Art

How Partnerships with Museums Help Build a Strong Art List

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Welcome to the University Press Week blog tour! This year’s theme is #TurnItUP, offering posts that show how the university press community amplifies voices, disciplines, and communities. We’re pleased to be a part of Arts & Culture day with a post about how our partnerships with art museums amplify their work and help us build a strong art list. See the other great posts on the tour at the end of this post.

978-0-938989-42-4Duke University Press has long has a strong list in art and art history, and since the mid-2000s, that list has included a number of museum catalogs. Our earliest museum partner is the Nasher Museum of Art at Duke University. Since they opened in 2005, we have distributed many catalogs for them, including Barkley L. Hendricks: Birth of the Cool (2008), The Record (2010), Wangechi Mutu: A Fantastic Journey (2013), Southern Accent (2016), and most recently, Pop América, 1965–1975 (2018). The Nasher Museum’s mission to collect and display works by diverse artists who have been historically underrepresented, or even excluded, by mainstream arts institutions also fits with our own acquisition editors’ focus.

Modern Art in the Arab WorldWorking with the Nasher Museum helped us build a reputation as a strong distributor of museum catalogs. In 2010 we began a partnership with the Museum of Modern Art (MoMA) to distribute their Primary Documents series. Although sometimes associated with an exhibition, these titles are not catalogs but instead teaching and researching tools featuring primary documents associated with a particular artist or region, that often have never been available in English. The first volume we distributed was Contemporary Chinese Art (2010), and more recently we have distributed Modern Art in the Arab World (2018) and Art and Theory of Post-1989 Central and Eastern Europe (2018). These titles are a good fit with our area studies lists as well as our art list, and we can use our expertise in course adoption marketing to help MoMA reach a wider teaching audience.

Michael McCullough, Senior Manager for Books Marketing and Sales, says, “Marketing, selling, and distributing books from major museums is very helpful in raising our profile with museum shops and art buyers. We only distribute books that complement our own books and journals publishing programs; so whether a distributed title came from MoMA or the Black Mountain College Museum + Arts Center, it will look at home in the Duke University Press catalog.”

We Wanted a Revolution 2Recently we have undertaken collaborations with the Museum of Latin American Art  and the Chinese American Museum, with catalogs that were part of the Pacific Standard Time LA/LA collaboration. We were also excited to partner with the Brooklyn Museum on their exhibition We Wanted a Revolution: Black Radical Women, 1965–85. We distributed a Sourcebook for the exhibition that features an array of rare and little-known documents from the period by artists, writers, cultural critics, and art historians as well as a second volume of New Perspectives, containing original essays and perspectives that place the exhibition’s works in both historical and contemporary contexts.

Begin to SeeCurator Julie J. Thomson, author of Begin to See: The Photographers of Black Mountain College, a catalog for her exhibition at the Black Mountain College Museum + Arts Center says, “After spending years researching an exhibition which is up for a limited time, the exhibition catalog reaches beyond who could visit the museum, and is what remains. Duke University Press’s distribution of the catalog for Begin to See allowed museum bookstores and art libraries to know about it and order it. It’s reassuring to know that future scholars will be able to access my research and writing through the catalog held in library collections throughout the world.”

Editorial Director Ken Wissoker agrees that publishing catalogs is useful for acquisitions. “Whether it is the Black feminist show We Wanted a Revolution from the Brooklyn Museum or The Record from the Nasher Museum, museum catalogs are a crucial part of our list, even beyond the areas in the arts where one expects them to contribute.  We have authors writing for the catalogs and others bringing their books to us because they loved the catalogs on our list. This is a great crossover moment between art and critical thinking, and the catalogs could not play a more important role in that exchange.”

Please continue on the University Press Week blog tour by visiting these other great university press offerings: Athabasca University Press offers a playlist by author Mark A. McCutcheon of all the songs featured in his book The Medium Is the Monster: Canadian Adaptations of Frankenstein and the Discourse of Technology. Rutgers University Press dedicates a post to our their book Junctures in Women’s Leadership: The Arts by Judith Brodsky and Ferris Olin. Over at Yale University Press, check out a post by author Dominic Bradbury about how immigrants enrich a country’s art and architecture. University of Minnesota Press is running a post about their author Adrienne Kennedy, who will be inducted into the Theater Hall of Fame on Nov. 12th. Hope you enjoy all these great #TurnItUP posts! 

Preview our Spring 2019 Catalog

S19-catalog-front-coverOur Spring 2019 catalog is here! Check out some highlights below and download the complete catalog for a more in-depth look. These titles will be published between January and June 2019.

The cover of the catalog is a photograph by Rotimi Fani-Kayode, the subject of the book Bloodflowers: Rotimi Fani-Kayode, Photography, and the 1980s (March) by W. Ian Bourland. Bloodflowers launches a new series, The Visual Arts of Africa and its Diasporas, edited by Kellie Jones and Steven Nelson. And it’s just one of many great new art titles in this catalog. You’ll also want to check out Suzanne Preston Blier’s Picasso’s Demoiselles (June), an examination of the previously unknown origins of a well-known painting. And in Surrealism at Play (February) Susan Laxton writes a new history of Surrealism in which she traces the centrality of play to the movement and its ongoing legacy. We’re especially excited about The Romare Bearden Reader (May) edited by Robert G. O’Meally. It brings together a collection of new essays and canonical writings by novelists, poets, historians, critics, and playwrights. The contributors include Toni Morrison, Ralph Ellison, August Wilson, Farah Jasmine Griffin, and Kobena Mercer. We’ve also got Rebecca Zorach’s Art for People’s Sake (March), which looks at the Black Arts Movement in Chicago; and Chicano and Chicana Art: A Critical Anthology  (February), which provides an overview of the history and theory of Chicano/a art from the 1960s to the present.

Deported AmericansTimely books on immigration will definitely add context to current debates. In Deported Americans (April), legal scholar and former public defender Beth C. Caldwell tells the story of dozens of immigrants who were deported from the United States—the only country they have ever known—to Mexico, tracking the harmful consequences of deportation for those on both sides of the border. And in The Fixer (June), Charles Piot follows a visa broker—known as a “fixer”—in the West African nation of Togo as he helps his clients apply for the U.S. Diversity Visa Lottery program. For a look at the immigrant experience through poetry, check out The Chasers (May), in which Renato Rosaldo shares his experiences and those of his group of twelve Mexican-American Tucson High School friends known as the Chasers as they grew up, graduated, and fell out of touch. Rosaldo’s poems present a chorus of distinct voices and perspectives that convey the realities of Chicano life on the borderlands from the 1950s to the present.

The Hundreds by Lauren Berlant and Kathleen Stewart will delight fans of theory, ethnography, and experimental writing alike. The book, composed of pieces one hundred or multiples of one hundred words long—is their collaborative experimental writing project in which they strive toward sensing and capturing the resonances that operate at the ordinary level of everyday experience.

Activists will be excited to learn that we are bringing out a new, revised and expanded edition of Aurora Levins Morales’s Medicine Stories (April). She weaves together the insights and lessons learned over a lifetime of activism to offer a new theory of social justice, bringing clarity and hope to tangled, emotionally charged social issues in beautiful and accessible language.

Book ReportsIf you enjoy critic Robert Christgau’s writing on music (his collection Is It Still Good to Ya? came out this fall), you’ll definitely want to check out his book reviews, collected together in Book Reports (April). Christgau shows readers a different side to his esteemed career with reviews of books ranging from musical autobiographies, criticism, and histories to novels, literary memoirs, and cultural theory.

We’re also pleased to present new books from returning authors Jane Gallop, Elspeth Brown, Jennifer C. Nash, and Kandice Chuh, among others, as well as a new edition of The Cuba Reader, long a bestseller for courses and travelers.

These are just a few of the great titles coming out next spring. We have over seventy titles in cultural studies, art, sound studies, Latin American studies, history, Asian studies, African studies, religion, American studies, and more. You’ll want to read and download the whole thing to see all the great new books and journals. To be notified of new books in your chosen disciplines, sign up for our email alerts, too.

 

 

Trans*historicities

The most recent issue of TSQ: Transgender Studies Quarterly, “Trans*historicities,” edited by Leah DeVun and Zeb Tortorici, is now available.

coverimageThis issue offers a theoretical and methodological imagining of what constitutes trans* before the advent of the terms that scholars generally look to for the formation of modern conceptions of gender, sex, and sexuality. What might we find if we look for trans* before trans*? While some historians have rejected the category of transgender to speak of experiences before the mid-twentieth century, others have laid claim to those living gender-non-conforming lives before our contemporary era. By using the concept of trans*historicity, this volume draws together trans* studies, historical inquiry, and queer temporality while also emphasizing the historical specificity and variability of gendered systems of embodiment in different time periods.

Essay topics include a queer analysis of medieval European saints, discussions of a nineteenth-century Russian religious sect, an exploration of a third gender in early modern Japanese art, a reclamation of Ojibwe and Plains Cree Two-Spirit language, and biopolitical genealogies and filmic representations of transsexuality. The issue also features a roundtable discussion on trans*historicities and an interview with the creators of the 2015 film Deseos. Critiquing both progressive teleologies and the idea of sex or gender as a timeless tradition, this issue articulates our own desires for trans history, trans*historicities, and queerly temporal forms of historical narration.

Browse the table of contents and read the introduction, made freely available.

New Books in November

November is a huge book release month! Check out all the great new titles coming out this month. Many of them will be making their debuts at the academic conferences that are happening this month. Be sure to stop by our booths at the American Studies Association, the National Women’s Studies Association, the African Studies Association, the American Academy of Religion, and the American Anthropological Association, where you can pick up these and other titles for only $20 each.

In My Butch Career, Esther Newton—a pioneer figure in gay and lesbian studies—tells the compelling and disarming story of her struggle to write, teach, and find love, all while coming to terms with her lesbian identity during one of the worst periods of homophobic persecution in the twentieth century.

978-1-4780-0129-4Collective Creative Actions, edited by Ryan Dennis, highlights the twenty-five-year history of Project Row Houses in Houston’s Third Ward by addressing the idea of social practice through its five pillars of art, education, social safety nets, architectural preservation, and sustainability.

In How Art Can Be Thought Allan deSouza examines the popular terminology through which art is discussed, valued, and taught, showing how pedagogical language and practices within art schools can adapt to a politicized and rapidly changing world, as well as to the demands of contemporary art within a global industry.978-1-4780-0047-1

More than fifty years after the publication of C. L. R. James’s classic Beyond a Boundary, the contributors to Marxism, Colonialism, and Cricketedited by David Featherstone, Christopher Gair, Christian Høgsbjerg, and Andrew Smith, investigate its production and reception and its implication for debates about sports, gender, aesthetics, race, popular culture, politics, imperialism, and Caribbean and English identity.

978-1-4780-0022-8.jpgFeaturing work spanning six decades, Robert Christgau’s Is It Still Good to Ya? sums up the career of legendary rock critic and longtime Village Voice stalwart Robert Christgau, whose album and concert reviews, essays, and reflections on his career tackle the whole of pop music, from Louis Armstrong to M.I.A..

In Best Practice, Kimberly Chong offers a rich ethnographic account of how a global management consultantcy translates and implements the logic of financialization in contemporary China.

Dai Jinhua’s After the Post–Cold War interrogates history, memory, and the future of China as a global economic power in relation to its Cold War past to show how the recent erasure of the country’s socialist history signifies socialism’s failure and forecloses the imagining of a future beyond that of globalized capitalism.

In After Ethnos, Tobias Rees proposes an understanding of anthropology as a philosophically and poetically oriented and fieldwork-based investigation into the human and human thought rather than a study of culture or society in which anthropology is synonymous with ethnography and fieldwork.978-1-4780-0035-8.jpg

In Unruly Visions, Gayatri Gopinath traces the interrelation of affect, aesthetics, and diaspora through an exploration of a wide range of contemporary queer visual cultural forms by South Asian, Middle Eastern, African, Australian, and Latinx artists such as Tracey Moffatt, Akram Zaatari, and Allan deSouza.

In None Like Us Stephen Best offers a bold reappraisal of the critical assumptions that undergird black studies’ use of the slave past as an explanatory prism for understanding the black political present, thereby opening the circuits between past and present and charting a queer future for black study.

In An Intimate Rebuke, an ethnography of female empowerment, Laura S. Grillo offers new perspectives on how elder West African women deploy an ancient ritual in which they dance naked and slap their genitals and bare breasts to protest abuses of state power, globalization, witchcraft, rape, and other social dangers.

978-1-4780-0291-8Drawing on numerous examples from popular culture, in Empowered Sarah Banet-Weiser examines the relationship between popular feminism and popular misogyny as it plays out in advertising, online and multi-media platforms, and nonprofit and commercial campaigns, showing how feminism is often met with a backlash of harassment, assault, and institutional neglect.

Aren Z. Aizura’s Mobile Subjects examines transgender narratives about traveling for gender reassignment from 1952 to the present, showing how transgender fantasies about reinvention and mobility are racialized as white and often rely on violent colonial global divisions.

Through global case studies that explore biometric identification, border control, forensics, militarized policing, and counterterrorism, the contributors to Bodies as Evidence, edited by Mark Maguire, Ursula Rao, and Nils Zurawskishow how bodies have become critical sources of evidence that is organized and deployed to classify, recognize, and manage human life.

978-1-4780-0153-9.jpgIn Plan Colombia John Lindsay-Poland examines a 2005 massacre in Colombia, its subsequent investigation, official cover-up, and the international community’s response to outline how the U.S. military’s support for the Colombian Army contributed to atrocities while shaping the United States’s dominant model of military intervention.

Melissa Gregg’s Counterproductive explores the obsession with using productivity as the primary measure of most workers’ sense of value and success in the workplace, showing how it isolates workers from each other while erasing their collective efforts to define work limits.

Drawing on indigenous social movements and politics, contributors to A World of Many Worlds, edited by Marisol de la Cadena and Mario Blaser, question Western epistemologies, theorize new forms of knowledge production, and critique the presumed divide between nature and culture—all in service of creating a pluriverse: a cosmos composed of many worlds partially connected through divergent political practices.

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New Books in October

It’s October and our fall publishing season is in full swing. Check out all the great books coming out this month.

The contributors to The Apartment Complex, edited by Pamela Robertson Wojcik, offer global perspectives on films from a diverse set of genres—from film noir and comedy to horror and musicals—that use apartment living to explore modern urbanism’s various forms and possibilities.

978-1-4780-0130-0In See It Feelingly Ralph James Savarese showcases the voices of autistic readers by sharing their unique insights into literature and their sensory experiences of the world, thereby challenging common claims that people with autism have a limited ability to understand language, to partake in imaginative play, and to generate the complex theory of mind necessary to appreciate literature.

In Channeling the State Naomi Schiller explores how community television in Venezuela created openings for the urban poor to embrace the state as a collective process with the potential for creating positive social change.

978-1-4780-0105-8.jpgJ. Lorand Matory’s The Fetish Revisited casts an Afro-Atlantic eye on European social theory to show how Marx’s and Freud’s conceptions of the fetish illuminate and misrepresent the nature of Africa’s gods while demonstrating that Afro-Atlantic gods have their own social logic that is no less rational than European social theories.

The contributors to the volume Digital Sound Studies, edited by Mary Caton Lingold, Darren Mueller, and Whitney Trettien, explore the transformative potential of digital sound studies to create rich, multisensory experiences within scholarship, building on the work of digital humanists to evaluate and historicize new technologies and forms of knowledge.

Domestication Gone Wild, a collection edited by Heather Anne Swanson, Marianne Elisabeth Lien, and Gro B. Ween, offers a revisionary exploration of domestication as a narrative, ideal, and practice that reveals how our relations with animals and plants are intertwined with the politics of human difference.

978-0-8223-7075-8.jpgIn Paradoxes of Hawaiian Sovereignty J. Kēhaulani Kauanui examines contradictions of indigeneity and self-determination in U.S. domestic policy and international law, showing how Hawaiian elites’ approaches to reforming land, gender, and sexual regulation in the early nineteenth century that paved the way for sovereign recognition of the kingdom complicate contemporary nationalist activism, which too often includes disavowing the indigeneity of indigenous Hawaiians.

James N. Green’s Exiles within Exiles is a biography of the Brazilian revolutionary and social activist Herbert Daniel, whose life and political commitment shaped contemporary debates about social justice, gay rights, and HIV/AIDS.

A Primer for Teaching Women, Gender, and Sexuality in World History, by Merry E. Wiesner-Hanks and Urmi Engineer Willoughby, is a guide for college and high school teachers who are teaching women, gender, and sexuality history for the first time, for experienced teachers who want to reinvigorate their courses, for those who are training future teachers to prepare their own syllabi, and for teachers who want to incorporate the subject into their world history classes.

978-0-938989-42-4.jpgPop América, 1965-1975, edited by Esther Gabara, is a bilingual, fully illustrated catalogue that accompanies a traveling exhibition of the same name. Pop América, 1965-1975 presents a vision of Pop art across the Americas as a whole. The exhibition appears at the McNay Museum of Art in San Antonio from October 4, 2018 until January 13, 2019 and then moves to the Nasher Museum of Art at Duke University from February 21 to July 21, 2019. It will finally be featured at the Mary and Leigh Block Museum of Art at Northwestern University from September 21 to December 8, 2019.

In the still-timely twentieth anniversary edition of Written in Stone—which includes a new preface and an extensive afterword—Sanford Levinson considers the debates and conflicts surrounding controversial monuments to public figures throughout the American South and the world.

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New Books in May

The semester is ending, graduates are heading off to bright futures, and we are bringing out more great scholarly books. Check out the titles we have coming out in May.

In Althusser, The Infinite Farewell Emilio de Ípola proposes an original reading of Althusser in which he shows how Althusser’s oeuvre is divided between two different projects: that of his canonical works, and a second subterranean current of thought that runs throughout his entire oeuvre and which only gained explicit expression in his later work.

978-0-8223-7079-6.jpgIn Cow in The Elevator Tulasi Srinivas uses the concept of wonder—feelings of amazement at being overcome by the unexpected and sublime—to examine how residents of Banglore, India pursue wonder by practicing Hindu religious rituals as a way to accept and resist neoliberal capitalism.

In Fugitive Life Stephen Dillon examines the literary and artistic work of feminist, queer antiracist activists who were imprisoned or became fugitives in the United States during the 1970s, showing how they were among the first to theorize and make visible the co-constitutive symbiotic relationship between neoliberalism and racialized mass-incarceration.

978-0-8223-7130-4.jpgSusan Murray’s Bright Signals traces four decades of technological, cultural, and aesthetic debates about the possibility, use, and meaning of color television within the broader history of twentieth-century visual culture.

In Colonial Lives of Property Brenna Bhandar examines how the emergence of modern property law contributed to the formation of racial subjects in settler colonies, showing how the colonial appropriation of indigenous lands depends upon ideologies of European racial superiority as well as legal narratives that equated civilized life with English concepts of property.

Lyndon K. Gill’s Erotic Islands foregrounds a queer presence in foundational elements of Trinidad and Tobago’s national imaginary—Carnival masquerade design, Calypso musicianship, and queer HIV/AIDS activism—to show how same-sex desire provides the means for the nation’s queer population to develop survival and community building strategies.

978-0-8223-7087-1.jpgIn Ontological Terror Calvin L. Warren intervenes in Afro-pessimism, Heideggerian metaphysics, and black humanist philosophy, illustrating how blacks embody a metaphysical nothing while showing how this nothingness destabilizes whiteness, makes blacks a target of violence, and explains why humanism has failed to achieve equality for blacks.

In Empire of Neglect Christopher Taylor shows why nineteenth-century British West Indian letters were remarkably un-British by exploring how West Indians reoriented their affective, cultural, and political worlds toward the Americas in response to the liberalization of the British Empire and the resulting imperial neglect.

A sensitive ethnography of psychotherapy in Putin’s Russia, Shock Therapy by Tomas Matza offers profound insights into how the Soviet collapse not only reshaped Russia’s political system but also everyday understandings of self and other.

Drawing on over 300 prosecutions of sex acts in colonial New Spain between 1530 and 1821, in Sins against Nature Zeb Tortorici shows how courts used the concept “against nature” to try those accused of sodomy, bestiality, and other sex acts, thereby demonstrating how the archive influences understandings of bodies, desires, and social categories.

978-0-8223-7109-0.jpgIn On Decoloniality,Walter D. Mignolo and Catherine E. Walsh introduce the concept of decoloniality by providing a theoretical overview and discussing concrete examples of decolonial projects in action. The book launches a new series of the same name.

The contributors to Territories and Trajectories, edited by Diana Sorensen, propose a model of cultural production and transmission based on the global diffusion, circulation, and exchange of people, things, and ideas across time and space.

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New Books in April

 April brings a fresh crop of great new books. Check out what we’re releasing this month.

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In Biblical Porn Jessica Johnson draws on a decade of fieldwork at Pastor Mark Driscoll’s Mars Hill Church in Seattle to show how congregants became entangled in a process of religious conviction through which they embodied Driscoll’s teaching on gender and sexuality in ways that supported the church’s growth.

In Abject Performances Leticia Alvarado explores how Latino artists and cultural producers have developed and deployed an irreverent aesthetics of abjection to resist assimilation and disrupt respectability politics.

Matthew Vitz’s A City on a Lake outlines the environmental history and politics of Mexico City as it transformed its original forested, water-rich environment into a smog-infested megacity, showing how the scientific and political disputes over water policy, housing, forestry, and sanitary engineering led to the city’s unequal urbanization and environmental decline.

In Domesticating Democracy Susan Helen Ellison offers an ethnography of Alternate Dispute Resolution (ADR) organizations in El Alto, Bolivia, showing that by helping residents cope with their interpersonal disputes and economic troubles how they change the ways Bolivians interact with the state and global capitalism, making them into self-reliant citizens.

978-0-8223-7081-9.jpgKatherine Verdery’s My Life as a Spy analyzes the 2,781 page surveillance file the Romanian secret police compiled on her during her research trips to Transylvania in the 1970s and 1980s. Reading it led her to question her identity and also revealed how deeply the secret police was embedded in everyday life.

 In Edges of Exposure, following Senegalese toxicologists as they struggle to keep equipment, labs, and projects operating, Noémi Tousignant explores the impact of insufficient investments in scientific capacity in postcolonial Africa.

 

Examining human rights discourse from the French Revolution to the present, in Human Rights and the Care of the Self Alexandre Lefebvre turns common assumptions about human rights—that its main purpose is to enable, protect, and care for those in need—on their heads, showing how the value of human rights lies in its support of ethical self-care.

Gay PrioriLibby Adler’s Gay Priori offers a comprehensive critique of the mainstream LGBT legal agenda in the United States, showing how LGBT equal rights discourse drives legal advocates toward a narrow array of reform objectives that do little to help the lives of the most marginalized members of the LGBT community.

In From the Tricontinental to the Global South Anne Garland Mahler traces the history and intellectual legacy of the understudied global justice movement called the Tricontinental and calls for a revival of the Tricontinental’s politics as a means to strengthen racial justice and anti-neoliberal struggles in the twenty-first-century.

Aimee Bahng’s Migrant Futures traces the cultural production of futurity by juxtaposing the practices of speculative finance against those of speculative fiction, showing how speculative novels, films, and narratives create alternative futures that envision the potential for new political economies, social structures, and subjectivities that exceed the framework of capitalism.

A Primer for Teaching Environmental History, by Emily Wakild and Michelle K. Berry, is a guide for college and high school teachers who are teaching environmental history for the first time, for experienced teachers who want to reinvigorate their courses, for those who are training future teachers to prepare their own syllabi, and for teachers who want to incorporate environmental history into their world history courses. The book is part of a new series, Design Principles for Teaching History.

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In the Spirit of Négritude: Kehinde Wiley in Africa

1024px-Portrait_of_President_Barack_Obama_by_Kehinde_Wiley

Portrait of President Barack Obama by Kehinde Wiley

The most recent issue of Nka features an essay on Kehinde Wiley, who recently unveiled his portrait of President Barack Obama for the Smithsonian National Portrait Gallery.

In his article, “In the Spirit of Négritude: Kehinde Wiley in Africa,” author Daniel Haxall traces the influence of  Négritude and the long-standing egagements with African art and culture by Wiley, an American artist. He discusses how Wiley’s encounters with Africa (both in the United States and in Nigeria) inform aspects of his work and contribute knowledge about Africa and its peoples to the viewers of his art.

Haxall argues: “Akin to the Pan-African advocates of the twentieth century, the artist employed a realist  style to locate a shared heritage among the African diaspora. Reclaiming the African subject in portraits that reference traditional, colonial, and contemporary histories, Wiley continues the legacy of Négritude both aesthetically and conceptually.”

Read the essay, made freely available.

New Books in January

978-0-8223-6902-8.jpgHappy 2018! Ring in the new year with these exciting new titles from Duke University Press:

In Fractivism, Sara Ann Wylie traces the history of fracking in the United States and how scientists, nonprofits, landowners, and everyday people are coming together to hold the fossil fuel industry accountable through the creation of digital platforms and databases that document fracking’s devastating environmental and human health impacts.

Raymond Knapp’s Making Light traces the musical legacy of German Idealism as it led to the declining prestige of composers such as Haydn while influencing the development of American popular music in the nineteenth century, showing how the existence of camp in Haydn and American music offer ways of reassessing Haydn’s oeuvre.

In Media Heterotopias Hye Jean Chung challenges the widespread tendency among audiences and critics to disregard the material conditions of digital film production, showing how this emphasis on seamlessness masks the complex social, political, and economic realities of global filmmaking.

Charlotte Brunsdon’s Television Cities traces television’s representations of Paris, London, and Baltimore to show how they reflect the medium’s history and evolution, thereby challenging the prevalent assumptions about television as quintessentially suburban and showing how television shapes our perception of urban spaces, both familiar and unknown.

978-0-8223-7038-3.jpgIn Ezili’s Mirrors Omise’eke Natasha Tinsley traces how contemporary queer Caribbean and African American writers, filmmakers, musicians, and performers evoke the divinity Ezili—a pantheon of lwa feminine spirits in Vodou—in ways that offer a new model of queer black feminist theory.

Focusing on the hemispheric circulation of South American musical cultures, in On Site, In Sound, Kirstie A. Dorr examines the spatiality of sound and the ways in which the sonic is bound to perceptions and constructions of geographic space, showing how people can use music and sound to challenge and transform dominant conceptions of place.

Attending to diverse practices of everyday living and doing—of form, style, and scenography—in Jacques Rancière’s writings, Davide Panagia explores Rancière’s aesthetics of politics as it informs his radical democratic theory of participation in Ranciere’s Sentiments.

In Reclaiming the Discarded Kathleen Millar offers a comprehensive ethnography of Jardim Gramacho, a sprawling garbage dump on the outskirts of Rio de Janeiro, Brazil, where self-employed workers, known as catadores, collect recyclable materials and ultimately generate new modes of living within the precarious conditions of urban poverty.

978-0-8223-7036-9Bianca C. Williams’s The Pursuit of Happiness traces the experiences of African American women who travel to Jamaica and form affective relationships with Jamaican men and women that help construct notions of diasporic belonging and a form of happiness that resists the damaging intersections of racism and patriarchy in the United States.

We Wanted a Revolution: New Perspectives is the companion volume to the acclaimed Sourcebook, both of which accompany the Brooklyn Museum’s exhibition We Wanted a Revolution: Black Radical Women, 1965–1985. New Perspectives includes new essays that place the exhibition’s works in historical and contemporary contexts, poems by Alice Walker, and numerous illustrations. The exhibition is at the California African American Museum until January 14 and then travels to the Albright-Knox Art Gallery in Buffalo.

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Best of 2017

We’re always thrilled when our books are included on various Best of the Year lists. 2017 brought this honor to a number of great titles.

TitleTreatment_FINALThe New York Times named two of our books to their Best Art Books of 2017 list. Art critic Holland Cotter selected Kellie Jones’s South of Pico as one of his favorites. And critic Roberta Smith chose Nina Chanel Abney: Royal Flush, the catalog for Abney’s first solo museum exhibition at the Nasher Museum of Art at Duke University.

South of Pico was also chosen as one of the year’s best booksSouth of Pico by Artforum. Gary Dauphin said the book was “a timely reminder that the United States has seen massive internal displacement within living memory and could again. But, more important, it’s also a credible affirmation that from such sudden, painful movements something new and whole might yet be made.” And in his list of 2017’s top ten moments of “reckoning and light,” Okwui Enwezor selected Stuart Hall’s Cultural Studies 1983. “Argumentative, diagnostic, witty, and learned,” he writes, “the series of scintillating lectures contained in this volume presents Hall at the height of his fearless and generous scholarly powers, offering not only a history of cultural studies but a theoretical and politically engaged reading of our unequal centuries.”

Culture Type also selected South of Pico as one of it’s Best Black Art Books of the year, calling it “both a scholarly triumph and a fascinating read.” Nina Chanel Abney: Royal Flush made their list, too, as did We Wanted a Revolution: A Sourcebook. A publication of the Brooklyn Museum, the Sourcebook accompanies their groundbreaking exhibition of the same name. Culture Type calls it “an invaluable reference.” Look for the second volume, We Wanted a Revolution: New Perspectives, next month.

Living a Feminist LifeLiving a Feminist Life by Sara Ahmed was named a best nonfiction book of 2017 by Entropy, and Autostraddle said it was one of the top ten queer feminist books of 2017. If you loved this book too, don’t forget to order your Feminist Killjoy t-shirt!

The Seminary Co-op bookstore named a number of Duke University Press titles to its Notable Books of 2017 list. Critique of Black Reason by Achille Mbembe made their Top 12 list as did We Wanted a Revolution, a sourcebook from the landmark exhibition at the Brooklyn Museum. Other books on their list include Vinyl Freak by John Corbett and Isonomia and the Origins of Philosophy by Kojin Karatani.

Louise Thompson PattersonBitch Magazine included Louise Thompson Patterson: A Life of Struggle for Justice in their list of the best black women’s history books of the year. They write that author Keith Gilyard “offers a look at one of the most dynamic Black women who’s ever walked the Earth.”

Hunter College’s Center for Puerto Rican Studies puts Licia Fiol-Matta’s The Great Woman Singer on their Essential Boricua Reading List for the 2017 Holiday Season.

Just as we do at the end of every year, publisher Farrar, Strauss, and Giroux asked their staff to pick their favorite books of the year. Maya Binyam, who is also a Senior Editor at The New Inquiry, chose In the Wake by Christina Sharpe.

Congratulations to all these authors and thanks so much to those who spent time compiling the lists. You can save 30% on any of these titles by using coupon code SAVE30 at checkout on our website. Or buy them from your favorite local or online bookstore.