Caribbean Studies

Tucker Carlson in Orbanland Echoes the Media in Trujillolandia, the Dominican Republic, after World War II, Complete with the Mar-a-Lago Factor: A Guest Post by Eric Paul Roorda

Tucker Carlson broadcasted his nightly Fox News program from an autocracy last week, Viktor Orban’s regime in Hungary. Carlson praised the dictator for cleaning up the place; muzzling or replacing his irresponsible critics in government and the media; keeping out the riff-raff at the border; and promoting an ugly Orbanized nationalism and nativism. Carlson seemed to frame Hungary as an example of what Trump was trying to do—will do?!—here.

My ongoing research for an upcoming Duke University Press title, The Dictator Stands Alone: United States Cold War Policy and the Trujillo Regime in the Dominican Republic, 1946-1961, a sequel to my 1998 book The Dictator Next Door, gives Carlson’s Big Adventure a sense of déjà vu.

If you substitute a few names and places, you have a similar scenario to a subplot of the book. Take out “Viktor Orban of Turkey” and plug in “Rafael Trujillo of the Dominican Republic.” Substitute “Tucker Carlson of Fox News” for “the right-wing press and its political allies.” And most weirdly, make the owner of Mar-a-Lago not the Celebrity Guy, but über-lobbyist Joseph E. Davies, close confident of presidents: FDR, Truman, and Ike, alike.

My prying into recently declassified materials shows that Mar a Lago Joe Davies orchestrated a successful public relations campaign in the United States for the benefit his employer, the dictatorial Trujillo. “The Goat” had gunned his way to power in 1930, then earned international infamy in 1937 by ordering the Haitian Massacre, arguably the first genocidal event of WWII.

Davies’ efforts, run out of a new Dominican Tourism Office on 5th Avenue, NYC, cleansed the reputation of the mass murderer and ushered in a tourist rush to “Ciudad Trujillo,” the ancient city formerly known as Santo Domingo. Within a decade of Hiroshima, the Dominican Republic had become the major tourist destination in the Caribbean, with regular passenger service on three steamship lines; jet airliner connections on both Pan American Airways and KLM; a chain of fourteen modern hotels, beginning with the flagship Jaragua in 1946; new highways connecting them; and inordinate cleanliness, imposed by the Marine Corps discipline the dictator learned during his tutelage with the US Occupation, 1916-1924.

In 1955, Trujillo hosted a grandiose World’s Fair of Peace and Brotherhood. By then, Joe Davies was too old and sick to attend, confined to his king-size bed at Mar-a-Lago. As Davies faded and died in 1958, so did Trujillo’s public relations/tourism foreign policy strategy. By 1960, Trujillo was the pariah of the Western Hemisphere, soon to be assassinated, and thereafter grieved by few.

Eric Paul Roorda is the author of The Dictator Next Door and, more recently, editor of The Ocean Reader: History, Culture, Politics. He is also Professor of History at Bellarmine University. Save 30% off The Dictator Next Door with the coupon code E98RORDA. Read the Introduction to The Ocean Reader free on our website and save 30% on the paperback using the coupon code E20RORDA.

Jamaican Independence Day: Norman Washington Manley’s “The Assets We Have”

Jamaica gained its independence from the United Kingdom on August 6, 1962. This year Diana Paton and Matthew J. Smith, the editors of The Jamaica Reader, invite us to look back on how the nation has conceived of its self-governance with this speech from former Jamaican premier Norman Washington Manley.

If independence meant a triumph for the struggle for self-government that began in the 1930s, for its architects it was also an occasion for reflection on that journey and the path ahead. Norman Manley offers such a rumination in his September 1962 address to the People’s National Party (PNP)’s national conference. Manley led Jamaica through the federation years and shepherded the discussions with the British government on the terms and timing of constitutional decolonization. As premier of Jamaica—a post that ceased to exist after 1959—Manley introduced several far-reaching policies intended to improve Jamaica’s institutions. His strong support for federation suffered a blow with the referendum he called in September 1961. In the wake of that loss, and with the discussions for independence well underway, Manley called a general election for April 1962. He was defeated by Alexander Bustamante, his cousin and opposition leader. Manley continued to lead the PNP, which was again defeated in 1967. The 1962 loss was most upsetting for him and his followers. As he implies in the speech, it denied Manley the “privilege” of being the first prime minister of an independent Jamaica.

Nevertheless, amid the excitement over independence, Manley accepted that the legacies of three centuries of colonial rule would take time to dismantle. The way ahead would depend less on him and the party’s founders. The generatino of independence had to accept the charge of making Jamaica a truly free nation defined by greater levels of social equality and economic sustainability. Manley’s inspiring words in the face of two major defeats reflect his insistence that nationalism be placed above party political victory.

Comrades, I thank God that I have lived to see twenty-four years of the work of the party crowned with the achievement of independence for our blessed and beloved country (applause).

I look back on the long years of our struggle. I look back to the days of our early beginning when we first began to rouse Jamaica to her destiny as a nation in the world. I remember the hard and bitter struggles of the past. I remember the small handful of comrades that joined us. I remember the sacrifices they made. I remember the mockery they endured. I remember the suffering they withstood. I remember how some of them, nameless today and unsung, gave their lives that Jamaica might throw off 300 years of colonial bondage, might lift up their hearts to aspire to all that independence means and freedom for a people.

It is true that we have been denied the privilege of achieving power at this moment, but no one can deny us the accomplishment of our work in this country (applause). And many marveled how it was that we who were not in the seats of power acknowledged as the authors of the greatest of our land at this time (applause).

And now I am going to speak to you about the challenge of this time as we close one book of our history, a book which from the beginning could foresee its own end, and open another book in our history, the end of which no man can foresee, but it will roll on from generation to generation as we seek to build a nation worthy of our sons and daughters in this land.

Comrades, it is one thing to become free; it is another thing to build a real nation of your country (applause).

But, comrades, we start our nationhood with some great assets. One of the good things is the long time that it has taken us to evolve our life into freedom as a people. We have learned much over the past half a century. We have learned most of all over the last twenty-four years in this country; and we have only got to remember the lessons we have learned to make sure that we can find the right way for the future.

We gave this country for seven and a half years a Government that knew how to use power with restraint and respect for human decencies in the land. We gave this country for seven and a half years a Government which believed in the realities of democracy, which allowed all men to walk the land free from fear and free from oppression.

We have one third great asset in this country, moving into nationhood, and this is the quality of the people of the land, a people tough and resilient, taught by adversity to endure hardship with patience, given some special spirit of loyalty to inspire them in their devotion to the causes they espoused, a people well understanding right from wrong, well understanding decency in government, well understanding justice and the rule of law. And those are great assets for a country to start with. And I say what I have so often said, if Jamaica fails it is Jamaica’s leaders that have failed, not Jamaica’s people.

Comrades, we must never forget that we start with all the legacies of 300 years of colonial rule. We would be foolish if we did not understand that you don’t throw off all the patterns of behaviour and thought that colonialism brings upon a people merely by becoming free. We have tried hard in this country to overcome them, but they are not yet overcome. In the old days each man sought his own good in the country and each man that made his way up turned his back on where he came from, and each man who achieved a high place on the ladder went steadily striving to bow the knee to wherever power was to be found in the Colonial Empire. Those patterns prevail in this country today and there are still men who in true colonial style serve one party only, the party in power—the pips who bow the knee and scrape and cringe and deny and falsify principles so as to protect themselves and their positions. Maybe it is common all over the world, but it is particularly common in societies that have known colonial rule for generations.

And I say one last thing. When I look into the future of Jamaica, I ask you to remember the three great tasks that confront us at this time as people. First, foremost and above all, to make come true this great motto that I am proud of having played a part in formulating when I was Premier of Jamaica: “Out of many, one people.” We are not one people today. We are many. That is history. That is colonialism. That is our particular history. That is the problem before all Jamaica today—how to make “out of many, one people.” That is a problem that we have understood for many years and that is something that our party must dedicate itself to achieving in this country.

We have another basic, fundamental problem, and that is how to continue to build our economy so as to create a society which offers the reality of equal opportunity to all people and offers the opportunity of decent Christian lives to every man, woman and child in the land.

As a nation our third great problem, and it would mean so much to us, is to present ourselves to the world so that we can mean something in the world of free peoples and free nations. In other words we want a meaningful foreign policy in Jamaica as a nation.

History now gives us the role to create the new things which will make that nation live and endure in the world to come. So let no man quarrel with history or question the judgments of the Architect of the universe.

Read the introduction to the The Jamaica Reader and save 30% on the paperback edition using the coupon code E21JAMRD.

New Books in June

Looking for some summer reading? Check out the great new titles we have coming out in June!

Jennifer L. Morgan draws on the lived experiences of enslaved African women in the sixteenth- and seventeenth-centuries in Reckoning with Slavery to reveal the contours of early modern notions of trade, race, and commodification in the Black Atlantic.

In Decolonizing Memory, Jill Jarvis examines the crucial role that writers and artists have played in cultivating historical memory and nurturing political resistance in Algeria, showing how literature offers the unique ability to reckon with colonial violence and to render the experiences of those marginalized by the state.

The contributors to Beyond Man, edited by An Yountae and Eleanor Craig, reckon with the colonial and racial implications of the philosophy of religion’s history by staging a conversation between it and Black, Indigenous, and decolonial studies.

In Around the Day in Eighty Worlds, Martin Savransky draws on the pragmatic pluralism of William James and the ontological turn in anthropology to propose a “pluralistic realism”—an understanding of ontology in which at any given time the world is both one and many, ongoing and unfinished.

In How to Go Mad Without Losing Your Mind, La Marr Jurelle Bruce ponders the presence of “madness” in black literature, music, and performance since the early twentieth century, showing how artist ranging from Kendrick Lamar and Lauryn Hill to Nina Simone and Dave Chappelle activate madness as content, form, aesthetic, strategy, philosophy, and energy in an enduring black radical tradition.

Việt Lê examines contemporary art in Cambodia and Việt Nam in Return Engagements to trace the entwinement of militarization, trauma, diaspora, and modernity in Southeast Asian art.

In Images of Beirut, Hatim El-Hibri explores how the creation and circulation of images has shaped the urban spaces and cultural imaginaries of Beirut, showing how images can be used to consolidate or destabilize regimes of power.

Editors Diana Paton and Matthew J. Smith combine more than one hundred classic and lesser-known texts in The Jamaica Reader to present a panoramic history of the country—from its pre-contact Indigenous origins to the present—and provide an unparalleled look at Jamaica’s history, culture, and politics.

In Colonial Debts, Rocío Zambrana uses the current political-economic moment in Puerto Rico to outline how debt functions as both an apparatus that strengthens neoliberalism and the island’s colonial relation to the United States.

Nicole M. Guidotti-Hernández challenges the stereotypes of machismo in Archiving Mexican Masculinities in Diaspora with nuanced portraits of Mexican men and masculinities along and across the US-Mexico border.

The contributors to Words and Worlds, edited by Veena Das and Didier Fassin, examine the state of politics and the political imaginary within contemporary societies by taking up the everyday words such as democracy, revolution, and populism that we use to understand the political present.

A concise, easy-to-understand reference book, the revised and updated second edition of the bestselling All about Your Eyes tells you what you need to know to care for your eyes, various eye diseases and treatments, and what to expect from your eye doctor. The editors, Sharon Fekrat, Tanya S. Glaser, and Henry L. Feng are all physicians at the world-renown Duke Eye Center.

In an indispensable guide for all ethnographers, the editors of Experimenting with Ethnography, Andrea Ballestero and Brit Ross Winthereik, collect twenty-one essays that offer concrete suggestions for thinking about and doing ethnographic research and writing.

The contributors to Sound Alignments, edited by Michael K. Bourdaghs, Paola Iovene, and Kaley Mason, explore the myriad forms of popular music in Asia during the Cold War, showing how it took on new meanings and significance as it traveled across the region and forged and challenged alliances, revolutions, and countercultures.

Shaoling Ma examines late Qing China’s political upheavals and modernizing energies through the problem of the dynamics between new media technologies such as the telegraph the discursive representations of them in The Stone and the Wireless.

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New Books in February

Winter is a great time to curl up with a good book. In February we have notable titles in media studies, critical race studies, and more!

Universal Tonality Jazz critic and historian Cisco Bradley tells the story of the life and music of bassist and composer William Parker in Universal Tonality, which documents fifty years of the monumental figure’s life in free jazz. Be sure to join us for a live online event featuring Bradley, Parker, Anthony Reed, and Senior Executive Editor Ken Wissoker on February 19.

Drawing on interviews with industry workers from MTV programs such as The Real World and Teen Mom, Amanda Ann Klein in Millennials Killed the Video Star examines the historical, cultural, and industrial factors leading to MTV’s shift away from music videos to reality programming in the early 2000s and 2010s.

Lauren Steimer’s Experts in Action examines how Hong Kong-influenced action movie aesthetics and stunt techniques have been taken up, imitated, and reinvented in other locations and production contexts around the globe.

Marina Peterson traces entanglements of environmental noise, atmosphere, sense, and matter that cohere in and through encounters with airport noise at Los Angeles International Airport since the 1960s, in Atmospheric Noise, showing how noise is central to how we know, feel, and think atmospherically.

Point of ReckoningTheodore D. Segal’s Point of Reckoning narrates the fraught and contested fight for racial justice at Duke University—which accepted its first black undergraduates in 1963—to tell both a local and national story about the challenges that historically white colleges and universities throughout the country continue to face. Catch Segal at two online events this month: on February 10, sponsored by the Duke University Center for Documentary Studies, and on February 24, sponsored by the Duke Alumni Association.

Kevin Quashie in Black Aliveness, or a Poetics of Being analyzes texts by of Lucille Clifton, June Jordan, Toni Morrison, Evie Shockley, Gwendolyn Brooks, and others to argue for a black aliveness that is disarticulated from antiblackness and which provides the basis for the imagination and creation of a black world.

Throughout The Powers of Dignity Nick Bromell examines how Frederick Douglass forged a distinctively black political philosophy out of his experiences as an enslaved and later nominally free man in ways that challenge Anglo-Continental traditions of political thought.

Black UtopiasEngaging with the work of Black musicians, writers, and women mystics, Jayna Brown’s Black Utopias takes up the concept of utopia as an occasion to explore new states of being, doing, and imagining in Black culture. You can catch Brown’s first online event this Thursday, February 4.

Samantha A. Noël investigates how Black Caribbean and American artists of the early twentieth century responded to and challenged colonial and other hegemonic regimes through tropicalist representation in Tropical Aesthetics of Black Modernism.

Candace Fujikane draws upon Hawaiian legends about the land and water and their impact upon Native Hawai‘ian struggles in Mapping Abundance for a Planetary Future to argue that Native economies of abundance provide a foundation for collective work against climate change.

A time of YouthA Time of Youth brings together 89 of the more than 2000 photographs William Gedney took in San Francisco’s Haight-Ashbury neighborhood between October, 1966 and January, 1967, documenting the restless and intertwined lives of the disenchanted youth who flocked to what became the epicenter of 1960s counterculture.

In Coed Revolution Chelsea Szendi Schieder examines the campus-based New Left in Japan by exploring the significance of women’s participation in the protest movements of the 1960s.

Ma Vang examines the experiences of Hmong refugees who migrated to the United States following the secret war in Laos (1961–1975) to theorize “History on the Run” as a framework for understanding refugee histories, in particular those of the Hmong.

Empire's MistressVernadette Vicuña Gonzalez follows the life of Filipina vaudeville and film actress Isabel Rosario Cooper to explore the contours of empire as experienced on the scale of personal relationships in Empire’s Mistress, Starring Isabel Rosario Cooper, taking us much deeper into her life story than merely her role as the mistress of General Douglas MacArthur.

Jonathan Beller traces the history of the commodification of information and the financialization of everyday life in The World Computer, showing how contemporary capitalism is based in algorithms and the quantification of value that intensify social inequality.

In The Charismatic Gymnasium, Maria José A. de Abreu examines the conservative Charismatic Catholic movement in contemporary urban Brazil to rethink the relationship between theology, the body, and neoliberal governance, showing how it works to produce subjects who are complicit with Brazilian neoliberalism.

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120th Anniversary of the Birth of C. L. R. James

c-l-r-james-3C. L. R. James was born on January 4, 1901, 120 years ago today. James’s work has been a huge influence on many of our other authors, and we are proud to be the home for the book series The C. L. R. James Archives, which both recovers works of James himself and offers new scholarship on his work. Christian Høgsbjerg, editor or author of many of the books in the series, says, “The C. L. R. James Archives series under the editorship of Professor Robert A. Hill has played a critical role in helping to ensure that the intellectual legacy of one of the twentieth century’s most remarkable Caribbean revolutionary writers and thinkers has continued to inspire new generations of scholars and activists in the twenty-first century.”

Editorial Director Gisela Fosado says, “C. L. R. James was brilliant, prolific, and influential in wide ranging social movements and scholarly areas. I’ve always loved the way the series forms a backbone for so much of our list. To name the fields that he influenced or that emerged through his influence is basically to name the major areas of strength of our publications.”   

Beyond a BoundaryBeyond a Boundary, which mixes memoir, history, and social commentary through the prism of cricket, is one of James’s best-known and most popular books. Sports Illustrated named it one of the best sports books of all times. Our fiftieth anniversary edition features a new foreword by Paget Henry. Marxism, Colonialism, and Cricket, edited by David Featherstone, Christopher Gair, Christian Høgsbjerg, and Andrew Smith features essays about the classic book.

James’s other best known work is The Black Jacobins, and we have two books in the series that examine that text. The Black Jacobins Reader, edited by Charles Forsdick and Christian Høgsbjerg, features ten essays on the The Black Jacobins by a wide range of scholars. The contributors discuss its production, context, and enduring importance in relation to debates about decolonization, globalization, postcolonialism, and the emergence of neocolonial Making the Black Jacobinsmodernity. Making the Black Jacobins, by Rachel Douglas, examines the 1938 and 1963 editions of The Black Jacobins, the 1967 play of the same name, and James’s 1936 play, Toussaint Louverture—as well as manuscripts, notes, interviews, and other texts—to show how James continuously rewrote and revised his history of the Haitian Revolution as his politics and engagement with Marxism evolved. James’s play Toussaint Louverture was once thought lost until Christian Høgsbjerg located a draft copy in an archive in 2005. Our edition of the play includes the program, photographs, and reviews from that production, a contextual introduction and editorial notes on the play by Høgsbjerg, and selected essays and letters by James and others.

Høgsbjerg remarks, “Recent works of scholarship on C. L. R. James in the series such as these clearly remind us of the relevance of James’s classic history of the Haitian Revolution for the global Black Lives Matter movement today.” James and The Black Jacobins are regularly referenced in popular culture as well as by academics. The recent Steve McQueen film Small Axe features James as a character (played by Derek Griffiths) and another major character is seen reading The Black Jacobins.

CLR James in Imperial BritainChristian Høgsbjerg is also the author of C. L. R. James in Imperial Britain, which chronicles James’s life and work during his first extended stay in Britain, from 1932 to 1938. It reveals the radicalizing effect of this critical period on James’s intellectual and political trajectory. 

One of the goals of the series is to bring lesser known works by C. L. R. James back into print. Thus far, along with Toussaint Louverture, we have republished World Revolution, 1917–1936: The Rise and Fall of the Communist International, originally published in 1937, and The Life of Captain Cipriani, James’s earliest full-length work of nonfiction, originally published in 1932. Bridget Brereton edited and introduces The Life of Captain Cipriani, which also includes the pamphlet “The Case for West-Indian Self Government.” Christian Høgsbjerg is the editor of World Revolution, 1917-1936.

Høgsbjerg says, “For much of his own life, so many of even the most essential and foundational of  James’s works were sadly out of print, while much else by him never even found its way into print.  It is therefore tremendous that, thanks to Duke University Press, admirers of James are now able to read some of his very earliest political writings on black and colonial liberation, in works such as The Life of Captain Cipriani and his legendary play Toussaint Louverture, something which would have been almost unthinkable before the series began. Long may the series continue!”

New Books in December

As we close out 2020, check out our new December titles.

interimperialityWeaving together feminist, decolonial, and dialectical theory, Laura Doyle theorizes the co-emergence of empires, institutions, language regimes, stratified economies, and literary cultures over the longue durée in Inter-imperiality.

Prathama Banerjee moves beyond postcolonial and decolonial critiques of European political philosophy in Elementary Aspects of the Political to rethink modern conceptions of “the political” from the perspective of Indian and Bengali practices and philosophies from the late nineteenth and early twentieth centuries.

the colonizing self

Hagar Kotef in The Colonizing Self explores the cultural, political, spatial, and theoretical mechanisms that enable people and nations to settle on the ruins of other people’s homes, showing how settler-colonial violence becomes inseparable from one’s sense of self.

Bakirathi Mani examines the visual and affective relationships between South Asian diasporic viewers, artists, and photographic representations of immigrant subjects in Unseeing Empire, showing how empire continues to haunt South Asian American visual cultures.

Claiming Union WidowhoodBrandi Clay Brimmer analyzes the US pension system from the perspective of poor black women in the period before, during, and after the Civil War in Claiming Union Widowhood; outlining the struggles of mothers, wives, and widows of black Union soldiers to claim rights in the face of unjust legislation.

Weaving together the black radical tradition with Caribbean and Latinx performance, cinema, music, and literature, Ren Ellis Neyra in The Cry of the Senses highlights the ways Latinx and Caribbean sonic practices challenge antiblack, colonial, post-Enlightenment, and humanist epistemologies.

In Utopian Ruins, Jie Li traces the creation, preservation, and elision of memories about China’s Mao era by envisioning a virtual museum that reckons with both its utopian yearnings and cataclysmic reverberations.

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New Books in November

November is here, and even though we may have the US election and the end of the semester on our minds, there are still new books to celebrate. Check out our November releases. They should all be out before the end of our 50% off sale on November 23, so be sure to check the website frequently. Use coupon code FALL2020 to save.

AnimaliaAnimalia: An Anti-Imperial Bestiary for Our Times is a unique new collection edited by Antoinette Burton and Renisa Mawani. The contributors analyze twenty-six animals—domestic, feral, predatory, and mythical—whose relationship to imperial authorities and settler colonists reveals how the presumed racial supremacy of Europeans underwrote the history of Western imperialism.

In Aesthetics of Excess: The Art and Politics of Black and Latina Embodiment, Jillian Hernandez examines how cultural discourses of aesthetic value racialize the bodies of women and girls of color by Analyzing the personal clothing, makeup, and hairstyles of working-class Black and Latina girls.

Liquor Store TheatreIn Liquor Store Theatre, artist and anthropologist Maya Stovall uses her Liquor Store Theatre conceptual art project—in which she danced near her Detroit neighborhood’s liquor stores as a way to start conversations with her neighbors—as a point of departure for understanding everyday life in Detroit and the possibilities for ethnographic research, art, and knowledge creation.

Mimi Sheller’s Island Futures: Caribbean Survival in the Anthropocene delves into the ecological crises and reconstruction challenges affecting the entire Caribbean region, showing how vulnerability to ecological collapse and the quest for a “just recovery” in the Caribbean emerge from specific transnational political, economic, and cultural dynamics.

Militarized Global ApartheidCatherine Besteman offers a sweeping theorization of the ways in which countries from the global North are reproducing South Africa’s apartheid system on a worldwide scale to control the mobility and labor of people from the global South in her new book Militarized Global Apartheid.

In Biopolitics of the More-Than-Human: Forensic Ecologies of Violence, Joseph Pugliese examines the concept of the biopolitical through a nonanthropocentric lens, arguing that more-than-human entities—from soil and orchards to animals and water—are actors and agents in their own right with legitimate claims to justice.

For a Pragmatics of the UselessFor a Pragmatics of the Useless by Erin Manning draws on the radical black tradition, process philosophy, and Felix Guattari’s schizoanalysis to explore the links between neurotypicality, whiteness, and black life.

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New Books in January

If one of your resolutions for 2020 is to read more books, we’ve got you covered. Ring in the new year with these captivating new releases!

In Beneath the Surface, Lynn M. Thomas constructs a transnational history of skin lighteners in South Africa and beyond, theorizing skin and skin color as a site for antiracist struggle and lighteners as a technology of visibility that both challenges and entrenches racial and gender hierarchies.

Weaving U.S. history into the larger fabric of world history, the contributors to Crossing Empires de-exceptionalize the American empire, placing it in a global transimperial context as a way to grasp the power relations that shape imperial formations. This collection is edited by Kristin L. Hoganson and Jay Sexton.

Engaging contemporary photography by Sally Mann, Lorna Simpson, Carrie Mae Weems, and others, Shawn Michelle Smith traces how historical moments come to be known photographically and the ways in which the past continues to inhabit, punctuate, and transform the present through the photographic medium in Photographic Returns.

Spanning the centuries between pre-contact indigenous Haiti to the aftermath of the 2010 earthquake, the selections in The Haiti Reader introduce readers to Haiti’s dynamic history and culture from the viewpoint of Haitians from all walks of life. This volume is edited by Laurent Dubois, Kaiama L. Glover, Nadève Ménard, Millery Polyné, and Chantalle F. Verna.

The contributors to Futureproof (edited by D. Asher Ghertner, Hudson McFann, and Daniel M. Goldstein) examine the affective and aesthetic dimensions of security infrastructures and technology with studies ranging from Jamaica and Jakarta to Colombia and the US-Mexico border.

Examining abjection in a range of visual and material culture, the contributors to Abjection Incorporated move beyond critiques of abjection as a punitive form of social death to theorizing how it has become a means to acquire political and cultural capital in the twenty-first century. This volume is edited by Maggie Hennefeld and Nicholas Sammond.

Margaret E. Dorsey and Miguel Díaz-Barriga argue that border wall construction along the U.S.–Mexico border manifests transformations in citizenship practices that are aimed not only at keeping migrants out but also enmeshing citizens into a wider politics of exclusion in Fencing in Democracy.

In Politics of Rightful Killing, Sima Shakhsari analyzes the growth of Weblogistan—the online and real-life transnational network of Iranian bloggers in the early 2000s—and the ways in which despite being an effective venue for Iranians to pursue their political agendas, it was the site for surveillance, cooptation, and self-governance.

In Invisibility by Design, Gabriella Lukács traces how young Japanese women’s unpaid labor as bloggers, net idols, “girly” photographers, online traders, and cell phone novelists was central to the development of Japan’s digital economy in the 1990s and 2000s.

Presented in the context of the nonprofit arts collective More Art’s fifteen-year history, and featuring first-person testimony, critical essays, and in-depth documentary materials, More Art in the Public Eye is an essential, experiential guide to the field of socially engaged public art and its increasing relevance. This volume is edited by Micaela Martegani, Jeff Kasper, and Emma Drew, and we are distributing it for More Art.

Shana L. Redmond traces Paul Robeson’s continuing cultural resonances in popular culture and politics in Everything Man, showing how he remains a vital force and presence for all those he inspired.

In The Complete Lives of Camp People, Rudolf Mrázek presents a sweeping study of the material and cultural lives of internees of two twentieth-century concentration camps and the multiple ways in which their experiences speak to and reveal the fundamental logics of modernity.

In Avian Reservoirs, Frédéric Keck traces how the anticipation of bird flu pandemics has changed relations between birds and humans in Hong Kong, Singapore, and Taiwan, showing that humans’ reliance on birds is key to mitigating future pandemics.

Collecting texts from all corners of the world that span antiquity to the present, The Ocean Reader (edited by Eric Paul Roorda) charts humans’ relationship to the ocean, treating it as a dynamic site of history, culture, and politics.

The contributors to Blue Legalities attend to the seas as a legally and politically conflicted space to analyze the conflicts that emerge where systems of governance interact with complex geophysical, ecological, economic, biological, and technological processes. This collection is edited by Irus Braverman and Elizabeth R. Johnson.

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New Books in November

This month, we’re offering a cornucopia of fresh titles in anthropology, media studies, sociology, history, native and indigenous studies, and more. Take a look at all of these exciting new books available in November!

978-1-4780-0649-7_prWhat does it mean to be a decolonial tourist? We are excited to present our first travel guide book,  Detours, edited by Hokulani K. Aikau and Vernadette Vicuna Gonzalez.  In the book artists, activists, and scholars redirect readers from the fantasy of Hawai‘i as a tropical paradise and tourist destination toward a multilayered and holistic engagement with Hawai‘i’s culture, complex history, and the effects of colonialism. We’ll have lots of copies at the American Studies Association meeting in Honolulu later this month.

Mark Goodale’s ethnographic study of Bolivian politics and society between 2006 and 2015, A Revolution in Fragments, reveals the fragmentary and contested nature of the country’s radical experiments in pluralism, ethnic politics, and socioeconomic planning.colonialism.

In The Politics of Taste Ana María Reyes examines how the polarizing art of Beatriz González disrupted Cold War aesthetic discourses and the politics of class and modernization in 1960s Colombia.

Nicholas D’Avella offers an ethnographic reflection on the value of buildings in post-crisis Buenos Aires in Concrete Dreams, showing how everyday practices transform buildings into politically, economically, and socially consequential objects, and arguing that such local forms of value and practice suggest possibilities for building better futures.

In his engaging and moving book, Honeypot, E. Patrick Johnson combines magical realism, poetry, and performative writing to bear witness to the real-life stories of black southern queer women in ways that reveal the complexity of identity and the challenges these women face. Johnson is on a book tour for Honeypot. Look for a post later this month with all the dates.

In Trans Exploits Jian Neo Chen examines how contemporary trans of color artists are tracking and resisting their displacement and social marginalization through new forms of cultural expression, performance, and activism.

 

In Punctuations Michael J. Shapiro examines how the use of punctuation—conceived not as a series of marks but as a metaphor for the ways in which artistic genres engage with intelligibility—in art opens pathways for thinking through the possibilities for oppositional politics.

In a meditation on loss, inheritance, and survival, The Unspoken as Heritage, renowned historian Harry Harootunian explores the Armenian genocide’s multigenerational afterlives that remain at the heart of the Armenian diaspora by sketching the everyday lives of his parents, who escaped the genocide in the 1910s.

Tyler Denmead critically examines his role as the founder of New Urban Arts—a nonprofit arts program for young people of color in Providence, Rhode Island—and how despite its success, it unintentionally contributed to Providence’s urban renewal efforts, gentrification, and the displacement of people of color in The Creative Underclass.

Kamari Maxine Clarke explores the African Union’s pushback against the International Criminal Court in order to theorize affect’s role in shaping forms of justice in Affective Justice.

In Before the Flood, Jacob Blanc examines the creation of the Itaipu Dam—the largest producer of hydroelectric power in the world—on the Brazil–Paraguay border during the 1970s and 1980s to explore the long-standing conflicts around land, rights, indigeneity, and identity in rural Brazil.

In Screening Race in American Nontheatrical Film, edited by Allyson Nadia Field and Marsha Gordon, the contributors examine the place and role of race in educational films, home movies, industry and government films, anthropological films, church films, and other forms of noncommercial filmmaking throughout the twentieth century.

Deborah A. Thomas uses the 2010 military and police incursion into the Kingston, Jamaica, Tivoli Gardens neighborhood as a point of departure for theorizing the roots of contemporary state violence in Jamaica and other post-plantation societies in Political Life in the Wake of the Plantation.

In Progressive Dystopia Savannah Shange traces the afterlives of slavery as lived in a progressive high school set in post-gentrification San Francisco, showing how despite the school’s sincere antiracism activism, it unintentionally perpetuated antiblackness through various practices.

In Sacred Men Keith L. Camacho examines the U.S. Navy’s war crimes tribunal in Guam between 1944 and 1949 which tried members of Guam’s indigenous Chamorro community and Japanese nationals and its role in shaping contemporary domestic and international laws regarding combatants, jurisdiction, and property.

Maile Arvin analyzes the history of racialization of Polynesians within the context of settler colonialism across Polynesia, especially in Hawai‘i, arguing that a logic of possession through whiteness animates European and Hawaiian settler colonialism in Possessing Polynesians.

978-1-4780-0621-3_prIn his experimental ethnography, Ethnography #9, Alan Klima examines moneylending, gambling, funeral casinos, and the consultations of spirits and mediums to predict winning lottery numbers to illustrate the relationship between contemporary Thai spiritual and financial practices and global capitalism’s abstraction of monetary value.

In Biogenetic Paradoxes of the Nation, Sakari Tamminen traces the ways in which the mandates of 1992’s Convention on Biological Diversity—hailed as the key symbol of a common vision for saving Earth’s biodiversity—contribute less to biodiversity conservation than to individual nations using genetic resources for economic and cultural gain.

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New Books in September

Summer’s almost over, which means it’s time to start to replenishing your reading list! Celebrate the start of a new academic year with us by checking out this diverse array of books arriving in September.

Acknowledging the impending worldwide catastrophe of rising seas in the twenty-first century, Orrin H. Pilkey and Keith C. Pilkey outline the impacts on the United States’ shoreline and argue that the only feasible response along much of the U.S. shoreline is an immediate and managed retreat in Sea Level Rise.

Brenda R. Weber’s Latter-day Screens examines the ways in which the mediation of Mormonism through film, TV, blogs, YouTube videos, and memoirs functions as a means through which to understand conversations surrounding gender, sexuality, spirituality, capitalism, justice, and individualism in the United States.

Self-Devouring Growth by Julie Livingston shows how the global pursuit of economic and resource-driven growth comes at the expense of catastrophic destruction, thereby upending popular notions that economic growth and development is necessary for improving a community’s wellbeing.

In Under Construction, Daniel Mains explores the intersection of infrastructural development and governance in contemporary Ethiopia by examining the conflicts surrounding the construction of specific infrastructural technologies and how that construction impacts the daily lives of Ethiopians.

Elizabeth Freeman’s Beside You in Time expands bipolitical and queer theory by outlining a temporal view of the long nineteenth century and showing how time became a social and sensory means by which people resisted disciplinary regimes and assembled into groups in ways that created new forms of sociality.

Terry Smith—who is widely recognized as one of the world’s leading historians and theorists of contemporary art—traces the emergence of contemporary art and further develops his concept of contemporaneity in Art to Come through analyses of topics ranging from Chinese and Australian Indigenous art to architecture.

Henry Cow by Benjamin Piekut tells the story of the English experimental rock band Henry Cow and how it linked its improvisational musical aesthetic with a collectivist, progressive politics.

Davina Cooper’s Feeling Like a State explores the unexpected contribution a legal drama of withdrawal—as exemplified by some conservative Christians who deny people inclusion, goods, and services to LGBTQ individuals—might make to conceptualizing a more socially just, participative state.

In Making The Black Jacobins, Rachel Douglas traces the genesis, transformation, and afterlives of the different versions of C. L. R. James’s landmark The Black Jacobins across the decades from the 1930s onwards, showing how James revised it in light of his evolving politics.

William E. Connolly links climate change, fascism, and the nature of truth to demonstrate the profound implications of the deep imbrication between planetary nonhuman processes and cultural developments in Climate Machines, Fascist Drives, and Truth.

Cara New Daggett’s The Birth of Energy traces the genealogy of the idea of energy from the Industrial Revolution to the present, showing how it has informed fossil fuel imperialism, the governance of work, and our relationship to the Earth.

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