We’re excited to unveil our Fall 2020 catalog. Check out some highlights from the season below and then download a copy for a closer read. These titles will be published between July 2020 and January 2021.
On the cover we’re featuring an image from artist Lorraine O’Grady’s Writing in Space, 1973–2019, which gathers her statements, scripts, and previously unpublished notes charting the development of her performance work and conceptual photography. The book is edited by Aruna D’Souza.
We lead off with Diary of a Detour by Lesley Stern, a memoir of living with cancer and the unexpected detours illness can produce. Poet Eileen Myles calls it “the most pleasurable cancer book imaginable.” It’s illustrated with delightful drawings of Stern’s chickens, who brought solace during her journey.
The next pages feature a couple of queer studies superstars: Jack Halberstam and the late José Esteban Muñoz. Muñoz was working on The Sense of Brown when he died in 2013. Scholars Joshua Chambers-Letson and Tavia Nyong′o have edited his unfinished manuscript and added an introduction. The book is a treatise on brownness and being as well as Muñoz’s most direct address to queer Latinx studies. Jack Halberstam’s new book Wild Things offers an alternative history of sexuality by tracing the ways in which wildness has been associated with queerness and queer bodies throughout the twentieth century. It’s sure to please fans of his bestselling previous books Female Masculinity and The Queer Art of Failure. LGBTQ studies scholars will also want to check out Information Activism: A Queer History of Lesbian Media Technologies by Cait McKinney and Sexual Hegemony, in which Christopher Chitty traces the 500-year history of capitalist sexual relations by excavating the class dynamics of the bourgeoisie’s attempts to regulate homosexuality. And Left of Queer, an issue of Social Text edited by David L. Eng and Jasbir K. Puar, offers a detailed examination of queerness and its nearly three-decade academic and political mainstreaming and institutionalization.
Two books on the fall list will be helpful to recent PhDs as they navigate the job market and the complicated world of academe. Putting the Humanities PhD to Work by Katina L. Rogers grounds practical career advice in a nuanced consideration of the current landscape of the academic workforce. And we announce a fourth edition of The Academic’s Handbook. This edition of the popular guide is edited by Lori A. Flores and Jocelyn H. Olcott and is completely revised and expanded. Over fifty contributors from a wide range of disciplines and backgrounds offer practical advice for academics at every career stage, whether they are first entering the job market or negotiating post-tenure challenges of accepting leadership and administrative roles.
Black studies continues to be a strong part of our list. This winter we publish a new book by Katherine McKittrick. In Dear Science and Other Stories she presents a creative and rigorous study of black and anticolonial methodologies, exploring how narratives of imprecision and relationality interrupt knowledge systems that seek to observe, index, know, and discipline blackness. Dear Science is the first book in the new Errantries series, edited by McKittrick, Simone Browne, and Deborah Cowen. In Sentient Flesh R. A. Judy offers an extended meditation on questions of blackness, the human, epistemology, and the historical ways in which the black being is understood. And we’re also looking forward to La Marr Jurelle Bruce’s How to Go Mad without Losing Your Mind, an urgent provocation and poignant meditation on madness in black radical art.
Fall brings some great new art and art history titles, including Latinx Art by Arlene Dávila, who draws on numerous interviews with artists, dealers, and curators to provide an inside and critical look of the global contemporary art market. Looking at Latinx aesthetics from a popular culture perspective, Jillian Hernandez’s Aesthetics of Excess analyzes the personal clothing, makeup, and hairstyles of working-class Black and Latina girl to show how cultural discourses of aesthetic value racialize the bodies of women and girls of color. And in ¡Presente!, Diana Taylor offers the theory of presente as a model of standing by and with victims of structural and endemic violence by being physically and politically present in situations where it seems that nothing can be done. In Liquor Store Theater, Maya Stovall uses her conceptual art project—in which she danced near her Detroit neighborhood’s liquor stores as a way to start conversations with her neighbors—as a point of departure for understanding everyday life in Detroit and the possibilities for ethnographic research, art, and knowledge creation. In Beyond the World’s End, T. J. Demos explores a range of artistic, activist, and cultural practices that provide compelling and radical propositions for building a just, decolonial, and environmentally sustainable future. And in Keith Haring’s Line, Ricardo Montez traces the drawn and painted line that was at the center of Keith Haring’s artistic practice, engaging with Haring’s messy relationships to race-making and racial imaginaries.
If you love music books, you’re in luck this fall. We offer Black Diamond Queens by Maureen Mahon, which documents the major contributions African American women vocalists such as Big Mama Thornton, Betty Davis, Tina Turner, and Merry Clayton have made to rock and roll throughout its history. And in The Meaning of Soul, Emily J. Lordi examines the work of Aretha Franklin, Nina Simone, Solange Knowles, Flying Lotus, and others in order to propose a new understanding of soul, showing how it came to signify a belief in black resilience enacted through musical practices.
We’re featuring a great group of Latin American studies titles this fall. In The Cuban Hustle, Sujatha Fernandes explores the many ways artists, activists, and ordinary Cubans have sought to hustle, survive, and express themselves in the aftermath of the Soviet Union’s collapse. We also welcome back returning authors Brett Gustafson with Bolivia in the Age of Gas and Joanne Rappaport with Cowards Don’t Make History.
We welcome back a number of other returning authors as well. In History 4° Celsius Ian Baucom continues his inquiries into the place of the Black Atlantic in the making of the modern and postmodern world. Catherine Besteman offers a sweeping theorization of the ways in which countries from the global North are reproducing South Africa’s apartheid system on a worldwide scale in her new book Militarized Global Apartheid. Erin Manning’s latest book For a Pragmatics of the Useless explores the links between neurotypicality, whiteness, and black life. Joseph Masco returns with The Future of Fallout, and Other Episodes in Radioactive World-Making, which examines the psychosocial, material, and affective consequences of the advent of nuclear weapons, the Cold War security state, climate change on contemporary US democratic practices and public imaginaries. And in The Wombs of Women, Françoise Vergès traces the long history of colonial state intervention in black women’s wombs during the slave trade and postslavery imperialism as well as in current birth control politics.
Fall also brings essential new journal issues in political science and political history. In “Fascism and Anti-Fascism since 1945,” an issue of Radical History Review, contributors show how fascist ideology continues to circulate and be opposed transnationally despite its supposed death at the end of World War II. And “The ACA at 10,” a two-part issue of the Journal of Health Politics, Policy and Law, marks the tenth anniversary of the Affordable Care Act with essays from prominent analysts of US health policy and politics that explore critical issues and themes in the ACA’s evolution.
There’s so much more! We invite you to download the entire catalog and check out all the great books and journals inside. And be sure to sign up for our email alerts so you’ll know when titles you’re interested in are available.