Environment

New Books in April

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Curling up on the couch with a great book is an excellent way to practice social distancing this month. All these titles will deliver before our sale ends on May 1, so check our website regularly. You can save 50% on all in-stock titles with coupon SPRING50

Tyler Bickford traces the dramatic rise of the “tween” pop music industry in Tween Pop, showing how it marshaled childishness as a key element in legitimizing children’s participation in public culture.

The contributors to Playing for Keeps examine the ways in which musical improvisation can serve as a way to negotiate violence, trauma, systemic inequality, and the aftermaths of war and colonialism. This volume is edited by Daniel Fischlin and Eric Porter.

John F. Szwed’s Space is the Place is the definitive biography of Sun Ra—composer, keyboardist, bandleader, philosopher, entrepreneur, poet, self-proclaimed extraterrestrial from Saturn, and a founder of Afrofuturism. We are pleased to be bringing this classic back into print with a new preface.

In Vital Decomposition, Kristina M. Lyons presents an ethnography of human-soil relations in which she follows state soil scientists and peasant farmers in Colombia’s Putumayo region, showing how their relationship with soil is key to caring for the forest and growing non-illicit crops in the face of violence, militarism, and environmental destruction.

Micha Rahder explores how multiple ways of knowing the forest of Guatemala’s Maya Biosphere Reserve shape conservation practice, local livelihoods, and landscapes in An Ecology of Knowledges.

In Relations, Marilyn Strathern provides a critical account of anthropology’s key concept of relation and its usage and significance in the English-speaking world, showing how its evolving use over the last three centuries reflects changing thinking about knowledge-making and kin-making.

In Virtual Pedophilia, Gillian Harkins traces the genealogy of the transformation of cultural construction of the pedophile as a social outcast into the image of normative white masculinity from the 1980s to the present, showing how his “normalcy” makes him hard to identify and stop.

In A People’s History of Detroit, Mark Jay and Philip Conklin use a Marxist framework to tell a sweeping story of Detroit from 1913 to the present, outlining the complex socio-political dynamics underlying major events in Detroit’s past, from the rise of Fordism and the formation of labor unions to deindustrialization and the city’s recent bankruptcy.

In Revolution and Disenchantment, Fadi A. Bardawil explores the hopes for and disenchantments with Marxism-Leninism in the writings and actions of revolutionary intellectuals within the 1960s Arab New Left.

In Tehrangeles Dreaming, Farzaneh Hemmasi draws on ethnographic fieldwork in Los Angeles and musical and textual analysis to examine how the pop music, music videos, and television made by Iranian expatriates express modes of Iranianness not possible in Iran.

The Lonely Letters is an epistolary blackqueer critique of the normative world in which Ashon T. Crawley meditates on the interrelation of blackqueer life, sounds of the black church, theology, mysticism, and the potential for platonic and erotic connection in a world that conspires against blackqueer life.

Drawing on Whitman and Adorno, Morton Schoolman proposes aesthetic education through film as a way to redress the political violence inflicted on difference society constructs as its racialized, gendered, Semitic, and sexualized other in A Democratic Enlightenment.

In Kwaito Bodies, Xavier Livermon examines the cultural politics of the youthful black body in South Africa through the performance, representation, and consumption of Kwaito—a style of electronic dance music that emerged following the end of apartheid.

Reflecting on the experience, philosophy, and practice of Latin American indigenous and Afro-descendant activist-intellectuals who mobilize to defend their territories from large-scale extraction, Arturo Escobar shows in Pluriversal Politics how the key to addressing planetary crises is the creation of the pluriverse—a world of many epistemological and ontological worlds.

The contributors to AIDS and the Distribution of Crises outline the myriad ways that the AIDS pandemic exists within a network of varied historical, overlapping, and ongoing crises borne of global capitalism and colonial, racialized, and gendered violence. This collection is edited by Jih-Fei Cheng, Alexandra Juhasz, and Nishant Shahani. It is currently available to read free online as part of our Navigating the Threat of Pandemic syllabus.

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New Books in March

Spring is just around the corner—so it’s time to stock up on books for a whole new season of reading. Check out all of these titles arriving in March!

In I Never Left Home, poet and revolutionary Margaret Randall tells the moving, captivating, and astonishing story of her life, from her childhood in New York to joining the Sandanista movement in Nicaragua, from escaping political repression in Mexico to raising a family and teaching college.

Demanding Images is Karen Strassler’s ethnography of Indonesia’s post-authoritarian public sphere, exploring the role of public images as they gave visual form to the ideals, aspirations, and anxieties of democracy.

Focusing on a wide range of media technologies and practices in Beijing, Underglobalization by Joshua Neves examines the cultural politics of the “fake” and how frictions between legality and legitimacy propel dominant models of economic development and political life in contemporary China.

A writing manual as well as a manifesto, Every Day I Write the Book combines novelist and essayist Amitava Kumar’s practical writing advice with interviews with prominent writers, offering guidance and inspiration for academic writers at all levels.

In Negative Exposures, Margaret Hillenbrand explores how artistic appropriations of historical images effectively articulate the openly unsayable and counter the public secrecy that erases traumatic episodes from China’s past.

The contributors to Visualizing Fascism, edited by Julia Adeney Thomas and Geoff Eley, examine the imagery and visual rhetoric of interwar fascism in East Asia, southern Africa, and Europe to explore how fascism was visualized as a global and aesthetic phenomenon.

In his new book-length prose poem, The Voice in the Headphones, musician David Grubbs draws on decades of recording experience, taking readers into the recording studio to tell the story of an unnamed musician who struggles to complete a film soundtrack in a day-long marathon recording session.

Rahul Mukherjee explores how the media coverage of and debates about nuclear power plants and cellular phone antennas in India frames and sustains environmental activism in Radiant Infrastructures.

Salomé Aguilera Skvirsky theorizes the process genre—a filmic genre characterized by its representation of chronologically ordered steps in which some form of labor results in a finished product—in The Process Genre.

In The Queer Games Avant-Garde, Bonnie Ruberg presents twenty interviews with twenty-two queer video developers whose radical, experimental, vibrant, and deeply queer work is driving a momentous shift in the medium of video games.

Ana Y. Ramos-Zayas traces how parenting practices among urban elites in Brazil and Puerto Rico preserve and reproduce white privilege and economic inequality in Parenting Empires.

In Rock | Water | Life, Lesley Green examines the interwoven realities of inequality, racism, colonialism, and environmental destruction in South Africa, calling for environmental research and governance to transition to an ecopolitical approach that could address South Africa’s history of racial oppression and environmental exploitation.

Matt Brim shifts queer studies away from sites of elite education toward poor and working-class students and locations in Poor Queer Studies, showing how the field is driven by those flagship institutions that perpetuate class and race inequity in higher education.

In Paris in the Dark, Eric Smoodin takes readers on a journey through the streets, cinemas, and theaters of Paris to sketch a comprehensive picture of French film culture during the 1930s and 1940s.

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New Books in February

This month, we’re releasing an array of new reads in all of the subjects you love. Take a look at these new books coming this February!

The concluding volume in a poetic triptych, Alexis Pauline Gumbs’s Dub: Finding Ceremony takes inspiration from theorist Sylvia Wynter, dub poetry, and ocean life to offer a catalog of possible methods for remembering, healing, listening, and living otherwise.

In Wild Blue Media, Melody Jue destabilizes terrestrial-based media theory frameworks and reorients the perception of the world by considering the ocean itself as a media environment—a place where the weight and opacity of seawater transforms how information is created, stored, transmitted, and perceived.

In The Ocean in the School, Rick Bonus tells the stories of Pacific Islander students at the University of Washington as they and their allies struggled to transform a university they believed did not value their presence into a space based on meaningfulness, respect, and multiple notions of student success.

In Orozco’s American Epic, Mary K. Coffey examines José Clemente Orozco’s mural cycle Epic of American Civilization, which indicts history as complicit in colonial violence and questions the claims of Manifest Destiny in the United States and the Mexican desire to mend the wounds of conquest in pursuit of a postcolonial national project.

Nandita Sharma traces the development of the categories of migrants and natives from the nineteenth century to the present in Home Rule to theorize how the idea of people’s rights being tied to geographical notions of belonging came to be.

In Unfixed, Jennifer Bajorek traces the relationship between photography and decolonial politics in Francophone west Africa in the years immediately leading up to and following independence from French colonial rule in 1960, showing how photography both reflected and actively contributed to social and political change.

In Are You Entertained?, a collection of essays, interviews, visual art, and artist statements on topics ranging from music and dance to Black Twitter and the NBA’s dress code, the contributors consider what culture and Blackness mean in the twenty-first century’s digital consumer economy. This volume is edited by Simone C. Drake and Dwan K. Henderson.

In Musicophilia in Mumbai, Tejaswini Niranjana traces the place of Hindustani classical music in Mumbai throughout the long twentieth century, showing how the widespread love of music throughout the city created a culture of collective listening and social subjects who embodied new forms of modernity.

Focusing on the work of a Marxist anticolonial literary group active in India between the 1930s and 1950s, Neetu Khanna rethinks the project of decolonization in The Visceral Logics of Decolonization by showing how embodied and affective responses to colonial subjugation provide the catalyst for developing revolutionary consciousness.

Contributors to Queer Korea, edited by Todd A. Henry, offer interdisciplinary analyses of non-normative sexuality and gender nonconformity in Korea, extending individualized notions of queer neoliberalism beyond those set in Western queer theory.

Drawing on Marxist phenomenology, geography, and aesthetics and film from China, Hong Kong, and Taiwan made between the 1990s and the present, Erin Y. Huang theorizes the economic, cultural, and political conditions of neoliberal postsocialist China in Urban Horror.

The contributors to Affective Trajectories examine the mutual and highly complex entwinements between religion and affect in urban Africa in the early twenty-first century, tracing the myriad ways religious ideas, practices, and materialities interact with affect to configure life in urban African spaces. This collection is edited by Hansjörg Dilger, Astrid Bochow, Marian Burchardt, and Matthew Wilhelm-Solomon.

In Naked Agency, Naminata Diabate explores how the deployment of defiant nakedness by mature women in Africa challenges longstanding assumptions about women’s political agency.

From The Guiding Light to Passions, Elana Levine traces the history of daytime television soap operas as an innovative and highly gendered mass cultural form in Her Stories.

In Seeing by Electricity, Doron Galili traces television’s early history, from the fantastical devices initially imagined fifty years before the first television prototypes to the emergence of broadcast television in the 1930s, showing how television was always discussed and treated in relation to cinema.

Jeremy Packer and Joshua Reeves provide a critical account of the history and future of automation in warfare in Killer Apps by highlighting the threats posed by the latest advances in media technology and artificial intelligence.

Originally published in German in 1978 and appearing here in English for the first time, the second volume of Peter Weiss’s three-volume novel The Aesthetics of Resistance depicts anti-fascist resistance, radical proletarian political movements, and the relationship between art and resistance from the late 1930s to World War II.

Working Together: Louis Draper and the Kamoinge Workshop by Sarah Eckhardt accompanies the exhibition of the photography of Virginia artist Louis Draper and other members of the Kamoinge Workshop that opens at the Virginia Museum of Fine Arts in February 2020. We are distributing it for the museum.

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New Books in January

If one of your resolutions for 2020 is to read more books, we’ve got you covered. Ring in the new year with these captivating new releases!

In Beneath the Surface, Lynn M. Thomas constructs a transnational history of skin lighteners in South Africa and beyond, theorizing skin and skin color as a site for antiracist struggle and lighteners as a technology of visibility that both challenges and entrenches racial and gender hierarchies.

Weaving U.S. history into the larger fabric of world history, the contributors to Crossing Empires de-exceptionalize the American empire, placing it in a global transimperial context as a way to grasp the power relations that shape imperial formations. This collection is edited by Kristin L. Hoganson and Jay Sexton.

Engaging contemporary photography by Sally Mann, Lorna Simpson, Carrie Mae Weems, and others, Shawn Michelle Smith traces how historical moments come to be known photographically and the ways in which the past continues to inhabit, punctuate, and transform the present through the photographic medium in Photographic Returns.

Spanning the centuries between pre-contact indigenous Haiti to the aftermath of the 2010 earthquake, the selections in The Haiti Reader introduce readers to Haiti’s dynamic history and culture from the viewpoint of Haitians from all walks of life. This volume is edited by Laurent Dubois, Kaiama L. Glover, Nadève Ménard, Millery Polyné, and Chantalle F. Verna.

The contributors to Futureproof (edited by D. Asher Ghertner, Hudson McFann, and Daniel M. Goldstein) examine the affective and aesthetic dimensions of security infrastructures and technology with studies ranging from Jamaica and Jakarta to Colombia and the US-Mexico border.

Examining abjection in a range of visual and material culture, the contributors to Abjection Incorporated move beyond critiques of abjection as a punitive form of social death to theorizing how it has become a means to acquire political and cultural capital in the twenty-first century. This volume is edited by Maggie Hennefeld and Nicholas Sammond.

Margaret E. Dorsey and Miguel Díaz-Barriga argue that border wall construction along the U.S.–Mexico border manifests transformations in citizenship practices that are aimed not only at keeping migrants out but also enmeshing citizens into a wider politics of exclusion in Fencing in Democracy.

In Politics of Rightful Killing, Sima Shakhsari analyzes the growth of Weblogistan—the online and real-life transnational network of Iranian bloggers in the early 2000s—and the ways in which despite being an effective venue for Iranians to pursue their political agendas, it was the site for surveillance, cooptation, and self-governance.

In Invisibility by Design, Gabriella Lukács traces how young Japanese women’s unpaid labor as bloggers, net idols, “girly” photographers, online traders, and cell phone novelists was central to the development of Japan’s digital economy in the 1990s and 2000s.

Presented in the context of the nonprofit arts collective More Art’s fifteen-year history, and featuring first-person testimony, critical essays, and in-depth documentary materials, More Art in the Public Eye is an essential, experiential guide to the field of socially engaged public art and its increasing relevance. This volume is edited by Micaela Martegani, Jeff Kasper, and Emma Drew, and we are distributing it for More Art.

Shana L. Redmond traces Paul Robeson’s continuing cultural resonances in popular culture and politics in Everything Man, showing how he remains a vital force and presence for all those he inspired.

In The Complete Lives of Camp People, Rudolf Mrázek presents a sweeping study of the material and cultural lives of internees of two twentieth-century concentration camps and the multiple ways in which their experiences speak to and reveal the fundamental logics of modernity.

In Avian Reservoirs, Frédéric Keck traces how the anticipation of bird flu pandemics has changed relations between birds and humans in Hong Kong, Singapore, and Taiwan, showing that humans’ reliance on birds is key to mitigating future pandemics.

Collecting texts from all corners of the world that span antiquity to the present, The Ocean Reader (edited by Eric Paul Roorda) charts humans’ relationship to the ocean, treating it as a dynamic site of history, culture, and politics.

The contributors to Blue Legalities attend to the seas as a legally and politically conflicted space to analyze the conflicts that emerge where systems of governance interact with complex geophysical, ecological, economic, biological, and technological processes. This collection is edited by Irus Braverman and Elizabeth R. Johnson.

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University Press Week: How to Be an Environmental Steward

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Welcome to Day 3 of the University Press Week blog tour. Today’s theme is How to Be an Environmental Steward. We asked some of our authors to answer the question,“What is one thing that more people need to understand about the current global climate crisis?”

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Orrin Pilkey, James B. Duke Professor Emeritus of Geology at Duke University and co-author of Sea-Level Rise: A Slow Tsunami on America’s Shores

Much of the CO2 we are putting in the air now will be with us for many years. If we don’t control and lower CO2 emissions within the next 2 decades, climate change will be become a runaway event causing massive global migration, wars over water and migration patterns, critical sea level rise impacts and important, perhaps devastating changes in food sources. The time for action is now.

0Shawna Ross, Assistant Professor of Modern British Literature and the Digital Humanities at Texas A&M University and author of “Teaching in Stormy Weather” (Pedagogy, vol. 19, issue 3)

“Climate change” is a loose and baggy monster of a word, as Henry James might put it. It should not be understood as a single phenomenon, but as a multifaceted problem that manifests in ways that differ profoundly depending on where you are on the globe. We all experience climate change in a local way, and our efforts to combat it must include careful attention to these local conditions.

Bethany Allen, studio portraitsTeena Gabrielson, Professor of Political Science at the University of Wyoming and author of “The Visual Politics of Environmental Justice” (Environmental Humanities vol. 11, issue 1)

In a visually saturated global culture, images are powerful means of communication. Today, there is growing awareness that those hit first and hardest by the escalating climate emergency disproportionately come from the world’s most marginalized communities. To envision a more just and green future and create a more inclusive climate justice movement, we need a better understanding of the visual politics that shape the depiction of environmental injustice and visual strategies that disrupt and resist ways of seeing entrenched in dominant power hierarchies.

cymene-howeCymene Howe, Associate Professor of Anthropology at Rice University and author of Ecologics: Wind and Power in the Anthropocene

We need to understand that it is imperative to immediately transition away from fossil fuels and create a new, global energy infrastructure for a sustainable future. This is an incredible opportunity because we can learn from our past mistakes—where hydrocarbon extraction has led to both environmental destruction and social inequalities. We now have a chance to do it right. What if we were to see new energy sources—such as solar, wind and biofuels—as not only fuels but as the foundation for new political forms that are committed to environmental justice rather than the petrologics of endless growth and resource exploitation?

0Nicole Welk-Joerger, PhD candidate in the History and Sociology of Science at the University of Pennsylvania and author of “Restoring Eden in the Amish Anthropocene” (Environmental Humanities vol. 11, issue 1)

As we approach this global dilemma, many of us place unreasonably high expectations on farmers and farm workers. They need to adapt to our changing tastes and continue to provide us with cheap and convenient food, all while mitigating their own contributions to the climate crisis. Our chance for a sustainable future relies on the recognition that food production and consumption are only one part of a much larger, interdependent system of questionable practices. The transportation and energy industries need to feel the same weight of blame and the necessity to adapt that many of the world’s farmers currently experience.

dominc-boyerDominic Boyer, Professor of Anthropoogy at Rice University and author of Energopolitics: Wind and Power in the Anthropocene.

There is no way to bend our current ecocidal trajectory through individual actions. If you want to fly less or recycle more, those are great choices, but they won’t impact climate change. Individual consumption is simply the wrong scale of intervention. And the petrocultural powers that be want you to feel guilty and complicit. The fact is that all that matters where we are now in the neo-Pliocene is coordinated governmental initiatives aimed at developing the infrastructure of a post-growth global civilization committed to values of sustainability, peace and justice. If you want to help, my advice would be to take your guilt and fear and redirect those emotions toward principled passionate work to develop responsible and effective government. Maybe that’s government of a liberal-democratic nature or maybe it’s in the form of a non-state collective. If you can’t find political leadership worthy of your support, become that leader yourself. The world will thank you for it.

CallisonCandis Callison is Associate Professor in the Graduate School of Journalism and in the Institute for Critical Indigenous Studies at the University of British Columbia. She is the author of How Climate Change Comes to Matter: The Communal Life of Facts.

How we define and think about climate change has changed immensely in the last 30 years, and we’re currently in the midst of a window of time (until 2030) defined by the Intergovernmental Panel on Climate Change (IPCC) to act (i.e. change infrastructure to decrease emissions) in order to limit long term impacts and the increase in global temperature. This is what defines climate change as a global crisis, but that shouldn’t also foreclose on questions about what kind of crisis it is, for whom, and who has a seat at the table where decisions about how to act (and when) are being made.  Many Indigenous communities, globally are already dealing with climate change impacts, yet diverse Indigenous knowledges, experiences, and histories that could offer profound insight into the climate crisis are often not at the table where decisions are being made—limiting the frameworks within which the climate crisis is considered and addressed.

Please continue on the blog tour by visiting the other university presses participating today. At University of Pittsburgh Press, author Patricia Demarco writes about global and local sustainability. Columbia University Press features a guest post from the author of Live Sustainably Now with tips to decreasing your carbon footprint. University of California Press offers a post by the author of forthcoming book A Field Guide to Climate Anxiety: How to Keep Your Cool on a Warming Planet. Head to Yale University Press for a post with actionable steps on helping the environment and to University of South Carolina Press for photos from the authors of Carolina Bays about preservation of these unique ecological systems. Bucknell University Press offers a post by Tim Wenzell, editor of Woven Shades of Green: An Anthology of Irish Nature Writing on why ecocriticism makes us better stewards of nature. At Oregon State University Press, Marcy Cottrell Houle discusses her new book, A Generous Nature: Lives Transformed by Oregon. University of Minnesota Press shares a post by Jennifer Telesca on the managed extinction of the giant bluefin tuna. University of Mississippi Press features author Jessica H. Schexnayder, whose work documents the dying histories of coastal communities. And University of Toronto Press has a post by sales rep Alex Keys, discussing the ways in which he is able to merge his job with his desire to be a better steward for the environment.

New Books in November

This month, we’re offering a cornucopia of fresh titles in anthropology, media studies, sociology, history, native and indigenous studies, and more. Take a look at all of these exciting new books available in November!

978-1-4780-0649-7_prWhat does it mean to be a decolonial tourist? We are excited to present our first travel guide book,  Detours, edited by Hokulani K. Aikau and Vernadette Vicuna Gonzalez.  In the book artists, activists, and scholars redirect readers from the fantasy of Hawai‘i as a tropical paradise and tourist destination toward a multilayered and holistic engagement with Hawai‘i’s culture, complex history, and the effects of colonialism. We’ll have lots of copies at the American Studies Association meeting in Honolulu later this month.

Mark Goodale’s ethnographic study of Bolivian politics and society between 2006 and 2015, A Revolution in Fragments, reveals the fragmentary and contested nature of the country’s radical experiments in pluralism, ethnic politics, and socioeconomic planning.colonialism.

In The Politics of Taste Ana María Reyes examines how the polarizing art of Beatriz González disrupted Cold War aesthetic discourses and the politics of class and modernization in 1960s Colombia.

Nicholas D’Avella offers an ethnographic reflection on the value of buildings in post-crisis Buenos Aires in Concrete Dreams, showing how everyday practices transform buildings into politically, economically, and socially consequential objects, and arguing that such local forms of value and practice suggest possibilities for building better futures.

In his engaging and moving book, Honeypot, E. Patrick Johnson combines magical realism, poetry, and performative writing to bear witness to the real-life stories of black southern queer women in ways that reveal the complexity of identity and the challenges these women face. Johnson is on a book tour for Honeypot. Look for a post later this month with all the dates.

In Trans Exploits Jian Neo Chen examines how contemporary trans of color artists are tracking and resisting their displacement and social marginalization through new forms of cultural expression, performance, and activism.

 

In Punctuations Michael J. Shapiro examines how the use of punctuation—conceived not as a series of marks but as a metaphor for the ways in which artistic genres engage with intelligibility—in art opens pathways for thinking through the possibilities for oppositional politics.

In a meditation on loss, inheritance, and survival, The Unspoken as Heritage, renowned historian Harry Harootunian explores the Armenian genocide’s multigenerational afterlives that remain at the heart of the Armenian diaspora by sketching the everyday lives of his parents, who escaped the genocide in the 1910s.

Tyler Denmead critically examines his role as the founder of New Urban Arts—a nonprofit arts program for young people of color in Providence, Rhode Island—and how despite its success, it unintentionally contributed to Providence’s urban renewal efforts, gentrification, and the displacement of people of color in The Creative Underclass.

Kamari Maxine Clarke explores the African Union’s pushback against the International Criminal Court in order to theorize affect’s role in shaping forms of justice in Affective Justice.

In Before the Flood, Jacob Blanc examines the creation of the Itaipu Dam—the largest producer of hydroelectric power in the world—on the Brazil–Paraguay border during the 1970s and 1980s to explore the long-standing conflicts around land, rights, indigeneity, and identity in rural Brazil.

In Screening Race in American Nontheatrical Film, edited by Allyson Nadia Field and Marsha Gordon, the contributors examine the place and role of race in educational films, home movies, industry and government films, anthropological films, church films, and other forms of noncommercial filmmaking throughout the twentieth century.

Deborah A. Thomas uses the 2010 military and police incursion into the Kingston, Jamaica, Tivoli Gardens neighborhood as a point of departure for theorizing the roots of contemporary state violence in Jamaica and other post-plantation societies in Political Life in the Wake of the Plantation.

In Progressive Dystopia Savannah Shange traces the afterlives of slavery as lived in a progressive high school set in post-gentrification San Francisco, showing how despite the school’s sincere antiracism activism, it unintentionally perpetuated antiblackness through various practices.

In Sacred Men Keith L. Camacho examines the U.S. Navy’s war crimes tribunal in Guam between 1944 and 1949 which tried members of Guam’s indigenous Chamorro community and Japanese nationals and its role in shaping contemporary domestic and international laws regarding combatants, jurisdiction, and property.

Maile Arvin analyzes the history of racialization of Polynesians within the context of settler colonialism across Polynesia, especially in Hawai‘i, arguing that a logic of possession through whiteness animates European and Hawaiian settler colonialism in Possessing Polynesians.

978-1-4780-0621-3_prIn his experimental ethnography, Ethnography #9, Alan Klima examines moneylending, gambling, funeral casinos, and the consultations of spirits and mediums to predict winning lottery numbers to illustrate the relationship between contemporary Thai spiritual and financial practices and global capitalism’s abstraction of monetary value.

In Biogenetic Paradoxes of the Nation, Sakari Tamminen traces the ways in which the mandates of 1992’s Convention on Biological Diversity—hailed as the key symbol of a common vision for saving Earth’s biodiversity—contribute less to biodiversity conservation than to individual nations using genetic resources for economic and cultural gain.

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New Books in September

Summer’s almost over, which means it’s time to start to replenishing your reading list! Celebrate the start of a new academic year with us by checking out this diverse array of books arriving in September.

Acknowledging the impending worldwide catastrophe of rising seas in the twenty-first century, Orrin H. Pilkey and Keith C. Pilkey outline the impacts on the United States’ shoreline and argue that the only feasible response along much of the U.S. shoreline is an immediate and managed retreat in Sea Level Rise.

Brenda R. Weber’s Latter-day Screens examines the ways in which the mediation of Mormonism through film, TV, blogs, YouTube videos, and memoirs functions as a means through which to understand conversations surrounding gender, sexuality, spirituality, capitalism, justice, and individualism in the United States.

Self-Devouring Growth by Julie Livingston shows how the global pursuit of economic and resource-driven growth comes at the expense of catastrophic destruction, thereby upending popular notions that economic growth and development is necessary for improving a community’s wellbeing.

In Under Construction, Daniel Mains explores the intersection of infrastructural development and governance in contemporary Ethiopia by examining the conflicts surrounding the construction of specific infrastructural technologies and how that construction impacts the daily lives of Ethiopians.

Elizabeth Freeman’s Beside You in Time expands bipolitical and queer theory by outlining a temporal view of the long nineteenth century and showing how time became a social and sensory means by which people resisted disciplinary regimes and assembled into groups in ways that created new forms of sociality.

Terry Smith—who is widely recognized as one of the world’s leading historians and theorists of contemporary art—traces the emergence of contemporary art and further develops his concept of contemporaneity in Art to Come through analyses of topics ranging from Chinese and Australian Indigenous art to architecture.

Henry Cow by Benjamin Piekut tells the story of the English experimental rock band Henry Cow and how it linked its improvisational musical aesthetic with a collectivist, progressive politics.

Davina Cooper’s Feeling Like a State explores the unexpected contribution a legal drama of withdrawal—as exemplified by some conservative Christians who deny people inclusion, goods, and services to LGBTQ individuals—might make to conceptualizing a more socially just, participative state.

In Making The Black Jacobins, Rachel Douglas traces the genesis, transformation, and afterlives of the different versions of C. L. R. James’s landmark The Black Jacobins across the decades from the 1930s onwards, showing how James revised it in light of his evolving politics.

William E. Connolly links climate change, fascism, and the nature of truth to demonstrate the profound implications of the deep imbrication between planetary nonhuman processes and cultural developments in Climate Machines, Fascist Drives, and Truth.

Cara New Daggett’s The Birth of Energy traces the genealogy of the idea of energy from the Industrial Revolution to the present, showing how it has informed fossil fuel imperialism, the governance of work, and our relationship to the Earth.

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New Books in August

Our Fall 2019 season is off to a phenomenal start with a diverse range of titles in Theory and Philosophy, African American Studies, Native and Indigenous Studies, and more. Take a look at all of these great new books coming in August!

Intersectionality as Critical Social Theory by Patricia Hill Collins

Intersectionality as Critical Social Theory by Patricia Hill Collins offers a set of analytical tools for those wishing to develop intersectionality’s capability to theorize social inequality in ways that would facilitate social change.

In Animate Literacies, Nathan Snaza proposes a new theory of literature and literacy in which he outlines how literacy operates at the interface of humans, nonhuman animals, and objects and has been used as a means to define the human in ways that marginalize others.

Fictions of Land and Flesh by Mark Rifkin

Mark Rifkin’s Fictions of Land and Flesh turns to black and indigenous speculative fiction to show how it offers a site to better understand black and indigenous political movements’ differing orientations in ways that can foster forms of mutual engagement and cooperation without subsuming them into a single political framework in the name of solidarity.

In The Black Shoals Tiffany Lethabo King uses the shoal—an offshore geologic formation that is neither land nor sea—as metaphor, mode of critique, and methodology to theorize the encounter between Black studies and Native studies and its potential to create new epistemologies, forms of practice, and lines of critical inquiry.

Savage Ecology by Jairus Victor Grove

Jairus Victor Grove’s Savage Ecology offers an ecological theorization of geopolitics in which he contends that contemporary global crises are better understood when considered within the larger history of geopolitical practice, showing how political violence is the principal force behind climate change, mass extinction, slavery, genocide, extractive capitalism, and other catastrophes. Watch the trailer for the book here.

In How to Make Art at the End of the World Natalie Loveless examines the institutionalization of artistic research-creation—a scholarly activity that considers art practices as research methods in their own right—and its significance to North American higher education.

Wages Against Artwork Leigh Claire La Berge’s Wages Against Artwork shows how socially engaged art responds to and critiques what she calls decommodified labor—the slow diminishment of wages alongside an increase of demands of work—as a way to work toward social justice and economic equality.

In Sounds of Vacation, edited by Jocelyne Guilbault and Timothy Rommen, the contributors examine the commodification of music and sound at popular vacation destinations throughout the Caribbean in order to tease out the relationships between political economy, hospitality, and the legacies of slavery and colonialism. 

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New Books in July

Our Spring 2019 season may be drawing to a close, but we’ve got some exciting new titles this month to help keep your summer reading in full swing. Check out our new releases for July!

HoweBoyerTogetherCymene Howe and Dominic Boyer have written a duograph subtitled “Wind and Power in the Anthropocene.” In Ecologics, Cymene Howe traces the complex relationships between humans, nonhuman beings and objects, and geophysical forces that shaped the Mareña Renovables project in Oaxaca, Mexico, which had it been completed, would have been Latin America’s largest wind power installation. In Energopolitics, Dominic Boyer examines the politics of wind power and how it is shaped by myriad factors—from the legacies of settler colonialism and indigenous resistance to state bureaucracy and corporate investment—while outlining the fundamental impact of energy and fuel on political power. The two books can be read together or separately and are available for purchase as a set at a special price.

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In Blood Work, Janet Carsten traces the multiple meanings of blood as it moves from donors to labs, hospitals, and patients in Penang, Malaysia, showing how those meanings provide a gateway to understanding the social, political, and cultural dynamics of modern life.

Leah Zani considers how the people and landscape of Laos have been shaped and haunted by the physical remains of unexploded ordnance from the CIA’s Secret War in Bomb Children.

Florence Bernault retells the colonial and postcolonial history of present-day Gabon from the late nineteenth century to the present in Colonial Transactions, showing how colonialism shaped French and Gabonese obsessions about fetish, witchcraft, and organ trafficking for ritual murders.

978-1-4780-0467-7_prIn The Uncaring, Intricate Worldedited by Todd Meyers, anthropologist Pamela Reynolds shares her fieldwork diary from her time spent in Zimbabwe’s Zambezi valley during the 1980s, in which she recounts the difficulties, pleasures, and contradictions of studying the daily lives of the Tonga people three decades after their forced displacement.

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Out to Sea: A Guest Post by Hester Blum

IMG_5866.JPGHester Blum, Associate Professor of English at Pennsylvania State University, reflects on detritus, ocean-bound ephemera, and being swept out to sea by a rogue wave. Her new book, The News at the Ends of the Earth, examines the rich, offbeat collection of printed ephemera created by nineteenth- and early twentieth-century polar explorers as they wrestled with questions of time, space, and community.

I was swept to sea by a rogue wave the day after I first held a copy of my new book. Both incidents were unexpected.

I was in California for an event on women and the polar regions, speaking along with a poet/polar naturalist, an artist/deep sea researcher, and a full-time polar explorer. I didn’t expect to receive copies of my new book for another couple of weeks. As my talk slides were being loaded in the auditorium on UC Davis’s Polar Day I saw with surprise that a university bookstore representative was setting up stacks of my book next to the poet’s and the explorer’s latest volumes. The copies had been shipped directly from the printer—the press did not even have their own copies yet, the bookstore rep told me. I was beside myself with delight and surprise, and asked the explorer take a picture of me hoisting it, smiling so broadly my eyes crinkled nearly shut.

The News at the Ends of the Earth: The Print Culture of Polar Exploration studies the newspapers and other printed ephemera that polar-voyaging sailors produced in environmental extremity, in oceanic circulation, at the margins of the terraqueous world. All of my academic writing and a good portion of my day-to-day thinking is about the ocean, even though I am no sailor. After the polar event I unexpectedly found myself with free time, and rented a car to drive to the Sonoma coast north of Marin County. What better way, I thought, to reflect on the years the polar book had taken me to research and write than to commune with the sea and the nonhuman world on a rocky coast. I took my binoculars (I am new to birding, with the zeal of the convert) and a change of clothes in case it rained on me.

I drove out of the flat, rectilinear agriscape of the Central Valley and through electric green hills topped with tors and resembling the English moors. When I reached Highway 1, the storied California coastal road, I stopped for a lunch of fries and oysters, briny and bracing. After Bodega Bay the highway hits the sea, and I saw breakers for the first time on the drive. I planned to spend the day driving slowly north, stopping at beaches along the way to look at birds, walk, possibly write a little, maybe even see seals. I stopped first at North Salmon Creek Beach to try to spot the snowy plovers that nest on the beach. I took off my sneakers at the bottom of the steps leading down from the parking lot on the cliff, and tucked them behind some driftwood on dry sand.

IMG_5913.jpegThe Sonoma State Beaches are rocky and variable. The estuary at the mouth of Salmon Creek was alternately calm and afroth. Down the beach, visitors had built driftwood structures on wider spits of sand. Where the coastal cliffs jutted farther out the sand was only a few feet wide. My head was down, beachcoming above the waterline, when an unseen tidal surge drenched my leggings, which I didn’t want to get wet. Eyes on the water, I told myself, you know better than to turn your back on the sea. I picked up a palm-sized bit of driftwood, shaped marvelously like a sand dune in its ridges, whorls, and shifting peaks.

IMG_0022.JPGThe surf was rough, insistent, foaming. I walked back toward the estuary and the parking lot so I could continue my drive up the coast—I’d only really just begun, and could see that farther north the rocks and surf were even larger and more dramatic. At the base of the stairs to the lot, near where I had stashed my sneakers, I stopped to look at the birds settling on the estuary’s sand banks. There were a number of different kinds of gulls, and I wasn’t sure if I was observing the snowy plover as well. I walked a few feet down the beach, amid more rocks, and stood with my binoculars to my eyes, a dorsal turn away from the sea, on a stretch of sand well above the waterline.

Without warning the sea was suddenly up to my thighs, my waist, my chest. Later a man told me that he was screaming at me to look out, but I did not hear him. I struggled to keep my feet but the water churned and rose and was soon well over my head, maybe ten feet high, carrying me away down the beach and smashing into the rocks at a terrible pace. I tried to keep feet first, not let my head tip forward. Again and again I hit jagged rocks, no smooth edges of erosion, no driftwood softness. The water roiled with debris, brown and dirty and filled with wood and oceanic detritus. It carried me down the beach and started pulling me into the mouth of Salmon Creek. Only later did I realize how lucky it was to be pulled in (even if against rocks) rather than out, as by a riptide. I swallowed sand and kept clutching for the binoculars that were harnessed to my back. After what felt like a very long time I was able to touch the bottom again, even though the sea kept me from getting a foothold. I could see a number of men scrambling down the cliffside toward me, waving their arms.

I staggered out of the water, finally, as the surge started to recede. I was 50, maybe 100 yards down the beach from where I had stood. Three men met me and held me up, kept asking if I was okay. “That was so stupid, that was so stupid, that was so scary, I should know better” I kept repeating at them. I was embarrassed to have been swept away. “Can you walk?” one asked me and I looked down and saw that my feet were lacerated and bleeding from a number of places. Yes, I could walk. I felt numb, no pain. I felt for my pockets, made sure my keys were still there. I moved toward where I had left my sneakers and did not see them. My ears were packed with sand. I could not open a passage. Where were my shoes? One shoe was down the beach against the cliff face. No sign of the other. I sat on a log, then stood. I spotted my other sneaker hooked on a piece of driftwood. I wanted to get off the beach before another surge found me.

I started a slow, dripping pace up the railroad tie steps. People just arriving looked at me with concern. A man at the top of the steps offered me water to rinse my cuts and I told him that I had some. He said he was a surfer and had been watching the water to see if it was too rough to go out—that the waves were 10 to 16 feet that day, and that the surge when the outer waves met the estuary was very unpredictable. He was the one that had screamed out to me when the rogue wave came in. Later I read that the spot is known for attracting distant groundswells and for its “meaty beachbreak.”

I wanted to get to the car and put on the dry jeans and t-shirt I had brought. I was astonished by the amount of sand on me, in my clothes. The wave that swept me away must have consisted of more sand than water. It was as if I had poured buckets full of wet sand down my shirt, my pants. I stripped to the skin standing in the parking lot. I couldn’t get the sand off. I shuffled into my pants and rolled them high above my battered feet. I still didn’t feel the cuts or the bruises already purpling my ankles and toes. I poured water on my cuts and drove barefoot to a convenience store to get first aid supplies. I hobbled across a parking lot of sharp gravel without my shoes. Looking down at the blood I was treading on the store floor, a woman told me to go to the fire department and see a paramedic. At the fire department I was confused and instead of ringing the bell I used the emergency call box, which called 911 and routed me to the dispatcher. I had a hard time explaining that I was standing outside a fire department and just wanted to be let in.

My phone was dead, of course, cracked and flush with salt and sand. It is very hard to be in a strange place without a smartphone. I thought about driving straight back to Davis, over two hours away. I was compelled instead to go a little farther up Highway 1 to find a café or a place to sit and recover. Ten miles north of the beach that beached me I saw hundreds of baby harbor seals on a long spit of black sand, rolling and slapping and raising their heads and tails while lying sideways, as if they were gray-speckled croissants. The surf rolled over them without incident. I watched the seals for a while through my binoculars, now blurry impossible to adjust, its moving parts packed with sand. I then drove back toward Davis, navigating blind, until I hit a familiar highway.


The book I newly held in my hand the day before being taken up by the sea is about ephemera, detritus, the forms of communicative media that polar explorers created for their own amusement and in order to document the inner lives of their expeditions. These materials, which I call polar ecomedia, also document the inner life of climate extremity. Polar ecomedia includes comic shipboard newspapers, playbills, and mock-formal menus, printed and passed around by fellow shipmates trapped in the ice of Arctic and Antarctic winters. These bits of expeditionary social media haven’t registered within popular histories of polar exploration in part because of their transitory nature—they are rare, fragmentary, satirical. Polar sailors used them as ways to pass and mark time and entertain themselves. And as I argue in The News at the Ends of the Earth, polar ecomedia also are means to reckon with the ephemerality of human life in climate extremity.

Polar exploration is no joke, whether in the nineteenth century or today. Arctic travel is scarcely more safe now than in Sir John Franklin’s time. I know this, and not just from my research on the new book—an Arctic expedition I’m slated to join in July has been postponed two summers in a row for reasons that echo historic expeditionary challenges. (Last year’s ship ran aground in the Gulf of Boothia; you may have also read the news recently about a Norwegian cruise ship that had to be evacuated in stormy seas.) And the ocean, above all, is no joke—I know this too. How could I have washed out so easily? I thought vaguely that this was a punishment for the luxury of a day all to myself on the coast. Or the inevitable letdown after the rush of seeing my book in print and spending the afternoon with ego-ideal polar women.

image1.jpegMy phone is now trash, although I still have the piece of driftwood I picked up in Sonoma, seaside detritus. It was only a few days after a windstorm in central Pennsylvania (where I live) had brought a very large branch down in our backyard. The branch fell perpendicularly to the ground, and the force of its impact drove a six-foot length of wood into the yard, erect as a hurled lightning bolt. My husband wanted to cut it up with the other downed branches for firewood, but I asked him to leave it in place, embedded, as a plinth. Itself storm detritus, the branch lance spared our family, safely inside as it fell.

Not until the next day, writing this, did I realize I had lost my hat to the sea, an orange hat with a whale on it. It was from Channel Islands National Park, where I had traveled last year—for research, alone, to commune with the sea, and to think and write about “female Robinson Crusoes,” women who are castaway.

Save 30% on Hester Blum’s The News at the Ends of the Earth with coupon code E19BLUM.