Chicana/o and Latina/o Studies

New Books in October

Fall is in full swing, so curl up with a hot drink, a cozy sweater, and a new book! Check out our October releases.

Memories of a Gay Catholic Boyhood is John D’Emilio’s coming-of-age story in which he takes readers from his working-class Bronx neighborhood and Columbia University to New York’s hidden gay male subculture and the political and social upheavals of the late 1960s. You can catch John D’Emilio discussing his book at the Calandra Italian American Institute in New York City later this month.

Exploring her attraction to tininess and the stories of those who share it, Barbara Browning offers a series of charming short essays that plumb what it means to ponder the minuscule in The Miniaturists.

Cover of No Machos or Pop Stars: When the Leeds Art Experiment Went Punk by Gavin Butt. Cover features a group of young people dressed up for a punk showing laughing together.

Gavin Butt tells the story of the post-punk scene in the northern English city of Leeds in No Machos or Pop Stars, showing how bands ranging from Gang of Four, Soft Cell, and Delta 5 to Mekons, Scritti Politti, and Fad Gadget drew on their university art school education to push the boundaries of pop music. Butt will launch his book at an exciting event in Leeds this month, featuring performances by Scritti Politti and The Mekons77.

In Fragments of Truth, Naomi Angel analyzes the visual culture of reconciliation and memory in relation to the Truth and Reconciliation Commission that Canada established in 2008 to review the history of the Indian Residential School system, a brutal colonial project that killed and injured many Indigenous children.

Drawing on the archives of the Black Panther Party and the National Black Women’s Health Project, Sami Schalk explores how issues of disability have been and continue to be central to Black activism from the 1970s to the present in Black Disability Politics. Schalk launches her book at an event at the Ford Foundation in New York City on October 26.

In Changing the Subject, Srila Roy traces the impact of neoliberalism on gender and sexuality rights movements in the Global South through queer and feminist activism in India. Roy is speaking about her book at The New School and Columbia University later this month.

Filipe Maia offers a theological reflection on hope and the future in the context of financialized capitalism in Trading Futures, arguing that the Christian vocabulary of hope can provide the means to build a future beyond the strictures of capitalism.

Cover of The Promise of Multispecies Justice by Sophie Chao, Karin Bolender, and Eben Kirksey. Cover is green with black and white pictures of a plant between wire. Title sits top left in bold white with a light blue line underlinging it. Authors' names sit bottom right in white without bold.

Coming from the worlds of cultural anthropology, geography, philosophy, science fiction, poetry, and fine art, editors Sophie Chao, Karin Bolender, and Eben Kirksey and the contributors to this volume of The Promise of Multispecies Justice consider the possibility for multispecies justice and speculate on the forms it would take. The authors have developed a multimedia website where you can learn more about this collection.

In Health in Ruins, César Ernesto Abadía-Barrero assesses neoliberalism’s devastating effects on a public hospital in Colombia and how health care workers resisted defunding.

Jovan Scott Lewis retells the history and afterlife of the 1921 Tulsa race massacre and its century-long legacy of dispossession in Violent Utopia, placing it in a larger historical and social context of widespread anti-Black racism and segregation in Tulsa and beyond.

In a new revised and expanded twentieth anniversary edition of his classic book Big Game, Small World, sportswriter Alexander Wolff travels the globe in search of what basketball can tell us about the world, and what the world can tell us about the game.

AnaLouise Keating provides a comprehensive investigation of the foundational theories, methods, and philosophies of Gloria E. Anzaldúa in The Anzaldúan Theory Handbook.

Nomenclature collects eight volumes of Dionne Brand’s poetry published between 1983 and 2010, as well as a new long poem, the titular Nomenclature for the time being.

In Obeah, Orisa, and Religious Identity in Trinidad, Volume I, Obeah, Tracey E. Hucks traces the history of the repression of Obeah practitioners in colonial Trinidad.

And in Obeah, Orisa, and Religious Identity in Trinidad, Volume II, Orisa, Dianne M. Stewart analyzes the sacred poetics, religious imagination, and African heritage of Yoruba-Orisa devotees in Trinidad from the mid-nineteenth century to the present.

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New Titles for Hispanic Heritage Month

Hispanic Heritage Month which takes place September 15-October 15, celebrates the generations of Hispanic Americans who have positively influenced and enriched our nation and society.

Today, September 26, is Gloria E. Anzaldúa’s birthday, so it’s a fitting day to share our new titles in Latinx studies, including The Anzaldúan Theory Handbook, by AnaLouise Keating. Through archival research and close readings of Anzaldúa’s unpublished and published writings, Keating offers a biographical-intellectual sketch of Anzaldúa, investigates her writing process and theory-making methods, and excavates her archival manuscripts. The book also includes extensive definitions, genealogies, and explorations of eighteen key Anzaldúan theories as well as an annotated bibliography of hundreds of Anzaldúa’s unpublished manuscripts.

In A Kiss across the Ocean, Richard T. Rodríguez examines the relationship between British post-punk musicians and their Latinx audiences in the United States since the 1980s. Melding memoir with cultural criticism, Rodríguez spotlights a host of influential bands and performers including Siouxsie and the Banshees, Adam Ant, Bauhaus, Soft Cell, Frankie Goes to Hollywood, and Pet Shop Boys. 

The contributors to Consuelo Jimenez Underwood: Art, Weaving, Vision, edited by Laura E. Pérez and Ann Marie Leimer, examine the artistic practice of artist Consuelo Jimenez Underwood, whose innovative art and urgent engagement with a range of pressing contemporary issues mark her as one of the most vital artists of our time.

In The Florida Room, Alexandra T. Vazquez listens to the music and history of Miami to explore the city’s sonic cultures and its material and social realities. She transforms the “Florida room”—an actual architectural phenomenon—into a vibrant spatial imaginary for Miami’s musical cultures and everyday life.

Drawing from archives and cultural productions from the United States, the Caribbean, and Europe, in Translating Blackness: Latinx Colonialities in Global Perspective, Lorgia García Peña considers Black Latinidad in a global perspective in order to chart colonialism as an ongoing sociopolitical force.

In Junot Díaz: On the Half-Life of Love, José David Saldívar offers a critical examination of one of the leading American writers of his generation. He explores Díaz’s imaginative work and the diasporic and immigrant world he inhabits, showing how his influences converged in his fiction and how his writing—especially his Pulitzer Prize–winning novel The Brief Wondrous Life of Oscar Wao—radically changed the course of US Latinx literature and created a new way of viewing the decolonial world.

Scales of Captivity: Racial Capitalism and the Latinx Child by Mary Pat Brady traces the figure of the captive and cast-off child over 150 years of Latinx/Chicanx literature as a critique of colonial modernity and the forms of confinement that underpin racialized citizenship.

In Unsettled Borders: The Militarized Science of Surveillance on Sacred Indigenous Land,  Felicity Amaya Schaeffer examines the ongoing settler colonial war over the US-Mexico border from the perspective of Apache, Tohono O’odham, and Maya who fight to protect their sacred land. 

Juan Herrera maps 1960s Chicano movement activism in the Latinx neighborhood of Fruitvale in Oakland in Cartographic Memory: Social Movement Activism and the Production of Space. From Chicano-inspired street murals to the architecture of restaurants and shops, Herrera shows how Fruitvale’s communities and spaces serve as a palpable, living record of movement politics and achievements.

In Toward Camden, Mercy Romero writes about the relationships that make and sustain the largely African American and Puerto Rican Cramer Hill neighborhood in New Jersey where she grew up. She resists narratives of the city that are inextricable from crime and decline and witnesses everyday lives lived at the intersection of spatial and Puerto Rican diasporic memory.

In The Lettered Barriada: Workers, Archival Power, and the Politics of Knowledge in Puerto Rico, Jorell A. Meléndez-Badillo tells the story of how a cluster of self-educated workers burst into Puerto Rico’s world of letters and navigated the colonial polity that emerged out of the 1898 US occupation. They did so by asserting themselves as citizens, producers of their own historical narratives, and learned minds.

Check out all our great titles in Chicanx and Latinx studies here.

Peer Review Week: Excerpt from We Are Not Dreamers

It’s Peer Review Week, an annual event to celebrate the value of peer review that brings together scholarly communication stakeholders, including academic publishers, associations, institutions, and researchers. This year’s theme is “Research Integrity: Creating and supporting trust in research.” This week we will share excerpts on the topic of peer review and research integrity from some of our books. Today we present an excerpt from We are Not Dreamers: Undocumented Scholars Theorize Undocumented Life in the United States edited by Leisy J. Abrego and Genevieve Negrón-Gonzales in which they discuss the ethics of doing research with undocumented students and scholars.

This is a unique volume. There is currently no other collection of empirical and theoretical work by undocumented or recently undocumented scholars. As editors of this volume, this was certainly an empirical and analytical matter, but also a methodological one. Each author details their own methodological approach in the chapters, but there are broader methodological interventions
that must also be named. These involve explicitly positioning undocumented scholars as theorists of the undocumented experience while being mindful of the ethics involved in doing this work.
At the outset of this project, we were clear that we did not want this to be a collection of testimonies, narrative reflections, or first-person essays; this is not to say that there is not value in such endeavors, but rather to be clear that such a project is politically, analytically, and methodologically distinct from  our aims here. This volume is an intentional effort to position this work as critical to the field in that it pushes our understanding of undocumented life in the United States at this time. Thus, the positioning of the undocumented immigrant as scholar is a direct departure from the treatment of the undocumented immigrant as subject or object. This positioning is not only pragmatic or practical, it is also methodological.

Part of our politic and analytic around this is that this process of undocumentation (Negrón-Gonzales 2018), while it is discussed in public discourse as a clear-cut matter, is a social, legal, and political construction. There is nothing inherent in people that makes them undocumented. There is nothing unchangeable in society that determines that undocumented people are criminals. On the contrary, people move in and out of undocumenteds status and legal, political, and social treatment of undocumented people changes across different historical moments (Ngai 2004). Methodologically, then, it made sense to us to capture these experiences by including people who have direct experience with being undocumented and scholars, whether they are currently undocumented, daca recipients, or formerly undocumented for a notable part of their lives as students. We feel strongly that the authors in this volume have an important role to play in shaping the field.

The other methodological dimension worth illuminating concerns research ethics. Many theorists of undocumented migration have aimed to be thoughtful in how they approach research ethically (Hernández et al. 2013; Suárez-Orozco and Yoshikawa 2013). Some have written about the ethics of
cocreating theory with undocumented students who are the focus of analysis (Pérez Huber 2010), while others provide undocumented students with research training and writing support (Clark-Ibáñez 2015; Mena Robles and Gomberg-Muñoz 2016; Unzueta Carrasco and Seif 2014). There is, however,
a persistent disconnection in the field more broadly. Undocumented young people note that there is a pattern of researchers entering spaces of organizing—sometimes without permission—only to gather information for their studies, never to be seen again. Those researchers have failed to reciprocate with undocumented immigrant communities, rarely using their skills to support the advocacy work that they document. And in most of those cases, people who participated in the study were not informed of the findings. Authors in this volume have had conversations about how to address these concerns regarding immigration scholars who are not themselves undocumented. One response, in particular, thoughtfully details the problems and suggests best practices for scholars to follow when conducting research with undocumented communities.
Gabrielle Cabrera, one of the authors featured in this volume, along with Ines Garcia and an anonymous student at their undergraduate institution in California, got together shortly after the election of Donald Trump. In an attempt to be proactive in this new political context and rooted in what they saw as the nonreciprocal pattern of engagement described above, they developed a brief guide on research ethics for scholars and researchers who were turning to write about undocumented youth in the midst of heightened political threats.

November 30, 2016
Dear Researchers,
We’d like to emphasize that Undocumented students are not research subjects. We respectfully, but adamantly ask faculty members who are conducting research on and with Undocumented people to please conduct ethical research. By ethical research, we mean:
1. the questions asked to participants should not attempt to uplift the “progressive” efforts of the university;
2. sharing the research and findings with our community through relevant and accessible means; and
3. researchers should not treat Undocumented students as a “trendy” research topic.
We’d also like to take this moment to express the need for critical research on and with Undocumented students. We believe the efforts of faculty are grounded in good intentions and understand the importance of it. We also want to name that research causes harm to our community as it has been known to exploit and commodify our bodies and experiences. Researchers should not collect data about our lives and publish the knowledge solely for their own benefit. Researchers should intentionally disseminate findings into our communities in meaningful and relevant ways. “Policy Recommendations” at the end of articles are not enough. Researchers should not claim to give us “voice” when current research on Undocumented students perpetuate the violent “DREAMER” narrative.
A change in the ways in which Undocumented students are researched needs to occur. We are scholars. We are community members. We are collaborators in the research process. Researchers should not speak on our behalf. Rather, researchers should give us the platform to speak for ourselves. Faculty members have the ability to do this by conducting ethical research that engages our community throughout the process.

As is true of many scholars we have worked with, Cabrera, Garcia, and their peers highlight the need to push back on the dreamer narrative, not only identifying its limitations but also highlighting how it reifies and sanctifies a certain kind of “good” immigrant. This pushback is a persistent theme across the chapters in this book, and the analytical contributions of these young scholars remind us that a key part of decolonizing research methodologies involves disrupting the assumed unmovable distinction between the researcher and the researched. Part of that process involves marginalized people theorizing and producing scholarship about the experiences of their communities.

Leisy J. Abrego is Professor of Chicana/o and Central American Studies at the University of California, Los Angeles and author of Sacrificing Families: Navigating Laws, Labor, and Love across Borders. Genevieve Negrón-Gonzales is Associate Professor of Education at the University of San Francisco and coauthor of Encountering Poverty: Thinking and Acting in an Unequal World. We Are Not Dreamers is available for 30% off on our site with coupon SAVE30.

Gisela Fosado’s Sale Recommendations

Image reads: use code SPRING22, Spring Sale, 50% off all in-stock books and journal issues through May 27
Our Spring Sale continues for two more weeks. If you’re looking for suggestions for what to buy, check out Editorial Director Gisela Fosado’s recommendations. Use coupon SPRING22 to save 50% on these and all in-stock titles.

With the Latin American Studies Association conference wrapped up last weekend, I thought I’d recommend a dozen of our most important brand new books (published within the past 6 months) in Latin American, Caribbean, and Latinx studies.

Troillot Remixed: The Michel-Rolph Trouillot Reader edited by Yarimar Bonilla, Greg Beckett, Mayanthi L. Fernando.
“By the sheer force of his example, he invited us to recognize not only the irreducible complexity of the Caribbean as a horizon of inquiry but also the intellectual duty to take up the challenge of reinventing the categories through which we apprehend and engage this complexity. Trouillot Remixed offers us a thematically distilled selection of his work that will provoke us to appreciate his contribution in fresh and unexpected ways.” — David Scott, Columbia University

Planetary Longings by Mary Louise Pratt
“These brilliant essays bring cultural theory to life. Mary Louise Pratt thinks across the Americas, drawing us into a repertoire that every American should grasp. To decolonize the postcolonial legacy, she shows us how to think generously and rigorously as well as politically.” — Anna Lowenhaupt Tsing, coeditor of Feral Atlas: The More-Than-Human Anthropocene

The Florida Room by Alexandra T. Vazquez
“Alexandra T. Vazquez’s bold, brilliant, and refreshingly unconventional meditatin on sonic placemaking in Florida is fearless and groundbreaking. Compressing the deep, wide, and volatile politics and poetics of the global South into a focused exploration of the “Sunshine State,” The Florida Room reminds readers of what daring, innovative, and challenging theory looks and sounds like. This luminous book opens up our notions of what counts as theory as well as who gets identified as theorists.” — Daphne A. Brooks, author of Liner Notes for the Revolution: The Intellectual Life of Black Feminist Sound

Scales of Captivity: Racial Capitalism and the Latinx Child by Mary Pat Brady
“Mary Pat Brady has written a multilayered, bracing study with deep historical roots and startling contemporary resonance. She reanimates questions of citizenship and exclusion at the heart of Chicanx/Latinx studies, while simultaneously uncovering the inextricability of childhood, queer politics, and acts of witnessing.” — Richard T. Rodríguez, author of Next of Kin: The Family in Chicano/a Cultural Politics

Loss and Wonder at the World’s End by Laura A. Ogden
“In its freshness of vision, its first-person mode of presentation, its openheartedness, and its scattering of materials in delicate montages, Loss and Wonder at the World’s End is such fun to read. Laura A. Ogden’s persistent view of history throughout the text as multivalent, dense, and mysterious is wonderful.” — Michael T. Taussig, author of Mastery of Non-mastery in the Age of Meltdown

Suspicion: Vaccines, Hesitancy, and the Affective Politics of Protection in Barbados by Nicole Charles
Suspicion is a compellingly written and superlatively theorized ethnography of public health, affect, and the persistence of racism in the Caribbean. Nicole Charles uses suspicion to understand the logic behind Black parents’ decisions about whether to give their children vaccines, showing that their decisions are rooted not in ignorance and irrationality but within long histories of racial and sexual injury as well as hierarchies related to race, class, color, education, and authority.” — Deborah A. Thomas, author of Political Life in the Wake of the Plantation: Sovereignty, Witnessing, Repair

Stories That Make History: Mexico through Elena Poniatowska’s Crónicas by Lynn Stephen
“The fortuitous pairing of perhaps Mexico’s most beloved, enduring, and influential writer with one of its most prolific and accomplished international scholars of social and cultural movements gives rise to an extraordinary collaboration. This engrossing volume will be required reading for anyone seriously interested in Mexican journalism and literature, history and history-making, and the formation of social memory.” — Gilbert M. Joseph, coeditor of The Mexico Reader: History, Culture, Politics

Unintended Lessons of Revolution by Tanalís Padilla
“This book transcends the constricted scope of a narrow institutional study to throw new light on a series of larger questions concerning Mexico’s legacy of revolution, its failed rural policies, and the explosion of unrest among rural teachers and activists. It is a pleasure to read.” — Brooke Larson, author of Trials of Nation Making: Liberalism, Race, and Ethnicity in the Andes, 1810–1910

Workers Like All the Rest of Them: Domestic Service and the Rights of Labor in Twentieth-Century Chile by Elizabeth Q. Hutchison
“Presenting a series of timely, important, and often surprising arguments, Workers Like All the Rest of Them will find an audience among Chileanists, historians of gender and labor, as well as social science scholars interested in domestic work around the world.” — Nara B. Milanich, author of Paternity: The Elusive Quest for the Father

The Lettered Barriada: Workers, Archival Power, and the Politics of Knowledge in Puerto Rico by Jorell A. Meléndez-Badillo
“Jorell A. Meléndez-Badillo’s focus on the ‘politics of knowledge production’ explodes our understanding of the internecine struggles within the early Puerto Rican Left and the politics of race and gender in the construction of radical social movements in Puerto Rico.” — Eileen J. Findlay, author of We Are Left without a Father Here: Masculinity, Domesticity, and Migration in Postwar Puerto Rico

Cover of The Nature of Space by Milton Santos features a black and white photograph of Santos. He is wearing reading glasses and looking slightly to his left while gesturing with his hands. The title and subtitle appear over the photo in yellow and white type.

The Nature of Space by Milton Santos, translated by Brenda Baletti
“Milton Santos was one of the most important Black thinkers in the Americas writing in the last four decades, one of the most important Brazilian intellectuals of all time, and one of the most cited and noteworthy geographers in Latin America. This extremely important translation subverts our tendencies to ignore scholarship being produced in the global South and marks a key step in decolonizing thought in US academe.” — Keisha-Khan Y. Perry, author of Black Women against the Land Grab: The Fight for Racial Justice in Brazil

Cocaine: From Coca Fields to the Streets, edited by Enrique Desmond Arias and Thomas Grisaffi
“Through its attention to both the transnational cocaine commodity chain and the locally specific moral economies that have developed along it, Cocaine presents an innovative and urgent perspective. This highly original and engaging volume makes significant contributions to studies of crime, governance, economics, and Latin American studies.” — Rivke Jaffe, author of Concrete Jungles: Urban Pollution and the Politics of Difference in the Caribbean

Finally, if you haven’t checked out the 2022 Bryce Wood Award honorees, now is the perfect time to pick up a copy of the books that won or were honorable mentions for LASA’s top prize, Bret Gustafson’s Bolivia in the Age of Gas and Resource Radicals: From Petro-Nationalism to Post-Extractivism in Ecuador by Thea Riofrancos.  Huge congratulations to Bret and Thea!

New Books in November

Fall in love with our new November releases!

978-1-4780-1492-8In Multisituated, Kaushik Sunder Rajan proposes a reconceptualization of ethnography as a multisituated practice that speaks to the myriad communities of accountability and the demands of doing and teaching anthropology in the twenty-first century.

In See How We Roll, Melinda Hinkson follows the experiences of Nungarrayi, a Warlpiri woman from the central Australian desert, as she struggles to establish a new life for herself in the city of Adelaide.

Tani Barlow’s In the Event of Women outlines the stakes of what she calls “the event of women” in China—the discovery of the truth that women are the reproductive equivalent of men. This book reconsiders Alain Badiou’s concept of the event; particularly the question of whose political moment marks newly discovered truths.

Venkat_pbk_and_litho_covers.inddIn At the Limits of Cure, Bharat Jayram Venkat draws on historical and ethnographic research on tuberculosis in India, exploring what it means to be cured and what it means for a cure to be partial, temporary, or selectively effective.

The contributors to Cocaine, edited by Enrique Desmond Arias and Thomas Grisaffi, analyze the contemporary production, transit, and consumption of cocaine throughout Latin America and the illicit economy’s entanglement with local communities.

In Disaffected, Xine Yao explores the racial and sexual politics of unfeeling—affects such as coldness, insensitivity and sexual frigidity that are not recognized as feeling—as a means of survival and refusal for people of color and queer people in nineteenth-century America.

In Stories That Make History, Lynn Stephen examines the writing of Elena Poniatowska, showing how it shaped Mexican political discourse and provides a unique way of understanding contemporary Mexican history, politics, and culture.

In The Lettered Barriada, Jorell A. Meléndez-Badillo tells the story of how a cluster of self-educated workers burst into Puerto Rico’s world of letters in the aftermath of the 1898 US occupation, showing how they produced, negotiated, and deployed powerful discourses that eventually shaped Puerto Rico’s national mythology.

978-1-4780-1471-3Edited by Charlotte Brunsdon, Writings on Media collects Stuart Hall’s most important work on the media, reaffirming reaffirms his stature as an innovative media theorist while demonstrating the continuing relevance of his methods of analysis.

The contributors to Anthropology, Film Industries, Modularity, edited by Ramyar D. Rossoukh and Steven C. Caton, take an anthropological and comparative approach to capturing the diversity and growth of global film industries, bringing into relief common film production practices as well as the local contingencies and deeper cultural realities at work in every film industry.

In Hegemonic Mimicry, Kyung Hyun Kim considers the recent global success of Korean popular culture—the Korean wave of pop music, cinema, and television also known as hallyu—from a transnational and transcultural perspective.
 
Matthew H. Brown’s Indirect Subjects explores the connections between Nigeria’s booming film industry, state television, and colonial legacies that together involve spectators in global capitalism while denying them its privileges.
 
 
978-1-4780-1456-0
In Loss and Wonder at the World’s End, Laura A. Ogden considers a wide range of people, animal, and objects together as a way to catalog the ways environmental change and colonial history are entangled in the Fuegian Archipelago of southernmost Chile and Argentina.
 
The contributors to Decay, edited by Ghassan Hage, attend to the processes and experiences of symbolic and material forms of decay in a variety of sociopolitical contexts across the globe.
 
In Radiation Sounds, Jessica A. Schwartz examines the seventy-five years of Marshallese music developed in response to the United States’ nuclear weapons testing on their homeland, showing how Marshallese singing practices make heard the harmful effects of US nuclear violence.
 
Drawing on literature along with the visual and performing arts, Anthony B. Pinn’s Interplay of Things theorizes religion as a technology for interrogating human experiences understanding the ways in which things are always involved in processes of exchange and interplay.
 

Hispanic Heritage Month

Hispanic Heritage Month is celebrated from September 15- October 15 each year. We invite you to check out some of our recent books in Chicano/a and Latinx studies. You can save 50% on these titles through October 15 with coupon FALL21.

Focusing on artists and art collectives in Argentina, Mexico, and the United States, in Another Aesthetics is Possible Jennifer Ponce de León examines how experimental artistic practices in the visual, literary, and performing arts have been influenced by and articulated with leftist politics, popular uprisings, and social struggles that resist neoliberal capitalism.

In Magical Habits Monica Huerta draws on her experiences growing up in her family’s Mexican restaurants and her life as an academic to sketch out habits of living that allow us to consider what it means to live with history as we are caught up in it and how those histories bear on our capacities to make sense of our lives.

Nicole M. Guidotti-Hernández challenges the stereotypes of machismo with nuanced portraits of Mexican men and masculinities along and across the US-Mexico border in Archiving Mexican Masculinities in Diaspora.

Analyzing a range of Chicano/a and Native American novels, films, short stories and other cultural artifacts from the eighteenth century to the present, Rosaura Sánchez and Beatrice Pita examine literary representations of settler colonial land enclosure and dispossession in the US Southwest in Spatial and Discursive Violence in the US Southwest.

In Abstract Barrios Johana Londoño examines how the barrio has become a cultural force that has been manipulated in order to create Latinized urban landscapes that are palatable for white Americans who view concentrated areas of Latinx populations as a threat.

Analyzing the personal clothing, makeup, and hairstyles of working-class Black and Latina girls, in Aesthetics of Excess Jillian Hernandez examines how cultural discourses of aesthetic value racialize the bodies of women and girls of color.

In Latinx Art Arlene Dávila draws on numerous interviews with artists, dealers, and curators to explore how and why the contemporary international art market continues to overlook, devalue, and marginalize Latinx art and artists.

Margaret E. Dorsey and Miguel Díaz-Barriga argue in Fencing in Democracy that border wall construction along the U.S.–Mexico border manifests transformations in citizenship practices that are aimed not only at keeping migrants out but also enmeshing citizens into a wider politics of exclusion.

Drawing on ethnographic fieldwork, her experience reporting for People magazine, and dozens of interviews with photographers, journalists, publicists, magazine editors, and celebrities, Vanessa Díaz traces the complex power dynamics of the reporting and paparazzi work that fuel contemporary Hollywood and American celebrity culture in Manufacturing Celebrity.

The contributors to We Are Not Dreamers—who are themselves currently or formerly undocumented—call for the elimination of the Dreamer narrative, showing how it establishes high expectations for who deserves citizenship and marginalizes large numbers of undocumented youth. Leisy J. Abrego and Genevieve Negrón-Gonzalez edited this collection.

Don’t forget, through October 15 you can save 50% on these great Latinx studies titles, and all our in-stock books and journal issues using coupon FALL21.

Q&A with Monica Huerta, author of Magical Habits

Monica Huerta is Assistant Professor of English and American Studies at Princeton University. In Magical Habits, she draws on her experiences growing up in her family’s Mexican restaurants and her life as an academic to sketch out habits of living that allow us to consider what it means to live with history as we are caught up in it and how those histories bear on our capacities to make sense of our lives.

The format of Magical Habits is unique and is clearly born out of an unwillingness to reduce interlocking stories to a single, brittle narrative. How did these texts come together for you?

I mention in the acknowledgments that for a long time – for most of the time it was “coming together” – I didn’t know why or what I was writing. There’s portions of writing – single sentences, sometimes whole paragraphs – that I wrote my first year of college, and other small portions I wrote in the last pass through the manuscript during copy edits. That’s a span of two decades! I tried to mark the “compendium” quality of the book with a series of dates of when I first started some of the writing in each essay and of when I last substantively revised it at the end of each of the essays. My hope is that what’s not reduced, but rather, as you say, interlocking, gives a layered sense of the varying needs the writing was meeting—some personal, some critical, some theoretical, some formal.

The “coming together” happened when I realized that the disparate bits asked related questions about habits we cultivate, knowingly and otherwise – through reading, but also through ordinary forms of distraction and pleasure – in order to live with what are unbearable histories by any measure. But even as the writings now gathered speak to each other through these questions about habits, I also hope the book as a whole maintains a sense of having been worked on and worked through alongside the ordinary course of living that made the writing possible and thinkable.

A lot about Magical Habits is unconventional, but one of your most surprising moves is to incorporate prose from your senior thesis project. Does this book track your evolution as a scholar, or of an evolving discourse about what being Mexican means? Are these two one and the same? 

I’m hoping that the portions from my undergrad thesis add dimensionality to the idea that the questions we have can change over time. I’m not proposing my undergraduate work makes a scholarly contribution to current scholarship in a traditional way. Obviously, there’s been so much exciting work between when I was in college and now about restaurants and food as sites of critical inquiry. I’m proposing the thesis bits as “an intimate archive” that turns my first sustained attempt at scholarship inside out and so contextualizes that effort in the more personal stories from which its questions arose. In the essays, those episodes are also situated in relation to history, memory, language games, migrations, and the mutations of racial capitalism in the late-twentieth century.

I suppose there is a way to read the book as tracking the way my own questions changed over time. My graduate training was as a nineteenth-century Americanist and my first traditional scholarly monograph, The Unintended: Photography, Property & the Aesthetics of Racial Capitalism (forthcoming April 2022, NYU Press, America & the Long Nineteenth Century series) is about legal clashes over photography in the late-nineteenth century and a particular aesthetics of whiteness through which property relations are forged. It might not be immediately obvious, but The Unintended is a kind of answer to the questions about commodified ethnicities that my senior thesis was asking. The book is trying to show some of the specific mechanisms through which white supremacy works with capitalist regimes of private property.

At the same time, including the thesis bits is a pedagogical gesture. I thought it could be helpful in a classroom to use those portions to talk with students about how scholarship (which, in my mind, includes the ways we’re trained to produce it) bears a relation to our lives in direct and indirect ways. Of course, this also implies a collective work to build a culture of transparency with one another rather than embarrassment or denial. We choose our intellectual questions for intimate reasons, and “love” or “interest” are always far from the full story. Not every work or book needs to confess its reasons in that way, I don’t think. But it seems to me that engaging with one another through that kind of holistic investment in our questions can only make our work stronger; for one, it might shift our relations to one another and lend another kind of urgency to the kinds of work we can do together.

So I think I’m saying that I also wrote Magical Habits as a colleague: I wrote as a scholar and as a teacher, but also as someone who genuinely cares about the people who do the work we do, and in the interest of making more space for more people to engage multiply with the work of making knowledge that pushes beyond (and against) the way knowledge in the service of power has reproduced and legitimated unlivable worlds for most.

Magical Habits is part of the Writing Matters! series, which seeks to expand what constitutes critical writing. At the same time this book is a journey through your “family’s archives.” For instance, you recount anecdotes about your great grandfather you learned not from family tradition but from published histories written about him. This feels both unbearably personal, and unbearably impersonal. What was it like to excavate your family history this way?

There’s so many brilliant people writing in varied keys about the blur between the personal and critical right now! It’s a really exciting time to be thinking through our dreams for our institutions and knowledge-making together. It’s interesting that you use the word “unbearable.” I think the question of “what can be borne/born” from and of history is exactly the question that I’ve learned to ask from scholars like Saidiya Hartman, Christina Sharpe, Hortense Spillers, Imani Perry, Ashley Farmer, Alexis Pauline Gumbs, Jessica Marie Johnson, Yomaira Figueroa, and so, so many others, but with Black feminists at – to use another Black feminist, Martha Jones’ term – the vanguard. The personal/impersonal process of excavating family history this way is, from what I’ve tried to learn from scholars and history, exactly what any family history excavation project would confront. Most recently, I think of Hazel Carby’s Imperial Intimacies: A Tale of Two Islands and Elizabeth Povinelli’s new graphic novel The Inheritance. Our personal archives – photo albums, emails, clothing, songs, overheard conversations – can only leak into the structural, material conditions through which they were created, or which conditioned their reception and experience. Another way to say it is that, of course, the personal is never entirely free from the structural (and some of that structure is utterly material), and vice versa. I tried to write from having learned that from Black feminists, even as my own position with relations to structures and affects is also distinct from theirs because of my own subject position, but also because of the histories we engage and question. 

I also tried to write from a speculative place, imagining some “after” from the heartbreakand specifically-manifested suffering of the histories we live inside; both the unbearability and the material manifestations of history are just as much our ecosystem as our other harmed ecosystems. I did that not to disavow either present distress or the strenuousness of the work it will take to be in an “after” but rather to try to think beyond the property logics that can dominate the personal and that would make the interest what’s personal in the book, the fact that it was mine and not someone else’s. I tried to write toward some other than the “mine-ness” of the story as an invitation to reallocate the very grounds for allegiance from the one to the many precisely because these histories are – differentially, always – our shared ecosystem. If dismantling property is the most direct path towards eradicating white supremacy, then dissolving the property logics through which we’ve come to know ourselves as selves could bring that horizon closer. That’s part of the experiment I was writing through.

What do you hope a reader will come away with from Magical Habits

As part of the Writing Matters! series, I hope the book continues to open up more space for the various forms that intellectual work might take and make for ever more actual, material, and imaginative freedom.

My friend Carolyn Biltoft, a world historian and theorist (get her book, it’s incredible!), told me she thinks of Magical Habits as an invitation to divest, to disentangle, and to disintegrate. If there is a singular “doing” that the book hopes to provoke, it’s as simple and challenging as that. I hope readers feel invited and seriously consider how they can (continue to) divest from the ways that their lives are enmeshed in and benefit from power and white supremacy in particular – but also in all its forms. Also to say that as storytelling, the book importantly includes missteps I made. Magical Habits isn’t offering a template for the right habits, but it is suggesting a tenacity towards being willing to become dedicated to continual divestment, when another un-free layer makes itself known. 

Each person who has that desire – ever more freedom for ever more people – can only begin if they’re going to begin in a holistic way exactly where they are. That’s part of why I am so inspired by abolitionist scholars and thinkers. Those organizers and leaders who have been working to do exactly that kind of holistic work in concert with and as a crucial part of the work of carceral abolition, to name our most prominent example, have been thinking in modes of compounding, interlocking scales and repair for decades. I’m inspired by their work, their thought, and their praxis of bringing more capacious worlds, more livable worlds into being through and in every relation in order to continually become that other world now.

Read the introduction to Magical Habits for free and save 30% on the book using the coupon code E21HRTA. 

New Books in August

Don’t miss all our exciting new releases in August!

In three long-form poems and a lyrical essay, fahima ife speculates in Maroon Choreography on the afterlives of Black fugitivity, unsettling the historic knowledge of it while moving inside the ongoing afterlives of those people who disappeared themselves into rural spaces beyond the reach of slavery.

Rachel Zolf activates the last three lines of a poem by Jewish Nazi Holocaust survivor Paul Celan—“No one / bears witness for the / witness”—to theorize the poetics and im/possibility of witnessing in No One’s Witness.

In Amkoullel, the Fula Boy, Malian writer Amadou Hampâté Bâ—one of the towering figures in the literature of twentieth-century Francophone Africa—tells in striking detail the story of his youth, which was set against inter-ethnic conflict and the arrival and installation of French colonialism.

In The Politics of Decolonial Investigation Walter D. Mignolo provides a sweeping examination of how colonialty has operated around the world in its myriad forms between the sixteenth and twenty-first centuries while calling for a decolonial politics that would delink from all forms of Western knowledge.

Laurence Coderre explores the material culture of the Chinese Cultural Revolution in Newborn Socialist Things to show how it paved the way for rampant commodification and consumption in contemporary China.

Carolyn Hardin offers a new way of understanding arbitrage—the trading practice that involves buying assets in one market at a cheap price and immediately selling them in another market for a profit—as a means of showing how its reliance upon taking on risk is fundamental to financial markets in Capturing Finance.

Monica Huerta draws on her experiences growing up in her family’s Mexican restaurants and her life as an academic in Magical Habits to sketch out habits of living that allow us to consider what it means to live with history as we are caught up in it and how those histories bear on our capacities to make sense of our lives.

The contributors to Long Term, edited by Scott Herring and Lee Wallace, use the tension between the popular embrace and legalization of same-sex marriage and the queer critique of homonormativity as an opportunity to examine the myriad forms of queer commitments and their durational aspect.

In Domestic Contradictions Priya Kandaswamy brings together two crucial moments in welfare history—the advent of the Freedmen’s Bureau during Reconstruction and the Personal Responsibility and Work Opportunity Reconciliation Act of 1996—to show how they each targeted Black women through negative stereotyping and normative assumptions about gender, race, and citizenship.

In Policing Protest Paul A. Passavant explores how the policing of protest in the United States has become increasingly hostile since the late 1990s, moving away from strategies that protect protestors toward militaristic practices designed to suppress legal protests.

In A Black Intellectual’s Odyssey Martin Kilson—the first tenured African American professor at Harvard—takes readers on a fascinating journey from his upbringing in a small Pennsylvania mill town to his experiences as an undergraduate to pursuing graduate study at Harvard before spending his entire career there as a faculty member.

In Whiteness Interrupted, Marcus Bell presents a revealing portrait of white teachers in majority Black schools to outline how white racial identity is constructed based on localized interactions and the ways whiteness takes a different form in predominantly Black spaces.

Jennifer C. Nash examines how the figure of the “Black mother” has become a powerful political category synonymous with crisis, showing how they are often rendered into one-dimensional symbols of tragic heroism and the ground zero of Black life in Birthing Black Mothers.

Transnational Feminist Itineraries, edited by Ashwini Tambe and Millie Thayer, demonstrates the key contributions of transnational feminist theory and practice to analyzing and contesting authoritarian nationalism and the extension of global corporate power.

In Reimagining Social Medicine from the South Abigail H. Neely explores social medicine’s possibilities and limitations at one of its most important origin sites: the Pholela Community Health Centre (PCHC) in South Africa.

New Books in June

Looking for some summer reading? Check out the great new titles we have coming out in June!

Jennifer L. Morgan draws on the lived experiences of enslaved African women in the sixteenth- and seventeenth-centuries in Reckoning with Slavery to reveal the contours of early modern notions of trade, race, and commodification in the Black Atlantic.

In Decolonizing Memory, Jill Jarvis examines the crucial role that writers and artists have played in cultivating historical memory and nurturing political resistance in Algeria, showing how literature offers the unique ability to reckon with colonial violence and to render the experiences of those marginalized by the state.

The contributors to Beyond Man, edited by An Yountae and Eleanor Craig, reckon with the colonial and racial implications of the philosophy of religion’s history by staging a conversation between it and Black, Indigenous, and decolonial studies.

In Around the Day in Eighty Worlds, Martin Savransky draws on the pragmatic pluralism of William James and the ontological turn in anthropology to propose a “pluralistic realism”—an understanding of ontology in which at any given time the world is both one and many, ongoing and unfinished.

In How to Go Mad Without Losing Your Mind, La Marr Jurelle Bruce ponders the presence of “madness” in black literature, music, and performance since the early twentieth century, showing how artist ranging from Kendrick Lamar and Lauryn Hill to Nina Simone and Dave Chappelle activate madness as content, form, aesthetic, strategy, philosophy, and energy in an enduring black radical tradition.

Việt Lê examines contemporary art in Cambodia and Việt Nam in Return Engagements to trace the entwinement of militarization, trauma, diaspora, and modernity in Southeast Asian art.

In Images of Beirut, Hatim El-Hibri explores how the creation and circulation of images has shaped the urban spaces and cultural imaginaries of Beirut, showing how images can be used to consolidate or destabilize regimes of power.

Editors Diana Paton and Matthew J. Smith combine more than one hundred classic and lesser-known texts in The Jamaica Reader to present a panoramic history of the country—from its pre-contact Indigenous origins to the present—and provide an unparalleled look at Jamaica’s history, culture, and politics.

In Colonial Debts, Rocío Zambrana uses the current political-economic moment in Puerto Rico to outline how debt functions as both an apparatus that strengthens neoliberalism and the island’s colonial relation to the United States.

Nicole M. Guidotti-Hernández challenges the stereotypes of machismo in Archiving Mexican Masculinities in Diaspora with nuanced portraits of Mexican men and masculinities along and across the US-Mexico border.

The contributors to Words and Worlds, edited by Veena Das and Didier Fassin, examine the state of politics and the political imaginary within contemporary societies by taking up the everyday words such as democracy, revolution, and populism that we use to understand the political present.

A concise, easy-to-understand reference book, the revised and updated second edition of the bestselling All about Your Eyes tells you what you need to know to care for your eyes, various eye diseases and treatments, and what to expect from your eye doctor. The editors, Sharon Fekrat, Tanya S. Glaser, and Henry L. Feng are all physicians at the world-renown Duke Eye Center.

In an indispensable guide for all ethnographers, the editors of Experimenting with Ethnography, Andrea Ballestero and Brit Ross Winthereik, collect twenty-one essays that offer concrete suggestions for thinking about and doing ethnographic research and writing.

The contributors to Sound Alignments, edited by Michael K. Bourdaghs, Paola Iovene, and Kaley Mason, explore the myriad forms of popular music in Asia during the Cold War, showing how it took on new meanings and significance as it traveled across the region and forged and challenged alliances, revolutions, and countercultures.

Shaoling Ma examines late Qing China’s political upheavals and modernizing energies through the problem of the dynamics between new media technologies such as the telegraph the discursive representations of them in The Stone and the Wireless.

Never miss a new book! Sign up for our e-mail newsletters, and get notifications of new titles in your preferred disciplines as well as discounts and other news.

New Books in April

Check out the great new titles we have coming out in April!

Right Here Right NowIn Right Here, Right Now, Lynden Harris collects the powerful first-person stories of dozens of men who are living on death row in the United States, offering a glimpse into the lives of some of the most marginalized people in America. Watch the trailer.

Rafico Ruiz uses the Grenfell Mission in Newfoundland and Labrador, Canada, to theorize how settler colonialism establishes itself through the building, maintenance, and mediation of site-specific infrastructure in Slow Disturbance.

Analyzing a range of Chicano/a and Native American novels, films, short stories and other cultural artifacts from the eighteenth century to the present, Rosaura Sánchez and Beatrice Pita in Spatial and Discursive Violence in the US Southwest examine literary representations of settler colonial land enclosure and dispossession in the US Southwest.

Hentyle Yapp analyzes contemporary Chinese art as it circulates on the global art market to outline the limitations of the predominant narratives that currently frame understandings of non-Western art in Minor China. Join an online book launch for Minor China on April 15.

We are excited to be bringing out two new volumes in the Stuart Hall: Selected Writings series. Selected Writings on Marxism, edited by Gregor McLennan, collects Stuart Hall’s key writings on Marxism surveys the formative questions central to his interpretations of and investments in Marxist theory and practice.

Race and DifferenceAnd in Selected Writings on Race and Difference, Ruth Wilson Gilmore and Paul Gilroy gather more than twenty essays by Stuart Hall that highlight his extensive and groundbreaking engagement with race, representation, identity, difference, and diaspora.

The contributors to Religion, Secularism, and Political Belonging, edited by Leerom Medovoi and Elizabeth Bentley, examine how the new political worlds that are emerging—from Trump’s America to the post-Arab-Spring Middle East—intersect with locally specific articulations of religion and secularism.

Todne Thomas explores the internal dynamics of community life among black evangelicals and the ways they create spiritual relationships through the practice of Kincraft—the construction of one another as brothers and sisters in Christ, partners in prayer, and spiritual mothers, fathers, and children.

Edited and translated by Ilinca Iurascu, Geoffrey Winthrop-Young, and Michael Wutz, Operation Valhalla collects eighteen texts by German media theorist Friedrich Kittler on the close connections between war and media technology.

Eating in TheoryAnnmarie Mol reassess notions of human being and becoming by thinking through the activity of eating, showing how eating is a lively practice bound up with our identities, actions, politics, and senses of belonging in the world in Eating in Theory.

Thuy Linh Nguyen Tu examines the legacies of the Vietnam War on contemporary ideas about race and beauty, in Experiments in Skin, showing how US wartime efforts to alleviate the environmental and chemical risks to soldiers’ skin has impacted how contemporary Vietnamese women use pharmaceutical cosmetics to repair the damage from the war’s lingering toxicity.

The Long EmancipationRinaldo Walcott posits that Black people globally live in the time of emancipation and that emancipation is definitely not freedom in The Long Emancipation, showing that wherever Black people have been emancipated from slavery and colonization, a potential freedom became thwarted.

Drawing on Black feminism, Afro-pessimism, and critical race theory, the contributors to Antiblackness, Moon-Kie Jung and João H. Costa-Vargas,trace the forms of antiblackness across time and space, showing how the dehumanization of Black people has been foundational to the establishment of modernity.

Thomas Aiello traces the complicated and fascinating life of pioneering journalist, television host, bestselling author, and important yet overlooked civil rights figure in The Life and Times of Louis Lomax. Lomax became one of the most influential voices of the civil rights movement despite his past as an ex-con, serial liar, and publicity-seeking provocateur.

Never miss a new book! Sign up for our e-mail newsletters, and get notifications of new titles in your preferred disciplines as well as discounts and other news.