Chicana/o and Latina/o Studies

New Books in October

It’s official—fall has arrived! With the start of this new season, we’re releasing dynamic new reads in art and visual culture, anthropology, feminist studies, cultural studies, sociology, and more. Check out all of these exciting books available in October.

Continuing the work she began in The Promise of Happiness and Willful Subjects by taking up a single word and following its historical, intellectual, and political significance, Sara Ahmed explores how use operates as an organizing concept, technology of control, and tool for diversity work in What’s the Use?

In Where Histories Reside Priya Jaikumar examines seven decades of films shot on location in India to show how attending to filmed space reveals alternative timelines and histories of cinema as well as the myriad ways cinema constructs India as a place.

Eva Haifa Giraud contends in What Comes after Entanglement? that recent theory that foregrounds the ways that human existence is entangled with other nonhuman life and the natural world often undermine successful action and calls for new modes of activist organizing and theoretical critique.

The contributors to Reading Sedgwick (edited by Lauren Berlant) reflect on the long and influential career of Eve Kosofsky Sedgwick, whose pioneering work in queer theory has transformed understandings of affect, intimacy, politics, and identity.

Conceptualizing anthropology as a mode of practical and transformative inquiry in A Possible Anthropology, Anand Pandian stages an ethnographic encounter with the field in an effort to grasp its impact on the world and its potential for addressing and offering solutions to the profound crises of the present.

In Symbolic Violence Michael Burawoy brings Pierre Bourdieu into an extended debate with Marxism by outlining the parallels and divergences between Bourdieu’s thought and preeminent Marxist theorists including Gramsci, Fanon, Beauvoir, and Freire.

Achille Mbembe theorizes the genealogy of the contemporary world—one plagued by inequality, militarization, enmity, and a resurgence of racist, fascist, and nationalist forces—and calls for a radical revision of humanism a the means to create a more just society in Necropolitics.

In Fidel between the Lines Laura-Zoë Humphreys tracks late-socialist Cuba’s changing dynamics of social criticism and censorship through Cuban cinema and its cultural politics.

In A Fragile Inheritance, Saloni Mathur investigates the work of two seminal figures from the global South: the New Delhi-based critic and curator Geeta Kapur and contemporary multimedia artist Vivan Sundaram, illuminating  how their political and aesthetic commitments intersect and foreground uncertainty, difficulty, conflict, and contradiction.  

Ronak K. Kapadia examines multimedia visual art by artists from societies besieged by the US war on terror in Insurgent Aesthetics, showing how their art offers queer feminist critiques of US global warfare that forge new aesthetic and social alliances with which to sustain critical opposition to the global war machine.

In Eros Ideologies Laura E. Pérez analyzes Latina art to explore a new notion of decolonial thought and love based on the integration of body, mind, and spirit that offers a means to creating a more democratic and just present and future.

Edited by Frances Richard, I Stand in My Place with My Own Day Here features essays by more than fifty renowned international writers considering thirteen monumental works of art commissioned by The New School between 1930 and the present. We are distributing this beautiful art book for The New School.

Between Form and Content is a catalog that accompanied the first exhibition to focus on Jacob Lawrence’s experience at Black Mountain College in North Carolina in 1946, where his interaction with Josef Albers had a lasting impact on his future career. We are distributing this catalog for Black Mountain College Museum + Art Center.

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National Hispanic Heritage Month Reads

September 15th through October 15th is National Hispanic American Heritage Month. To celebrate, we have selected several of our recent books and journal issues that explore Chincanx and Latinx studies, art, and history, as well as bring awareness to issues faced by the Latinx community.

978-0-8223-6938-7_prIn Eros IdeologiesLaura E. Pérez analyzes Latina art to explore a new notion of decolonial thought and love based on the integration of body, mind, and spirit that offers a means to creating a more democratic and just present and future.

Renato Rosaldo’s new prose poetry collection, The Chasers, shares his experiences and those of his group of twelve Mexican-American Tucson High School friends known as the Chasers as they grew up, graduated, and fell out of touch, conveying the realities of Chicano life on the borderlands from the 1950s to the present.

In Deported Americans, legal scholar and former public defender, Beth C. Caldwell, tells the story of dozens of immigrants who were deported from the United States—the only country they have ever known—to Mexico, tracking the harmful consequences of deportation for those on both sides of the border.

Chicano and Chicana ArtChicano and Chicana Art, curated by Jennifer A. González, C. Ondine Chavoya, Chon Noriega, and Terezita Romo, is an anthology that includes essays from artists, curators, and critics and provides an overview of the history and theory of Chicano/a art from the 1960s to the present, emphasizing the debates and vocabularies that have played key roles in its conceptualization.

Pop América, 1965–1975, edited by Esther Gabara, is a bilingual, fully illustrated catalogue. It accompanies the Nasher Museum of Art at Duke University’s exhibition Pop América, 1965–1975, which presents a vision of Pop art across the Americas as a whole.

coverimage-3Trans Studies en las Américas,” a special issue of TSQ: Transgender Studies Quarterly, is an unprecedented English-language collection by Latin American and Latinx scholars on trans and travesti issues. Contributors offer a hemispheric perspective on trans and travesti issues, expand transgender studies to engage geopolitical connections, and bring interdisciplinary approaches to topics ranging from policy to cultural production.

With roots in protest and social change, Latinx theater carries an artistic vitality and urgency that has only been augmented by resistance to the current wave of repressive white nationalism. In “What’s Next for Latinx?“, an issue of Theater, contributors ask where Latinx theater is going and what challenges it faces.

New Books in August

Our Fall 2019 season is off to a phenomenal start with a diverse range of titles in Theory and Philosophy, African American Studies, Native and Indigenous Studies, and more. Take a look at all of these great new books coming in August!

Intersectionality as Critical Social Theory by Patricia Hill Collins

Intersectionality as Critical Social Theory by Patricia Hill Collins offers a set of analytical tools for those wishing to develop intersectionality’s capability to theorize social inequality in ways that would facilitate social change.

In Animate Literacies, Nathan Snaza proposes a new theory of literature and literacy in which he outlines how literacy operates at the interface of humans, nonhuman animals, and objects and has been used as a means to define the human in ways that marginalize others.

Fictions of Land and Flesh by Mark Rifkin

Mark Rifkin’s Fictions of Land and Flesh turns to black and indigenous speculative fiction to show how it offers a site to better understand black and indigenous political movements’ differing orientations in ways that can foster forms of mutual engagement and cooperation without subsuming them into a single political framework in the name of solidarity.

In The Black Shoals Tiffany Lethabo King uses the shoal—an offshore geologic formation that is neither land nor sea—as metaphor, mode of critique, and methodology to theorize the encounter between Black studies and Native studies and its potential to create new epistemologies, forms of practice, and lines of critical inquiry.

Savage Ecology by Jairus Victor Grove

Jairus Victor Grove’s Savage Ecology offers an ecological theorization of geopolitics in which he contends that contemporary global crises are better understood when considered within the larger history of geopolitical practice, showing how political violence is the principal force behind climate change, mass extinction, slavery, genocide, extractive capitalism, and other catastrophes. Watch the trailer for the book here.

In How to Make Art at the End of the World Natalie Loveless examines the institutionalization of artistic research-creation—a scholarly activity that considers art practices as research methods in their own right—and its significance to North American higher education.

Wages Against Artwork Leigh Claire La Berge’s Wages Against Artwork shows how socially engaged art responds to and critiques what she calls decommodified labor—the slow diminishment of wages alongside an increase of demands of work—as a way to work toward social justice and economic equality.

In Sounds of Vacation, edited by Jocelyne Guilbault and Timothy Rommen, the contributors examine the commodification of music and sound at popular vacation destinations throughout the Caribbean in order to tease out the relationships between political economy, hospitality, and the legacies of slavery and colonialism. 

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What’s Next for Latinx?

We’re pleased to share “What’s Next for Latinx?”, the newest issue of Theater, edited by Chantal Rodriguez and Tom Sellar. Read the entire issue, freely available for three months.

With roots in protest and social change, Latinx theater carries an artistic vitality and urgency that has only been augmented by resistance to the current wave of repressive white nationalism. Even as U.S. agencies perpetuate inhumane policies and deplorable human rights violations against Latinxs, Latinx theatermakers continue to claim their places on America’s largest stages. In “What’s Next for Latinx?”, contributors ask where Latinx theater is going and what challenges it faces.

The Chasers Reunite for Book Launch

Recently a group of friends who attended Tucson High School in the 1950s gathered to launch the book of prose poetry inspired by their experiences, Renato Rosaldo’s The Chasers. Rosaldo writes about the gathering in this guest post.

On May 11, 2019, I went to Tucson with my son, Sam, and his son, Micah. I handed books to the Chasers as they arrived at the party. After a short while the Chasers slowly opened their books, They took their time. It was a lot to absorb, their joy and the realization that this was their/our book.  Once all had arrived, Louie then asked me to sign his copy. I did so slowly, keeping the ceremonial rhythm. It gave me time to find a personal dedication for each one. I followed suit for each of the others as they asked me to sign.

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Renato Rosaldo signing a copy of The Chasers. Photo by Daniel Chavez.

The afternoon was cool for Tucson in May. The moment we finished eating a thunderstorm, with heavy wind and lightening abruptly came up. A door slammed loudly. We laughed and said Rocha must have slammed the door because he was pissed that we didn’t invite him. He passed away a couple of months ago.

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L-R, Rich Koenig, Louie Dancil, and Dickie Delahanty. Photo by Daniel Chavez.

We went indoors and Angie, then Patti asked me to read from the book. Bobby was on speaker phone and he punctuated the reading with his moments of recognition, bellowing, “Oh, my God.” We laughed and kept a silence and sense of awe. The book and the evening left me with a feeling of having experienced deep meaning. Thank you Chasers. Thank you book-makers. I am still in awe.

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The Chasers at a reunion in 2018. Photo by Daniel Chavez.

You can save 40% on The Chasers during our Spring Sale with coupon code SPRING40. Read an excerpt here and watch the trailer here.

New Books in May

Jump-start your summer reading with one of our new titles this May!

In Coral Empire Ann Elias traces the history of two explorers whose photographs and films of tropical reefs in the 1920s cast corals and the sea as an unexplored territory to be exploited in ways that tied the tropics and reefs to colonialism, racism, and the human domination of nature.

The contributors to Remaking New Orleans, edited by Thomas Jessen Adams and Matt Sakakeeny, challenge the uncritical acceptance of New Orleans-as-exceptional narratives, showing how they flatten the diversity, experience, and culture of the city’s residents and obscure other possible understandings.

The ChasersRenato Rosaldo’s new prose poetry collection, The Chasers, shares his experiences and those of his group of twelve Mexican-American Tucson High School friends known as the Chasers as they grew up, graduated, and fell out of touch, conveying the realities of Chicano life on the borderlands from the 1950s to the present.

In Queering Black Atlantic Religions Roberto Strongman examines three Afro-diasporic religions—Hatian Vodou, Cuban Lucumí/Santería, and Brazilian Candomblé—to demonstrate how the commingling of humans and the divine during trance possession produce subjectivities whose genders are unconstrained by biological sex.

Written in 1937, published in Spanish in 1973, and appearing here in English for the first time, Freddy Prestol Castillo’s novel You Can Cross the Massacre on Foot is one of the few accounts of the 1937 massacre of tens of thousands of Haitians living in the Dominican Republic.

Book Reports

In Book Reports, a generous collection of book reviews and literary essays, rock critic Robert Christgau shows readers a different side to his esteemed career with reviews of books ranging from musical autobiographies, criticism, and histories to novels, literary memoirs, and cultural theory.

The contributors to From Russia with Code, edited by Mario Biagioli and Vincent Antonin Lépinay, examine Russian computer scientists, programmers, and hackers in and outside of Russia within the context of new international labor markets and the economic, technological, and political changes in post-Soviet Russia.

In Camp TV Quinlan Miller reframes American television history by tracing a camp aesthetic and the common appearance of trans queer gender characters in both iconic and lesser known sitcoms throughout the 1950s and 1960s.

The coauthors of Decolonizing Ethnography integrate ethnography with activist work in a New Jersey center for undocumented workers, showing how anthropology can function as a vehicle for activism and as a tool for marginalized people to theorize their own experiences.

In Work! Elspeth H. Brown traces modeling’s history from the advent of photographic modeling in the early twentieth century to the rise of the supermodel in the 1980s, showing how it is both the quintessential occupation of a modern consumer economy and a practice that has been shaped by queer sensibilities.

In Figures of Time Toni Pape examines contemporary television that often presents a conflict-laden conclusion first before relaying the events that led up to that inevitable ending, showing how this narrative structure attunes audiences to the fear-based political doctrine of preemption—a logic that justifies preemptive action to nullify a perceived future threat.

In Anti-Japan Leo T. S. Ching traces the complex dynamics that shape persisting negative attitudes toward Japan throughout East Asia, showing how anti-Japanism stems from the failed efforts at decolonization and reconciliation, the U.S. military presence, and shifting geopolitical and economic conditions in the region.

The Cuba Reader

Tracking Cuban history from 1492 to the present, this revised and expanded second edition of The Cuba Reader presents myriad perspectives on Cuba’s history, culture, and politics, including a new section that explores the changes and continuities in Cuba since Fidel Castro stepped down from power in 2006.

The Fernando Coronil Reader, a posthumously published collection of anthropologist Fernando Coronil’s most important work, highlights his deep concern with the global South, Latin American state formation, theories of nature, empire and postcolonialism, and anthrohistory as an intellectual and ethical approach.

The extensively updated and revised third edition of the bestselling Social Medicine Reader (Volume I and Volume II) provides a survey of the challenging issues facing today’s health care providers, patients, and caregivers with writings by scholars in medicine, the social sciences, and the humanities. It will be a great addition to courses in public health, medicine, nursing, and more.

Catherine Waldby traces how the history of the valuing of human oocytes—the reproductive cells specific to women—intersects with the biological and social life of women in her new book The Oocyte Economy.

Never miss a new book! Sign up for our e-mail newsletters, and get notifications of new titles in your preferred disciplines as well as discounts and other news.

Poem of the Week

The ChasersOur final poem of the week for National Poetry Month 2019 is from the forthcoming book The Chasers by Renato Rosaldo. This prose poetry collection shares his experiences and those of his group of twelve Mexican-American Tucson High School friends known as the Chasers as they grew up, graduated, and fell out of touch, conveying the realities of Chicano life on the borderlands from the 1950s to the present. The Chasers comes out in May.

 

 

The Chaser Mystique

Most said we’d turn out badly.

Our name signified wild guy, partier, fighter. We thrived on reputation. Whether
they admired or hated us, everyone knew who we were, our jackets, our spot in the stairwell.

We played the cat, built a mystique, but we were just Mexican kids out for fun, nothing profound.

One dad in moving and storage, Chico’s dad a professor, another selling beer at ball games, another a cop, and yet another, head of a rotating credit association, the Alianza
Hispanoamericana.

We were in shape, every summer our arms threw baseballs, our backs strained under
bulky furniture. One worked as a lifeguard.

We hadn’t seen each other for fifty years, gathered at the Tucson High School reunion, told ourselves stories about ourselves, laughed as if we’d been together the day before.

At our reunion, people still talked about us, still gave a shit after fifty years.

Bobby Shoumaker and Richard Rocha

 

Watch the trailer for The Chasers here.

Renato Rosaldo is Emeritus Professor of Anthropology at New York University and the author of several books, including The Day of Shelly’s Death, also published by Duke University Press.

Q&A with Beth C. Caldwell, Author of Deported Americans

Beth Caldwell PhotoBeth C. Caldwell is Professor of Legal Analysis, Writing, and Skills at Southwestern Law School and was formerly an attorney in the Los Angeles County Office of the Public Defender. Caldwell’s experiences as a public defender led her to her new book, Deported Americans, in which she tells the story of dozens of immigrants who were deported from the United States—the only country they have ever known—to Mexico, tracking the harmful consequences of deportation for those on both sides of the border.

Who are the deported Americans about whom you write? What are the most common problems they face that result in their deportation?

I use the term deported Americans primarily to refer to people who migrated to the United States when they were children (often at a very young age), who have now been deported. These are people who were primarily socialized in the United States, who grew up attending American schools, and who are more comfortable speaking English than Spanish. They’re not U.S. citizens, but they identify as Americans culturally, and others perceive them as Americans too.

The term is also broad enough to encompass U.S. citizen family members of people who have been deported—particularly the children and spouses of deportees. Although not technically deported under the law, they often feel like they too have been deported because the only option to keep their families together is to leave the United States.

Both groups refer to their experiences as “banishment” or “exile” from their homes, and they experience a range of problems that are not surprising if you imagine how it would feel to be uprooted from all that is familiar to you—from your home, your career, your family and friends. This can trigger a sense of hopelessness that can fuel mental health issues, most often depression, anxiety, post-traumatic stress, and thoughts of suicide. It can also push some to turn to drugs to numb their pain. Family relationships often erode in the years following deportation, which contributes to these problems.

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In Mexico, deported Americans are stigmatized and are not accepted by the dominant culture. They report feeling marginalized by their American accents and ties to the United States. This can trigger profound questions about one’s identity because people feel a sense of double rejection, by both the United States and Mexico.

You mention in your introduction that you did not set out deliberately to write this book, but rather stumbled upon it through your work and informal conversations with deported people living in Mexico. Can you speak more to how these experiences and relationships shaped your approach?

Since I didn’t deliberately set out to research this issue, I didn’t set out with any preconceived notions or expectations as a researcher who is testing a hypothesis might do. Instead, the project was shaped by listening to people and, in some cases, by observing people’s day-to-day interactions as they adjusted to the reality of being deported. Common themes emerged in people’s narratives. When I would speak with people in the U.S. about what I was hearing, people were often surprised. And I realized that it was important to document and share the other side of deportation, so that people in the U.S. would have to confront, or at least be more aware of, the very real harms that flow from the country’s deportation policies.

How does activism—yours and others’—shape the narrative in Deported Americans?

I consider the negative rhetoric that depicts immigrants as others—as invaders or as dangerous—to be the biggest obstacle to creating more humane immigration policies in the U.S. No amount of activism can bring about just immigration reforms as long as some immigrants are characterized as “good” and “deserving” while others are cast aside as “bad” or “criminal,” and therefore disposable.

One of the primary goals of the narrative in Deported Americans is to highlight the nuances and complexities in people’s lives in order to help readers to see that even people who would commonly be depicted as “bad” or “undeserving” have compelling stories and are deserving of humane treatment under the law. By telling people’s stories, I try to strip away the dehumanizing labels that are often applied to immigrants with criminal convictions in order to help readers to see people more holistically.

What do you think is the most surprising aspect of immigration law as it affects deported Americans?

Often, stories about immigrants focus on recent arrivals to the U.S., but many deportees are members of American families. The U.S. deported over 250,000 parents of U.S. citizen children between 2011 and 2017, in addition to many spouses of U.S. citizens. People are always surprised when I talk about U.S. citizens whose spouses have been deported. There seems to be a pervasive belief that marriage to a U.S. citizen protects people from deportation, but this is not the case. I’ve interviewed many U.S. citizens who now live in Mexico because their spouses have been deported, and others who are struggling with family separation because they have stayed in the U.S. after a spouse’s deportation.

People are also surprised by the lack of proportionality in these cases. There is a major disconnect between sentences in criminal court and the sanctions people experience in the immigration system, even though both systems are often imposing penalties on the basis of the same conduct. For example, a lawful permanent resident (otherwise known as a green card holder) could be convicted of a crime for which they are sentenced with minimal jail time and probation in the criminal justice system. But in immigration court, they could face virtually automatic, permanent deportation—with no realistic hope of ever lawfully returning to the U.S.—because of the same conviction.

Many news stories paint pictures of immigrants and deportees. What is the most important way that you think Deported Americans changes or contradicts these narratives?

I deliberately focus on sharing the stories of immigrants with criminal convictions to disrupt the pervasive representation of some immigrants as “good” and others as “bad.” A lot of people are framed as “dangerous” due to criminal convictions that really have nothing to do with whether they are in fact dangerous. And in many cases, it seems more dangerous to deport them—to separate them from their families, or to force their U.S. citizen family members to leave the United States if they want to stay together.

Harsh immigration policies that apply to immigrants with criminal convictions emerged alongside the tough-on-crime movement of the 1980s and 1990s. In many cases, the same laws that created drug sentencing policies that are now widely criticized also created draconian immigration policies. Although there is an emerging consensus that the War on Drugs was problematic, and there has been some progress to roll back some of its policies, very little attention has focused on the parallel problems in the immigration system. I hope to draw people’s attention to this issue.

In the context of arguments over the construction of a wall along the U.S.-Mexico border and the news about the child detention centers, how do you see conversations about deportation changing? Staying the same?

People are certainly more interested in the topic of deportation now than in the recent past. This is an interesting shift because numerically, more people were actually being deported a few years ago. I think that the more that the consequences of U.S. immigration policy come to light, the more the average American is concerned about the issues, especially when it comes to family separation. Although more attention has focused on family separation affecting people upon their entry to the United States, family separation brought about by deportation fits into the overall problem that the U.S. immigration system regularly separates children from their parents.

The issue of family separation is also directly tied to the wall. When I was first starting out my research in Tijuana, I interviewed a social worker who runs a shelter for women and children. Her shelter houses a lot of recent deportees. She was convinced that no barrier—no fence, no wall, no punishments—would stop mothers from trying to return to the United States because the instinct to reunite with their children was stronger than anything. It’s a primal instinct. Due to a long history of migration from Mexico to the U.S., which the U.S. has welcomed at many times because of a desire for Mexican labor, families are deeply interconnected across the border, and across immigration statuses. The rhetoric framing migration as an “invasion” by foreigners misses this important reality.

What do you hope readers will take away from Deported Americans?

Deportation causes a lot of harm—to both the deportees and their families, who are often U.S. citizens. It has become a normalized aspect of our society, but we should really think about whether it should be. Deportation has always been used as a tool for excluding and removing marginalized people from societies, so its roots are suspect. I hope readers will walk away from the book with lingering questions about how we might better approach the social problems deportation is currently used to address, but in a more humane way.

Read the introduction to Deported Americans free online and purchase the paperback for 30% off using coupon code E19CALDW.

 

New Books in February

Got the winter blues? Cheer yourself up with one of the great new titles we have coming out in February.

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Chicano and Chicana Artan anthology edited by Jennifer Gonzalez, C. Ondine Chavoya, Chon Noriega, and Terezita Romowhich, includes essays from artists, curators, and critics who provide an overview of the history and theory of Chicano/a art from the 1960s to the present, emphasizing the debates and vocabularies that have played key roles in its conceptualization.

Bloodflowers by W. Ian Bourland is the first book-length examination the photography of  Rotimi Fani-Kayode (1955–1989), whose art is a touchstone for cultural debates surrounding questions of gender and queerness, race and diaspora, aesthetics and politics, and the enduring legacy of slavery and colonialism.

Jeffrey Sconce’s The Technical Delusion traces the history and continuing proliferation of psychological delusions that center on suspicions that electronic media seek to control us from the Enlightenment to the present, showing how such delusions illuminate the historical and intrinsic relationship between electronics, power, modernity, and insanity. Read an excerpt from The Technical Delusion in Bookforum.

Thomas Grisaffi’s Coca Yes, Cocaine No traces the political ascent and transformation of the Movement toward Socialism (MAS) from an agricultural union of coca growers into Bolivia’s ruling party, showing how the realities of international politics hindered MAS leader Evo Morales from scaling up the party’s form of grassroots democracy to the national level.

978-1-4780-0181-2In Second World, Second Sex Kristen Ghodsee recuperates the lost history of feminist activism from the so-called Second World, showing how women from state socialist Bulgaria and socialist-leaning Zambia created networks and alliances that challenged American women’s leadership of the global women’s movement.

The contributors to Infrastructure, Environment, and Life in the Anthropocene, edited by Kregg Hetherington, chart the shifting conceptions of environment, infrastructure, and both human and nonhuman life in the face of widespread uncertainty about the planet’s future.

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In Jugaad Time Amit S. Rai shows how urban South Asians employ low-cost technological workarounds and hacks known as jugaad to solve problems, navigate, and resist India’s neoliberal ecologies.

In Surrealism at Play Susan Laxton writes a new history of surrealism in which she traces the centrality of play to the movement and its ongoing legacy, showing how its emphasis on chance provided the means to refashion artistic practice and everyday experience.

Jinah Kim’s Postcolonial Grief explores Asian and Asian American texts from 1945 to the present that mourn the loss of those killed by U.S. empire building and militarism in the Pacific, showing how the refusal to heal from imperial violence may help generate a transformative antiracist and decolonial politics.

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In Racial Melancholia, Racial Dissociation David L. Eng and Shinhee Han draw on psychoanalytic case histories from the mid-1990s to the present to explore how first- and second-generation Asian American young adults deal with difficulties such as depression, suicide, and coming out within the larger social context of race, immigration, and sexuality.

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New Poetry from Rafael Campo

978-1-4780-0021-1After publishing five of Rafael Campo’s previous books, we are delighted to be releasing his first collection this month: Comfort Measures Only: New and Selected Poems, 1994–2016. Gathered from his long career as a poet-physician, these eighty-eight poems—thirty of which have never been previously published in a collection—pull back the curtain in the ER, laying bare our pain and joining us all in spellbinding moments of pathos. Here we share one of his new poems from the collection.

 

Invaders

She says that back in Mexico the map
of the United States that hung above
the teacher’s desk was like a floating island
impossible to reach, impossible

for any girl like her to even dream
might welcome her. She gazes now instead
above my desk, her flattened breasts a map
no more accessible, no more forgiving,

the spreading cancer numinous, one could
say even beautiful, deceptive as
that distant promise. Here just one short year,
she tells me of the landlord calling them

“invaders,” six of them who shared a room,
the only toilet down the hall. She says
she cried alone beneath the Virgin Mary,
the church the only place she knew to go,

the flickering of candles casting shadows
in shapes above her everywhere like maps
to other worlds; she says she prayed for this
to be a better world. The clinic throbs

in pain outside my door, so many dreams
deferred, so many hearts invaded by
resentment or remorse, so many seas traversed
and borders crossed. So many journeys done.

To order a copy of Comfort Measures Only for 30% off, please use coupon code E18CAMPO at checkout.