In Multisituated, Kaushik Sunder Rajan proposes a reconceptualization of ethnography as a multisituated practice that speaks to the myriad communities of accountability and the demands of doing and teaching anthropology in the twenty-first century.
In See How We Roll, Melinda Hinkson follows the experiences of Nungarrayi, a Warlpiri woman from the central Australian desert, as she struggles to establish a new life for herself in the city of Adelaide.
Tani Barlow’s In the Event of Women outlines the stakes of what she calls “the event of women” in China—the discovery of the truth that women are the reproductive equivalent of men. This book reconsiders Alain Badiou’s concept of the event; particularly the question of whose political moment marks newly discovered truths.
In At the Limits of Cure, Bharat Jayram Venkat draws on historical and ethnographic research on tuberculosis in India, exploring what it means to be cured and what it means for a cure to be partial, temporary, or selectively effective.
The contributors to Cocaine, edited by Enrique Desmond Arias and Thomas Grisaffi, analyze the contemporary production, transit, and consumption of cocaine throughout Latin America and the illicit economy’s entanglement with local communities.
In Disaffected, Xine Yao explores the racial and sexual politics of unfeeling—affects such as coldness, insensitivity and sexual frigidity that are not recognized as feeling—as a means of survival and refusal for people of color and queer people in nineteenth-century America.
In Stories That Make History, Lynn Stephen examines the writing of Elena Poniatowska, showing how it shaped Mexican political discourse and provides a unique way of understanding contemporary Mexican history, politics, and culture.
In TheLettered Barriada, Jorell A. Meléndez-Badillo tells the story of how a cluster of self-educated workers burst into Puerto Rico’s world of letters in the aftermath of the 1898 US occupation, showing how they produced, negotiated, and deployed powerful discourses that eventually shaped Puerto Rico’s national mythology.
Edited by Charlotte Brunsdon, Writings on Media collects Stuart Hall’s most important work on the media, reaffirming reaffirms his stature as an innovative media theorist while demonstrating the continuing relevance of his methods of analysis.
The contributors to Anthropology, Film Industries, Modularity, edited by Ramyar D. Rossoukh and Steven C. Caton, take an anthropological and comparative approach to capturing the diversity and growth of global film industries, bringing into relief common film production practices as well as the local contingencies and deeper cultural realities at work in every film industry.
In Hegemonic Mimicry, Kyung Hyun Kim considers the recent global success of Korean popular culture—the Korean wave of pop music, cinema, and television also known as hallyu—from a transnational and transcultural perspective.
Matthew H. Brown’s Indirect Subjects explores the connections between Nigeria’s booming film industry, state television, and colonial legacies that together involve spectators in global capitalism while denying them its privileges.
In Loss and Wonder at the World’s End, Laura A. Ogden considers a wide range of people, animal, and objects together as a way to catalog the ways environmental change and colonial history are entangled in the Fuegian Archipelago of southernmost Chile and Argentina.
The contributors to Decay, edited by Ghassan Hage, attend to the processes and experiences of symbolic and material forms of decay in a variety of sociopolitical contexts across the globe.
In Radiation Sounds, Jessica A. Schwartz examines the seventy-five years of Marshallese music developed in response to the United States’ nuclear weapons testing on their homeland, showing how Marshallese singing practices make heard the harmful effects of US nuclear violence.
Drawing on literature along with the visual and performing arts, Anthony B. Pinn’s Interplay of Things theorizes religion as a technology for interrogating human experiences understanding the ways in which things are always involved in processes of exchange and interplay.
To kick off Open Access Week this year, we’re proud to announce that Trans Asia Photography, an open-access journal, is joining the Duke University Press publishing program beginning with its 2022 volume. We’re thrilled to have TAP on board!
TAP, a biannual journal edited by Deepali Dewan, Yi Gu, and Thy Phu, is the first and only open-access international peer-reviewed journal devoted to the interdisciplinary exploration of historic and contemporary photography from Asia and across the Asian diaspora. The journal examines all aspects of photographic history, theory, and practice by centering images in or of Asia, conceived here as a territory, network, and cultural imaginary. Bridging photography and area studies, the journal rethinks transnational and transcultural approaches and methodologies. The journal brings together the perspectives of scholars, critics, and creatives across the humanities and social sciences to advance original and innovative research on photography and Asia, and to reflect and encourage quality, depth, and breadth in the field’s development.
“The editorial team of Trans Asia Photography is thrilled to join Duke University Press,” wrote the editors. “Since its founding more than a decade ago, TAP has maintained its commitment to be at the forefront of scholarship on Asia and photography, both nurturing and reflecting this emerging field. Central to its success has been a commitment to open-access publication, which has allowed us to move beyond a western academic audience to scholars, curators, artists, and professionals in Asia and beyond. We are excited that Duke University Press shares our commitment to open-access principles. Indeed, we can think of no better home than Duke for carrying out the journal’s vision for transforming the history of photography by centering Asia and for re-thinking Asia through the study of photography.”
From the beginning, the journal was conceived as an online resource where readers from anywhere could read about previously unknown histories of photography, engage with new ways of thinking about past and present photographic work, see photographs that otherwise would be unavailable to them, and learn about relevant books, archives, exhibitions, and symposia. By centering photographic practices of Asia and its diasporas, the journal foregrounds multiple ways of seeing, knowing, and being, which are distinct yet inseparable from other regional formations.
“The addition of TAP adds another exciting publication to DUP’s growing list of outstanding open-access titles,” wrote Erich Staib, Associate Journals Director. “We are delighted to be working together with the editors to further develop the journal and increase its global profile. TAP joins DUP’s broad presence in Asian studies and will be a strong complement to the publishing we do across the field and beyond it.”
Recent issues of the journal have centered on the title’s keywords “trans” and “Asia,” and readers can look forward to TAP’s spring issue examining “photography” to close out this series. Future issues of the journal will focus on themes of amateurism, photobooks, and digitalities.
Start off the semester strong by perusing our new September releases!
Drawing on oral and written testimonies from academics and students who have made complaints about harassment, bullying, and unequal working conditions at universities, Sara Ahmed examines what we can learn about power from those who complain about abuses of power in Complaint! Angela Y. Davis says, “Complaint! is precisely the text we need at this moment as we seek to understand and transform the institutional structures promoting racism and heteropatriarchy.”
The contributors to Assembly Codes: The Logistics of Media, edited by Matthew Hockenberry, Nicole Starosielski, and Susan Zieger, document how media and logistics—the techniques of organizing and coordinating the movement of materials, bodies, and information—are co-constitutive and key to the circulation of information and culture.
In Philosophy for Spiders: On the Low Theory of Kathy Acker, McKenzie Wark combines an autobiographical account of her relationship with Kathy Acker with her transgender reading of Acker’s writing to outline Acker’s philosophy of embodiment and its importance for theorizing the trans experience.
The contributors to Embodying Black Religions in Africa and Its Diasporas, edited by Yolanda Covington-Ward and Jeanette S. Jouili, investigate the complex intersections between the body, religious expression, and the construction and negotiation of social relationships and collective identities throughout the Black diaspora.
Sarah Jane Cervenak traces how Black artists and writers who create alternative spaces for Black people to gather free from those Enlightenment philosophies that presume Black people and land as given to enclosure and ownership in Black Gathering: Art, Ecology, Ungiven Life.
Andil Gosine revises understandings of queer desire in the Caribbean in Nature’s Wild, Love, Sex and the Law in the Caribbean, showing how the very concept of homosexuality in the Caribbean (and in the Americas more broadly) has been overdetermined by a colonially-influenced human/animal divide.
Don’t miss all our exciting new releases in August!
In three long-form poems and a lyrical essay, fahima ife speculates in Maroon Choreographyon the afterlives of Black fugitivity, unsettling the historic knowledge of it while moving inside the ongoing afterlives of those people who disappeared themselves into rural spaces beyond the reach of slavery.
Rachel Zolf activates the last three lines of a poem by Jewish Nazi Holocaust survivor Paul Celan—“No one / bears witness for the / witness”—to theorize the poetics and im/possibility of witnessing in No One’s Witness.
In Amkoullel, the Fula Boy, Malian writer Amadou Hampâté Bâ—one of the towering figures in the literature of twentieth-century Francophone Africa—tells in striking detail the story of his youth, which was set against inter-ethnic conflict and the arrival and installation of French colonialism.
In The Politics of Decolonial InvestigationWalter D. Mignolo provides a sweeping examination of how colonialty has operated around the world in its myriad forms between the sixteenth and twenty-first centuries while calling for a decolonial politics that would delink from all forms of Western knowledge.
Laurence Coderre explores the material culture of the Chinese Cultural Revolution in Newborn Socialist Things to show how it paved the way for rampant commodification and consumption in contemporary China.
Carolyn Hardin offers a new way of understanding arbitrage—the trading practice that involves buying assets in one market at a cheap price and immediately selling them in another market for a profit—as a means of showing how its reliance upon taking on risk is fundamental to financial markets in Capturing Finance.
Monica Huerta draws on her experiences growing up in her family’s Mexican restaurants and her life as an academic in Magical Habits to sketch out habits of living that allow us to consider what it means to live with history as we are caught up in it and how those histories bear on our capacities to make sense of our lives.
The contributors to Long Term, edited by Scott Herring and Lee Wallace, use the tension between the popular embrace and legalization of same-sex marriage and the queer critique of homonormativity as an opportunity to examine the myriad forms of queer commitments and their durational aspect.
In Domestic Contradictions Priya Kandaswamy brings together two crucial moments in welfare history—the advent of the Freedmen’s Bureau during Reconstruction and the Personal Responsibility and Work Opportunity Reconciliation Act of 1996—to show how they each targeted Black women through negative stereotyping and normative assumptions about gender, race, and citizenship.
In Policing ProtestPaul A. Passavant explores how the policing of protest in the United States has become increasingly hostile since the late 1990s, moving away from strategies that protect protestors toward militaristic practices designed to suppress legal protests.
In A Black Intellectual’s Odyssey Martin Kilson—the first tenured African American professor at Harvard—takes readers on a fascinating journey from his upbringing in a small Pennsylvania mill town to his experiences as an undergraduate to pursuing graduate study at Harvard before spending his entire career there as a faculty member.
In Whiteness Interrupted, Marcus Bell presents a revealing portrait of white teachers in majority Black schools to outline how white racial identity is constructed based on localized interactions and the ways whiteness takes a different form in predominantly Black spaces.
Jennifer C. Nash examines how the figure of the “Black mother” has become a powerful political category synonymous with crisis, showing how they are often rendered into one-dimensional symbols of tragic heroism and the ground zero of Black life in Birthing Black Mothers.
Transnational Feminist Itineraries, edited by Ashwini Tambe and Millie Thayer, demonstrates the key contributions of transnational feminist theory and practice to analyzing and contesting authoritarian nationalism and the extension of global corporate power.
In Reimagining Social Medicine from the South Abigail H. Neely explores social medicine’s possibilities and limitations at one of its most important origin sites: the Pholela Community Health Centre (PCHC) in South Africa.
In Liz P. Y. Chee is Research Fellow at the Asia Research Institute and Lecturer at Tembusu College, both at the National University of Singapore.In her new book,Mao’s Bestiary: Medicinal Animals and Modern China, she complicates understandings of Chinese medicine as timeless and unchanging by historicizing the expansion of animal-based medicines in the social and political environment of early Communist China. Chee is Research Fellow at the Asia Research Institute and Lecturer at Tembusu College, both at the National University of Singapore.
In Mao’s Bestiary, your focus is on the production rather than the consumption of animal-based drugs. As a reader, it’s hard not to wonder about the efficacy of some of the therapies you describe. From the consumer’s perspective, do you have a sense as to why faunal medicalization remains popular?
I agree it’s hard to understand why demand continues in the present day despite the lack of science-based proofs of efficacy, and given the awareness that so many animal species are facing extinction, but let me provide two reasons. One is prestige. In China and elsewhere in Asia, rare animal parts and tissues have been highly valued within a gifting economy. I first became aware of this on a trip to Boten City, Laos in December 2009, where in the lobby of my hotel, which faced the entrance to a casino, venders were selling boxes of bear bile wrapped in neat red packaging. Jill Robinson, founder of Animals Asia Foundation, has discussed how such high-end animal medicinals are often never consumed, but permanently displayed as trophy objects. Others have written of how the gift of an expensive animal-based medicine to a sick relative is taken as a sign of caring, regardless of whether it is used.
A more general reason is the belief, deliberately cultivated during the period I write about, of the greater potency of animal tissue in preventing or curing diseases as compared to herbs. The Chinese medical belief of “like-cures-like” has always contributed to the use of animals parts as cures, though my book documents many cases of animals being given new medical powers in the modern period that have little or no sanction in classical texts. Contributing to the decimation of the rhino population, for example, has been a surge in Vietnamese demand for rhino horn, based on its claimed efficacy in curing cancer, or just hangovers. And in post-war Singapore, the horns of Saiga antelope were made into a cooling drink. I remember drinking this as a child and believing in its cooling effects. That Saiga horn is still openly sold here probably relates to this earlier marketing, which like all marketing need not be backed by scientific proofs. When such parts and tissues are officially banned, their trade goes underground, or operates through the internet. Only educating consumers has a chance of ending it.
Instead of using Eastern and Western medicine as analytic categories, you compare Chinese medicine with biomedicine. What do you think Western historians of science and medicine, or, perhaps, historians of Western science and medicine, can take away from this reframing of geography and tradition?
“Eastern” and “Western” are artefacts from the colonial period, so didn’t work for me in telling this story. Even “Chinese medicine” and “biomedicine”, the two broad-brush descriptors I settled on, needed to constantly be given more nuance in the text. It’s well-accepted now that “Chinese medicine” is a modernizing and heterogeneous set of practices and materials, hence full of innovation, and I’ve further documented that. But another reason the directional categories didn’t work in my manuscript is because Soviet or socialist medicine had a large influence in China from the 1950s, and its openness to herb-based and animal-based therapies—which were out of favour in “The West”—acted as a bridge to traditional Chinese drug culture. Russia is also in Asia, so its floral and faunal materia medica overlapped with that of China, as did its medicinal farming of deer. Other scholars have already documented the way that Japanese research influenced the whole range of medicines in China, including traditional pharmaceutics, and we can add North Korea in the case of bear bile farming. As a Singaporean, I was also very aware of the north-south axis; how what happens to the north of us effects the Southeast Asian rain forest where we live, and which has traditionally supplied so many animals for Chinese medicinal markets.
In your own life, you have been both a consumer of Chinese medicine and an activist for wildlife and biodiversity. How do these two things sit in tension for your generation? How do you imagine this tension might shape conversations about Chinese medicine moving forward?
I’m currently in my early 40s, and it’s not easy to generalize about my generation of Chinese-Singaporeans. While we’re more educated than our parents, we’re still quite immersed in inherited ways of thinking. My family origins are in Southern China, where animals were never treated humanely or with a view toward conservation. I was brought up eating shark fin soup and consuming Chinese medicine made with dried lizards, in addition to the antelope-horn drink I mentioned. I only became sensitized to ethical issues around animals in my late teens, but even then felt powerless to change anything. One turning point came when I saw (in the early 2000s) a BBC documentary on bear farming, and then witnessed it first-hand in Laos. While I think I’m still more the exception than the norm among my generation, an active minority of us have contributed to a strong and increasingly effective movement for the ethical treatment of animals here, as I mention in my book. We are ahead of China in that regard, though attitudes there are changing as well.
I’m more hopeful about the younger generations of Singaporeans and Chinese, who have been more outspoken in voicing their distaste for exploiting endangered species. The Guizhentang controversy of 2012, which I describe in my book, and which saw young mainland Chinese demonstrating against bear bile farming in front of the company’s outlets, was early evidence of a more dynamic and ethically-focused generation evolving. Celebrities like basketballer Yao Ming have also spoken up in challenge to conservative voices in the Chinese medical community. As an academic, my job is to contextualize and explain why and how animals came to be medicalized on such a scale. And my book rejects the claim that an unbroken Chinese tradition is the reason for the current industrial-scale exploitation, thereby skipping over the influence of nation-building in Mao’s China. But even without this historical evidence, I believe the younger generation prefers a Chinese medicine which does not endanger biodiversity, threaten the survival of species, harm individual animals, or harm us through the spread of zoonoses. They realize that continuing to medicalize animals is not essential to the survival of this healing tradition. It may rather threaten it.
You reference the COVID-19 pandemic several times in your introduction, and again in your conclusion. What impact, if any, do you think COVID-19 will have on future uses of medicinal animals? Do you think your book would have looked different if you had started it, and not finished it, in the middle of a pandemic?
As mentioned, one origin of this book was the trip I made to a bear bile farm in Boten City, Laos, a story I tell in the introduction. My team and I were there because the bears were diseased and dying, and I was struck that liquid extracted from sick bears was being sold locally as “medicine.” So zoonotic disease was a specter hovering about my project from the beginning. But I was more interested at that moment in the ethical question of how Chinese farmers could engage in such a cruel practice, and the historical question of where medicinal animal farming originated, and why. Going into the archives to understand faunal medicalization as an historical process, zoonoses faded from view because they were outside the consciousness of my actors and informants. Now of course they are front and center. But in some sense I’m glad I finished the book just before the pandemic, so as not to see the history of medicalizing animals solely through that contemporary lens. I’m hopeful, however, that the pre-history provided by the book will be useful to those working today to limit zoonotic disease by ending the global wildlife trade, so much of which is linked to medicalization. “Tradition” has always been a black box (or perhaps wall) limiting what people felt they could do to institute change. Understanding it as a process of constant re-invention and choice, and in this instance one that has become detrimental to both human and animal health, is an important step.
We’re thrilled to welcome the Sungkyun Journal of East Asian Studies to our publishing program starting with volume 21, issue 1, which is available now. SJEAS is an open-access, international publication that presents research related to the Sinographic Cosmopolis/Sphere of pre-1945 East Asia, publishing both articles that stay within traditional disciplinary or regional boundaries and works that explore the commonalities and contrasts found in countries of the Sinographic Sphere. Today we’re pleased to share an interview with Ross King, editor of SJEAS.
How would you describe SJEAS to someone new to the journal?
SJEAS was launched in 2000. As an international East Asian humanities journal based at a leading South Korean university with seven centuries of excellence in humanities scholarship (Sungkyunkwan University), SJEAS strives to move away from some of the entrenched biases of ‘East Asian’ studies by focusing on pre-1945 humanities in the Sinographic Cosmopolis/Sinographic Sphere; thus, SJEAS now welcomes contributions on pre-1945 Vietnam, which traditionally was not a focus of the journal. Much of East Asian humanities scholarship today is heavily presentist, while also suffering from eurocentrism and (increasingly) sinocentrism. In ‘East Asian’ studies, there is the additional challenge of ‘national studies’ myopia, whereby scholars tend to focus on just one national tradition, and then typically with a lopsided focus on either vernacular or (rarely) Sinitic sources. Thus, SJEAS aspires to challenge such biases and also include comparative and/or transregional perspectives whenever possible.
When did you join SJEAS as editor, and what drew you to the journal?
I joined in 2018, and was drawn by the fact that it is based in Korea at an institution with a strong tradition in premodern East Asian humanities scholarship: the Sungkyunkwan 成均館 was Korea’s foremost seat of learning from 1398 until the end of the Chosŏn dynasty. South Korean scholars are producing robust, theoretically informed humanities scholarship on the Sinographic Sphere across a wide range of fields, and are keen to join the international conversation while also including voices from scholars in neighbouring East Asian countries.
Why is it important for SJEAS to be published open access?
The original terms of the South Korean government funding that helped launch the journal more than twenty years ago stipulated open access; but beyond just that legal requirement, South Korean academia in general is broadly committed to making publicly funded research as widely and freely accessible as possible, and SKKU and SJEAS share that commitment.
How has the journal changed in recent years, and how do you expect it to continue to evolve in the near future?
The most significant change since I joined has been to narrow the temporal focus to pre-1945 and to specify a long-term preference for humanities research on the Sinographic Cosmopolis (including Vietnam), along with a preference for research in translation studies, broadly defined. In previous decades, SJEAS published quite a few articles on post-1945 topics, including work on quite contemporary issues, but there are so many journals now specializing in modern and contemporary topics, and so few focused on pre-1945 (let along ‘premodern’, however one defines that) topics, that we felt it important to narrow the focus.
What are you looking for in submissions?
We are particularly welcoming of contributions that treat pre-twentieth century (before 1945) topics in the humanities. We are keen to highlight the research achievements of colleagues doing cutting-edge research in China (broadly construed), Japan, Korea and Vietnam. Our preference is for solid, primary-source heavy research rather than cutting-edge theoretical or historical work. Research on Vietnam is explicitly encouraged, as is comparative/transnational research. Because of the journal’s anchor in Korea at SKKU, with its centuries-old ties to Korean cultural tradition, we always welcome research on premodern Korean humanities that engages source materials in Literary Sinitic and/or negotiations between Sinitic and vernacular literary culture. I would emphasize that we are willing to put editorial resources into submissions that might (initially) be on shakier ground in terms of the quality of their academic English, provided the research is new and exciting for an international Anglophone audience, and that the English passes a certain relatively high threshold. But all submissions must engage with relevant western or East Asian scholarship outside the national tradition within which it is produced.
Looking for some summer reading? Check out the great new titles we have coming out in June!
Jennifer L. Morgan draws on the lived experiences of enslaved African women in the sixteenth- and seventeenth-centuries in Reckoning with Slavery to reveal the contours of early modern notions of trade, race, and commodification in the Black Atlantic.
In Decolonizing Memory, Jill Jarvis examines the crucial role that writers and artists have played in cultivating historical memory and nurturing political resistance in Algeria, showing how literature offers the unique ability to reckon with colonial violence and to render the experiences of those marginalized by the state.
The contributors to Beyond Man, edited by An Yountae and Eleanor Craig, reckon with the colonial and racial implications of the philosophy of religion’s history by staging a conversation between it and Black, Indigenous, and decolonial studies.
In Around the Day in Eighty Worlds, Martin Savransky draws on the pragmatic pluralism of William James and the ontological turn in anthropology to propose a “pluralistic realism”—an understanding of ontology in which at any given time the world is both one and many, ongoing and unfinished.
In How to Go Mad Without Losing Your Mind, La Marr Jurelle Bruce ponders the presence of “madness” in black literature, music, and performance since the early twentieth century, showing how artist ranging from Kendrick Lamar and Lauryn Hill to Nina Simone and Dave Chappelle activate madness as content, form, aesthetic, strategy, philosophy, and energy in an enduring black radical tradition.
Việt Lê examines contemporary art in Cambodia and Việt Nam in Return Engagements to trace the entwinement of militarization, trauma, diaspora, and modernity in Southeast Asian art.
In Images of Beirut, Hatim El-Hibri explores how the creation and circulation of images has shaped the urban spaces and cultural imaginaries of Beirut, showing how images can be used to consolidate or destabilize regimes of power.
Editors Diana Paton and Matthew J. Smith combine more than one hundred classic and lesser-known texts in The Jamaica Reader to present a panoramic history of the country—from its pre-contact Indigenous origins to the present—and provide an unparalleled look at Jamaica’s history, culture, and politics.
In Colonial Debts, Rocío Zambrana uses the current political-economic moment in Puerto Rico to outline how debt functions as both an apparatus that strengthens neoliberalism and the island’s colonial relation to the United States.
The contributors to Words and Worlds, edited by Veena Das and Didier Fassin, examine the state of politics and the political imaginary within contemporary societies by taking up the everyday words such as democracy, revolution, and populism that we use to understand the political present.
A concise, easy-to-understand reference book, the revised and updated second edition of the bestselling All about Your Eyes tells you what you need to know to care for your eyes, various eye diseases and treatments, and what to expect from your eye doctor. The editors, Sharon Fekrat, Tanya S. Glaser, and Henry L. Feng are all physicians at the world-renown Duke Eye Center.
In an indispensable guide for all ethnographers, the editors of Experimenting with Ethnography, Andrea Ballestero and Brit Ross Winthereik, collect twenty-one essays that offer concrete suggestions for thinking about and doing ethnographic research and writing.
The contributors to Sound Alignments, edited by Michael K. Bourdaghs, Paola Iovene, and Kaley Mason, explore the myriad forms of popular music in Asia during the Cold War, showing how it took on new meanings and significance as it traveled across the region and forged and challenged alliances, revolutions, and countercultures.
Shaoling Ma examines late Qing China’s political upheavals and modernizing energies through the problem of the dynamics between new media technologies such as the telegraph the discursive representations of them in The Stone and the Wireless.
As you finish up the semester, considering rewarding yourself with new books! Here’s what we have coming out in May.
In Songbooks, veteran music critic and popular music scholar Eric Weisbard offers a critical guide to American popular music writing, from William Billings’s 1770 New-England-Psalm-Singer to Jay-Z’s 2010 memoir Decoded.
In Black Bodies, White Gold, Anna Arabindan-Kesson examines how cotton became a subject for nineteenth-century art by tracing the symbolic and material correlations between cotton and Black people in British and American visual culture.
Max Liboiron models an anticolonial scientific practice in Pollution Is Colonialism, aligned with Indigenous concepts of land, ethics, and relations to outline the entanglements of capitalism, colonialism, and environmental science.
The Genealogical Imagination by Michael Jackson juxtaposes ethnographic and imaginative writing to explore intergenerational trauma and temporality, showing how genealogy becomes a powerful model for understanding our experience of being in the world.
Editor Lisa Björkman and contributors to Bombay Brokers provide thirty-six character profiles of men and women whose knowledge and labor—which is often seen as morally suspect—are essential for navigating everyday life in Bombay, one of the world’s most complex, dynamic, and populous cities.
Christopher Tounsel investigates the centrality of Christian worldviews to the ideological construction of South Sudan from the early twentieth century to the present in Chosen Peoples.
Brian Russell Roberts dispels continental-centric US national mythologies in Borderwaters to advance an alternative image of the United States as an archipelagic nation to better reflect its claims to archipelagoes in the Pacific and Caribbean.
Palestine Is Throwing a Party and the Whole World Is Invited by Kareem Rabie examines how Palestine’s desire to fully integrate its economy into global markets through large-scale investment projects represented a shift away from political state building with the hope that a thriving economy would lead to a free and functioning Palestinian state.
Liz P. Y. Chee complicates understandings of Chinese medicine as timeless and unchanging in Mao’s Bestiary by historicizing the expansion of animal-based medicines in the social and political environment of early Communist China.
Check out the great new titles we have coming out in April!
In Right Here, Right Now, Lynden Harris collects the powerful first-person stories of dozens of men who are living on death row in the United States, offering a glimpse into the lives of some of the most marginalized people in America. Watch the trailer.
Rafico Ruiz uses the Grenfell Mission in Newfoundland and Labrador, Canada, to theorize how settler colonialism establishes itself through the building, maintenance, and mediation of site-specific infrastructure in Slow Disturbance.
Analyzing a range of Chicano/a and Native American novels, films, short stories and other cultural artifacts from the eighteenth century to the present, Rosaura Sánchez and Beatrice Pita in Spatial and Discursive Violence in the US Southwest examine literary representations of settler colonial land enclosure and dispossession in the US Southwest.
Hentyle Yapp analyzes contemporary Chinese art as it circulates on the global art market to outline the limitations of the predominant narratives that currently frame understandings of non-Western art in Minor China. Join an online book launch for Minor China on April 15.
We are excited to be bringing out two new volumes in the Stuart Hall: Selected Writings series. Selected Writings on Marxism, edited by Gregor McLennan, collects Stuart Hall’s key writings on Marxism surveys the formative questions central to his interpretations of and investments in Marxist theory and practice.
And in Selected Writings on Race and Difference, Ruth Wilson Gilmore and Paul Gilroy gather more than twenty essays by Stuart Hall that highlight his extensive and groundbreaking engagement with race, representation, identity, difference, and diaspora.
The contributors to Religion, Secularism, and Political Belonging, edited by Leerom Medovoi and Elizabeth Bentley, examine how the new political worlds that are emerging—from Trump’s America to the post-Arab-Spring Middle East—intersect with locally specific articulations of religion and secularism.
Todne Thomas explores the internal dynamics of community life among black evangelicals and the ways they create spiritual relationships through the practice of Kincraft—the construction of one another as brothers and sisters in Christ, partners in prayer, and spiritual mothers, fathers, and children.
Edited and translated by Ilinca Iurascu, Geoffrey Winthrop-Young, and Michael Wutz, Operation Valhalla collects eighteen texts by German media theorist Friedrich Kittler on the close connections between war and media technology.
Annmarie Mol reassess notions of human being and becoming by thinking through the activity of eating, showing how eating is a lively practice bound up with our identities, actions, politics, and senses of belonging in the world in Eating in Theory.
Thuy Linh Nguyen Tu examines the legacies of the Vietnam War on contemporary ideas about race and beauty, in Experiments in Skin, showing how US wartime efforts to alleviate the environmental and chemical risks to soldiers’ skin has impacted how contemporary Vietnamese women use pharmaceutical cosmetics to repair the damage from the war’s lingering toxicity.
Rinaldo Walcott posits that Black people globally live in the time of emancipation and that emancipation is definitely not freedom in The Long Emancipation, showing that wherever Black people have been emancipated from slavery and colonization, a potential freedom became thwarted.
Drawing on Black feminism, Afro-pessimism, and critical race theory, the contributors to Antiblackness, Moon-Kie Jung and João H. Costa-Vargas,trace the forms of antiblackness across time and space, showing how the dehumanization of Black people has been foundational to the establishment of modernity.
Thomas Aiello traces the complicated and fascinating life of pioneering journalist, television host, bestselling author, and important yet overlooked civil rights figure in The Life and Times of Louis Lomax. Lomax became one of the most influential voices of the civil rights movement despite his past as an ex-con, serial liar, and publicity-seeking provocateur.
In response to recent acts of violence against Asian Americans stemming from a long history of anti-Asian sentiment in the United States, we wish to offer resources to contextualize the experiences of Asian and Pacific Americans. The articles, issues, and books in our Asian/Pacific American Cultures and Histories Syllabus discuss not only complex histories and contemporary experiences of racism and imperialism, but also community formation, solidarity between marginalized groups, and worldmaking possibilities.
All journal articles and issues in the syllabus are free to read until August 31, 2021. The introduction to each book is free, and books may be purchased at dukeupress.edu.
The Asian/Pacific American Cultures and Histories Syllabus is one of several staff-curated syllabi, with topics ranging from global immigration to racial justice to trans rights.