Books

Women’s Equality Day Reads

Saturday is Women’s Equality Day, and we couldn’t be more glad for an occasion both to commemorate strides in women’s rights and to renew the call for further progress. Today we’re contributing to the cause by sharing some of our most recent scholarship in women’s studies.

In the 1970s a group of pioneering feminist entrepreneurs launched a movement that ultimately changed the way sex was talked about, had, and enjoyed. Boldly reimagining who sex shops were for and the kinds of spaces they could be, these entrepreneurs opened sex-toy stores like Eve’s Garden, Good Vibrations, and Babeland not just as commercial enterprises, but to provide educational and community resources as well. In Vibrator Nation Lynn Comella tells the fascinating history of how these stores raised sexual consciousness, redefined the adult industry, and changed women’s lives.

While news of the Rwandan genocide reached all corners of the globe, the nation’s recovery and the key role of women are less well known. In Rwandan Women Rising Swanee Hunt shares the stories of some seventy women—heralded activists and unsung heroes alike—who overcame unfathomable brutality, unrecoverable loss, and unending challenges to rebuild Rwandan society.

Developed in the United States in the 1980s, facial feminization surgery (FFS) is a set of reconstructive surgical procedures intended to feminize the faces of trans- women. In The Look of a Woman Eric Plemons foregrounds the narratives of FFS patients and their surgeons as they move from consultation and the operating room to postsurgery recovery. Plemons demonstrates how FFS is changing the project of surgical sex reassignment by reconfiguring the kind of sex that surgery aims to change.

In Politics with Beauvoir Lori Jo Marso treats Simone de Beauvoir’s feminist theory and practice as part of her political theory, arguing that freedom is Beauvoir’s central concern and that this is best apprehended through Marso’s notion of the encounter. Beauvoir’s encounters, Marso shows, exemplify freedom as a shared, relational, collective practice.

In The Labor of Faith Judith Casselberry examines the material and spiritual labor of the women of one of the oldest and largest historically Black Pentecostal churches in the United States. This male-headed church only functions through the work of the church’s women, who, despite making up three-quarters of its adult membership, hold no formal positions of power. Focusing on the circumstances of producing a holy black female personhood, Casselberry reveals the ways twenty-first-century women’s spiritual power operates and resonates with meaning in Pentecostal, female-majority, male-led churches.

wpj33_4_23_frontcover_fppIn “Interrupted,” a special issue of World Policy Journal penned entirely by female foreign policy experts and journalists, contributors imagine a world where the majority of foreign policy experts quoted, bylined, and miked are not men. The issue challenges the perception that women are not policymakers by showcasing the voices of female experts and leaders. Contributors to this issue address topics such as feminism in Chinaabortion laws across the Americascombating violent extremism by working with religious leaders, and women in media. The issue also features a conversation with Dr. Ameenah Gurib-Fakim, President of Mauritus.

In The Economization of Life Michelle Murphy provocatively describes the twentieth-century rise of infrastructures of calculation and experiment aimed at governing population for the sake of national economy. Murphy traces the methods and imaginaries through which family planning calculated lives not worth living, lives not worth saving, and lives not worth being born. The resulting archive of thick data transmuted into financialized “Invest in a Girl” campaigns that reframed survival as a question of human capital. The book challenges readers to reject the economy as our collective container and to refuse population as a term of reproductive justice.

Lori Merish, in Archives of Labor, establishes working-class women as significant actors within literary culture, dramatically redrawing the map of nineteenth-century US literary and cultural history. Delving into previously unexplored archives of working-class women’s literature, Merish recovers working-class women’s vital presence as writers and readers in the antebellum era. She restores the tradition of working women’s class protest and dissent, shows how race and gender are central to class identity, and traces the ways working women understood themselves and were understood as workers and class subjects.

Among Arab countries, Egypt has witnessed the largest production of feminist writings as Egyptian women begin to write in the mainstream. A themed section on Egyptian women writers and feminism from the Journal of Middle East Women’s Studies features three articles about Egyptian women writers and their novels, which investigate the role of gender assignation in late twentieth-century Egyptian society. These literary works interrogate assumptions about the ways in which men and women are seen and are expected to behave.

For more books and journal articles on women’s issues, check out our Read to Respond post on feminism and women’s rights. These articles are freely available until December 15, 2017.

Sneak Peek: Kristen Ghodsee, Red Hangover

We’re pleased to share the prelude, titled Freundschaft, of Kristen Ghodsee’s upcoming book Red Hangover: Legacies of Twentieth-Century Communism. In Red Hangover Ghodsee reflects on the lived experience of postsocialism and how many ordinary men and women across Eastern Europe suffered from the massive social and economic upheavals in their lives after the fall of the Berlin Wall. This text is not final, but we hope it gives you a taste of this impactful new book, to be published in late October.

978-0-8223-6949-3

Two pairs of earrings, four bracelets, and a mixtape inspired me to write this book. I was in the Stadtmuseum in the German city of Jena, peering into the various display cases of an exhibit called Freundschaft! Mythos und Realität im Alltag der DDR (Friendship! Myth and reality in everyday life in the GDR [German Democratic Republic]). The exhibit ruminated on the official and unofficial uses of the word “friendship” in the context of communist East Germany between 1949 and 1989. In one case, the museum’s curators displayed the personal items of a teenage girl who had gone to a Freie Deutsche Jugend (Free German Youth) summer camp in 1985. There, accompanying some photos and a letter she sent home to her parents, sat a white cassette tape, some plastic bracelets, and two pairs of oversized, cheap earrings, the kind once fashionable in the mid-1980s when every girl’s hair was two stories too high.

Back in 1985, I spent several weeks of my summer at a camp in the Cuyamaca Mountains one hour east of San Diego. When I left home, I remember packing several pairs of the same horrible earrings, some plastic bangles, and a stack of mixtapes with my favorite songs recorded off the local Top 40 radio station. Standing in Jena thirty years later, I experienced one of those moments of radical empathy, and tried to imagine what my life would have been like if I’d gone to summer camp in communist East Germany rather than in capitalist California. This girl and I might have shared the same passion for similar material objects, but we would have been ideological enemies, surviving our adolescences on different sides of the Iron Curtain.

OK - 10/14/16

A billboard for the Freundschaft exhibit in Jena. All photos by the author.

From the placard on the display case, I understood that this girl was born in 1971, one year after me. Somewhere out there, this girl was now a woman about my age, and I longed to talk to her, to ask her what she remembered about that summer of 1985, and how things had worked out for her since. This German girl would have been eighteen when the Berlin Wall fell, and nineteen when her country ceased to exist. She would have just graduated from secondary school, and probably listened to Madonna and Fine Young Cannibals as I did: “Express Yourself,” “Like a Prayer,” and “She Drives Me Crazy.” But where I had the luxury of geopolitical continuity in my personal life, this East German faced a young adulthood of dramatic social and economic upheaval.

OK - 10/14/16

Items from the East German Freie Deutsche Jugend (Free German Youth).

When I left the museum, I wandered through the cobblestone alleyways leading off the main market square. I saw posters for two upcoming demonstrations in Jena. The right-wing, anti-immigrant political party Alternative for Germany (AfD) would organize a rally and a march in the Marktplatz while Germany’s left-wing party, Die Linke (The Left), in a coalition with other centrist and leftist parties, would organize a counterdemonstration in front of the church. The counterprotesters had plastered the small city with posters saying “FCK AFD” and “refugees welcome,” and I guessed that the center/left demonstrators would outnumber their right-wing counterparts.

(more…)

Summer Vacation Reading Recommendations from our Staff

Our staff are voracious readers, including while they’re on vacation. There they can take a break from manuscripts and delve into something a little bit more fun. If you’re off to the beach or the mountains or somewhere in between on this coming long weekend, take time to stop off at a bookstore on your way and stock up on some of these recommended titles.

inthewoods_usJournals Marketing Manager, Jocelyn Dawson: Last year’s vacation reads recommendation from Elizabeth Ault, Assistant Editor, turned me on to the work of Tana French. She’s published six books to date—highly suspenseful psychological thrillers that are impossible to put down. But I can only recommend the first three (In the Woods, The Likeness, and Faithful Place)—I’m trying to spread the others out. The books are connected but not exactly sequential; still, I’d recommend starting from the beginning. Elizabeth’s recommendation has led to many enthralled reading hours for me and for at least three other people I’ve shared the books with.

joe ideSenior Managing Editor, Charles Brower: IQ, by Joe Ide. It’s a thriller about Isaiah Quintabe, a very appealing “underground” detective who’s equal parts Sherlock Holmes and Easy Rawlins; he’s trying to atone for some past mistakes by helping out his Long Beach neighbors, for whatever they can afford to pay him, even if it’s just a home-cooked meal. When he agrees to investigate a murder attempt on a paranoid rap star, he has to match wits with a hit man whose weapon of choice is a monstrous killer dog. It’s hair-raising and also very funny. Ide has another IQ novel coming out this fall, and I can’t wait to devour it!

drums of autumn.jpgBooks Publicity and Advertising Manager, Laura Sell: I’m a little late to the “Outlander” game, but if you like romance, history, time travel, and men in kilts, I can thoroughly recommend the series. The books are huge, over 700 pages, and totally immersive, which makes a perfect vacation book for me. I’ve been watching the TV series, too, but the books are much better. I’m taking Book 4, Drums of Autumn, which is set partly in colonial North Carolina, on my vacation to Maine this year and am looking forward to many pleasant hours on the porch with it.

game of thronesManaging Editor of the Journal of Medieval and Early Modern Studies, Michael Cornett: George R. R. Martin, A Game of Thrones, vol. 1 of the series “A Song of Ice and Fire,” otherwise known as the “Game of Thrones” series. While many have enjoyed the popular television series, the novels are far far better. As an academic medievalist and a devout lover of Tolkien’s writing, I had serious doubts about reading this, figuring it would be pulpy fantasy fiction imitative of Tolkien (have you noticed the R. R. middle initials?). I gave it a try and I have become utterly absorbed. Martin’s beautifully written narrative is not at all like Tolkien’s mythological tale of good and evil. It is rather an imaginative blend of historical-psychological realism and medievalistic fantasy. The chapters are told from various characters’ points of view—half of them female characters, many of them children. Everyone is in peril as the world convulses from factional struggles for power, and the reader—who can too easily imagine every scene—turns the pages madly hoping for order to be established. An apocalyptic winter is coming, the characters brood, but summer is the perfect time to start into this rewarding series of novels.

Everything,_EverythingJournals Marketing Intern, Camille Wright: I recommend Nicola Yoon’s Everything, Everything. Through this novel, the readers are able to experience the world from fresh perspective. Maddy was diagnosed with SCID (Severe Combined Immunodeficiency) as an infant and has been unable to leave her home since. After a mysterious boy named Oli and his family move across the street, the eighteen-year-old risks everything to find herself, the meaning of love and the difference between being alive and living. The novel brings a new excitement to the activities people take for granted because they are experienced in normal, daily life.

In The Company of WomenJournals Publicist and Exhibits Coordinator, Katie Smart: Grace Bonney’s edited collection In the Company of Women: Inspiration and Advice from over 100 Makers, Artists, and Entrepreneurs isn’t a traditional vacation read (its hardcover form weighs three pounds!), but the content and images are so beautiful you’ll want to lug this book around with you all summer. This collection features interviews with creative and diverse women—furniture makers, graphic designers, comedians, tattoo artists, fashion designers, the list goes on—that include questions like “What did you want to be when you were a child?;” “What would you tell yourself ten to twenty years ago that you wish you knew then?;” and “In moments of self-doubt or adversity, how do you build yourself back up?” Alongside the Q&As, the book features exquisite photography that highlights the work spaces where these women chose to be most creative. I challenge you not to be motivated to tap into your own creative genius after finishing this book!Ivory+HC

Digital Access and Books Specialist, Rebecca Hambleton:  Ivory and Bone by Julie Eshbaugh. This is a YA book with similar themes as Pride and Prejudice. What makes this book interesting and unique is that it’s set in prehistoric times and follows a boy and his family who are desperate to make alliances with other clans through marriage.

What vacation reads would you recommend? Let us know in the comments!

The Hypervisibility of Violence in Mexico

Rielle Navitski, author of the new book Public Spectacles of Violence: Sensational Cinema and Journalism in Early Twentieth-Century Mexico and Brazil, brings us today’s guest blog post.

Photo by Dina Canup

The epidemic levels of violence affecting Mexico made international headlines this past month when a report by the International Institute for Strategic Studies declared it the deadliest nation in the world after Syria, with a toll of 23,000 homicides in 2016. While the report’s critics called for greater nuance than this headline offers, there is no question that the conflict poses a profound threat to the very fabric of public life in Mexico. Criminal organizations challenge the government’s control of territory and its exclusive privilege to exercise physical force (its monopoly on violence, in sociologist Max Weber’s terms), although widespread corruption makes any sharp distinction between state and criminal actors difficult to sustain. Violence’s capacity to terrorize is amplified by unspeakable displays of cruelty—the staging of victims’ bodies in public spaces, the circulation of images of torture and murder online—even as forced disappearances and clandestine mass graves mask the conflict’s true extent.

As I observe in my book Public Spectacles of Violence, the proliferation of graphic images of violence and the blurring of boundaries between state and criminal aggression are far from a new phenomenon in Mexico. During the Mexican Revolution of 1910-1920—arguably the twentieth-century’s first social revolution—novel forms of visual culture like illustrated newspapers and magazines, postcard photographs, and film offered a flood of images of combat, executions, hangings, and ravaged bodies. Sparked by opposition to the thirty-five year dictatorship of Porfirio Díaz, the revolution claimed an estimated 1 million lives in a country of 12 million, drifting away from democratic ideals and rural demands for economic equality. The character of the conflict—marked by prolonged struggles between military factions defined more by their charismatic leaders rather than by their ideologies—continually threw into question the legitimacy of the deadly use of force and attacks on private property.

978-0-8223-6975-2

This crisis of political legitimacy is evident in the earliest box-office success of Mexican cinema, a 1919 crime film entitled El automóvil gris (The Grey Automobile). Based on the exploits of a criminal gang who traveled in the grey automobile of the film’s title and committed robberies dressed as soldiers from the army of Venustiano Carranza, El automóvil gris was shot by cameraman Enrique Rosas in an effort to mend the reputation of General Pablo González, who was suspected of complicity in the crimes. Patterned on popular crime films produced in France and the United States, El automóvil gris also drew on Mexico City’s sensationalistic press, which presented acts of robbery, kidnapping, and murder as signs of local modernity, since they demonstrated that the capital suffered the same social ills as industrialized metropolises like London, Paris, and New York. Implicit in these accounts of criminality was an acceptance of industrialization and urbanization’s social costs as the price of progress, measured by the standards of Europe and the United States.

As I hope to show in my book by examining parallel developments in the early mass cultures of Mexico and Brazil, the profound impact of violence on public life in modern Latin America cannot solely be attributed to failures of state formation or economic development in individual nations. Instead, it must be understood in light of the global dynamics of the capitalist economy, its role in the circulation of commodities and images, and its production of inequality. Commentators note that present-day criminal organizations in Mexico—whose ranks are swelled by young men with few opportunities in the formal economy—borrow and extend the business strategies of multinational corporations. In his book Narconomics, journalist Tom Wainright notes that Mexican cartels benefit from outsourcing select activities to Central American countries where operating costs are cheaper, and expand rapidly by lending their names and reputation to locally rooted criminal groups in a process akin to franchising. Observing the role of conspicuous consumption in cultures of organized crime in Mexico, Ed Vulliamy wrote in 2011 that “the greed for violence reflects the greed for brands, and becomes a brand in itself.” Observing that drug trafficking exemplifies the free flow of commodities underlying the 1994 North American Free Trade Agreement, he provocatively describes the accompanying violence as “the inevitable war of capitalism gone mad.”

In their response to the IISS report mentioned above, Mexico’s foreign and interior ministries stressed the transnational character of the current violence, fueled by demand for narcotics north of the US-Mexico border and the flow of illegal firearms south from the United States. (A 2014 study found that arms purchased in the United States account for at least 70 percent of the weapons used in the conflict). Rather than remaining as spectators of this horrific conflict—or worse, turning away our gaze—it is essential that we examine our own position within the flows of narcotics, weapons, and images fueling it. Attending to its historical echoes can better attune us to the national and transnational forces that forge public spheres profoundly marked by spectacles of violence.

Read the introduction to Public Spectacles of Violence free online, and save 30% on the paperback using coupon code E17NAVIT on our website.

Subject Collections in Gender Studies and Latin American Studies

As we close out another academic year, we want to remind you of useful resources for two of the strongest areas of our publishing program: gender studies and Latin American studies. In 2017, we launched new e-book subject collections in Gender Studies and Latin American Studies.

GENDER STUDIES

Our Gender Studies/Feminist Theory book list features authors well known for their work in gender studies, gay and lesbian studies, transgender studies, and queer and feminist theory. Many of our journals also address gender studies from transnational and interdisciplinary perspectives:

View the title list for the Gender Studies collection, which features more than 500 e-books and is available to libraries by purchase, lease, or lease-to-own.

LATIN AMERICAN STUDIES

Our Latin American Studies authors are well known for their work in anthropology, art, cultural studies, Caribbean studies, Chicano and Latino studies, history, literature, film and media, and politics. Many of our journals also cover Latin America:

View the title list for the Latin American Studies collection, which features more than 500 e-books and is available to libraries by purchase, lease, or lease-to-own.

If you’re interested in gaining access to these resources, have your librarian contact our Library Relations team to get more information.

2018 Pricing is Now Available

dup_pr_filled_k_pngDuke University Press 2018 pricing for single-issue journal titles, the e-Duke Journals collections, the e-Duke Books collection, and Euclid Prime, a collection of mathematics and statistics titles hosted on Project Euclid, is now available online at dukeupress.edu/Libraries.

New Online Content Platform

In November 2017 all Duke University Press humanities and social science journals and e-books will migrate to the Silverchair Information Systems platform, providing scholars with a single reading and research experience across books and journals. Visit dukeupress.edu/Libraries/migration for additional details and to sign up for e-mail alerts.

Partnership with MSP

Duke University Press, Project Euclid, and MSP (Mathematical Sciences Publishers) have entered into a partnership to sell a package of seven MSP journals hosted on the Project Euclid platform. Institutional subscribers gain a subscription management tool that stores librarian contact and IP information. Project Euclid also exclusively provides COUNTER- and SUSHI-compliant usage statistics. Pricing for MSP on Euclid is now available online at dukeupress.edu/Libraries.

Addition of Two Titles to the 2018 Journals List

Duke University Press is pleased to announce the additions of the Journal of Korean Studies and English Language Notes to its journal list. Both journals are published biannually.

The Journal of Korean Studies is the preeminent journal in its field, publishing high-quality articles in all disciplines in the humanities and social sciences on a broad range of Korea-related topics, both historical and contemporary.

A respected forum of criticism and scholarship in literary and cultural studies since 1962, English Language Notes is dedicated to pushing the edge of scholarship in literature and related fields in new directions.

For more information about 2018 pricing, please contact our Library Relations team.

Read To Respond: Feminism and Women’s Rights


R2R final logoOur “Read to Respond” series addresses the current climate of misinformation by highlighting articles and books that encourage thoughtful, educated debate on today’s most pressing issues. This post focuses on feminism and women’s rights with articles tackling topics from abortion laws, maternity leave, Islamic feminism, and more. Read, reflect, and share these resources in and out of the classroom to keep these important conversations going.

Feminism and Women’s Rights

These articles are freely available until December 15, 2017. Follow along with the series over the next several months and share your thoughts with #ReadtoRespond.

New Books in May

Here in Durham, we’re in the middle of warm spring weather perfect for reading outside in the sunshine. Add some of these upcoming May reads to your own reading list, and don’t forget that you can save up to 50% on in-stock titles through May 10! (Read the fine print of our sale here.)

978-0-8223-6349-1In I Love My Selfie noted cultural critic Ilan Stavans explores the selfie’s historical and cultural roots by discussing everything from Greek mythology and Shakespeare to Andy Warhol, James Franco, and Pope Francis. This collaboration includes a portfolio of fifty autoportraits by the artist ADÁL; he and Stavans use them as a way to question the notion of the self and to engage with artists, celebrities, technology, identity, and politics.

Through essays analyzing the photography of luminaries such as Cindy Sherman, Robert Mapplethorpe, and Susan Meiselas, pioneering feminist art critic Abigail Solomon-Godeau, in Photography after Photography, extends her politically engaged and theoretically sophisticated inquiry into the historical and cultural circuits of power as they shape and inform the practice, criticism, and historiography of photography.

Solomon-Godeau_pbk_cover.inddIn The Power of the Steel-Tipped Pen Noenoe K. Silva creates a model indigenous intellectual history of a culture where—using Western standards—none is presumed to exist by examining the work of two lesser-known Hawaiian language writers from the nineteenth-century whose prolific output across many genres created a record of Native Hawaiian cultural history and thought.

Gabriel Rockhill, in Counter-History of the Present, examines the widespread understanding that we are living in an era of globalization that is bound by economic and technological networks and an unquestionable faith in democracy, replacing it with a counter-history that accounts for the diversity of lived experience and offers new ways to imagine the future.

978-0-8223-6368-2In Archives of Labor Lori Merish establishes working-class women as significant actors within nineteenth-century U.S. literary culture by analyzing previously unexplored archives of working-class women’s literature, showing how white, African American, and Mexican American factory workers, seamstresses, domestic workers, and prostitutes understood themselves while forging class identity.

Beyond Civil Society challenges current understandings of the politics of protest, activism, and participation by examining the ways in which social movements in late twentieth- and early twenty-first-century Latin America blur the boundaries between civil and uncivil activism and between activism carried out in state and the streets. The collection is edited by Sonia E. Alvarez, Jeffrey W. Rubin, Millie Thayer, Gianpaolo Baiocchi, and Agustín Laó-Montes.

978-0-8223-6901-1In Degrees of Mixture, Degrees of Freedom, Peter Wade draws on a multidisciplinary research study in Mexico, Brazil, and Colombia, arguing that genomics produces biologized versions of racialized difference within the nation and the region and that a comparative approach nuances the simple idea that highly racialized societies give rise to highly racialized genomics.

The contributors to Photography and the Optical Unconscious, edited by Shawn Michelle Smith and Sharon Sliwinski, use Walter Benjamin’s concept of the optical unconscious to investigate how photography has shaped history, modernity, perception, lived experience, politics, race, and human agency, thereby opening up new avenues for thinking about photography and the human psyche.

978-0-8223-6903-5Judith Casselberry’s The Labor of Faith examines the material and spiritual labor of the women of a Black Pentecostal church in Harlem, showing how their work keeps the church running while providing them with a spiritual authority that allows them to exercise power in the male-led church.

In The Economization of Life Michelle Murphy examines the ways in which efforts at population control since World War II have tied reproduction to neoliberal capitalism, showing how data collection practices have been used to quantify the value of a human life in terms of its ability to improve the nation-state’s gross domestic product.

Erin Beck, in How Development Projects Persist, examines microfinance NGOs working with poor, rural women in Guatemala to show how these women creatively and strategically use the NGOs to their own benefit in ways that do not necessarily match the goals of the NGOs, demonstrating that development projects are often transformed and persist in unexpected ways.

We’re also distributing three new exhibition catalogues this month:

TitleTreatment_FINALNina Chanel Abney: Royal Flush, a publication of the Nasher Musuem of Art at Duke University, accompanies the exhibition of the same name, a ten-year survey of one of the most provocative and iconoclastic artists working today. Royal Flush is on display at the Nasher until July 16, 2017.

A landmark exhibition on display at the Brooklyn Museum until September 17, 2017, We Wanted a Revolution: Black Radical Women, 1965–85 examines the political, social, cultural, and aesthetic priorities of women of color during the emergence of second-wave feminism. The accompanying Sourcebook republishes an array of rare and little-known documents from the period by artists, writers, cultural critics, and art historians such as Gloria Anzaldúa, James Baldwin, bell hooks, Lucy R. Lippard, Audre Lorde, Toni Morrison, Lowery Stokes Sims, Alice Walker, and Michelle Wallace. The exhibition will also be on display at the California African American Museum in Los Angeles from October 13, 2017, through January 14, 2018, and at the Institute of Contemporary Art/Boston from June 26, 2018, through September 30, 2018.

Julie Thomson’s Begin to See: The Photographers of Black Mountain College is the first in-depth exhibition and catalogue devoted to photography taken at the college and features over 100 photographs by more than forty artists as well as essays, photographer biographies, and a chronology of photography at Black Mountain College. The catalogue is published by the Black Mountain College Museum + Arts Center, where the exhibition is on display until May 20, 2017.

Never miss a new book! Sign up for Subject Matters, our e-mail newsletter, and get notifications of new titles in your preferred disciplines as well as discounts and other news.

Remembering Craufurd Goodwin

goodwin-cropped.jpgWe are saddened to learn that Craufurd Goodwin, James B. Duke Professor Emeritus of Economics and the founding editor of History of Political Economy, passed away last week.

He is remembered at Duke University Press for being an incredibly vibrant and larger-than-life person. Goodwin’s editorial term for the journal lasted from 1969 through 2010 and he was a great publishing partner with the Press for many years.

From Duke Today:

“Craufurd was one of a small group of people who started the field of the history of economic thought,” said Paul Dudenhefer, assistant director of the Duke EcoTeach writing program who worked with Goodwin for more than 15 years. “It used to be done as part of economics in general. Through the founding of the journal, he helped make it its own subfield. He institutionalized the subfield of the history of economics.”

Among colleagues, Goodwin made the environment interesting. Dudenhefer said Goodwin “was always eager to talk about the fascinating things he was reading and writing about. Working with him was extremely educational and entertaining. He made me laugh every day.”

A past president and distinguished fellow of the History of Economics Society, Goodwin was instrumental in the construction of the professional community of historians of economics.

Our sincerest condolences go out to Craufurd Goodwin’s family, friends, and colleagues, as well as the Duke community.

Association of Asian Studies, 2017

This past weekend, we enjoyed meeting authors and selling books and journals at the Association for Asian Studies Annual Conference in Toronto.

Congratulations to author Tania Murray Li, who won the George McT. Kahin Prize from the AAS Southeast Asia Council for her book Land’s End: Capitalist Relations on an Indigenous Frontier!

On Friday we had a reception celebrating the launch of Archives of Asian Art. The reception was a fun way to celebrate the first issue of the journal published by Duke University Press with editor Stanley Abe and readers of the journal. Learn more about the journal here.

We snapped a few photos during the conference:

Rebecca Karl

Rebecca Karl with her book The Magic of Concepts

Arnika Fuhrmann

Arnika Furhmann with her book Ghostly Desires

Maggie Clinton

Maggie Clinton, whose book Revolutionary Nativism was just published

Li award program

Congratulations, Tania Murray Li!

If you missed AAS this year or didn’t grab all the books you wanted, don’t worry! You can still take advantage of the conference discount. Just use coupon code AAS17 for 30% off your order through our website.