Art History

New Books in May

As you finish up the semester, considering rewarding yourself with new books! Here’s what we have coming out in May.

songbooks In Songbooks, veteran music critic and popular music scholar Eric Weisbard offers a critical guide to American popular music writing, from William Billings’s 1770 New-England-Psalm-Singer to Jay-Z’s 2010 memoir Decoded.

In Black Bodies, White Gold, Anna Arabindan-Kesson examines how cotton became a subject for nineteenth-century art by tracing the symbolic and material correlations between cotton and Black people in British and American visual culture.

Pollution is Colonialism Max Liboiron models an anticolonial scientific practice in Pollution Is Colonialism, aligned with Indigenous concepts of land, ethics, and relations to outline the entanglements of capitalism, colonialism, and environmental science.

The Genealogical Imagination by Michael Jackson juxtaposes ethnographic and imaginative writing to explore intergenerational trauma and temporality, showing how genealogy becomes a powerful model for understanding our experience of being in the world.

Editor Lisa Björkman and contributors to Bombay Brokers provide thirty-six character profiles of men and women whose knowledge and labor—which is often seen as morally suspect—are essential for navigating everyday life in Bombay, one of the world’s most complex, dynamic, and populous cities.

Christopher Tounsel investigates the centrality of Christian worldviews to the ideological construction of South Sudan from the early twentieth century to the present in Chosen Peoples.

Brian Russell Roberts dispels continental-centric US national mythologies in Borderwaters to advance an alternative image of the United States as an archipelagic nation to better reflect its claims to archipelagoes in the Pacific and Caribbean.

Palestine is throwing a party Palestine Is Throwing a Party and the Whole World Is Invited by Kareem Rabie examines how Palestine’s desire to fully integrate its economy into global markets through large-scale investment projects represented a shift away from political state building with the hope that a thriving economy would lead to a free and functioning Palestinian state.

Liz P. Y. Chee complicates understandings of Chinese medicine as timeless and unchanging in Mao’s Bestiary by historicizing the expansion of animal-based medicines in the social and political environment of early Communist China.

Never miss a new book! Sign up for our e-mail newsletters, and get notifications of new titles in your preferred disciplines as well as discounts and other news.

A Conversation between the Editor and Designer of William Gedney’s A Time of Youth

A Time of Youth: San Francisco, 1966-1967 by William Gedney brings together eighty-seven of the more than two thousand photographs Gedney took in San Francisco’s Haight-Ashbury neighborhood between October 1966 and January 1967 while on a Guggenheim Fellowship. In these photographs Gedney documents the restless and intertwined lives of the disenchanted youth who flocked to what became the epicenter of 1960s counterculture.
William Gedney intended to publish the series as a book and completed a draft design in 1969. Gedney also wrote a formal statement about the project and notes on his preferred scale and dimensions for the book. Sadly Gedney was never able to publish A Time of Youth in his lifetime. However, his original design, notes, and prints are preserved and accessible at the David M. Rubenstein Rare Book & Manuscript Library at Duke University, which is where Lisa McCarty first encountered A Time of Youth in 2014.
More than fifty years after Gedney completed the design, A Time of Youth has finally been published. We’re pleased to share a conversation between McCarty, the book’s editor, and the designer, Amy Ruth Buchanan, about how they realized Gedney’s vision for the publication.

gedney booksLisa: I remember the first time I visited the Press and presented the photographs from A Time of Youth and Gedney’s notes on the book design. There were audible ooh’s and ahh’s as I moved through my slideshow. Was there something specific about the San Francisco photographs that captured your attention? Or was it the knowledge of a dormant publication and Gedney’s struggle to publish them that you found compelling?

Amy: Absolutely both! I had known and loved Gedney’s work for a while, a love likely rooted in my long-ago subscription to DoubleTake magazine, as well as my familiarity with the earlier book What Was True: The Photographs and Notebooks of William Gedney, edited by Geoff Dyer and Margaret Sartor. But the show you mounted at Perkins Library and the Rubenstein Rare Book & Manuscript Library in the fall of 2015 was a big deal. Before seeing that exhibit, I didn’t really know about his work as a designer, his meticulous notebooks and his carefully planned maquettes for proposed books. As a lover of photography and book design, it was poignant and inspiring to see these items from the collection. When I heard you were in discussions with the Press to bring us one or more of these never-realized books, I was thrilled.

And then, yes, the photos themselves are completely captivating. So intimate and textured. Some of the young people appear again and again so they are like characters in a novella. He mentions this himself in one of the notebook pages you reproduce: “I am attempting a literary form in visual terms I am telling a story with characters that reappear and scenes that are repeated.”

Do you know if any of these people have been tracked down as Gedney’s work has garnered more and more attention? I wonder what they thought of Gedney.

Lisa: I’m so glad you remember the exhibition I organized of Gedney’s book designs and that it made an impact on you. Intimate Gestures: Handmade Books by William Gedney, was the first exhibit to highlight Gedney’s work as a designer and book artist. So many artists and curators came to know Gedney through Dyer and Sartor’s book, and later the book that the photographer Alec Soth edited. But very few people know about Gedney’s commitment to books or that there are seven complete book designs in his archive. I hope A Time of Youth begins to reveal this other side of Gedney’s artistic practice.

But in terms of the people depicted in A Time of Youth, during my time as curator of Gedney’s archive from 2014-2019 unfortunately I never encountered any of his subjects/collaborators from San Francisco. There are many names of Gedney’s contacts in his journals and notebooks, but these names were not correlated with the images themselves. However, Gedney did met and spent a significant amount of time with the philosopher Eric Hoffer and his companion Lili Osborne while he was in San Francisco. Gedney actually corresponded with them for many years afterwards.

You’ve been able to work on several photography books for the Press, but A Time of Youth presented specific challenges and rewards. This is a posthumous publication, which precluded direct collaboration with the artist. And as editor, my concept was to preserve as many of William Gedney’s decisions as possible. Was this a daunting or exciting prospect for you as a designer?

Amy: Very daunting but I also felt confident that between the two of us, we could do the project justice. The question for each decision along the way was: how prescriptive was his choice here? How closely must we follow it? The starting place was the trim size: the maquettes are 8.5 inches square. We agreed from the very start that maintaining the square trim was important, but did it need to be exactly 8.5 inches? I knew a book that small would be lovely and unusual, but in the end we decided to go just a little bigger, 9” square, to give us room for the photos sized generously with handsome white margins.

Translating Gedney’s cover sketch into the final jacket was another challenge. His sketch includes hand-drawn type, as would have been the norm for a book designer at that time. The italic letterforms reminded me of a Bodoni typeface, with the exaggerated contrast of thick & thin strokes and the distinctive, jaunty little upstrokes on the italics. I chose another typeface, Kepler, from the same family as Bodoni, the Didones. Kepler is named for the German mathematician Johannes Kepler—I think Gedney, the meticulous planner, might have liked that (I’m thinking of his notebook pages on Japanese bookbinding styles).

Gedney original design

Original book cover design by William Gedney

Throughout, of course, I relied on you, Lisa, as the Gedney expert to give feedback on many choices, big and small. You are also an artist and photographer yourself, so I knew you’d have helpful feedback on the image reproductions.

Did you find it hard to know where to draw the line when deciding how (and how much) to adjust his images for printing?

Lisa: In my mind, this was a HUGE responsibility and something I took very seriously. It was easy to establish that we shouldn’t crop ANYTHING and that we needed to preserve the sequence of the images. We also agreed that the documents and ephemera from Gedney’s journals shouldn’t be “cleaned up” or made to appear like fresh new paper.

But admittedly there were moments in the editing of the photographs themselves where I studied a dust spot (to make sure it was a dust spot) much longer than was probably necessary or I when I toggled changes in the tonal range repeatedly to make sure I wasn’t losing any information. But, this kind of meticulous work is something I do in the editing of my own photographs as well. So it was a familiar process with just a bit more weight to it. As an artist I know how important each of these decisions are and how they can affect the interpretation of the image.

We both agreed pretty quickly that the project ephemera should be featured prominently in the book. Were Gedney’s notes and journals inspiring? And is it difficult to work with ephemera in the design and printing process?

Amy: Oh I love working with ephemera. It’s such a gift to have this look into his life as a working artist. I love nothing more than hearing someone else’s shoptalk and these notebooks are very shoptalky! I am glad we were able to keep those images in full color. We had them carefully silhouetted so that the papers would sort of float on the white page—they have such presence. I can’t remember who pointed it out to me—you, or one of our designers, or both, but I love how the book ends with the word, “Wow,” in Gedney’s hand.

Lisa: Yes! Concluding the book with the “Wow” entry from Gedney’s handwritten list of “words used in San Francisco” was definitely intentional. I wanted Gedney to have the first and last words in the book, and the “Wow” entry seemed like a perfect ending.

wow

Page from William Gedney’s list of words used in San Francisco

Amy: I am always fascinated by writers and researchers who get to immerse themselves in an archive. I imagine it is by turns overwhelming, intoxicating, emotional, and tedious. Do you remember moments from your early encounters with the Gedney archive?

 Lisa: Oh, yes! I remember the first time I saw the book projects and A Time of Youth particularly. It was during my first month, maybe even the first few weeks, on the job as curator of the Archive of Documentary Arts in the Rubenstein Library back in 2014. I was getting a tour of the Technical Services department where archives are housed and cataloged. Before I started the job, the Library had decided to prioritize the Gedney’s archive for re-housing (getting new boxes, folders, ect.) and the boxes lined a long row of 8-foot-tall library shelves. I was familiar with Gedney’s work from studying with Margaret Sartor and Alex Harris, and had used the Gedney collection in the reading room of the Library. But I hadn’t seen the archive laid out all together at once until that moment. It was overwhelming at first, but also so inspiring.

At first, I didn’t know where to begin. What box do you open when presented with a wall of nearly 60,000 items made by one person over the course of a lifetime? I scanned the labels on the MANY boxes and saw one labeled “Book Projects.” I was working on my own first book of photographs at the time, and the prospect of a Gedney book piqued my curiosity. I pulled the box off the shelf and was treated to a treasure trove. I think I stayed the rest of the afternoon to look at everything. This first encounter was really one of those magical and revelatory research moments. I felt lucky, inspired, surprised, and a little melancholy all at once; these beautiful books had been completed and dormant for so long. I knew on the spot that the finished book should be published.

journal entry

Gedney Journal entry, March 22-23, 1969 (has the quote Amy mentions)

Amy: There’s an intriguing note in one of the journal pages about the difficulty of working in spreads, that the need to have two images on a spread that are “congenial” with one another might occasionally mean you put in “a lot of pictures that are only half as good.” I can’t really imagine which ones he is talking about. Do you have a favorite pairing from his sequence?

 Lisa: I love that note too! Gedney was perhaps his own toughest critic, but I think this made him an extraordinary editor of his own work. There’s so many interesting and sensitive pairings, but my personal favorite is the spread with the two different couples entwined on opposite pages.

spread 1

Spread from Gedney’s 1969 book design for A Time of Youth.

 

spread 2

The same spread in the finished book.

Lisa McCarty is Assistant Professor of Photography at Southern Methodist University, author of Transcendental Concord, and coauthor of William Gedney: Only the Lonely 1955–1984. Amy Ruth Buchanan is the Design Manager for Books and Journals at Duke University Press. You can read McCarty’s introduction to A Time of Youth free on our website. And save 30% on the book with coupon E21YOUTH.

In Conversation: Anna Watkins Fisher and Elizabeth Ault

Check out our newest “In Conversation” video, in which Editor Elizabeth Ault talks with Anna Watkins Fisher about her new book, The Play in the System: The Art of Parasitical Resistance. Fisher talks about what “parasitical resistance” is, about the ways in which the Trump Era has built on the Obama administration, and about thinking with Bong Joon-Ho’s film Parasite.

New Titles in Women’s Studies

Every year we look forward to meeting authors in person at the NWSA Annual Meeting, and we are sad to be missing out on that this year. We know that many of you look forward to stocking up on new books at special discounts at our conferences, so we are pleased to extend a 50% discount on all in-stock books and journal issues with coupon code NWSA20 until November 23, 2020.

View our Women’s Studies catalog below for a complete list of all our newest titles in women, gender, and sexuality studies and across disciplines. You can also explore all of our books and journals in the field on dukeupress.edu. And although you cannot join us in the booth this year, you can listen to a number of our authors discuss their books through our In Conversation series on our YouTube channel.

Editor Elizabeth Ault has a message for everyone who would have attended NWSA this year, with her recommendations of the latest books in women, gender, and sexuality studies.

Editor Elizabeth Ault

Dear NWSA,

I was so looking forward to gathering with you all in the greatest city in the world, Minneapolis, this fall, but it’s not to be. I’m sending solidarity to all the folks who have been doing incredible organizing work there for years before the murder of George Floyd (#justiceforfonglee, #justiceforjamarclarke, #ceceisfree, #cecetaughtme #justiceforphilandocastile) and continue to provide networks of care and support every dang day. 

I am so excited to be in conversation with y’all about the feminist work in Black studies, disability studies, geography, trans studies, queer theory, history, and more that has its home at NWSA. Please sign up for office hours to discuss your work with me here

In the meantime, I know many of you are shopping the sale. Here are some crucial feminist texts that would never have made it to 50% off day in the booth–and you can get them shipped directly to you for 50% off from our website!!!  You’ll see important strands of Black feminist thought and queer theory throughout these books, so I’ve tried to organize them more by method and topic to help you find what you’re looking for. 

I’m writing this in late October and you’ll be reading it on the other side of whatever happens on November 3. Regardless, I’m confident these books have important wisdom to offer us as we move through this extraordinarily painful year, fortified by the work of organizers in Minneapolis and around the world, and by these thinkers and writers. They’re all helping us to imagine the world we want to live in and work to make it possible.

Jih-Fei Cheng, Alex Juhasz, and Nishant Shahani’s AIDS and the Distribution of Crises comes directly out of that scholarly/activist nexus, bringing together insights from a range of fields and positions about the ongoing viral crises that COVID-19 cratered into this winter. Sima Shakhsari’s book The Politics of Rightful Killing looks at transnational online networks of writers and activists to consider how Iranians in the diaspora and Iran itself thought about reconstituting democracy. Jillian Hernandez’s Aesthetics of Excess is right there too, drawing on her work with Black and Latina girls in Women on The Rise in Miami.

Writing in Space

Alongside the amazing art Jillian and her interlocutors at WOTR created, much of which is included in full color in the book, we have some really amazing feminist art books out right now. Lorraine O’Grady’s work was at the center of the mind-blowing, pathbreaking We Wanted a Revolution show at the Brooklyn Museum a few years back, and now she has her own solo show there, accompanied by this new book of her writings about art practice and her vision for a Black feminist art world, Writing in Space. Maya Stovall has been performing and showing Liquor Store Theatre, a Detroit-based art and performance project for several years; her book by the same name considers the project as an ethnographic one reimagining what dispossessed neighborhoods in Detroit might still play host to. Bakirathi Mani’s new book, Unseeing Empire, centers work by South Asian women artists Annu Matthew, Seher Shah, and Gauri Gill to consider how empire continues to haunt South Asian desires for representation and representability.

978-1-4780-0663-3But it’s not just visual arts that are important – feminist approaches to music also play a big role on this list, with books by Maureen Mahon, Shana Redmond, Ren Ellis Neyra, and Xavier Livermon centering the sonic.

And Alexis Pauline Gumbs’s Dub is a work of art–no less than an oracle for our times. 

Another oracular work newly available is Jose Munoz’s posthumous Sense of Brown. This book is deep and lasting and Jose’s influence and importance is so clear and undeniable. More theoretical work on this list alongside Jose’s is Cressida Heyes’s book Anaesthetics of Existence, which is really speaking to me as this year continues to take and take. It’s a feminist phenomenology for this moment. Other books theorizing embodiment here include Neetu Khanna’s Visceral Logics of Decolonization, and Naked Agency, in which author Naminata Diabate considers women’s naked protests across Africa and the diaspora as a weighty, powerful form of vulnerable resistance.

naked agency

Diabate’s work is embedded in a long history of such protests–new feminist history work from Brandi Brimmer, Francoise Verges, and Lynn Thomas provides important tools for understanding how we got here, and how things could be different. 

And feminist ethnography has a strong presence on this list too, with nuanced and sensitive accounts of relationality and care in everyday life from Abigail Dumes, Saiba Varma, and Marilyn Strathern

information activism
Click cover image for In Conversation talk with McKinney!

Relations, the topic of Strathern’s capacious theorization, are also at the foundation of Brigitte Fielder’s rethinking of kinship and race. Her book is part of a strong list in queer and feminist cultural and literary studies that includes new books from Jack Halberstam (important queer theory, yes, but also important Kate Bush content!), Bo Ruberg (whose new book series is accepting proposals), Gillian Harkins (why are you still watching To Catch a Predator? I mean, you won’t after reading this book), Cait McKinney (the book we fondly refer to as “how lesbians invented the internet”), Erica Fretwell (She’ll make you care about The Yellow Wallpaper again, through centering the role of SMELL of all things), and Sam Pinto (the definitive take on Sarah Baartman and Sally Hemings that you have been waiting for!!).

That’s a lot of books! There’s so much richness and brilliance here. I’m excited to hear what you think about these books and how they’re informing your own work on twitter and in my office hours. In the meantime, keep well.

If you were hoping to connect with Elizabeth Ault or another of our editors about your book project at NWSA, please reach out to them by email. See our editors’ specialties and contact information here and our online submissions guidelines here.

And don’t forget about our great journals in gender studies, like Meridians: feminism, race, transnationalism; the Journal of Middle East Women’s Studies; Camera Obscura: Feminism, Culture, and Media Studies; differences: A Journal of Feminist Cultural Studies; GLQ: A Journal of Lesbian and Gay Studies, and TSQ: Transgender Studies Quarterly. If you don’t have access through your library, ask them to subscribe, pick up a personal subscription, or add a special issue to your sale order!

In Conversation: Ricardo Montez and Joshua Gutterman Tranen

Watch our latest In Conversation video in which Assistant Editor Joshua Gutterman Tranen talks with Ricardo Montez about his new book, Keith Haring’s Line: Race and the Performance of Desire. They discuss the life and legacy of Keith Haring, the commercialization of his work, and how to think through Haring’s complicated – and at times problematic – relationship to Black and Latinx culture.

New Books in October

As the days cool and leaves turn so should your new book pages! This month our new book titles will go great with your favorite hot drink.

sentient fleshExamining black performance practices that critique Western humanism, R. A. Judy offers an extended meditation on questions of blackness, the human, epistemology, and the historical ways in which the black being is understood in Sentient Flesh.

In Sensory Experiments, Erica Fretwell examines how psychophysics—a nineteenth-century scientific movement originating in Germany dedicated to the empirical study of sensory experience—became central to the process of creating human difference along the lines of race, gender, and ability in nineteenth-century America.

Brigitte Fielder presents an alternative theory of how race is constructed in Relative Races with readings of nineteenth-century personal narratives, novels, plays, stories, poems, and images to illustrate how interracial kinship follows non-heteronormative, non-biological, and non-patrilineal models of inheritance in nineteenth-century literary culture.

The Sense of Brown, which he was completing at the time of his death, is José Esteban Muñoz’s treatise on brownness and being as well as his most direct address to queer Latinx studies. Joshua Chambers-Letson and Tavia Nyong′o have edited the book and written an introduction.The Sense of Brown

Lyle Fearnley situates the production of ecological facts about the likely epicenter of viral pandemics inside the shifting cultural landscapes of agrarian change and the geopolitics of global health in the timely new book Virulent Zones.

Amalia Leguizamón reveals how the Argentine state, agribusiness, and their allies in the media and sciences deploy narratives of economic redistribution, scientific expertise, and national identity as a way to gain the public’s consent to grow genetically modified soybeans despite the massive environmental and social costs in Seeds of Power.

Drawing on ethnographic research with policy makers, politicians, activists, scholars, and the public in Manchester, England, Hannah Knox in Thinking Like a Climate confronts the challenges climate change poses to knowledge production and modern politics.

Wild Things with border In Wild Things Jack Halberstam offers an alternative history of sexuality by tracing the ways in which the wild—a space located beyond normative borders of sexuality—offers sources of opposition to knowing and being that transgress Euro-American notions of the modern subject.

Saiba Varma in The Occupied Clinic, explores spaces of military and humanitarian care in Indian-controlled Kashmir—the world’s most militarized place—to examine the psychic, ontological, and political entanglements between medicine and violence.

With Cowards Don′t Make History, Joanne Rappaport examines the work of a group of Colombian social scientists led by Orlando Fals Borda, who in the 1970s developed a model of “participatory action research” in which they embedded themselves into local communities to use their research in the service of social and political organizing.

Vanessa Freije explores the causes and consequences of political scandals in Mexico from the 1960s through the 1980s in Citizens of Scandal, showing how Mexico City reporters began to denounce government corruption during this period in ways that defined the Mexican public sphere in the late twentieth century .

In Building Socialism, Christina Schwenkel analyzes the collaboration between East German and Vietnamese architects and urban planners as they attempted to transform the bombed-out industrial city of Vinh into a model socialist city.

Political theorist and anticapitalist activist Sabu Kohso uses the 2011 Fukushima nuclear disaster to illuminate the relationship between nuclear power, capitalism, and the nation-state in Radiation and Revolution, showing how nuclear power has become the organizing principle of the global order.

blackdiamondqueens In Black Diamond Queens Maureen Mahon documents the major contributions African American women vocalists such as Big Mama Thornton, Betty Davis, Tina Turner, and Merry Clayton have made to rock and roll throughout its history.

Ethiraj Gabriel Dattatreyan in The Globally Familiar examines how the young men of Delhi’s hip hop scene construct themselves on- and off-line and how digital platforms offer these young men the means to reimagine themselves and their city through hip hop.

In essays addressing topics ranging from cinema, feminism, and art to hip hop, urban slums, and digital technology, Sujatha Fernandes in The Cuban Hustle explores the multitudinous ways ordinary Cubans have sought to hustle, survive, and create expressive cultures in the aftermath of the Soviet Union’s collapse.

In Genetic Afterlives, Noah Tamarkin illustrates how Lemba people in South Africa give their own meanings to the results of DNA tests that substantiated their ancestral connections to Jews and employ them to manage competing claims of Jewish ethnic and religious identity, African indigeneity, and South African citizenship.

Shane Denson examines the ways in which computer-generated digital images displace and transform the traditional spatial and temporal relationships that viewers had with conventional analog forms of cinema in Discorrelated Images.

Media Primitivism by Delinda Collier finds alternative concepts of mediation in African art by closely engaging with electricity-based works since 1944.

writing in spaceWriting in Space, 1973-2019 gathers the writings of conceptual artist Lorraine O’Grady as edited by Aruna D’Souza, including artist statements, scripts, magazine articles, critical essays on art and culture, and interviews.

Acknowledging the difficulty for artists in the twenty-first century to effectively critique systems of power, in The Play in the System Anna Watkins Fisher theorizes parasitism—a form of resistance in which artists comply with dominant structures as a tool for practicing resistance from within.

Filled with advice from over fifty contributors, this completely revised and expanded edition of our popular book The Academic’s Handbook guides academics at every career stage, whether they are first entering the job market or negotiating post-tenure challenges of accepting leadership and administrative roles. The volume is edited by Lori A. Flores and Jocelyn H. Olcott.

Never miss a new book! Sign up for our e-mail newsletters, and get notifications of new titles in your preferred disciplines as well as discounts and other news.

Online Events in September

Although you can’t see them in person, there are many opportunities to catch our authors at online events in September.

manufactuing-celebritySeptember 4, 12 pm EDT: Vanessa Díaz, author of  Manufacturing Celebrity,  will be joined in conversation by Jonathan Rosa at an event sponsored by Harvard Bookstore.

September 4, 9 pm EDT: Margaret Randall and Cedar Sigo discuss Randall’s recent memoir I Never Left Home in an event sponsored by Elliott Bay Book Company

September 16, 4 pm CDT: Katina Rogers will participate in an online conversation about her book Putting the Humanities PhD to Work. This event is sponsored by the Obermann Center for Advanced Studies with support from Humanities for the Public Good; Prairie Lights Bookstore; and The Futures Initiative, and The Graduate Center, CUNY.

978-1-4780-0945-0September 17, 12 pm EDT: Arlene Dávila discusses her new book Latinx Art in an online talk sponsored by CARGC UPenn

September 21, 6:30 pm EDT: Intellectual Publics sponsors an online conversation between Arlene Dávila and Patricia Banks.

September 22, 2 pm EDT:  Difficult Objects: A Transnational Feminist Book Conversation. Moderated by Samantha Pinto, author of Infamous Bodies, this conversation features Simidele Dosekun, Durba Mitra, and Laura Hyun Yi Kang, author of Traffic in Asian Women, talking about their recent books and transnational feminist methodologies.

We hope you can tune in to some of these great talks. Keep up with all our author events on our Twitter feed.

Rethinking Cosmopolitanism: Africa in Europe | Europe in Africa

In “Rethinking Cosmopolitanism: Africa in Europe | Europe in Africa,” a new issue of Nka: Journal of Contemporary African Art, contributors reconfigure concepts of art, culture, and politics through the lens of cosmopolitanism.

Cover of "Rethinking Cosmopolitanism: Africa in Europe | Europe in Africa"

Focusing on the historical and cultural entanglement of Africa and Europe at the intersection of decolonization and modernity, the authors emphasize the potential of cosmopolitanism to shape possibilities for coexistence and living with difference among all people. Visual and textual essays address the causes and consequences of migration between Africa and Europe; the classification of artistic practices whose roots are not confined to any particular nation; and mid-twentieth-century debates on decolonization, modernity/modernism, and identity through a cosmopolitan viewpoint.

The issue’s introduction by editor Salah M. Hassan is free to read online. Fatima El-Tayeb’s article, “The Universal Museum: How the New Germany Built its Future on Colonial Amnesia,” which addresses the long-term impact of colonialism on Europe’s internal structures and on its self-positioning in a global context, is free for three months.

Learn more about Nka: Journal of Contemporary African Art or purchase “Rethinking Cosmopolitanism: Africa in Europe | Europe in Africa” here.

New Books in July

We are now mid-way through the summer, and it’s not too late to stock up on books to add to your summer reading list. Check out these brand new titles coming out in July!

978-1-4780-0602-2Journeys through the Russian Empire is a lavishly illustrated volume that features hundreds of full-color images of Russian architecture and landscapes taken by early-twentieth-century photographer Sergey Prokudin-Gorsky and juxtaposed against those of contemporary photographer and scholar William Craft Brumfield. Together their images document Russia’s architectural, artistic, and cultural heritage. This one will look gorgeous on your coffee table!

The contributors to Paper Trails, edited by Sarah B. Horton and Josiah Heyman, examine migrants’ relationship to the state through requirements to obtain identification documents in order to get legal status.

978-1-4780-0954-2Written for humanities graduate students and the faculty they study with, Katina L. Rogers’s Putting the Humanities PhD to Work grounds practical career advice in a nuanced consideration of how graduate training can lead to meaningful and significant careers beyond the academy.

In Keith Haring’s Line, Ricardo Montez traces the drawn and painted line that was at the center of Keith Haring’s artistic practice, engaging with Haring’s messy relationships to race-making and racial imaginaries.

In ¡Presente!, Diana Taylor offers the theory of presente as a model of standing by and with victims of structural and endemic violence by being physically and politically present in situations where it seems that nothing can be done.

978-1-4780-0945-0Drawing  on numerous interviews with artists, dealers, and curators, in Latinx Art Arlene Dávila explores how and why the contemporary international art market continues to overlook, devalue, and marginalize Latinx art and artists.

In The Wombs of Women, Françoise Vergès examines the scandal of white doctors forcefully terminating the pregnancies of thousands of poor women of color on the French island of Réunion during the 1960s, showing how they resulted from the legacies of the racialized violence of slavery and colonialism.

In Embodying Relation, Allison Moore examines the tensions between the local and the global in the art photography movement that blossomed in Bamako, Mali, in the 1990s, showing contemporary Malian photography to be a rich example of Western notions of art meeting traditional cultural precepts to forge new artistic forms, practices, and communities.

Never miss a new book! Sign up for our e-mail newsletters, and get notifications of new titles in your preferred disciplines as well as discounts and other news.

New Books in June

Summer is just around the corner. As this new season begins, we’re releasing some exciting titles in history, art, anthropology, and more. Check out these brand new books arriving in June!

A Primer for Teaching Pacific Histories is a guide for college and high school teachers who are teaching Pacific histories for the first time or for experienced teachers who want to reinvigorate their courses. It can also serve those who are training future teachers to prepare their own syllabi, as well as teachers who want to incorporate Pacific histories into their world history courses.

In Disordering the Establishment, Lily Woodruff examines the development of artistic strategies of political resistance in France in the decades following World War II, showing how artists countered establishment ideology, challenged traditional art institutions, appealed to direct political engagement, and grappled with French intellectuals’ modeling of society.

Pointing out that presumptions of solidarity, antagonism, or incommensurability between Black and Native communities are insufficient to understand the relationships between both groups, the scholars, artists, and activists contributing to Otherwise Worlds investigate the complex relationships between settler colonialism and anti-Blackness to explore the political possibilities that emerge from such inquiries. This volume is edited by Tiffany Lethabo King, Jenell Navarro, and Andrea Smith.

In Trafficking, Hector Amaya examines how the dramatic escalation of drug violence in Mexico in 2008 transformed how people discussed violence and the rules of participation in the public sphere.

Sa’ed Atshan and Katharina Galor draw on ethnographic fieldwork and interviews in The Moral Triangle to explore the asymmetric relationships between Germans and Israeli and Palestinian immigrants in the context of official German policies, public discourse, and the impact of coming to terms with the past. You can watch Assistant Editor Sandra Korn interview Atshan and Galor here.

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