Anthropology

World Anthropology Day 2019

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Happy World Anthropology Day! Duke University Press joins the American Anthropological Association to recognize the research and achievements of anthropologists around the world. Celebrate the rich contributions of anthropology and  the exciting possibilities for the discipline’s future with these new and recent titles from Duke University Press!

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In My Butch Career, Esther Newton—a pioneer figure in gay and lesbian anthropology—tells the compelling and disarming story of her struggle to write, teach, and find love, all while coming to terms with her lesbian identity during one of the worst periods of homophobic persecution in the twentieth century.

Lyndon K. Gill’s Erotic Islands foregrounds a queer presence in foundational elements of Trinidad and Tobago’s national imaginary—Carnival masquerade design, Calypso musicianship, and queer HIV/AIDS activism—to show how same-sex desire provides the means for the nation’s queer population to develop survival and community building strategies.

The contributors to Passages and Afterworlds explore death and mortuary rituals across the Caribbean, showing how racial, cultural and class differences have been deployed in ritual practice and how such rituals have been governed in the colonial and postcolonial Caribbean.

In A Nation on the Line, Jan M. Padios examines the massive call center industry in the Philippines in the context of globalization, race, gender, transnationalism, and postcolonialism, outlining how it has become a significant site of efforts to redefine Filipino identity and culture, the Philippine nation-state, and the value of Filipino labor.

978-0-8223-7105-2_prArturo Escobar presents a new vision of design theory in Designs for the Pluriverse by arguing for the creation of what he calls “autonomous design”—a design practice aimed at channeling design’s world-making capacity toward ways of being and doing that are deeply attuned to justice and the Earth.

Drawing on indigenous social movements and politics, the contributors to A World of Many Worlds question Western epistemologies, theorize new forms of knowledge production, and critique the presumed divide between nature and culture—all in service of creating a pluriverse: a cosmos composed of many worlds partially connected through divergent political practices.

The contributors to Constructing the Pluriverse explore how non-Western, pluriversal approaches to core questions in the social sciences and humanities can help to dramatically rethink the relationship between knowledge and power.

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In My Life as a Spy, Katherine Verdery analyzes the 2,781 page surveillance file the Romanian secret police compiled on her during her research trips to Transylvania in the 1970s and 1980s. Reading it led her to question her identity and also revealed how deeply the secret police was Cembedded in everyday life.

The contributors to Infrastructure, Environment, and Life in the Anthropocene chart the shifting conceptions of environment, infrastructure, and both human and nonhuman life in the face of widespread uncertainty about the planet’s future.

Also part of the turn to infrastructure in anthropology, the contributors to The Promise of Infrastructure demonstrate how infrastructure such as roads, power lines, and water pipes offer a productive site for generating new ways to theorize time, politics, and promise.

In Cooking Data Crystal Biruk offers an ethnographic account of research into the demographics of HIV and AIDS in Malawi rethinking how quantitative health data is produced by showing how data production is inevitably entangled with the lives of those who produce it.

Kimberly Chong offers a rich ethnographic account in Best Practice of how a global management consultantcy translates and implements the logic of financialization in contemporary China.

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In Worldmaking, Dorinne Kondo draws on critical ethnographic work and over twenty years of experience as a dramaturge and playwright to theorize how racialized labor, aesthetics, affect, genre, and social inequity operate in contemporary theater .

In After Ethnos, Tobias Rees proposes an understanding of anthropology as a philosophically and poetically oriented and fieldwork-based investigation into the human and human thought rather than a study of culture or society in which anthropology is synonymous with ethnography and fieldwork.

Following Senegalese toxicologists as they struggle to keep equipment, labs, and projects operating, Noémi Tousignant’s Edges of Exposure explores the impact of insufficient investments in scientific capacity in postcolonial Africa.

978-1-4780-0045-7_prFabricating Transnational Capitalism, a collaborative ethnography of Italian-Chinese fashion ventures, offers a new methodology for understanding transnational capitalism in a global era.

In Migrants and City-Making, Ayşe Çağlar and Nina Glick Schiller trace the lived experiences of migrants in three cities struggling to regain their former standing, showing how they live and work in their new cities in ways that require them to negotiate the unequal networks of power that connect their lives to regional, national, and global institutions.

Melissa Hackman’s Desire Work traces the experiences of Pentecostal “ex-gay” men in Cape Town, South Africa, as they attempted to cure their homosexuality, forge a heterosexual masculinity, and enter into heterosexual marriage through various forms emotional, bodily, and religious work.

Through global case studies that explore biometric identification, border control, forensics, militarized policing, and counterterrorism, the contributors to Bodies as Evidence show how bodies have become critical sources of evidence that is organized and deployed to classify, recognize, and manage human life.

978-1-4780-0055-6_prProviding a history of experimental methods and frameworks in anthropology from the 1920s to the present, Michael M. J. Fischer draws on his real world, multi-causal, multi-scale, and multi-locale research to rebuild theory for the twenty-first century in Anthropology in the Meantime.

The contributors to Ethnographies of U.S. Empire examine how people live in and with empire, presenting ethnographic scholarship from across U.S. imperial formations, from the Mohawk Nation, Korea, and the Philippines to Guantánamo and the hills of New Jersey.

In Decolonizing Extinction Juno Salazar Parreñas traces the ways in which colonialism and decolonization shape relations between humans and nonhumans at a Malaysian orangutan rehabilitation center, contending that considering rehabilitation from an orangutan perspective will shift conservation biology from ultimately violent investments in population growth and toward a feminist sense of welfare.

978-0-8223-7079-6_prTulasi Srinivas’s The Cow in the Elevator uses the concept of wonder—feelings of amazement at being overcome by the unexpected and sublime—to examine how residents of Banglore, India pursue wonder by practicing Hindu religious rituals as a way to accept and resist neoliberal capitalism.

In Coca Yes, Cocaine No Thomas Grisaffi traces the political ascent and transformation of the Movement toward Socialism (MAS) from an agricultural union of

coca growers into Bolivia’s ruling party, showing how the realities of international politics hindered MAS leader Evo Morales from scaling up the party’s form of grassroots democracy to the national level.

In Domesticating Democracy Susan Helen Ellison offers an ethnography of Alternate Dispute Resolution (ADR) organizations in El Alto, Bolivia, showing that by helping residents cope with their interpersonal disputes and economic troubles how they change the ways Bolivians interact with the state and global capitalism, making them into self-reliant citizens.

Domestication Gone Wild offers a revisionary exploration of domestication as a narrative, ideal, and practice that reveals how our relations with animals and plants are intertwined with the politics of human difference.

Naomi Schiller’s Channeling the State explores how community television in Venezuela created openings for the urban poor to embrace the state as a collective process with the potential for creating positive social change.

Excited to read more? Check out our full list of anthropology titles, or sign up here to be notified of new books, special discounts, and more.

Sample The Hundreds by Lauren Berlant and Kathleen Stewart

The HundredsThe Hundreds—composed of pieces one hundred or multiples of one hundred words long—is theorist Lauren Berlant and ethnographer Kathleen Stewart’s collaborative experimental writing project in which they strive toward sensing and capturing the resonances that operate at the ordinary level of everyday experience. We invite you to sample the book by reading four pieces from it.

First Things

Every day a friend across the ocean wakes up to suicidal thoughts. Another friend takes a drink to eat clean and another eats a candy bar in bed before washing the sheets, doing laundry naked to ensure soft sleeps.
Another friend chants before going out to her analogy lab. Another hires
retired people to walk her dogs so that she can get to her trainer. Others,
desperate, rush harsh. Many people’s kids climb in. Many pets assert the
dominion of their drives. There’s stretching and the taking of medicine.
There’s accounting and anxious text checking. There’s scanning for bossy
emails and preconceptions. Lists get made. For some, there is breakfast.
Once spring rolls around there is running before the heat and catching
the first shift sitting outside the punk bakery to smoke, drink coffee, and
“break each other’s balls” before work does what work does. I asked them
about this phrase once and sparked a debate about whether it is properly
“break” or “bust.” Whatever, Professor, they laughed, yanking your chain,
busting your balls, don’t take it so serious!

Some people sleep in. Other people wake at the sun. Some people walk
into the house and see only the order in it. Some people serve other
people. Some use the quiet time to do the best things quiet time allows.
Some people waste it, which is not the opposite of using it well. When
I was little I had a task: to make coffee for the adults, measuring out the
Maxwell House, setting the breakfast table. Then I’d leave for school and
my early teachers would let me into the teachers’ lounge. A little troll
doll kid overhearing Allende, Planned Parenthood, and MLK. A confused
and sunny face taking in the voices and the concept of concepts, before
the day.

(Davis 2010; Eigen 2004; Hejinian [1980] 2002; Jacobus 1995; Perec [1974] 2008)

Swells

We write to what’s becoming palpable in sidelong looks or a consistency
of rhythm or tone. Not to drag things back to the land of the little judges
but to push the slow-mo button, to wait for what’s starting up, to listen up
for what’s wearing out. We’re tripwired by a tendency dilating. We make
a pass at a swell in realism, and look for the hook. We back up at the hint
of something. We butt in. We try to describe the smell; we trim the fat to
pinpoint what seems to be the matter here.

Words sediment next to something laid low, or they detour on a crazed
thought-cell taking off. I saw a woman standing on a sidewalk, chainsmoking
while she talked to a buff younger man. She was trying to get
him to give someone else a break because he means well or he didn’t
mean it. Maybe her son. “He don’t know no better.” She was hanging in
there, but the whole top half of her black hair was a helmet of white roots.
She was using her fast-thinking superpowers to run a gauntlet of phrases
and get out quick even though we all knew she was just buying time.
A thought hits at an angle. Subjects are surprised by their own acts. But
everyone knows a composition when they see one. A scene can become
a thing after only a few repetitions. At the Walmart in New Hampshire,
scruffy middle-aged men hang back at the register, letting their elderly
mothers pay. The men have a hint of sour and the abject; their mothers
are a worn autopilot. Women talk in the aisles about the local hospital; it’s
incapable; it misreads people, handing out exactly the wrong, killer drug.

(Ericson 2011; Sedgwick 1997; Seigworth and Tiessen 2012; Serres 1997;
Stevens [1957] 1990)

Dilations

The Hundreds is an experiment in keeping up with what’s going on.
Ordinaries appear through encounters with the world, but encounters
are not events of knowing, units of anything, revelations of realness, or
facts. Sometimes they stage a high-intensity tableau of the way things
are or could become; sometimes strangeness raises some dust. This work
induces form without relieving the pressure of form. It pushes and follows
histories out. It takes in signs and scaffolds. If our way is to notice
relations and varieties of impact, we’re neither stuffing our pockets with
ontology nor denying it: attention and riffing sustain our heuristics.
What draws affect into form is a matter of concern. Form, though, is not
the same thing as shape: and a concept extends via the tack words take.
Amplified description gets at some quality that sticks like a primary object,
a bomb or a floater. The image that comes to mind when you read
that (if images come to mind when you read) might not be what we’re
imagining — and we’re likely not imagining the same thing either. Collaboration
is a meeting of minds that don’t match. Circulation disturbs
and creates what’s continuous, anchoring you enough in the scene to pull
in other things as you go.

“Punctum” ought to mean whatever grabs you into an elsewhere of form.
There ought also to be a word like “animum,” meaning what makes an
impact so live that its very action shifts around the qualities of things
that have and haven’t yet been encountered. You can never know what
is forgotten or remembered. Even dormancy is a kind of action in relation.
Think about watching a dead thing, a thing sleeping, or these words.
Think about skimming as a hunger and defense against hunger. Think
about the physiological pressure of itching.

(Barthes [1980] 1981; Deleuze [1988] 1993; Freud [1925] 1961; Goffman 1981;
Massumi 2010; Moten 2013; Nersessian and Kramnick 2017; Posmentier 2017;
Shaviro 2016)

This is vanilla

These prose poems come from a long poetic and noetic collaboration.
The project pays attention to the relation of scenes to form, observation
to implication, encounters to events, and figuration to what sticks in the
mind. To convert an impact into a scene, to prehend objects as movement
and matter, retains a scene’s status as life in suspension, the way an extract
in cooking conveys the active element in a concentrated substance
that comes in a small brown bottle. (This is vanilla. This is almond.) The
elaboration of heuristic form on the move points to pattern, patina, atmosphere:
the object world of vestiges that scatters bumpily across the
plane of what is also a vibrant tableau. But we get it: your eyes want a
place to land on. You want to know what happened when the glances
passed or where the train of a dark sentence will go. At different speeds
we move around the effects, causes, and situational membranes. As we
proceed we sift figurative types and object relations, seeking out the gists
of things. Our styles move in proximity to currents. We get distracted
sometimes. This is a practice of tightening and loosening the object-scene
in hundred-word swatches.

(B. Anderson 2009; Diaconu 2006; Fonagy and Target 2007; Ingold 2015;
Manning 2009; Massumi 2010; Quick 1998)

Lauren Berlant is George M. Pullman Distinguished Service Professor of English at the University of Chicago. She is author of Cruel Optimism and The Female Complaint, both also published by Duke University Press. Kathleen Stewart is Professor of Anthropology at the University of Texas, Austin, and author of Ordinary Affects, also published by Duke University Press.

Order The Hundreds for 30% off on our website using coupon code E19100S.

American Anthropological Association, 2018

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Excited booth staffers after setting up!

It was wonderful to meet excited customers, sell books and journals, and celebrate our award-winning authors and editors at this year’s American Anthropological Association meeting in San José! Thanks to everyone who came by our booth to browse our stock or say hello.

Our anthropology titles were honored with more awards this year than every before! We are so excited to congratulate the following authors:

Check out our photo gallery of authors and editors:

 

Missed the conference? Not able to fit all the books you wanted into your luggage? You can still save on anthropology paperbacks through the end of the year—just use coupon code AAA18 at dukeupress.edu.

Preview our Spring 2019 Catalog

S19-catalog-front-coverOur Spring 2019 catalog is here! Check out some highlights below and download the complete catalog for a more in-depth look. These titles will be published between January and June 2019.

The cover of the catalog is a photograph by Rotimi Fani-Kayode, the subject of the book Bloodflowers: Rotimi Fani-Kayode, Photography, and the 1980s (March) by W. Ian Bourland. Bloodflowers launches a new series, The Visual Arts of Africa and its Diasporas, edited by Kellie Jones and Steven Nelson. And it’s just one of many great new art titles in this catalog. You’ll also want to check out Suzanne Preston Blier’s Picasso’s Demoiselles (June), an examination of the previously unknown origins of a well-known painting. And in Surrealism at Play (February) Susan Laxton writes a new history of Surrealism in which she traces the centrality of play to the movement and its ongoing legacy. We’re especially excited about The Romare Bearden Reader (May) edited by Robert G. O’Meally. It brings together a collection of new essays and canonical writings by novelists, poets, historians, critics, and playwrights. The contributors include Toni Morrison, Ralph Ellison, August Wilson, Farah Jasmine Griffin, and Kobena Mercer. We’ve also got Rebecca Zorach’s Art for People’s Sake (March), which looks at the Black Arts Movement in Chicago; and Chicano and Chicana Art: A Critical Anthology  (February), which provides an overview of the history and theory of Chicano/a art from the 1960s to the present.

Deported AmericansTimely books on immigration will definitely add context to current debates. In Deported Americans (April), legal scholar and former public defender Beth C. Caldwell tells the story of dozens of immigrants who were deported from the United States—the only country they have ever known—to Mexico, tracking the harmful consequences of deportation for those on both sides of the border. And in The Fixer (June), Charles Piot follows a visa broker—known as a “fixer”—in the West African nation of Togo as he helps his clients apply for the U.S. Diversity Visa Lottery program. For a look at the immigrant experience through poetry, check out The Chasers (May), in which Renato Rosaldo shares his experiences and those of his group of twelve Mexican-American Tucson High School friends known as the Chasers as they grew up, graduated, and fell out of touch. Rosaldo’s poems present a chorus of distinct voices and perspectives that convey the realities of Chicano life on the borderlands from the 1950s to the present.

The Hundreds by Lauren Berlant and Kathleen Stewart will delight fans of theory, ethnography, and experimental writing alike. The book, composed of pieces one hundred or multiples of one hundred words long—is their collaborative experimental writing project in which they strive toward sensing and capturing the resonances that operate at the ordinary level of everyday experience.

Activists will be excited to learn that we are bringing out a new, revised and expanded edition of Aurora Levins Morales’s Medicine Stories (April). She weaves together the insights and lessons learned over a lifetime of activism to offer a new theory of social justice, bringing clarity and hope to tangled, emotionally charged social issues in beautiful and accessible language.

Book ReportsIf you enjoy critic Robert Christgau’s writing on music (his collection Is It Still Good to Ya? came out this fall), you’ll definitely want to check out his book reviews, collected together in Book Reports (April). Christgau shows readers a different side to his esteemed career with reviews of books ranging from musical autobiographies, criticism, and histories to novels, literary memoirs, and cultural theory.

We’re also pleased to present new books from returning authors Jane Gallop, Elspeth Brown, Jennifer C. Nash, and Kandice Chuh, among others, as well as a new edition of The Cuba Reader, long a bestseller for courses and travelers.

These are just a few of the great titles coming out next spring. We have over seventy titles in cultural studies, art, sound studies, Latin American studies, history, Asian studies, African studies, religion, American studies, and more. You’ll want to read and download the whole thing to see all the great new books and journals. To be notified of new books in your chosen disciplines, sign up for our email alerts, too.

 

 

New Books in September

Welcome to September! As the new academic year begins, we’ve got some great new books for you to dig into.

978-1-4780-0081-5Imani Perry’s Vexy Thing recenters patriarchy to contemporary discussions of feminism through a social and literary analysis of cultural artifacts—ranging from nineteenth-century slavery court cases and historical vignettes to literature and contemporary art—from the Enlightenment to the present.

Providing a history of experimental methods and frameworks in anthropology from the 1920s to the present, Michael M. J. Fischer’s Anthropology in the Meantime draws on his real world, multi-causal, multi-scale, and multi-locale research to rebuild theory for the twenty-first century.

In Jezebel Unhinged Tamura Lomax traces the historical and contemporary use of the jezebel trope in the black church and in black popular culture, showing how it disciplines black women and girls and preserves gender hierarchy, black patriarchy, and heteronormativity in black families, communities, cultures, and institutions.

978-1-4780-0021-1.jpgGathered from Rafael Campo’s over-twenty-year-career as a poet-physician, Comfort Measures Only includes eighty-eight poems—thirty of which have never been previously published in a collection—that pull back the curtain in the ER, laying bare our pain and joining us all in spellbinding moments of pathos.

In Garbage Citizenship Rosalind Fredericks traces the volatile trash politics in Dakar, Senegal, to examine urban citizenship in the context of urban austerity and democratic politics, showing how labor is a key component of infrastructural systems and how Dakar’s residents use infrastructures as a vital tool for forging collective identifies and mobilizing political action.

Gunslinger-50Edward Dorn’s Gunslinger is an anti-epic poem that follows a cast of colorful characters as they set out the American West in search of Howard Hughes. This expanded fiftieth anniversary edition of Dorn’s wild and comedic romp includes a new foreword by Marjorie Perloff, an essay by Michael Davidson, and Charles Olson’s “Bibliography on America for Ed Dorn”.

In Technicolored Black feminist critic Ann duCille combines cultural critique with personal reflections on growing up with TV as a child in the Boston suburbs to examine how televisual representations of African Americans—ranging from I Love Lucy to How to Get Away with Murder—have changed over the last sixty years.

Never miss a new book! Sign up for Subject Matters, our e-mail newsletter, and get notifications of new titles in your preferred disciplines as well as discounts and other news.

 

 

 

Now Available: First Issue of Journal of Korean Studies Published by Duke University Press

ddjks_23_1We are pleased to announce that the first issue of the Journal of Korean Studies fully published by Duke University Press, volume 23, issue 1, is now available.

The Journal of Korean Studies is the preeminent journal in its field, publishing high-quality articles in all disciplines in the humanities and social sciences on a broad range of Korea-related topics, both historical and contemporary. Korean studies is a dynamic field, with student enrollments and tenure-track positions growing throughout North America and abroad. At the same time, the Korean peninsula’s increasing importance in the world has sparked interest in Korea well beyond those whose academic work focuses on the region. Recent topics include the history of anthropology of Korea; seventeenth century Korean love stories; the Chinese diaspora in North Korea; student activism in colonial Korea in the 1940s; and GLBTQ life in contemporary South Korea. Contributors include scholars conducting transnational work on the Asia-Pacific as well as on relevant topics throughout the global Korean diaspora. The Journal of Korean Studies is based at the Center for Korean Research at Columbia University.

Browse the table of contents to the issue.

New Books in April

 April brings a fresh crop of great new books. Check out what we’re releasing this month.

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In Biblical Porn Jessica Johnson draws on a decade of fieldwork at Pastor Mark Driscoll’s Mars Hill Church in Seattle to show how congregants became entangled in a process of religious conviction through which they embodied Driscoll’s teaching on gender and sexuality in ways that supported the church’s growth.

In Abject Performances Leticia Alvarado explores how Latino artists and cultural producers have developed and deployed an irreverent aesthetics of abjection to resist assimilation and disrupt respectability politics.

Matthew Vitz’s A City on a Lake outlines the environmental history and politics of Mexico City as it transformed its original forested, water-rich environment into a smog-infested megacity, showing how the scientific and political disputes over water policy, housing, forestry, and sanitary engineering led to the city’s unequal urbanization and environmental decline.

In Domesticating Democracy Susan Helen Ellison offers an ethnography of Alternate Dispute Resolution (ADR) organizations in El Alto, Bolivia, showing that by helping residents cope with their interpersonal disputes and economic troubles how they change the ways Bolivians interact with the state and global capitalism, making them into self-reliant citizens.

978-0-8223-7081-9.jpgKatherine Verdery’s My Life as a Spy analyzes the 2,781 page surveillance file the Romanian secret police compiled on her during her research trips to Transylvania in the 1970s and 1980s. Reading it led her to question her identity and also revealed how deeply the secret police was embedded in everyday life.

 In Edges of Exposure, following Senegalese toxicologists as they struggle to keep equipment, labs, and projects operating, Noémi Tousignant explores the impact of insufficient investments in scientific capacity in postcolonial Africa.

 

Examining human rights discourse from the French Revolution to the present, in Human Rights and the Care of the Self Alexandre Lefebvre turns common assumptions about human rights—that its main purpose is to enable, protect, and care for those in need—on their heads, showing how the value of human rights lies in its support of ethical self-care.

Gay PrioriLibby Adler’s Gay Priori offers a comprehensive critique of the mainstream LGBT legal agenda in the United States, showing how LGBT equal rights discourse drives legal advocates toward a narrow array of reform objectives that do little to help the lives of the most marginalized members of the LGBT community.

In From the Tricontinental to the Global South Anne Garland Mahler traces the history and intellectual legacy of the understudied global justice movement called the Tricontinental and calls for a revival of the Tricontinental’s politics as a means to strengthen racial justice and anti-neoliberal struggles in the twenty-first-century.

Aimee Bahng’s Migrant Futures traces the cultural production of futurity by juxtaposing the practices of speculative finance against those of speculative fiction, showing how speculative novels, films, and narratives create alternative futures that envision the potential for new political economies, social structures, and subjectivities that exceed the framework of capitalism.

A Primer for Teaching Environmental History, by Emily Wakild and Michelle K. Berry, is a guide for college and high school teachers who are teaching environmental history for the first time, for experienced teachers who want to reinvigorate their courses, for those who are training future teachers to prepare their own syllabi, and for teachers who want to incorporate environmental history into their world history courses. The book is part of a new series, Design Principles for Teaching History.

Never miss a new book! Sign up for Subject Matters, our e-mail newsletter, and get notifications of new titles in your preferred disciplines as well as discounts and other news.

Speech in the Western States, Volume 2: The Mountain West

ddpads_102The most recent Publication of the American Dialect Society, “Speech in the Western States, Volume 2: The Mountain West,” is now available. This collection is an exhaustive treatment of Western vowel patterns and serves as a unique resource to dialectologists, sociolinguists, and students of language.

Filling the void in our knowledge of the development and diffusion of the vowel features that define Western States English, this companion volume which examined speech in the coastal West now turns the lens toward speech in the Mountain West. The inland states of the Western U.S. offer a varied history, geography and population that contribute to a rich linguistic landscape. This volume, for the first time, brings together work on the vowel patterns found in Nevada, New Mexico, Arizona, Utah and Montana, showing diversity while still offering some evidence of the formation of a supra-Western pattern.

These chapters draw attention to a number of new and less well known features that also play a significant role in defining and differentiating, at least in some areas, modern Western vowel systems. Building on earlier work, such as the broadly defined Western dialect region presented in the Atlas of North American English, we can now talk with more confidence about shared “Western” vs. more local norms, as well as discuss potential changes in progress and how long “Western” vowel patterns cited in earlier literature have been around.

To learn more, read the introduction, made freely available.

Anthropology Day

AnthroDay

Happy Anthropology Day! We’re thrilled to celebrate such a rich, impactful field by sharing some of our latest scholarship. Take advantage of today by digging into a new anthropology book:

978-0-8223-6902-8In Fractivism Sara Ann Wylie traces the history of fracking and the ways scientists and everyday people are coming together to hold accountable an industry that has managed to evade regulation.

In Saamaka Dreaming anthropologists Richard and Sally Price look back on their fieldwork with the Saamaka Maroons of Suriname beginning in 1966, reflecting on the work they undertook that would shape their careers and influence the study of African American societies for decades to come.

978-0-8223-6945-5Contributors to Unfinished, edited by João Biehl and Peter Locke, explore the plasticity and unfinishedness of human subjects and lifeworlds, advancing the conceptual terrain of an anthropology of becoming.

Crumpled Paper Boat, edited by Anand Pandian and Stuart McLean, is a book of experimental ventures in ethnographic writing, an exploration of the possibilities of a literary anthropology. Original essays from notable writers in the field blur the boundaries between ethnography and genres such as poetry, fiction, memoir, and cinema.

978-0-8223-7001-7In Unconsolable Contemporary Paul Rabinow continues his explorations of “a philosophic anthropology of the contemporary,” demonstrating how reflecting on the work of German painter Gerhard Richter provides rich insights into the practices and stylization of the “afterlife of the modern.”

Bianca C. Williams, in The Pursuit of Happiness, traces the experiences of African American women as they travel to Jamaica on “girlfriend tours,” where they address the perils and disappointments of American racism by looking for intimacy, happiness, and a connection to their racial identities.

978-0-8223-6909-7In Grateful Nation Ellen Moore traces the experiences of Iraq and Afghanistan war veterans at two California college campuses, finding that veterans’ academic struggles result from their military training and combat experience, which complicate their ability to function in civilian schools.

Dana E. Powell’s Landscapes of Power examines the rise and fall of the controversial Desert Rock Power Plant initiative in New Mexico to trace the political conflicts surrounding native sovereignty and contemporary energy development on Navajo (Diné) Nation land.

In Monrovia Modern Danny Hoffman uses the ruins of four iconic modernist buildings in Monrovia, Liberia, as a way to explore the relationship between the built environment and political imagination. The book features nearly 100 color photographs taken by Hoffman, a former photojournalist.

978-0-8223-7050-5Kathleen M. Millar’s Reclaiming the Discarded is an evocative ethnography of Jardim Gramacho, a sprawling garbage dump on the outskirts of Rio de Janeiro, where roughly two thousand self-employed workers known as catadores collect recyclable materials.

In Spiritual Citizenship N. Fadeke Castor illuminates how Ifá/Orisha practices informed by Yoruba cosmology shape local, national, and transnational belonging in African diasporic communities in Trinidad and beyond.

In Domestic Economies Susanna Rosenbaum examines how two groups of women—Mexican and Central American domestic workers and the predominantly white, middle-class women who employ them—seek to achieve the “American Dream.”

978-0-8223-7019-2Medicine in the Meantime by Ramah McKay follows two medical projects in Mozambique through the day-to-day lives of patients and health care providers, showing how transnational medical resources and infrastructures give rise to diverse possibilities for work and care amid constraint.

In Sounds of Crossing Alex E. Chávez explores the contemporary politics of Mexican migrant cultural expression manifest in the sounds and poetics of huapango arribeño, a musical genre originating from north-central Mexico.

Check out our full list of anthropology titles here, or visit the American Anthropological Association website for more information on Anthropology Day.

Groundbreaking Study on Incan Khipus Published in Ethnohistory

ddeh_65_1Toward the Decipherment of a Set of Mid-Colonial Khipus from the Santa Valley, Coastal Peru,” by Manuel Medrano and Gary Urton is a groundbreaking study recently published in Ethnohistory.

Khipus, a method of record-keeping used by the Inca, were used to record data using knotted strings. In the past, khipus have proven nearly impossible to decipher and there was a very limited understanding of what they represented. In this article, Harvard junior Manuel Medrano shares what he discovered—the khipus were used to represent names of villagers in a census.

Gary Urton, co-writer and Harvard professor tells the Harvard Gazette:

It’s giving the Incas their own voice. I could never figure out the hidden meanings in these devices. Manny figured them out, focusing on their color, and on their recto or verso (right-hand and left-hand) construction. This was the only case we have discovered so far in which one or more (in this case six) khipus and a census record matches.

Recently featured on All Things Considered, Medrano states:

The khipus are incredible because they compel us to interpret history in multiple dimensions. South America’s the only continent besides Antarctica on which no civilization invented a system of graphical writing for over 10,000 years after the first people arrived. And what that means in the course of history is that the Incas are often defined by what they lack and with a despite clause. In other words, this civilization who never invented the wheel, never invented markets and lacked a system of graphical writing are often defined as never having stumbled upon the wonders of civilization. And this project is aimed at reversing that incorrect narrative.

Read the article, made freely available.