Anthropology

A New Anthropology of the Arts from Michael M. J. Fischer: The Weekly Read

The Weekly Read is Probing Arts and Emergent Forms of Life, a new book by Michael M. J. Fischer. Examining the work of key Southeast and East Asian artists, Fischer calls for a new anthropology of the arts that attends to the materialities and technologies of the world as it exists today. Gabriele Schwab says, “His grasp of the diverse cultural scenes he considers is superb and, to the best of my knowledge, unique in its breadth.” Read this fascinating book now for free!

The Weekly Read is a weekly feature in which we highlight articles, books, and chapters that are freely available online. You’ll be able to find a link to the selection here on the blog as well as on our social media channels. Enjoy The Weekly Read, and check back next week for something new to read for free.

New Books in May

It’s the end of the semester! Celebrate the start of summer with some of the great new titles we have coming out in May.

Cover of Annotations: On the Early Thought of W. E. B. Du Bois by Nahum Dimitri Chandler. The cover is a sepia photo of W. E. B. Du Bois at home in New York City, 1946. Du Bois smiles at the camera with his hands folded in front of him. Behind him is a painting of Frederick Douglass, and underneath the painting is a table with a picture of a baby on it.

In Annotations, Nahum Dimitri Chandler offers a philosophical interpretation of W. E. B. Du Bois’s 1897 American Negro Academy address, “The Conservation of Races,” proposing both a close reading of Du Bois’s engagement of the concept of race and a meditation on Du Bois’s conceptualization of historicity.

Maylei Blackwell tells the story of how Indigenous women’s activism in Mexico and California moves in and between local, national, continental, and transborder scales in Scales of Resistance.

In Insignificant Things, Matthew Francis Rarey traces the history of the amulet pouches that enslaved and other marginalized people carried as tools of survival in the Black Atlantic world and shows how they are examples of the visual culture of enslavement.

Cover of Waste Works: Vital Politics in Urban Ghana by Brenda Chalfin. Title is in puce above a photo of a Black man in sunglasses, wearing shorts and a t-shirt, sitting on a disconnected toilet on a beach with the surf behind him. A vase sits on one side of the toilet and an end table with some art objects on the other.

Brenda Chalfin examines Ghana’s planned city of Tema in Waste Works, theorizing about the formative role of waste infrastructure in urban politics and public life.

In A Vital Frontier, Andrea Muehlebach follows activists across Europe as they struggle to preserve water as a commons and public good in the face of privatization.

Examining the work of key Southeast and East Asian artists, Michael M. J. Fischer calls for a new anthropology of the arts that attends to the materalities and technologies of the world as it exists today in Probing Arts and Emergent Forms of Life.

Cover of Since Time Immemorial: Native Custom and Law in Colonial Mexico by Yanna Yannakakis. Cover is made to resemble old paper. On the right side is a pattern of blue and purple lines that form a semicircle, with small drawn figurines walking on the lines. Stretching from the semicircle is a purple branch, and along the branch and past its end is a pattern of figurines that stretch down the left of the cover.

In Since Time Immemorial, Yanna Yannakakis traces the creation of Indigenous custom as a legal category and its deployment as a strategy of resistance to empire in colonial Mexico.

Brianne Cohen considers the role of contemporary art in developing a public commitment to ending structural violence in Europe in Don’t Look Away.

First published in Cuba in 1954 and appearing here in English for the first time, Lydia Cabrera’s El Monte is a foundational and iconic study of Afro-Cuban religious and cultural traditions. 

In Curating the Moving Image, influential curator and theorist Mark Nash draws on his work at Documenta11, the Venice Biennale, and elsewhere to explore the possibilities of contemporary curation.

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New Books in April

April showers bring plenty of opportunities to curl up inside with a new book. Check out the great new titles we have coming out this month!

Focusing on the figure of the puta—the whore, that phantasmatic figure of Latinized feminine sexual excess—Juana María Rodríguez probes the ways that sexual labor and Latina sexuality become visual phenomena in Puta Life.

Zeynep K. Korkman examines Turkey’s commercial fortune-telling cafes where secular Muslim women and LGBTIQ individuals can navigate the precarities of twenty-first-century life in Gendered Fortunes.

Bishnupriya Ghosh explores the media practices that inscribe and transmit data about infectious diseases and shape how we live with perpetual pandemics in The Virus Touch.

Claudia Calirman examines sixty years of visual art by prominent and emerging Brazilian women artists from the 1960s to the present who use gender politics to fight social inequalities, discrimination, structures of power, and state violence in Dissident Practices. If you’re in New York City, you can see artwork related to the book at a new show Calirman has curated at the Anya and Andrew Shiva Gallery. It will be on display from April 19-June 16.

The contributors to Biopolitics, Geopolitics, Life, edited by René Dietrich and Kerstin Knopf, investigate biopolitics and geopolitics as two distinct yet entangled techniques of settler colonial states across the globe, contending that Indigenous life and practices cannot be contained and defined by the racialization and dispossession of settler colonialism.

In Mendings, Megan Sweeney tells an intimate story about family, selfhood, and love and loss, showing how her lifetime practice of sewing and mending clothes becomes a way of living.

In The Queer Art of History, Jennifer V. Evans examines postwar and contemporary German history to broadly argue for a queer history that moves beyond bounded concepts and narratives of identity, showing how an analytic of kinship more fully illuminates the work of solidarity and intersectional organizing across difference.

Lisa Mitchell explores the historical and contemporary methods of collective assembly that people in India use to hold elected officials and government administrators accountable in Hailing the State.

In The Autocratic Academy, Timothy V. Kaufman-Osborn outlines the history of American higher education’s formal organization as an incorporated autocracy that is tied to capitalism, arguing that the academy must reconstitute itself in accordance with the principles of democratic republicanism in which members choose who govern and can hold them accountable.

Timothy D. Taylor offers a behind-the-scenes look at the working composers, musicians, and engineers who create soundtracks for film, television, and video games in Working Musicians.

In A Vital Frontier, Andrea Muehlebach examines the work of activists across Europe as they organize to preserve water as a commons and public good in the face of privatization. 

Never miss a new book! Sign up for our e-mail newsletters, and get notifications of new titles in your preferred disciplines as well as discounts and other news.

Legal Personhood of Rivers and the Failure of Imagination: A World Water Day Guest Post by Naveeda Khan

On March 4, I woke up to an urgent message from Avaaz in my email asking me to join the global effort to protect the Earth’s rivers.  An image of a polluted river with denuded sides crowded with people trying to bathe or to pan (it was unclear which) graced their petition.  This could be any water body anywhere.  Yet, I have argued for paying attention to the specificity of types of water bodies in my scholarly work, thinking to militate against the tendency to dissolve all to water within the framework of Integrated Water Resources Management (IWRM), the reigning policy paradigm.  It matters whether water comes in a plastic container or from a tube-well.  It matters what type of a river it is, say, braided or meandering.  Entirely different sets of experiences, practices, policies, problems spring to mind with each.

978-1-4780-1939-8My intuition is served by the recent spate of efforts to give personhood to rivers as distinct from other water bodies.  New Zealand’s Whanganui, United States’ Klamath, Colombia’s Amazon, Canada’s Magpie are all rivers which have had personhood given to them. The western legal concept of a person with rights and responsibilities has been tasked to express varying Indigenous notions of the river, from embodying ancestors to aspects of Mother Earth.  Whereas the notion of personhood has been used to much pernicious effect, such as in the granting of personhood to corporations, invariably the effort to extend personhood to rivers is to protect them, say from mining or damming or to secure them for eco-tourism, the latter bringing with it its own issues and concerns.

Even if such legal claims are yet to be tested and the protective, redemptive measures that unfold from them yet to be borne out in practice, the granting of personhood to rivers seems a positive development.  It helps express in however awkward a fashion a range of relations to rivers beyond thinking of them as “ecological service infrastructures” and provides a conceptual bridge for the imagination to take flight to explore other possible relations to rivers than the ones to which one is accustomed.  It raises the question for me: by means of this legal claim, what experiences and possibilities present themselves to people who have otherwise very instrumentalist relations to rivers?  Can we reimagine our relation to rivers?

As I explore in my recent book on the Jamuna River in Bangladesh, the river expresses itself in myriad ways among those who live alongside it.  While writing my book, I was hard pressed to find elaborate cosmologies with respect to the river.  Inspired by these recent moves to grant personhood to rivers, I turned to newspaper reportage on rivers in Bangladesh to see how these moves had registered within the Bangladeshi imagination.  The English national daily, the Daily Star, known for its consistent focus on the plight of rivers in Bangladesh, records the appalling state of the many rivers of Bangladesh (the Government of Bangladesh portal records 800).  The articles point to visual evidence and studies to show how rivers are being filled in to create roads and build factories and how their waters are becoming toxic due to chemical, industrial and household wastes.  Some are more forthright in saying that Bangladesh rivers are dying; in fact, 29 are considered biologically dead, unable to support life, possibly asphyxiating.

Among the causes for this crisis in the rivers of Bangladesh are infrastructural tendencies towards river training and the creation of embankments left over from British colonial times.  Other articles point to unfair water arrangements with India, notably the Farraka and Gajoldoba Barrages that caused the decline of the Padma and Teesta Rivers in Bangladesh.  In a grimly amusing interview with Saber Hossain Chowdhury, head of the parliamentary committee on Environment, Forest and Climate Change, he recounted “they [the industry’s ministry] make the same excuses each time, massive employment and earning of foreign currencies are involved with the tannery industry and a shutdown will have a negative impact,” followed by “We have asked the environment ministry to take measures to sever electricity connection to the respective industrial units upon their failure to act on the directives” (“Slow Death of the Dhaleswari”  Daily Star July 18, 2022).  And in a clear recognition that the forces that spell the death of rivers are the very same forces that seek to capture all resources in Bangladesh, another article specifies that names of encroachers on rivers be put on lists to prevent them from running for office, getting bank loans or even leaving the country (“Protecting Rights of Rivers: Turning Intentions into Action, Nov 20, 2020).

Such, then, is the context within which the Bangladesh High Court conferred legal personhood upon the Turag River in February 2019 and by extension all rivers in Bangladesh.  Writing in October 2021, Suraya Ferdous explains the history of the concept of environmental personhood to Daily Star readers, tracing it back from Dr. Christopher Stone’s 1972 book Should Trees Have Standing?, to the 1972 U.S. Supreme Court Decision on behalf of natural entities, and to Ecuador’s enshrinement of the rights of Pachamamma (Mother Earth) in 2007 and Bolivia’s “Law of the Rights of Mother Earth” (“The Idea of ‘Environmental Personhood’ with Reference to River” Daily Star, Oct 16, 2021).  The author notes that the important shift is in perception, from anthropocentricism that upholds natural entities as mere resources for human use, to considering that entities have their own rights to shield themselves from human exploitation. “Legal personhood entitles a river to sue, to utilise compensation for its own wholesomeness, to have a say in multipurpose projects and to have a right in rem not to be affected adversely” (ibid).  The National River Conservation Commission (NRCC), created in 2014, was granted guardianship of the Turag.  Given the parlous state of law and order in Bangladesh it should not surprise that the NRCC’s efforts to publicize the names of encroachers on rivers are equal parts heroic and pusillanimous for quickly shelving any further actions against them.

What is interesting in the case of Bangladesh extending the rights of personhood to rivers is what transfers from the most capacious understanding of the notion of personhood of rivers.  This is another way of asking: what experiences and possibilities present themselves to people who have otherwise very instrumentalist relations to rivers?  Can we reimagine our relation to rivers?  In the case of say the Whangaui River in New Zealand, it is seen as continuous with the Maori social body—any harm to it is harm to Maoris. Meanwhile, rivers in Bangladesh are granted a more limited set of rights that stops shy of treating them as persons.  Rather, they are in the stated custody of persons whose practical action is to protect the rivers, again not for the rivers’ own sake but for the sake of the general good.  This fits within the normative Muslim perspective, in which nature is given to humans for their use but also to be safeguarded as God’s creation against human excesses (Bangladesh is majority Muslim).  Here too is an unstated reference to Hindu-Muslim relations in these parts through the implicit concern with associating humans with non-humans or rendering non-humans humanlike.  What is worrying for me in this question of what transfers or doesn’t transfer is the continued occlusion of those bodies which may put themselves with rivers along a continuum of personhood.  Indigenous populations or Adivasis in Bangladesh have long maintained relations with sacred groves, mountains and water bodies.  They have also long suffered violence and dispossession of their ancestral lands.  While personhood for rivers may enter the Bangladesh imagination through the route of international legal actions, it is dispiriting to find that it does not spur inquiry into Indigenous peoples in Bangladesh, as if they have nothing to add on the matter or insights, experiences, or even critiques.  In the event marking the launch of the bilingual translation of the above-mentioned High Court judgment in English and Bengali (“Protecting Rights of Rivers: Turning Intentions into Action, Nov 20, 2020), we hear from students of geography and law, various high-ranking officials of the Bangladesh Government, the senior editor of the Daily Star, lawyers, environmental activists associated with Bangladesh Poribesh Andolon (BAPA), and members of the NRCC. The usual faces, the usual voices, join in an undoubtedly noble struggle to keep alive rivers in Bangladesh, but offer no new possibilities for re-imagining our relations to rivers.

thumbnail_image001Naveeda Khan is Associate Professor of Anthropology at Johns Hopkins University and author of Muslim Becoming: Aspiration and Skepticism in Pakistan and the new book River Life and the Uprising of Nature. Save 50% on both books, now through April 17, with coupon code SPRING23.

Rooting Justice in Forest Worlds: A Proposal for the International Day of Forests, a Guest Post by Daniel Ruiz-Serna

“Interaction with forests is not a choice. Only how we interact with them is.”

Forests have been around way before humankind. They master life and thought. How much do they know about time and the stars? Or about geometry and chemistry? What about grief and joy? We should ask them, just as many forest dwellers, human and otherwise, have been doing for millennia. We, humans, still need to learn to hear and understand the forests’ answers. Today, March 21, is the observance of the International Day of Forests, a date instituted by the United Nations only eleven years ago. The theme for 2023, “Forests and Health,” is a reminder of how our collective well-being, our flourishing, is deeply rooted and entangled with the fate of these sylvan landscapes—a fate increasingly compromised on account of rapacious economic systems, predatory policies, volatile infrastructures, and armed interests.

Cover of When Forests Run Amok: War and Its Afterlives in Indigenous and Afro-Colombian Territories by Daniel Ruiz-Serna. The top half of the cover is pale green, the bottom is a photo of a man in a red shirt sitting on a wooden boat racing down the river. The trees in the background of the photo are blurred to convey the motion of the boat.

Although most of us would associate forests with wilderness and rural places, forests contribute a great deal to the health of urban populations and industrialized societies. A recent report from the Food and Agriculture Organization made that link very explicit[1]. And a tiny virus that jumped from wild animals to human hosts in 2019 and that has provoked more than 6.5 million deaths worldwide is a reminder of that entangled relationship. Interaction with forests is not a choice. Only how we interact with them is. In fact, it is only by virtue of that interaction that we cultivate our humanness.

Consider the following word: naku. It belongs to the Sapara language, the mother tongue of a small number of individuals that compose the Indigenous Sapara nation living in the Amazon, on Ecuador’s eastern border with Peru. Naku might roughly be translated as forest, that sylvan world that surrounds, welcomes, and nourishes this and the about 400 Indigenous nations that call the Amazon rainforest their home. But, unlike the source of natural resources and environmental services that the FAO describes in the aforementioned report, naku describes a profusion of sentient beings (some of animal and vegetal form, others made of more intangible but not less real components) with whom people share different degrees of intellectual, bodily, and spiritual connections. The world, hold different Sapara leaders, is naku, is forest;[2] and to know the world, with all its ferocity and kindness, is fundamentally to engage in meaningful relations with the myriad beings that forests harbor. One cultivates one’s own humanness in the company of these sylvan worlds, as a guest of forests, not as a master of them.

What happens when these relations are severely hindered by war? That is the question that drove my ethnographic inquiry in Bajo Atrato, a region located in the forestlands located on the northwestern Colombian Pacific coast. I saw how armed conflict is an experience wherein suffering extends beyond the people, provoking a form of collective harm that is embodied by the other-than-human beings and the sentient places that compose the traditional territories of Indigenous and Afro-Colombian peoples. Trees heavily pocked from gunfire; rivers that became floating cemeteries of trees; spiritual protectors of game that decided to keep animals out of the reach of people; snakes capable of injecting into their victims’ wounds a poison that pollutes the land that warlords had transformed into oil palm plantations; evil beings that, after having been released by powerful shamans in their attempt to protect communities from the raids carried out by armies, are now wreaking havoc, drowning people and devouring their noses and their fingers. These are some of the afterlives of war, and they have triggered a kind of ecological violence that cannot be easily tackled with the language of human rights and environmental degradation.

Photo of Daniel Ruiz-Serna standing in front of a body of water. He wears a jean jacket, a hat, and glasses, and the photo captures him from the torso up.

War, just like everyday human life, is always a multispecies effort. War, at least as it has been waged in the forests of Colombia, challenges assumptions regarding selfhood, bodies, the elements of life, and the distinctiveness of humans. And given that armed conflict compromises the web of relations through which people and different sentient beings weave their lives together, it also compels us to explore what justice means and how it can be achieved in regions where colonialism, state violence, and militarism have entangled human and nonhuman lives and shown their shared vulnerability. On the International Day of Forests, we should recall that when forests are harmed, when they run amok because of our destructive actions, not only is human health at stake, but the fate of the world itself is jeopardized, because without forests, our world will not simply be poorer. Our world will not be a world at all.

Daniel Ruiz-Serna is Lecturer of Anthropology at Dawson College, and author of When Forests Run Amok: War and Its Afterlives in Indigenous and Afro-Colombian Territories, published by Duke University Press. Read the introduction to his book for free and save 50% with coupon code SPRING23 now through April 17.


[1] See FAO. 2020. Forests for human health and well-being – Strengthening the forest–health–nutrition nexus. Forestry Working Paper No. 18. Rome. Available on https://www.fao.org/3/cb1468en/cb1468en.pdf

[2] See Declaración Kamungishi. Available on https://rebelion.org/hogar-de-la-selva-para-el-continuo-renacer/

World Anthropology Day

A blue square logo which reads Official 2023 Anthropology Day Participant: Duke University Press, from AmericanAnthro.org/AnthroDay #AnthroDay. Inside the square logo is a circle which reads Anthro Day, Feb. 16, 2023.

Happy World Anthropology Day! Duke University Press joins the American Anthropological Association to celebrate the research and achievements of anthropologists around the world. Here are some of the new and recent titles that showcase the current directions of the field. We hope that you read and recommend these works, and perhaps bring them into your classrooms!

Sophie Chao examines the multispecies entanglements of oil palm plantations in West Papua, Indonesia in In the Shadow of the Palms, showing how Indigenous Marind communities understand and navigate the social, political, and environmental demands of the oil palm plant.

Cover of The Small Matter of Suing Chevron by Suzana Sawyer. Cover features a topographical photo of an oil covered environment.

In The Small Matter of Suing Chevron, Suzana Sawyer traces Ecuador’s lawsuit against the Chevron corporation for the environmental devastation resulting from its oil drilling practices, showing how distinct legal truths were relationally composed of, with, and through crude oil.

Eleana J. Kim shows how a closer examination of the Demilitarized Zone area in South Korea reveals that the area’s biodiversity is inseparable from scientific practices and geopolitical, capitalist, and ecological dynamics in Making Peace with Nature.

In Gridiron Capital, Lisa Uperesa charts the cultural, historical, and social dynamics that have made American football so central to Samoan culture.

Cover of A Ritual Geology: Gold and Subterranean Knowledge in Savanna West Africa by Robyn d′Avignon. Cover features a black and white photograph of a man digging a hole in the desert in order to establish a mine.

Robyn d’Avignon tells the history of West Africa’s centuries-old indigenous gold mining industries and its shared practices, prohibitions, and cosmological engagements in A Ritual Geology.

In The People’s Hotel, Katherine Sobering recounts the history of the Hotel Bauen, an iconic luxury hotel in Buenos Aires, detailing its twenty-first-century transformation from a privately owned business into a worker cooperative—one where decisions were made democratically, jobs were rotated, and all members were paid equally.

Cover of Lifelines: The Traffic of Trama by Harris Solomon. Cover is a grey rectangle with a white border behind a horizontal watercolor painting, featuring people lifting a gurney across railroad tracks. The black title and grey subtitle lies above the picture. A red line separates the text. The author's name in black text lies at the bottom left of the grey rectangle.

Harris Solomon takes readers into the trauma ward of one of Mumbai’s busiest public hospitals in Lifelines, narrating the stories of the patients, providers, families, and frontline workers who experience and treat traumatic injury from traffic .

Drawing on ethnographic research in postconflict Peru and Colombia, Kimberly Theidon examines the lives of children born of wartime rape and impact of violence on human and more-than-human lives, bodies, and ecologies in Legacies of War.

In Hard Luck and Heavy Rain, Joseph C. Russo takes readers into the everyday lives of the rural residents of southeast Texas, showing how their hard-luck stories render the region a mythopoetic landscape that epitomizes the impasse of American late capitalism.

Cover of The City Electric: Infrastructure and Ingenuity in Postsocialist Tanzania by Michael Degani. The cover features an image of a person at the top of a telephone pole with blue sky and wispy clouds behind them.

Michael Degani explores how electricity and its piracy in Dar es Salaam, Tanzania, has become a key site for urban Tanzanians to enact, experience, and debate their social contract with the state in The City Electric.

In Staple Security, Jessica Barnes explores the central role that bread and wheat play in Egyptian daily life as well as the anxieties surrounding the possibility that the nation could run out these staples.

Drawing on fieldwork in a Chinese toxicology lab that studies the influence of toxins on male reproductive and developmental health, Janelle Lamoreaux investigates how epigenetic research conceptualizes and configures environments in Infertile Environments.

Cover of River Life and the Upspring of Nature by Naveeda Khan. The cover is deep blue with the text in white. In the upper right and lower left corners are patterns of small white seeds, as if they are floating.

In River Life and the Upspring of Nature, Naveeda Khan examines the relationship between nature and culture through the study of the everyday existence of chauras—the people who live on sandbars within the Jamuna River in Bangladesh—to show how nature configures daily life.

Cori Hayden explores how consumer access to generic drugs has transformed public health care and the politics of pharmaceuticals in the global South in The Spectacular Generic.

In Ruderal City, Bettina Stoetzer traces the more-than-human relationships between people, plants, and animals in contemporary Berlin, showing how Berlin’s “urban nature” becomes a key site in which notions of citizenship and belonging as well as racialized, gendered, and classed inequalities become apparent.

Cover of Glyphosate and the Swirl: An Agroindustrial Chemical on the Move by Vincanne Adams. The cover is gray with text in black and yellow. It features an image of a huge flock of birds in a swirling pattern, flying over a river with grasses and a tree on the banks.

Vincanne Adams takes the complex chemical glyphosate—the active ingredient in Roundup and pervasive agricultural herbicide—to explore the formation of contested knowledge in Glyphosate and the Swirl.

In Unknowing and the Everyday, Seema Golestaneh examines how Sufi mystical experience in Iran and the idea of unknowing—the idea that it is ultimately impossible to fully understand the divine—shapes contemporary life.

Check out our full list of anthropology titles, and sign up here to be notified of new books, special discounts, and more. Share your love of anthropology on social media with the hashtag #AnthroDay today.

New Books in February

Stay warm and comfy this February by curling up with a good book. Take a look at our many new titles coming out this month!

Cover of Death's Futility: The Visual Life of Black Power by Sampada Aranke. Cover is a series of black and gray lines which resemble TV static that form the image of an upturned face through shadows.

In Death’s Futurity, Sampada Aranke analyzes posters, photographs, journalism, and films that focus on the murders of three Black Panther Party members to examine the importance of representations of death to Black liberation.

Lucia Hulsether explores twentieth and twenty-first century movements from fair trade initiatives and microfinance programs to venture fund pledges to invest in racial equity, showing how these movements fail to achieve their goals in Capitalist Humanitarianism.

In Between Banat, Mejdulene Bernard Shomali examines homoeroticism and nonnormative sexualities between Arab women in transnational Arab literature, art, and film to show how women, femmes, and nonbinary people disrupt stereotypical and Orientalist representations of the “Arab woman.”

In Kids on the Street Joseph Plaster explores the informal support networks that enabled abandoned and runaway queer youth to survive in tenderloin districts across the United States. 

In Unkowing and the Everyday, Seema Golestaneh examines how Sufi mystical experience in Iran and the idea of unknowing—the idea that it is ultimately impossible to fully understand the divine—shapes contemporary life.

Cover of Rising Up, Living On: Re-Existences, Sowings, and Decolonial Cracks by Catherine E. Walsh. The cover has a tan textured background with an outline of a person with their arms up in a triangle and colorful plants/animals inside. Yellow subtitle runs along the left leg of the figure. All other text are block letters. The title is split between the top left and mid-right and the author name in the bottom left.

Catherine E. Walsh examines social struggles for survival in societies deeply marked by the systemic violence of coloniality to identify practices that may cultivate the possibility of living otherwise in Rising Up, Living On.

The contributors to Eating beside Ourselves, edited by Heather Paxson, examine eating as a site of transfer and transformation that create thresholds for human and nonhuman relations.

Drawing on memoir, creative writing, theoretical analysis, and ethnography in Santo Domingo, Havana, and New Jersey, Carlos Ulises Decena examines transnational black Caribbean immigrant queer life and spirit in Circuits of the Sacred.

The contributors to Sovereignty Unhinged, edited by Deborah A. Thomas and Joseph Masco, theorize sovereignty beyond the typical understandings of action, control, and the nation-state, considering it from the perspective of how it is lived and enacted in everyday practice and how it reflects people’s aspirations for new futures.

Cover of Spirit in the Land edited by Trevor Schoonmaker. Cover features a painting of a house on stilts in a tropical swamp, surrounded by trees. Over the house rises the green spirit of a giant woman holding a baby surrounded by flowers. The sky is yellow and contains abstract images. The title information is on a green strip on the left side of the cover.

Spirit in the Land, edited by Trevor Schoonmaker, accompanies the art exhibition of the same name at the Nasher Museum of Art at Duke University. The exhibition, which runs February 16 to July 9, examines today’s urgent ecological concerns from a cultural perspective, demonstrating how intricately our identities and natural environments are intertwined.

When Forests Run Amok by Daniel Ruiz-Serna follows the afterlives of war, showing how they affect the variety of human and nonhuman beings that compose the region of Bajo Atrato: the traditional land of Indigenous and Afro-Colombian peoples.

In Letterpress Revolution, Kathy E. Ferguson explores the importance of anarchist letterpress printers and presses, whose printed materials galvanized anarchist movements across the United States and Great Britain from the late nineteenth century to 1940s.

Examining the 2002 pogrom in which Hindu mobs attached Muslims in the west Indian state of Gujuarat, Moyukh Chatterjee examines how political violence against minorities catalyzes radical changes in law, public culture, and power in Composing Violence.

In The Briny South Nienke Boer examines the legal and literary narratives of enslaved, indentured, and imprisoned individuals crossing the Indian Ocean to analyze the formation of racialized identities in the imperial world. 

In Crip Colony, Sony Coráñez Bolton examines the racial politics of disability, mestizaje, and sexuality in the Philippines, showing how heteronormative, able-bodied, and able-minded mixed-race Filipinos offered a model and path for assimilation into the US empire.

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New Books in January

New year, new books! Check out the great new titles we have coming out in January:

Cover of Wake Up, This is Joburg. The entire cover is a photograph of a Black woman on a street. She stands next to a red traffic light and behind her are a skyscraper and other people. The title is in bright yellow on top of the photo and in the upper left corner is the text Photographs by Mark Lewis, Words by Tanya Zack.

In Wake Up, This Is Joburg, writer Tanya Zack and photographer Mark Lewis offer a stunning portrait of Johannesburg and personal stories of its residents, showing how its urban transformation occurs not in a series of dramatic, widescale changes but in the everyday lives, actions, and dreams of individuals.

Chérie N. Rivers shows how colonial systems of normalized violence condition the way we see and, through collaboration with contemporary Congolese artists, imagines ways we might learn to see differently in To Be Nsala’s Daughter.

In Code, Bernard Dionysius Geoghegan traces the shared intellectual and political history of computer scientists, cyberneticists, anthropologists, linguists, and theorists across the humanities as they developed a communication and computational-based theory that grasped culture and society in terms of codes.

Cover of Bad Education: Why Queer Theory Teaches Us Nothing by Lee Edelman. Cover is bright yellow with lettering in red and black and features an image of a marionette in black professor's garb, holding a pointer.

Lee Edelman offers a sweeping theorization of queerness as one of the many names for the void around and against which the social order takes shape in Bad Education.

Jennifer Lynn Kelly explores the significance of contemporary solidarity tourism in Palestine/Israel in Invited to Witness, showing how such tourism functions both as political strategy and emergent industry.

In River Life and the Upspring of Nature, Naveeda Khan examines the relationship between nature and culture through the study of the everyday existence of chauras, the people who live on the chars (sandbars) within the Jamuna River in Bangladesh.

Drawing on fieldwork in a Chinese toxicology lab that studies the influence of toxins on male reproductive and developmental health, Janelle Lamoreaux investigates how epigenetic research conceptualizes and configures environments in Infertile Environments.

Cover of On Learning to Heal or, What Medicine Doesn't Know by Ed Cohen. The cover is a mint rectangle with a white border. The title is in brown in the center with the word Heal in read. The subtitle lies below and a horizontal line separates the subtitle from the author's name (in captial brown text). At the bottom-center of the page, lies a red snake around a pole.

In On Learning to Heal, Ed Cohen draws on his experience living with Crohn’s disease—a chronic, incurable condition that nearly killed him—to explore how modern Western medicine’s turn from an “art of healing” toward a “science of medicine” impacts all whose lives are touched by illness.

Joseph C. Russo takes readers into the everyday lives of the rural residents of southeast Texas in Hard Luck and Heavy Rain, showing how their hard-luck stories render the region a mythopoetic landscape that epitomizes the impasse of American late capitalism.

Josen Masangkay Diaz interrogates the distinct forms of Filipino American subjectivity that materialized from the relationship between the Ferdinand Marcos dictatorship and Cold War US anticommunism in Postcolonial Configurations.

In The Spectacular Generic, Cori Hayden explores how consumer access to generic drugs has transformed public health care and the politics of pharmaceuticals in the global South.

Cover of The Specter of Materialism: Queer Theory and Marxism in the Age of the Beijing Consensus by Petrus Liu. Cover is of an abstract creature sitting with its legs folded under it, its left hand raised with a trail of items falling from its wrist. The creature is a collage resembling magazine cutouts. Its head is oddly shaped with large eyes and lips, and a large detached hand adorned with rings rests atop it.

Petrus Liu challenges key premises of classic queer theory and Marxism in The Specter of Materialism, turning to an analysis of the Beijing Consensus—global capitalism’s latest mutation—to develop a new theory of the political economy of sexuality.

In Uncomfortable Television, Hunter Hargraves examines how postmillennial television made its audiences find pleasure through discomfort, showing that televisual unease trains audiences to survive under late capitalism, which demands that individuals accept a certain amount of discomfort, dread, and irritation into their everyday lives.

Lara Langer Cohen excavates the long history of the underground in nineteenth-century US literature in Going Underground, showing how these formations of the underground can inspire new forms of political resistance.

Cover of Vanishing Sands: Losing Beaches to Mining by Orrin H. Pilkey, Norma J. Longo, William J. Neal, Nelson G. Rangel-Buitrago, Keith C. Pilkey, and Hannah L. Hayes. Cover is a photograph of a mining site from an aerial view featuring haul trucks, gray sand dunes, and a turquoise pond.

Travelling from Africa, Asia, and the Caribbean to South America and the eastern United States, the authors of Vanishing Sands, Orrin H. Pilkey, Norma J. Longo, William J. Neal, Nelson G. Rangel-Buitrago, Keith C. Pilkey, and Hannah L. Hayes, track the devastating environmental, social, and economic impact of legal and illegal sand mining over the past twenty years.

Vincanne Adams takes the complex chemical glyphosate—the active ingredient in Roundup and a pervasive agricultural herbicide—to explore the formation of contested knowledge in Glyphosate and the Swirl.

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New Books in December

As the weather cools and the holiday season approaches, treat yourself to one of our great new December titles!

Cover of On Paradox: The Claims of Theory by Elizabeth S. Anker. Cover features the title in large all-caps blue font against a plain white background.

In On Paradox, Elizabeth S. Anker contends that the faith in the logic of paradox has been the watermark of left intellectualism since the second half of the twentieth century, showing how paradox generates the very exclusions it critiques and undercuts theory’s commitment to social justice.

Piro Rexhepi explores the overlapping postsocialist and postcolonial border regimes in the Balkans that are designed to protect whiteness and exclude Muslim, Roma, and migrant communities in White Enclosures.

The contributors to Turning Archival, edited by Daniel Marshall and Zeb Tortorici, trace the rise of “the archive” as an object of historical desire and study within queer studies and examine how it fosters historical imagination and knowledge.

In Feltness, Stephanie Springgay considers socially engaged art as a practice of research-creation that germinates a radical pedagogy she calls feltness—a set of intimate practices of creating art based on touch, affect, relationality, love, and responsibility.

Cover of Ain't But a Few of Us: Black Music Writiers Tell Their Stories by Willard Jenkins. Cover features pink spotted border on left with purple background to the right. Various sized rectangles across the center feature pictures of hands, somone writing, and instruments. Orange subtitle is bottom-right of images, white title is above, and word US in captial pink. Author's name is below-right images in yellow.

Ain’t But a Few of Us, edited by Willard Jenkins, presents over two dozen candid dialogues with Black jazz critics and journalists who discuss the barriers to access for Black jazz critics and how they contend with the world of jazz writing dominated by white men.

In Poverty and Wealth in East Africa, Rhiannon Stephens offers a conceptual history of how people living in eastern Uganda have sustained and changed their ways of thinking about wealth and poverty over the past two thousand years.

Examining a wide range of photography from across the global South, the contributors to Cold War Camera, edited by Thy Phu, Erina Duganne, and Andrea Noble, explore the visual mediation of the Cold War, illuminating how photography shaped how it was prosecuted and experienced.

In Memory Construction and the Politics of Time in Neoliberal South Korea, Namhee Lee explores how social memory and neoliberal governance in post-1987 South Korea have disavowed the revolutionary politics of the past.

Cover of New Growth: The Art and Texture of Black Hair by Jasmine Nichole Cobb. Cover is red with black and white lettering and features a historical picture of a Black woman in a low-cut dress in the middle. Where her hair would be is a collection of black brush strokes so that she looks like she is wearing a large wig or hat. Underneath her image, upside down, text reads "the strange sit-in that changed a city."

Through close readings of slave narratives, scrapbooks, travel illustration, documentary film and photography, as well as collage, craft, and sculpture, Jasmine Nichole Cobb explores Black hair as a visual material through which to reimagine the sensual experience of Blackness in New Growth.

The contributors to New World Orderings, edited by Lisa Rofel and Carlos Rojas, demonstrate that China’s twenty-first-century rise occurs not only through economics and state politics, but equally through its relationships and interactions with the Global South.

Focusing on his personal day to day experiences of the “shelter-in-place” period during the first months of the coronavirus pandemic, Alberto Moreiras offers a meditation on intellectual life and the nature of thought under the suspension of time and conditions of isolation in Uncanny Rest.

Cover of Ruderal City: Ecologies of Migration, Race, and Urban Nature in Berlin by Bettina Stoetzer. Cover is a photograph focused on a small patch of a yellow flower bush. In the background past the bush is an out of focus bridge with a yellow train on it. The sky is blue.

In Ruderal City, Bettina Stoetzer traces the more-than-human relationships between people, plants, and animals in contemporary Berlin, showing how Berlin’s “urban nature” becomes a key site in which notions of citizenship and belonging as well as racialized, gendered, and classed inequalities become apparent.

Veit Erlmann examines the role of copyright law in post-apartheid South Africa and its impact on the South African music industry in Lion’s Share, showing how copyright is inextricably entwined with race, popular music, postcolonial governance, indigenous rights, and the struggle to create a more equitable society.

Rumya Sree Putcha uses the figure of the Indian classical dancer to explore the complex dynamics of contemporary transnational Indian womanhood in The Dancer′s Voice.

In Feminism in Coalition Liza Taylor examines how U.S. women of color feminists’ coalitional collective politics of the 1960s, 70s, and 80s is an indispensable resource to contemporary political theory, feminist studies, and intersectional social justice activism.

Cover of Cooling the Tropics: Ice, Indigeneity, and Hawaiian Refreshment by Hi'ilei Julia Kawehipuaakahaopulani Hobart. White title centered and transparent with "the" centered left and transparent white subtitle to the right. Background features a blue tinged picture of girl eating ice cream in front of light blue, purple, pink, and orange/yellow blended background. Author name in all caps in blue along bottom.

Hiʻilei Julia Kawehipuaakahaopulani Hobart charts the social history of ice in Hawaiʻi in Cooling the Tropics, showing how ice and refrigeration underpinned settler colonial ideas about race, environment, and the senses.

The contributors to Siting Postcoloniality, edited by Pheng Cheah and Caroline S. Hau, reevaluate the notion of the postcolonial by focusing on the Sino-sphere—the region of East and Southeast Asia that has been significantly shaped by relations with China throughout history.

Rupal Oza follows the social life of rape in rural northwest India to reveal how rape is a language through which issues ranging from caste to justice to land are contested in Semiotics of Rape.

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Q&A with Jessica Barnes (+ Teaching Guide!)

JessicaBarnesPhotoJessica Barnes is Associate Professor in the Department of Geography and the School of Earth, Ocean, and Environment at the University of South Carolina. She is author of Cultivating the Nile: The Everyday Politics of Water in Egypt, also published by Duke University Press, and coeditor of Climate Cultures: Anthropological Perspectives on Climate Change. Her new book, Staple Security: Bread and Wheat in Egypt, explores the central role that bread and wheat play in Egyptian daily life as well as the anxieties surrounding the possibility that the nation could run out these staples.

You recently put together a Teaching Guide that pairs with Staple Security. What prompted you to put this supplement together, and what do you hope students and teachers take away from it?

Staple Security is a text that would work well in undergraduate and graduate classrooms. I worked hard to write in a way that is clear, engaging, and jargon-free, and the result is a book that I think will be widely accessible. The subject matter is also topical and speaks to issues of broad interest – the foods that anchor our daily lives and their links with questions of security at both household and national scales. Inspired by the wonderful teaching guide written by Susan Bibler Coutin for her book Exiled Home (Duke, 2016), I wrote the supplement to offer instructors ideas of ways in which they might integrate the book, or parts of the book, in their classes. It was also an opportunity to share some of the resources that I have developed over the past five years teaching a class on Global Food Politics, such as my bread-tasting activity and a comparative discussion of accessing subsidized bread in Cairo and SNAP benefits in New York City. I hope that students and teachers will find questions and resources in the guide that will enrich their engagement with the text, spark new lines of thought, and help them see the connections between this material, current affairs, and their own lives.

How would you describe your own pedagogical approach? What’s most important to you as an educator?

To me, teaching isn’t so much about providing students with information so that they can answer questions as about training them in what questions to ask. One of my favorite pedagogical techniques is to show students a photograph, newspaper article, advertisement, or video clip, and ask them to reflect on the story the source is trying to tell and the message it seeks to convey. Just as significantly, we talk about what the source leaves out of the frame and the points it seeks to obscure. What’s most important to me as an educator is that students come away from my classes with an enhanced ability to analyze and consider multiple perspectives. Students sometimes comment on my evaluations that my classes have taught them to think in a new way. Those are the comments that make my heart sing.

978-1-4780-1852-0_prAs you explain in a recent op-ed for The Conversation, the war in Ukraine has threatened wheat supply, thus contributing to—one might say—a staple insecurity in Egypt. What might readers gain from your book’s attention to “staple security,” even (or especially) in the face of precarity?

My book’s attention to what I call staple security will prompt readers to reflect on the things that make them feel anxious or fearful, as well as those things that make them feel comfortable and safe, both as individuals in their homes and as citizens of a state. The fact that many Egyptians worry about their nation running out of wheat—as brought home by the war in Ukraine—might come as a surprise to many readers, for whom this likely doesn’t register as a concern. But it might resonate with how they think about other things, like reliance on foreign oil. The book will also help readers think about the ongoing efforts to address precarity, some explicitly framed in terms of security and others not, as individuals, households, and nations strive for stability and comfort. In the book I apply this frame to think about staple foods, but as I argue in the conclusion, staple security could also be used to think about other key needs, like water and energy.

As an aside, readers might be struck by the near absence of the word “insecurity” in my book. I choose not to write in terms of security and insecurity because I find it creates a false duality: a sense that an individual, household, or nation is secure if it has reliable, affordable access to sufficient, safe food; otherwise, it is insecure. If security is seen more as a practice than an achieved status, insecurity can’t be parceled off as a distinct form of experience. For it is the sense of threat that is produced by conditions of insecurity that shapes the practice of security.

Readers have praised the sensory details included in your writing about bread. Would you consider this an essential feature of Staple Security? How does it contribute to the book?

In writing the book, it was important to me to try to bring readers into the times and spaces in which Egyptians are handling and eating bread, whether at the bakery, by the oven, on the street, or in their homes. I wanted to give readers a sense of what it is like to eat this food on a daily basis and why the presence and taste of those loaves matters so much when they are a core component of every breakfast, lunch, and dinner.

Sensory engagements with bread—the feel of loaves that are still hot, for example, or the taste of bread that is baked within the home—are a central part of the book. They speak to some of the key daily practices around bread—like heating loaves of frozen bread or airing loaves of warm bread before packing them in a plastic bag—which we don’t typically think of as practices of security, but which I argue are just as fundamental to securing the consistent supply of a tasty staple. They also underscore what is at stake: the quality and experience of everyday life, embedded in those moments of sitting down to eat a meal with a bread that is soft and flavorful.

Something fun to end on: are you a bread eater yourself? What’s your favorite bread-based meal?

Yes, bread is definitely my staple!

My favorite bread-based meal would have to be a Middle Eastern meze—a selection of small dishes—served with pita bread. This kind of meal isn’t so commonly eaten in Egypt, where I conducted the fieldwork for this book, but I fell in love with it during my first visit to Jordan in 1999 and subsequent time spent living and working in Palestine, Lebanon, and Syria. To me, a spread of salads and dips like moutabal (made from smoked eggplant) and hummus, eaten with bread, is a perfect meal. I’d be equally as happy, though, eating fresh bread with just some labne (strained yogurt cheese) and a few olives.

Read the introduction to Staple Security for free and save 30% on the paperback with coupon E22STAPL.