Awards

Foerster 2017 Prize Winner Announced

ddal_89_4We’re pleased to announce the 2017 winners of the Norman Foerster Prize, given to the best essays of the year published in American Literature. This year’s winner is John Levi Barnard for his essay “The Cod and the Whale: Melville in the Time of Extinction,” featured in volume 89, issue 4.

An honorable mention was awarded to Andrew Donnelly for “The Talking Book in the Secondary Classroom: Reading as a Promise of Freedom in the Era of Neoliberal Education Reform,” featured in volume 89, issue 2.

The committee had this to say about the prizewinning essay:

“John Levi Barnard’s ‘The Cod and the Whale: Melville in the Time of Extinction’ exemplifies what the interdisciplinary field of the environmental humanities can contribute to the study of literature. Dazzlingly researched and theorized, the essay’s elaboration of a textual and historical ‘extinction-producing economy’ models for critics and readers how to think about matter and text in the same analytic horizon.”

Regarding Donnelly’s honorable mention, committee members commented that the essay “takes seriously the intellectual and social stakes of how humanists have put their faith in the promise that literacy will lead to freedom. Deeply informed by the intersecting histories of literacy, gender, and race, Donnelly’s essay balances the urgency of resisting neoliberal institutional practices that reward the exceptional individual with a careful account of the ambivalence inhering in established narratives about the intrinsic power of literacy. The essay is a serious, thoughtful piece about the necessity of thinking about pedagogical practices through an intersectional and historical lens.”

The 2017 committee members were Stephanie Foote (chair), Rachel Adams, Marianne Noble, Matthew Taylor, and Priscilla Wald.

Congratulations to John Levi Barnard and Andrew Donnelly! Read the essays, made freely available.

American Anthropological Association 2017

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Booth staffers ready to go on the first day

The 2017 American Anthropological Association Annual Meeting in Washington, D.C., was a great chance for us to meet authors and editors, sell books and journals to excited customers, and celebrate prize-winning books!

Our authors racked up quite a few awards at this year’s conference:

Metabolic Living by Harris Solomon and Tell Me Why My Children Died by Charles Briggs and Clara Mantini-Briggs were co-winners of the New Millennium Book Award from the Society for Medical Anthropology.

Sareeta Amrute’s Encoding Race, Encoding Class won the Diana Forsythe Prize from the Committee for the Anthropology of Science, Technology & Computing. Plastic Bodies by Emilia Sanabria received honorable mention for this prize.

Emilia Sanabria’s Plastic Bodies also won the Michelle Rosaldo First Book Prize from the Association for Feminist Anthropology. Downwardly Global by Lalaie Ameeriar was a finalist for the same prize.

Aimee Meredith Cox’s Shapeshifters won the Delmos Jones & Jagna Sharff Memorial Prize from the Society for the Anthropology of North America.

The Look of a Woman by Eric Plemons won the Ruth Benedict Prize in the Single-Authored Monograph category from the Association for Queer Anthropology.

Yolanda Covington-Ward’s Gesture and Power won the Elliott P. Skinner Award from the Association for Africanist Anthropology.

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João Biehl toasts new edited collection Unfinished

Reel World by Anand Pandian won second place for the Victor Turner Prize from the Society for Humanistic Anthropology, and David McDermott Hughes’s Energy without Conscience received honorable mention for the same prize.

Everyday Conversions by Attiya Ahmad received honorable mention for the Clifford Geertz Prize from the Society for the Anthropology of Religion.

Congratulations to these outstanding authors!

On Friday we enjoyed a wine reception for the new collection Unfinished: The Anthropology of Becoming with its editors João Biehl and Peter Locke.

It was exciting to see so many of our authors and editors in person. Check out the photo gallery:

 

Did you miss AAA this year? Not enough room in your luggage to carry all the books and journals you wanted? You can still take advantage of our 30% conference discount—just use coupon code AAA17 on our website through January 15.

French Historical Studies Authors Win Two Prizes

The Society for French Historical Studies has awarded two prizes to articles featured in French Historical Studies!

ddfhs_39_4The 2016 William Koren, Jr. Prize is awarded by the Society for French Historical Studies to the most outstanding article on any period of French history published the previous year by a scholar appointed at a college or university in the United States or Canada. The prize committee seeks out contenders from American, Canadian, and European journals and may decide whether articles that have appeared as part of a book or in the published proceedings of a scholarly conference are eligible for consideration. This year’s award goes to Nguyễn Thị Điểu, author of “Ritual, Power, and Pageantry: French Ritual Politics in Monarchical Vietnam.” This article is featured in French Historical Studies, volume 39, issue 4 (October 2016).

ddfhs_39_2The runner up for the 2016 Malcolm Bowie Prize was Dónal Hassett, whose article, “Pupilles de l’Empire: Debating the Provision for Child Victims of the Great War in the French Empire,” was featured in French Historical Studies volume 39, issue 2 (April 2016). The Malcolm Bowie Prize, given by the Society for French Historical Studies, is awarded each year for the best article published in the preceding year by an early-career researcher in the broader discipline of French Studies.

Congratulations to both winners! Read these award-winning articles, made freely available.

Association of Asian Studies, 2017

This past weekend, we enjoyed meeting authors and selling books and journals at the Association for Asian Studies Annual Conference in Toronto.

Congratulations to author Tania Murray Li, who won the George McT. Kahin Prize from the AAS Southeast Asia Council for her book Land’s End: Capitalist Relations on an Indigenous Frontier!

On Friday we had a reception celebrating the launch of Archives of Asian Art. The reception was a fun way to celebrate the first issue of the journal published by Duke University Press with editor Stanley Abe and readers of the journal. Learn more about the journal here.

We snapped a few photos during the conference:

Rebecca Karl

Rebecca Karl with her book The Magic of Concepts

Arnika Fuhrmann

Arnika Furhmann with her book Ghostly Desires

Maggie Clinton

Maggie Clinton, whose book Revolutionary Nativism was just published

Li award program

Congratulations, Tania Murray Li!

If you missed AAS this year or didn’t grab all the books you wanted, don’t worry! You can still take advantage of the conference discount. Just use coupon code AAS17 for 30% off your order through our website.

Congratulations to Our Award-Winning Designers

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Congratulations are again in order for our book designers, who have been honored by the Association of American University Presses for their book and cover designs. This year, 241 books, 2 Journals and 320 jacket and cover designs were submitted for a total of 563 entries.  The jurors carefully selected 50 books and 50 jackets and covers as the very best examples from this pool of excellent design.

Amy Ruth Buchanan was honored for her interior design of Performance by Diana Taylor and Natalie Smith received recognition for her cover design of the same book.

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Heather Hensley was honored for her cover design of Eating the Ocean by Elspeth Probyn.

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And Natalie Smith was also recognized for her cover design of My Life with Things by Elizabeth Chin.

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Congratulations to these talented staff members!

Lauren Pond Wins 2016 CDS/Honickman First Book Prize

“We find ourselves at a moment when photo books are as important as ever, because they are concrete statements of artistic vision, essential counterweights in the ‘Ocean of Images’ that we swim through every day.”
—Peter Barberie, judge, 2016 CDS/Honickman First Book Prize in Photography

Pastor Randy “Mack” Wolford prays for a man during a service at the Church of the Lord Jesus in Jolo, West Virginia, September 2011. Photography by Lauren Pond.

 

Congratulations to Lauren Pond, a photographer based in Columbus, Ohio, who was selected by curator Peter Barberie of the Philadelphia Museum of Art to win the eighth biennial First Book Prize in Photography for her color series Test of Faith that document, as Pond writes, “a family of Pentecostal Holiness serpent handlers that I have photographed since 2011.”

Pond says, “Serpent handlers, also known as ‘Signs Followers,’ hold a literal interpretation of a verse in the New Testament’s Gospel of Mark, which states that, among other abilities, true believers shall be able to ‘take up serpents.’ Despite scores of deaths from snakebites and the closure of numerous churches, there remains a small contingent of serpent handlers devoted to keeping the practice alive. Who are the serpent handlers? What motivates them to keep going? These are questions that I sought to answer when I first traveled to West Virginia and met Pastor Randy ‘Mack’ Wolford, one of the best-known Signs Following preachers in the region.”

Pond photographed the events that followed and has continued her relationship with Mack’s family. As she says, “I no longer see my images as being about serpent-handling practice and culture. Instead, they serve as a record of my rich friendship with the Wolfords, our shared experiences, and the valuable insights they have given me into the tenets of their faith—namely, forgiveness and redemption.”

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First Book Prize judge Peter Barberie, Brodsky Curator of Photographs, Alfred Stieglitz Center, at the Philadelphia Museum of Art selected Pond’s photographs to win from a group of nine finalists because her “long-term documentation of the Wolford family emerged as a unique, cogent, and powerful topic for publication. Lauren Pond plunges us into the hothouse atmosphere of their faith. Through her photographs I can almost feel the physical strain of Mack’s worship, and I long to hear the song that his mother, Snook, sings as he accompanies her on guitar. Who are these purposeful, vibrant people so different from myself? Test of Faith commands this question and prompts me to consider the basis and limitations of my own worldview.”

Pond receives a grant of $3,000, inclusion in a website devoted to presenting the work of the prizewinners, and publication of a book of photography. Barberie will write the introduction, and Pond an afterword, to the book, which is forthcoming in November 2017 from Duke University Press in association with CDS Books of the Center for Documentary Studies at Duke University. Pond will also have a solo exhibition in Duke’s Rubenstein Library Photography Gallery, and the photographs will then be placed in the library’s Archive of Documentary Arts.

Lauren Pond, a documentary photographer who specializes in faith and religion, is currently the multimedia content producer for the American Religious Sounds Project within The Ohio State University’s Center for the Study of Religion. She also manages an art gallery and works on freelance projects across the country. She received her Master of Arts degree in photojournalism from Ohio University’s School of Visual Communication in 2014, and bachelor’s degrees in journalism and art from Northwestern University in 2009. Pond’s photographs have appeared in such publications as the New York Times, the Washington Post, and the Wall Street Journal, and have been recognized by the Magnum/Inge Morath Foundations, the Lucie Foundation, FotoVisura, Photo District News, College Photographer of the Year, and the William Randolph Hearst Foundation, among others. She has spoken about her work at universities and conferences across the United States.

The CDS/Honickman First Book Prize in Photography is awarded by the Center for Documentary Studies at Duke University and the Honickman Foundation.

 

American Historical Association, 2017

C1gClKkWgAAcmcK.jpgWe had a wonderful time meeting authors and selling books and journals at the 2017 American Historical Association Annual Meeting in Denver, Colorado!

We were thrilled that several of our authors received awards at the conference:

C1g0062UUAErJJp.jpgNancy Rose Hunt won the Martin A. Klein Prize in Africanist History for her book A Nervous State.

Barbara Weinstein’s The Color of Modernity won the Conference on Latin American History’s Warren Dean Memorial Prize.

Christopher Boyer’s book Political Landscapes received honorable mention for this year’s Bolton-Johnson Prize for Best Book in English on Latin American History from the CLAH.

And Mary Kay Vaughan, author of Portrait of a Young Painter, won the 2016 Distinguished Service Award from the CLAH. Congratulations to these outstanding authors!

It was great to visit with authors and editors who stopped by our booth:

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Robyn Spencer, author of The Revolution Has Come

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Ernesto Bassi, center, with his book An Aqueous Territory

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Hispanic American Historical Review editor Pete Sigal

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Natasha Lightfoot stopped by to take a photo with her book Troubling Freedom–only to find it was already sold out!

Missed AHA this year? Didn’t have enough room in your suitcase for all the books you wanted? Don’t worry–you can still stock up with our 30% conference discount. Just use coupon code AHA17 during checkout at dukeupress.edu.

David Scott wins CELJ Distinguished Editor Award for 2016

0105171630Congratulations to David Scott, editor of Small Axe, for his 2016 Council of Editors of Learned Journals (CELJ) Distinguished Editor Award. The awards were announced on Thursday, January 5, 2017, during the 2017 Modern Language Association annual meeting held in Philadelphia.

The Distinguished Editor Award is given to an editor who has had a major influence on the field of scholarship in which they publish. Small Axe focuses on publishing critical work that examines the ideas that guided the formation of Caribbean modernities. It mainly includes scholarly articles, opinion essays, and interviews, but it also includes literary works of fiction and poetry, visual arts, and reviews.

ddsmx_20_2_50The journal, now in its 20th volume, just published its 50th issue, “What is Journal Work?” which features a preface by David Scott on the journal and the ethos of journal work. From the preface:

When, in the company of a few fellow travelers, I initiated Small Axe in Kingston in 1996–97, many people said to me, confidentially and with my interest in view, that it would be at best a short-lived enterprise. It was grand, yes, ambitious even, but it wouldn’t last. That was always the thing—it wouldn’t last. Nothing like it did. The Caribbean is awash, they knowingly said, with well-intentioned initiatives that run aground sooner than later. In fact, nothing is more characteristic of Caribbean intellectual life than this penchant for starting new ventures that never have any chance whatsoever of reproducing themselves. And so on . . . Now, honestly,I never took these prophecies of doom to be expressions of ill will, of what Jamaicans lyrically call badmindedness—though of course they might well have been. After all, the truth is that I too was wondering, not because of a wavering or uncertain commitment on my part, need‐less to say, but as a matter, if you like, of thinking the future in the present. Beginnings are one thing, hard enough, to be sure. But what would “lasting” mean? What would be the point at which Small Axe could be said to have “lasted”? These were, in part, abstract questions(in any case, I brushed them aside) because although I was always self-conscious of seeking something larger in the Small Axe initiative (remember, New World Quarterly and Savacou were the models I had before me, and they styled themselves as expressions of “movements”), I was at that early point literally feeling my way from one issue of the journal to the next. And from the haphazard and chaotic inside of each of these issues, encountering and resolving their specific challenges, it was impossible to discern what they would add up to—whether the shape of something more than the sum of all the issues put together would emerge from within what we were anyway carrying on with.

David Scott has edited Small Axe since its inception in 1997. To learn more about the journal and to read a sample issue, visit smallaxe.dukejournals.org.

Norman Foerster 2016 Prize Winner Announced

ddal_88_3This year’s winner of the Norman Foerster Prize for the best essay published annually in American Literature has been selected. Congratulations to Meina Yates-Richard, winner of the 2016 Foerster Prize for her essay “‘WHAT IS YOUR MOTHER’S NAME?’: Maternal Disavowal and the Reverberating Aesthetic of Black Women’s Pain in Black Nationalist Literature,” featured in volume 88, issue 3. The selection committee, comprised of Michael Elliot, Nihad Farooq, Zita Cristina Nunes, Matthew Taylor, and Priscilla Wald, wrote of Yates-Richard’s winning essay:

In a field of distinguished work, Yates-Richard’s article stood out for us by tracing a compelling, provocative genealogy of black maternal sound and its relationship to black nationalism. By attending to the screams and songs of African-American women, Yates-Richard in this piece shows how black nationalism has both required and sacrificed the vocalizations of women. The result is an article that charts a textual tradition from Frederick Douglass’s Narrative to Toni Morrison’s Song of Solomon, and that raises important questions about the political work of such figurations. We are truly pleased to be able to recognize this path-breaking scholarship.

Additionally, there were two honorable mentions for this year’s contest. Congratulations to Mary Grace Albanese and James Dawes!

The selection committee chose Mary Grace Albanese’s essay “Uncle Tom across the Sea (and Back),” from volume 88, issue 4, for its innovative and thoroughly researched reconsideration of Uncle Tom’s Cabin within the context of Haitian politics and its comprehensive, multilingual readings of American literary history. In constructing a genealogy of the Haitain appropriations of Stowe’s novel, Albanese reminds us of the unpredictability of literary translation across national boundaries and the significance of hemispheric literary histories.

They chose James Dawes’s essay “The Novel of Human Rights,” from volume 88, issue 1, for its vital, challenging, and open-ended readings about the political urgency of the novel, and how the representation of atrocity exerts pressure on the form itself. This is a significant, provocative intervention in American literary studies—a stimulating call for us to rethink the relationship of literary genre to the most pressing political questions of our time.

Congratulations to Meina Yates-Richard and both honorable mentions! Read all the articles above, made freely available.

Congratulations to Jean Bourgain, Winner of the 2017 Breakthrough Prize for Mathematics

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Jean Bourgain

Congratulations to Jean Bourgain, an editor of Duke Mathematical Journal, winner of the 2017 Breakthrough Prize for Mathematics. The prize honors the world’s best mathematicians who have contributed to major advances in the field. The Breakthrough Foundation, founded in 2012, rewards physicists, life scientists, and mathematicians for their work on cutting edge research.

Bourgain, a mathematician at the Institute for Advanced Study, Princeton University, was awarded the prize for multiple transformative contributions to analysis, combinatorics, partial differential equations, high-dimensional geometry, and number theory. From the New York Times:

Some recent work includes a “decoupling theorem” — a sort of very abstract generalization of the Pythagorean theorem applied to oscillating waves like light or radio waves. While Pythagoras merely showed how the length of the two shorter sides of a right triangle are related to the longer hypotenuse, the decoupling theorem proven by Dr. Bourgain and Ciprian Demeter of Indiana University shows similar relationships in the superposition of waves.

Dr. Bourgain’s work published in Duke Mathematical Journal and several other journals is available on Project Euclid.

In addition to the Breakthrough Prizes, several authors have won New Horizons Prizes, $100,000 awards in physics and mathematics. The New Horizons mathematics winners include Mohammed Abouzaid of Columbia University, Hugo Duminil-Copin of the University of Geneva, and Geordie Williamson of Kyoto University. Please visit Project Euclid to find articles by these award-winners.