davis’ blue and red. at the duck inn mighty lions roar. you and
bobby bradford run away together. this earth tone air is b.c. marks’s
pine bluff arkansas, asleep in new pajamas at the desert inn, to walk
joe williams pieceway home to waycross, you and me against the world,
every time we say goodbye. I’ll be seeing you in all the unfamiliar places
where they till our long advance. this is the cluster song of our romance.

-Fred Moten, b jenkins

 

And When I Write the Muscles in My Chest Move as if in Flight

Sometimes the eye of the bird
is a sky that is moving
among the molecules and over
twenty different landscapes
someone has crossed, even lived in,
perhaps longing for the soil of at least
one to wear in her pinions in those
high-necked altitudes that see
the endless couplings of man and
woman and woman and man and
man and woman like a garland
circling the broken globe.

-Yvette Christiansë, Castaway

 

Be sure to check out civil rights poetry collection Words of Protest, Words of Freedom as well, and keep an eye out for consent not to be a single being, an upcoming trilogy by Fred Moten, and M Archive, coming in March from Alexis Pauline Gumbs.

After #Ferguson, After #Baltimore: The Challenge of Black Death and Black Life for Black Political Thought

ddsaq_116_3The most recent issue of South Atlantic Quarterly, “After #Ferguson, After #Baltimore: The Challenge of Black Death and Black Life for Black Political Thought,” edited by Barnor Hesse and Juliet Hooker, is now available.

Drawing primarily on the US #blacklivesmatter movement, contributors to this issue come to terms with the crisis in the meaning of black politics during the post–civil rights era as evidenced in the unknown trajectories of black protests. The authors’ timely essays frame black protests and the implications of contemporary police killings of black people as symptomatic of a crisis in black politics within the white limits of liberal democracy.

Topics in this issue include the contemporary politics of black rage; the significance of the Ferguson and Baltimore black protests in circumventing formal electoral politics; the ways in which centering the dead black male body draws attention away from other daily forms of racial and gender violence that particularly affect black women; the problem of white nationalisms motivated by a sense of white grievance; the international and decolonial dimensions of black politics; and the relation between white sovereignty and black life politics.

Read the introduction, made freely available.

Read to Respond: Racial Justice

R2R final logoOur “Read to Respond” series addresses the current climate of misinformation by highlighting articles and books that encourage thoughtful, educated debate on today’s most pressing issues. This post focuses on racial justice, diving deep into topics such as racial identity, the Ferguson trial, and black activism. Read, reflect, and share these resources in and out of the classroom to keep these important conversations going.

Racial Justice

 

 

 

 

Read to Respond: Queer Studies

R2R final logoOur “Read to Respond” series addresses the current climate of misinformation by highlighting articles and books that encourage thoughtful, educated debate on today’s most pressing issues. This post focuses on queer studies in celebration of Pride Month and yesterday’s Equality March for Unity & Pride. Read, reflect, and share these resources in and out of the classroom to keep these important conversations going.

Queer Studies

These articles are freely available until December 15, 2017. Follow along with the series over the next several months and share your thoughts with #ReadtoRespond.

New Books in May

Here in Durham, we’re in the middle of warm spring weather perfect for reading outside in the sunshine. Add some of these upcoming May reads to your own reading list, and don’t forget that you can save up to 50% on in-stock titles through May 10! (Read the fine print of our sale here.)

978-0-8223-6349-1In I Love My Selfie noted cultural critic Ilan Stavans explores the selfie’s historical and cultural roots by discussing everything from Greek mythology and Shakespeare to Andy Warhol, James Franco, and Pope Francis. This collaboration includes a portfolio of fifty autoportraits by the artist ADÁL; he and Stavans use them as a way to question the notion of the self and to engage with artists, celebrities, technology, identity, and politics.

Through essays analyzing the photography of luminaries such as Cindy Sherman, Robert Mapplethorpe, and Susan Meiselas, pioneering feminist art critic Abigail Solomon-Godeau, in Photography after Photography, extends her politically engaged and theoretically sophisticated inquiry into the historical and cultural circuits of power as they shape and inform the practice, criticism, and historiography of photography.

Solomon-Godeau_pbk_cover.inddIn The Power of the Steel-Tipped Pen Noenoe K. Silva creates a model indigenous intellectual history of a culture where—using Western standards—none is presumed to exist by examining the work of two lesser-known Hawaiian language writers from the nineteenth-century whose prolific output across many genres created a record of Native Hawaiian cultural history and thought.

Gabriel Rockhill, in Counter-History of the Present, examines the widespread understanding that we are living in an era of globalization that is bound by economic and technological networks and an unquestionable faith in democracy, replacing it with a counter-history that accounts for the diversity of lived experience and offers new ways to imagine the future.

978-0-8223-6368-2In Archives of Labor Lori Merish establishes working-class women as significant actors within nineteenth-century U.S. literary culture by analyzing previously unexplored archives of working-class women’s literature, showing how white, African American, and Mexican American factory workers, seamstresses, domestic workers, and prostitutes understood themselves while forging class identity.

Beyond Civil Society challenges current understandings of the politics of protest, activism, and participation by examining the ways in which social movements in late twentieth- and early twenty-first-century Latin America blur the boundaries between civil and uncivil activism and between activism carried out in state and the streets. The collection is edited by Sonia E. Alvarez, Jeffrey W. Rubin, Millie Thayer, Gianpaolo Baiocchi, and Agustín Laó-Montes.

978-0-8223-6901-1In Degrees of Mixture, Degrees of Freedom, Peter Wade draws on a multidisciplinary research study in Mexico, Brazil, and Colombia, arguing that genomics produces biologized versions of racialized difference within the nation and the region and that a comparative approach nuances the simple idea that highly racialized societies give rise to highly racialized genomics.

The contributors to Photography and the Optical Unconscious, edited by Shawn Michelle Smith and Sharon Sliwinski, use Walter Benjamin’s concept of the optical unconscious to investigate how photography has shaped history, modernity, perception, lived experience, politics, race, and human agency, thereby opening up new avenues for thinking about photography and the human psyche.

978-0-8223-6903-5Judith Casselberry’s The Labor of Faith examines the material and spiritual labor of the women of a Black Pentecostal church in Harlem, showing how their work keeps the church running while providing them with a spiritual authority that allows them to exercise power in the male-led church.

In The Economization of Life Michelle Murphy examines the ways in which efforts at population control since World War II have tied reproduction to neoliberal capitalism, showing how data collection practices have been used to quantify the value of a human life in terms of its ability to improve the nation-state’s gross domestic product.

Erin Beck, in How Development Projects Persist, examines microfinance NGOs working with poor, rural women in Guatemala to show how these women creatively and strategically use the NGOs to their own benefit in ways that do not necessarily match the goals of the NGOs, demonstrating that development projects are often transformed and persist in unexpected ways.

We’re also distributing three new exhibition catalogues this month:

TitleTreatment_FINALNina Chanel Abney: Royal Flush, a publication of the Nasher Musuem of Art at Duke University, accompanies the exhibition of the same name, a ten-year survey of one of the most provocative and iconoclastic artists working today. Royal Flush is on display at the Nasher until July 16, 2017.

A landmark exhibition on display at the Brooklyn Museum until September 17, 2017, We Wanted a Revolution: Black Radical Women, 1965–85 examines the political, social, cultural, and aesthetic priorities of women of color during the emergence of second-wave feminism. The accompanying Sourcebook republishes an array of rare and little-known documents from the period by artists, writers, cultural critics, and art historians such as Gloria Anzaldúa, James Baldwin, bell hooks, Lucy R. Lippard, Audre Lorde, Toni Morrison, Lowery Stokes Sims, Alice Walker, and Michelle Wallace. The exhibition will also be on display at the California African American Museum in Los Angeles from October 13, 2017, through January 14, 2018, and at the Institute of Contemporary Art/Boston from June 26, 2018, through September 30, 2018.

Julie Thomson’s Begin to See: The Photographers of Black Mountain College is the first in-depth exhibition and catalogue devoted to photography taken at the college and features over 100 photographs by more than forty artists as well as essays, photographer biographies, and a chronology of photography at Black Mountain College. The catalogue is published by the Black Mountain College Museum + Arts Center, where the exhibition is on display until May 20, 2017.

Never miss a new book! Sign up for Subject Matters, our e-mail newsletter, and get notifications of new titles in your preferred disciplines as well as discounts and other news.

Read to Respond: Articles for Student Activists

R2R final logoOur “Read to Respond” series addresses the current climate of misinformation by highlighting articles and books that encourage thoughtful, educated debate on today’s most pressing issues. Read, reflect, and share these resources in and out of the classroom to keep these important conversations going.

Articles for Student Activists:

These articles are freely available until August 15, 2017. Follow along with the series over the next several months and share your thoughts with #ReadtoRespond.

Poem of the Week

978-0-8223-6272-2_prHappy National Poetry Month! Each Thursday in April, we’ll share a poem from our collection of poetry books. Today’s poem, by Alexis Pauline Gumbs, is from her new book Spill: Scenes of Black Feminist Fugitivity.

 

her fingerprints rewritten rivers of coconut oil and shea. strands the geological memories punctuating the groove and hands god herself who moves and moves and moves. some would say she is slick. some would say she is thick. most would not say she is soaked in the universe. most would not compare the tiny ridges on her fingertips to the oldest forms of script. most would not connect the floorboards of her porch to the roots that they remember when she sits. most would not observe her face looking for patterns that are visible from space. her clients keep their backs to her. they have no eyes for what she sees. and the sea? well. they forget the ocean. themselves. but the desert. they remember enough to long for moisture. and to trust.

her eyelids know streambeds are pathways. know water from sky. know there is a spiritual reason why your scalp is dry. know cornrows from ricefields know laurels from crowns know most hieroglyphics are nouns. but her fingers speak present tense like weather and how. and her works of art feel pain but know better than to howl. they don’t understand the tapestry on their shoulders is a towel. but they know enough to sit up tall. they sure know not to scream. and when she’s finished they recognize themselves as a forgotten black dream.

even air becomes a ribbon even silence has a scent even laughter gets braided even split ends repent. and the pattern in her breathing settles sweetly on their pores and the unlocked locks of tangle get unnetted from the shore. and all the elders know to say is: she has been here before.

it looks like whirlwind. it feels like your head is shrinking. it smells like heaven. it tastes like salt. it sounds slightly like a waterfall. it goes like this:

massage out monday massage in more massage through mandate awaken the core. part practice from patience part what they say from what you know part partness from wholeness part being from show. braid fear over faith under throughline walking home. twist and repeat. braid faith over fear underneath speech. add in one perfect day with delicious food and plenty of sleep. coil coolness up and through sheen spray with sunbaked heat. and repeat and repeat and repeat and repeat. some only come out of the sense that they should sit down. but she makes sure they stand up. crowned.

Learn more about Spill.

Celebrating International Women’s Day

InternationalWomensDay-portraitToday is International Women’s Day (IWD), a global day celebrating the social, economic, cultural, and political achievements of women. Since the early 1900s, this day has been a powerful platform that unifies tenacity and drives action for gender parity globally. IWD organizers are calling on supporters to help forge a better-working and more gender-inclusive world. In honor of this year’s International Women’s Day, we are pleased to share these recent books and journals from Duke University Press that support this year’s IWD theme: #BeBoldForChange.

Trans/Feminisms
a special issue of TSQ: Transgender Studies Quarterly

tsq_new_prThis special double issue of TSQ goes beyond the simplistic dichotomy between an exclusionary transphobic feminism and an inclusive trans-affirming feminism. Exploring the ways in which trans issues are addressed within feminist and women’s organizations and social movements around the world, contributors ask how trans, genderqueer, and nonbinary issues are related to feminist movements today, what kind of work is currently undertaken in the name of trans/feminism, what new paradigms and visions are emerging, and what questions still need to be taken up. Central to this special issue is the recognition that trans/feminist politics cannot restrict itself to the domain of gender alone.

This issue features numerous shorter works that represent the diversity of trans/feminist practices and problematics and, in addition to original research articles, includes theory, reports, manifestos, opinion pieces, reviews, and creative/artistic productions, as well as republished key documents of trans/feminist history and international scholarship.

Living a Feminist Life

978-0-8223-6319-4In Living a Feminist Life Sara Ahmed shows how feminist theory is generated from everyday life and the ordinary experiences of being a feminist at home and at work. Building on legacies of feminist of color scholarship in particular, Ahmed offers a poetic and personal meditation on how feminists become estranged from worlds they critique—often by naming and calling attention to problems—and how feminists learn about worlds from their efforts to transform them. Ahmed also provides her most sustained commentary on the figure of the feminist killjoy introduced in her earlier work while showing how feminists create inventive solutions—such as forming support systems—to survive the shattering experiences of facing the walls of racism and sexism. The killjoy survival kit and killjoy manifesto, with which the book concludes, supply practical tools for how to live a feminist life, thereby strengthening the ties between the inventive creation of feminist theory and living a life that sustains it.

1970s Feminisms
a special issue of South Atlantic Quarterly

ddsaq_114_4For more than a decade, feminist historians and historiographers have engaged in challenging the “third wave” portrait of 1970s feminism as essentialist, white, middle-class, uninterested in racism, and theoretically naive. This task has involved setting the record straight about women’s liberation by interrogating how that image took hold in the public imagination and among academic feminists. This issue invites feminist theorists to return to women’s liberation—to the texts, genres, and cultural productions to which the movement gave rise—for a more nuanced look at its conceptual and political consequences. The essays in this issue explore such topics as the ambivalent legacies of women’s liberation; the production of feminist subjectivity in mass culture and abortion documentaries; the political effects of archiving Chicana feminism; and conceptual and generic innovations in the work of Gayle Rubin, Christine Delphy, and Shulamith Firestone.

The Revolution Has Come: Black Power, Gender, and the Black Panther Party in Oakland

978-0-8223-6286-9In The Revolution Has Come Robyn C. Spencer traces the Black Panther Party’s organizational evolution in Oakland, California, where hundreds of young people came to political awareness and journeyed to adulthood as members. Challenging the belief that the Panthers were a projection of the leadership, Spencer draws on interviews with rank-and-file members, FBI files, and archival materials to examine the impact the organization’s internal politics and COINTELPRO’s political repression had on its evolution and dissolution. She shows how the Panthers’ members interpreted, implemented, and influenced party ideology and programs; initiated dialogues about gender politics; highlighted ambiguities in the Panthers’ armed stance; and criticized organizational priorities. Spencer also centers gender politics and the experiences of women and their contributions to the Panthers and the Black Power movement as a whole. Providing a panoramic view of the party’s organization over its sixteen-year history, The Revolution Has Come shows how the Black Panthers embodied Black Power through the party’s international activism, interracial alliances, commitment to address state violence, and desire to foster self-determination in Oakland’s black communities.

Reconsidering Gender, Violence, and the State
a special issue of Radical History Review

ddrhr_126In bringing together a geographically and temporally broad range of interdisciplinary historical scholarship, this issue of Radical History Review offers an expansive examination of gender, violence, and the state. Through analyses of New York penitentiaries, anarchists in early twentieth-century Japan, and militarism in the 1990s, contributors reconsider how historical conceptions of masculinity and femininity inform the persistence of and punishments for gendered violence. The contributors to a section on violence and activism challenge the efficacy of state solutions to gendered violence in a contemporary US context, highlighting alternatives posited by radical feminist and queer activists. In five case studies drawn from South Africa, India, Ireland, East Asia, and Nigeria, contributors analyze the archive’s role in shaping current attitudes toward gender, violence, and the state, as well as its lasting imprint on future quests for restitution or reconciliation. This issue also features a visual essay on the “false positives” killings in Colombia and an exploration of Zanale Muholi’s postapartheid activist photography.

Color of Violence: The INCITE! Anthology

978-0-8223-6295-1The editors and contributors to Color of Violence ask: What would it take to end violence against women of color? Presenting the fierce and vital writing of INCITE!’s organizers, lawyers, scholars, poets, and policy makers, Color of Violence radically repositions the antiviolence movement by putting women of color at its center. The contributors shift the focus from domestic violence and sexual assault and map innovative strategies of movement building and resistance used by women of color around the world. The volume’s thirty pieces—which include poems, short essays, position papers, letters, and personal reflections—cover violence against women of color in its myriad forms, manifestations, and settings, while identifying the links between gender, militarism, reproductive and economic violence, prisons and policing, colonialism, and war. At a time of heightened state surveillance and repression of people of color, Color of Violence is an essential intervention.

World Policy Interrupted
a special issue of World Policy Journal

wpj33_4_23_frontcover_fppThis issue is penned entirely by female foreign policy experts and journalists and “imagines a world where we wouldn’t need to interpret to be heard at the table. In reconstructing a media landscape where the majority of foreign policy experts quoted, bylined, and miked are not men, we quickly gain deeper insight into a complex world, one historically narrated by only one segment of society,” co-editors Elmira Bayrasli and Lauren Bohn write. Bayrasli and Bohn lead Foreign Policy Interrupted, a program that mentors, develops, and amplifies the voices of women in the international policy field. Foreign Policy Interrupted combats the industry’s gender disparity through a visibility platform and a cohesive fellowship program, including media training and meaningful mentoring at partnering media institutions. The program helps women break both internal and external barriers.

Stay up to date on women’s studies scholarship with these journals on gender studies, feminist theory, queer theory, and gay and lesbian studies:

Camera Obscura
differences
GLQ: A Journal of Lesbian and Gay Studies
Journal of Middle East Women’s Studies