Fiction and Poetry

New Books in November

This month, we’re offering a cornucopia of fresh titles in anthropology, media studies, sociology, history, native and indigenous studies, and more. Take a look at all of these exciting new books available in November!

978-1-4780-0649-7_prWhat does it mean to be a decolonial tourist? We are excited to present our first travel guide book,  Detours, edited by Hokulani K. Aikau and Vernadette Vicuna Gonzalez.  In the book artists, activists, and scholars redirect readers from the fantasy of Hawai‘i as a tropical paradise and tourist destination toward a multilayered and holistic engagement with Hawai‘i’s culture, complex history, and the effects of colonialism. We’ll have lots of copies at the American Studies Association meeting in Honolulu later this month.

Mark Goodale’s ethnographic study of Bolivian politics and society between 2006 and 2015, A Revolution in Fragments, reveals the fragmentary and contested nature of the country’s radical experiments in pluralism, ethnic politics, and socioeconomic planning.colonialism.

In The Politics of Taste Ana María Reyes examines how the polarizing art of Beatriz González disrupted Cold War aesthetic discourses and the politics of class and modernization in 1960s Colombia.

Nicholas D’Avella offers an ethnographic reflection on the value of buildings in post-crisis Buenos Aires in Concrete Dreams, showing how everyday practices transform buildings into politically, economically, and socially consequential objects, and arguing that such local forms of value and practice suggest possibilities for building better futures.

In his engaging and moving book, Honeypot, E. Patrick Johnson combines magical realism, poetry, and performative writing to bear witness to the real-life stories of black southern queer women in ways that reveal the complexity of identity and the challenges these women face. Johnson is on a book tour for Honeypot. Look for a post later this month with all the dates.

In Trans Exploits Jian Neo Chen examines how contemporary trans of color artists are tracking and resisting their displacement and social marginalization through new forms of cultural expression, performance, and activism.

 

In Punctuations Michael J. Shapiro examines how the use of punctuation—conceived not as a series of marks but as a metaphor for the ways in which artistic genres engage with intelligibility—in art opens pathways for thinking through the possibilities for oppositional politics.

In a meditation on loss, inheritance, and survival, The Unspoken as Heritage, renowned historian Harry Harootunian explores the Armenian genocide’s multigenerational afterlives that remain at the heart of the Armenian diaspora by sketching the everyday lives of his parents, who escaped the genocide in the 1910s.

Tyler Denmead critically examines his role as the founder of New Urban Arts—a nonprofit arts program for young people of color in Providence, Rhode Island—and how despite its success, it unintentionally contributed to Providence’s urban renewal efforts, gentrification, and the displacement of people of color in The Creative Underclass.

Kamari Maxine Clarke explores the African Union’s pushback against the International Criminal Court in order to theorize affect’s role in shaping forms of justice in Affective Justice.

In Before the Flood, Jacob Blanc examines the creation of the Itaipu Dam—the largest producer of hydroelectric power in the world—on the Brazil–Paraguay border during the 1970s and 1980s to explore the long-standing conflicts around land, rights, indigeneity, and identity in rural Brazil.

In Screening Race in American Nontheatrical Film, edited by Allyson Nadia Field and Marsha Gordon, the contributors examine the place and role of race in educational films, home movies, industry and government films, anthropological films, church films, and other forms of noncommercial filmmaking throughout the twentieth century.

Deborah A. Thomas uses the 2010 military and police incursion into the Kingston, Jamaica, Tivoli Gardens neighborhood as a point of departure for theorizing the roots of contemporary state violence in Jamaica and other post-plantation societies in Political Life in the Wake of the Plantation.

In Progressive Dystopia Savannah Shange traces the afterlives of slavery as lived in a progressive high school set in post-gentrification San Francisco, showing how despite the school’s sincere antiracism activism, it unintentionally perpetuated antiblackness through various practices.

In Sacred Men Keith L. Camacho examines the U.S. Navy’s war crimes tribunal in Guam between 1944 and 1949 which tried members of Guam’s indigenous Chamorro community and Japanese nationals and its role in shaping contemporary domestic and international laws regarding combatants, jurisdiction, and property.

Maile Arvin analyzes the history of racialization of Polynesians within the context of settler colonialism across Polynesia, especially in Hawai‘i, arguing that a logic of possession through whiteness animates European and Hawaiian settler colonialism in Possessing Polynesians.

978-1-4780-0621-3_prIn his experimental ethnography, Ethnography #9, Alan Klima examines moneylending, gambling, funeral casinos, and the consultations of spirits and mediums to predict winning lottery numbers to illustrate the relationship between contemporary Thai spiritual and financial practices and global capitalism’s abstraction of monetary value.

In Biogenetic Paradoxes of the Nation, Sakari Tamminen traces the ways in which the mandates of 1992’s Convention on Biological Diversity—hailed as the key symbol of a common vision for saving Earth’s biodiversity—contribute less to biodiversity conservation than to individual nations using genetic resources for economic and cultural gain.

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Give the Gift of Books

It’s Black Friday, but instead of heading to the mall, why don’t you simplify your life by giving books to everyone on your shopping list? We suggest a few great gift books below. They’re available for 30% off on our website with coupon code SAVE30, or head to your local independent bookstore tomorrow and #shoplocal on Small Business Saturday instead!

Baldwin_REV_jacket_frontWant to introduce a child in your life to James Baldwin? Pick up a copy of his only children’s book, Little Man, Little Man. Originally published in 1976 and quickly out of print, we have brought the book back in a beautiful new edition. School Library Journal calls it “a new classic.” Publishers Weekly says, “Through luminous prose and fine observation, readers come to care deeply about TJ and his friends, and they’ll wish their story didn’t end so soon.” Adults will also enjoy the story and the lovely illustrations by French watercolorist Yoran Cazac. Baldwin fans may also want to check out Me and My House: James Baldwin’s Last Decade in France by Magdalena J. Zaborowska. This richly illustrated book takes readers into Baldwin’s home and uses the space as a lens through which to expand his biography and explore the politics and poetics of blackness, queerness, and domesticity in his complex and underappreciated later works.

We have a number of suggestions for the poetry lovers in Gunslinger-50your life. Dionne Brand’s The Blue Clerk: Ars Poetica in 59 Versos will appeal to readers of Derek Walcott and Claudia Rankine. Through these essay poems, Brand explores memory, language, culture, and time while intimately interrogating the act and difficulty of writing, the relationship between the poet and the world, and the link between author and art. We also recommend Comfort Measures Only, a collection of selected poems by physician Rafael Campo. A&U Magazine calls it “a powerful collection of this masterful poet’s work,” and the Bay Area Reporter says, “Fans of Campo’s work will find much to savor in this treasury from a physician with his heart in all the right places.” This year we also released a special Fiftieth Anniversary Edition of Edward Dorn’s classic poem Gunslinger. In a new foreword Marjorie Perloff discusses Gunslinger‘s continued relevance to contemporary politics. This new edition also includes a critical essay by Michael Davidson and Charles Olson’s idiosyncratic “Bibliography on America for Ed Dorn,” which he wrote to provide guidance for Dorn’s study of, and writing about, the American West.

978-1-4780-0129-4If you’re interested in the history of gay and lesbian activism, check out two memoirs and a biography we put out this year. In Exile within Exiles, James N. Green examines the life of Herbert Daniel, a Brazilian activist for gay rights, feminism, and environmentalism, who fought for social justice both in Brazil and from exile in Europe from the mid-1960s until his death in 1992. Historian Martin Duberman was also an activist for LGBT rights, and his memoir The Rest of It chronicles a time in his life when he was both extremely productive in his scholarly and activist work while also suffering from depression, addiction, and other health problems. In My Butch Career, anthropologist Esther Newton tells her life story from childhood to age forty, when a lifetime of struggle against sexism and LBGT discrimination finally brought her professional success.

Got music lovers in your life? Why not give them Is It Still Good to Ya?, a collection of rock critic Robert Christgau’s best writing from his fifty-year career.  Kirkus Reviews writes, “At a moment when music criticism seems less empowered for being more fragmented, Christgau still offers an informed, authoritative perspective, self-aware regarding cultural aging and mortality, not stodgy but wry. A vital chronicler of rock’s story, several decades on.”

Someone to Talk ToTwo recent novels in translation would make great gifts for lovers of literature. Someone to Talk To is by one of China’s most respected novelists, Liu Zhenyun. Library Journal says, “”Dense with dozens of interwoven narratives of living through pre- and post-Mao China, Liu’s scathing and illuminating tome is highly recommended for internationally savvy fans of Mo Yan, Yu Hua, and Yan Lianke.” Or try a historical novel that still resonates today: Published in 1924 and widely acknowledged as a major work of twentieth-century Latin American literature, José Eustasio Rivera’s The Vortex follows the harrowing adventures of the young poet Arturo Cova and his lover Alicia as they flee Bogotá and head into the wild and woolly backcountry of Colombia. “Ironically, the environmentalist concerns he addressed are as timely as ever,” says Ilan Stavans.

We hope some of these great books will make it onto your holiday shopping list. Order by December 1 using coupon code SAVE30 and domestic orders will definitely make it to you before Christmas. Or head to your local bookstore and buy or order these great books from them.

 

 

James Baldwin’s Little Man, Little Man

Baldwin_REV_jacket_frontToday is the official publication date for the republication of James Baldwin’s only children’s book Little Man, Little Man: A Story of Childhood.  Little Man, Little Man celebrates and explores the challenges and joys of black childhood. Now available for the first time in forty years, this new edition of Little Man, Little Man—which retains the charming original illustrations by French artist Yoran Cazac—includes a foreword by Baldwin’s nephew Tejan “TJ” Karefa-Smart and an afterword by his niece Aisha Karefa-Smart, with an introduction by Baldwin scholars Nicholas Boggs and Jennifer DeVere Brody. In it we not only see life in 1970s Harlem from a black child’s perspective, but we also gain a fuller appreciation of the genius of one of America’s greatest writers.

Editor Nicholas Boggs told the New York Times about his discovery of an old copy of Little Man, Little Man in Yale’s Beinecke Rare Book & Manuscript Library in the 1990s, when he was an undergraduate. “It wasn’t like anything else he’s written, and the more I read it, it wasn’t like anything else I’d read,” he told the Times, and it led him to begin a campaign to get the book republished. The Times notes that the reissue “could scarcely be more timely” and interviews author Jacqueline Woodson about the book. “Now that we have a children’s book, we can start people off even younger,” she told them. “It’s a book that young people can read or have read to them, but it’s also a new Baldwin for adults.”

Baldwin_66-67_crossingstreet_small

Little Man, Little Man has also been praised by Levar Burton, who says, “The prospect of reading an out-of-print children’s book by none other than James Baldwin himself is as tantalizing an invitation as I have ever been offered. And . . . it does not disappoint!”  The book has been positively reviewed in People MagazinePublishers Weekly, Kirkus Reviews, School Library Journal, and Shelf Awareness. Teachers and librarians are praising it as well. On her blog Ms Yingling Reads, school librarian Karen Yingling says the book will be a great teaching tool “because it is a rare primary source snapshot of a particular place and time.” We are offering a free Teacher Resource Guide that aligns with Common Core standards.

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Although it is available everywhere now, the book will be officially launched in New York City from September 11-14 with several great events open to the public. The events will kick off with a symposium at New York University on September 11 featuring the book’s editors and Baldwin’s niece and nephew in conversation with several scholars. On September 13, Harlem’s Schomburg Center for Research in Black Culture hosts a book release and conversation among the book’s contributors along with novelist Jacqueline Woodson and writer Kia Corthon. Then on September 14, Harlem’s Sugar Hill Children’s Museum hosts TJ’s Bash, a colorful day of art-making activities, storytelling, poetry, and music for children ages 3-8. And wrapping up the weekend’s events will be an event at McNally Jackson bookstore in Williamsburg on September 15.

Preview the book by listening to Tejan Karefa-Smart read from it and watch James Baldwin himself discuss writing for children in this great video created by Dia Felix and Nicholas Boggs. Then buy the book on our website for a 30% discount using coupon code E18LMLM.

Poem of the Week

978-0-8223-7147-2For the second week of National Poetry Month, we’re sharing an excerpt from David Grubbs’s new book-length prose poem Now that the audience is assembled. The poem, both a work of literature and a study of music, describes a fictional performance during which a musician improvises the construction of a series of invented instruments before an audience that is alternately contemplative, participatory, disputatious, and asleep.

 

The demonstration is scarcely completed when the composer places his instrument on the ground and turns to address the audience.

The musician cannot flip the switch quite so easily, and she rocks back and forth with an unprotesting expression, still cradling her instrument and inhabiting a different sphere while the composer, speaking through the page-turner, shares his take on this brief performance: It needs to be said that a duo performance is something other than this composition. Two is an insufficient number. Two performers suffice only to show the technique. The structure of the work is the invitation for multiple individuals to create and experience alterations on the basis of unforeseen encounters. It’s a pleasure to encounter you in this way (composer and page-turner both gesture toward the musician, who gives no indication that she’s listening) and to do so again and again and differently each time, but a duo performance has a melancholic desert-island quality. That of two survivors, and we need others. Composer and page-turner toe the edge of the lighted rectangle and peer into the darkness: Do we have volunteers?

The audience feigns sleep or slumbers on.

Thankfully the composer knows when to drop the direct address, and the offer is not repeated. There is no need to force participation. He gestures for musician and page-turner to follow him as he shuffles toward the upstage door that once again swings open. They disappear for several minutes into the unknown region.

When they return to the performance space, they come provisioned with a collection of ten bulky round objects, each thick with dust and wrapped in a maroon cloth and tied with a piece of canary-yellow nylon rope. They lean the wrapped objects against the wall in an arrangement based on descending order of size. The largest of the bundles matches the arm span of the page-turner; the smallest resembles a hubcap.

We’re going to try something different, announces the composer.

Learn more about Now that the audience is assembled.

Poem of the Week

978-0-8223-7084-0It’s National Poetry Month, and we’re celebrating by sharing a poem with you each Wednesday in April! Today’s choice is from Alexis Pauline Gumbs’s brand-new poetry collection M Archive, which documents the persistence of Black life after an imagined worldwide cataclysm, told from the perspective of a future researcher uncovering evidence of the conditions of late capitalism, antiblackness, & environmental crisis.

 

this thing about one body. it was the black feminist metaphysicians who first said it wouldn’t be enough. never had been enough. was not the actual scale of breathing. they were the controversial priestesses who came out and said it in a way that people could understand (which is the same as saying they were the ones who said it in a way that the foolish would ignore, and then complain about and then co-opt without ever mentioning the black feminist metaphysicians again, like with intersectionality, but that’s another
apocalypse).

the Lorde of their understanding had taught them. this work began before I was born and it will continue . . .

the university taught them through its selective genocide. one body. the unitary body. one body was not a sustainable unit for the project at hand. the project itself being black feminist metaphysics. which is to say, breathing.

hindsight is everything (and also one of the key reasons that the individual body is not a workable unit of impact), but if the biochemists had diverted their energy towards this type of theoretical antioxidant around the time of the explicit emergence of this idea (let’s say the end of the second-to-last century), everything could have been different. if the environmentalists sampling the ozone had factored this in, the possibilities would have expanded exponentially.

that wouldn’t have happened (and of course we see that it didn’t) because of the primary incompatibility. the constitutive element of individualism being adverse, if not antithetical to the dark feminine, which is to say, everything.

to put it in tweetable terms, they believed they had to hate black women in order to be themselves.

even many of the black women believed it sometimes. (which is also to say that some of the people on the planet believed they themselves were actually other than black women. which was a false and impossible belief about origin. they were all, in their origin, maintenance, and measure of survival more parts black woman than anything else.) it was like saying they were no parts water. (which they must have believed as well. you can see what they did to the water.)

the problematic core construct was that in order to be sane, which is to live in one body, which is to live one lifetime at one time, which is to disconnect from the black simultaneity of the universe, you could and must deny black femininity. and somehow breathe. the fundamental fallacy being (obvious now. obscured at the time.) that there is no separation from the black simultaneity of the universe also known as everything also known as the black feminist pragmatic intergenerational sphere. everything is everything.

they thought escaping the dark feminine was the only way to earn breathing room in this life. they were wrong.

you can have breathing and the reality of the radical black porousness of love (aka black feminist metaphysics aka us all of us, us) or you cannot. there is only both or neither. there is no either or. there is no this or that. there is only all.

this was their downfall. they hated the black women who were themselves. a suicidal form of genocide. so that was it. they could only make the planet unbreathable.

Learn more about M Archive.

Narrative Theory and the History of the Novel

The most recent special issue of Poetics Today, “Narrative Theory and the History of the Novel,” edited by Paul Dawson, is now available.

ddpoe_39_1_cover-1[1]What is a novel, how did the genre emerge, and how has it changed throughout history? This special issue addresses these perennial questions by bringing the formalist approach of narrative theory into dialogue with the historical approach of novel studies. It identifies and interrogates the convergences between current scholarship in both fields in order to shed new light on English, French, Danish and American fiction from the seventeenth century to the present.

Browse the table of contents and read the introduction to the issue, now freely available.

Ireland: From Boom to Bust and Beyond

The most recent issue of boundary 2, “Ireland: From Boom to Bust and Beyond,” edited by Joe Cleary, is now available.

ddbou_45_1_coverThe articles in this issue explore the political, economic, social, cultural and literary impacts of the extraordinary neoliberal boom and bust cycle after the Irish government relinquished its economic sovereignty to a Troika comprised of International Monetary Fund (IMF), European Central Bank (ECB) and European Commission (EC) officials, a decision which precipitated massive unemployment and youth emigration, wage and social provision cuts, housing and medical crises, and saddled the Irish citizenry with a gargantuan national debt.  Despite much-lauded miracles of recovery, the effects of this boom and bust cycle will continue to be felt across Ireland for decades to come.

Dealing with the country’s republican past and neoliberal present, and with matters ranging from the economic causes to the political consequences of the crisis, this volume offers a wide-ranging overview of one of several devastating economic crises to have rocked the European Union in recent times. By situating the crisis in the context of related transformations in areas of religion, gender and sexuality, Republican history and national commemoration, poetry, the novel, and social and cultural policy, the essays within this issue argue that all aspects of Irish society have been radically transformed by several decades of neoliberal boom and bust and by the 2008 meltdown of the Celtic Tiger.

Read the foreword to the issue and “Glimpses of an Irish Republic” by Seamus Deane, freely available now.

The Most Read Articles of 2017

As 2017 comes to a close, we’re reflecting on the most read articles across all our journals. Check out the top 15 articles that made the list, all freely available until the end of January.

ddjhppl_38_2Arrests of and Forced Interventions on Pregnant Women in the United States, 1973-2005: Implications for Women’s Legal Status and Public Health
by Lynn M. Paltrow and Jeanne Flavin

The Impact of the ACA on Premiums: Evidence from the Self-Employed
by Bradley T. Heim, Gillian Hunter, Ithai Z. Lurie, and Shanthi P. Ramnath

Revisiting Postmodernism: An Interview with Fredric Jameson
by Nico Baumbach, Damon R. Young, and Genevieve Yue

Policy Diffusion across Disparate Disciplines: Private- and Public-Sector Dynamics Affecting State-Level Adoption of the ACA
by Rena M. Conti and David K. Jones

ddpcult_27_1Instafame: Luxury Selfies in the Attention Economy
by Alice E. Marwick

Punks, Bulldaggers, and Welfare Queens: The Radical Potential of Queer Politics?
by Cathy J. Cohen

Necropolitics” by Achille Mbembe

Pascal’s Wager: Health Insurance Exchanges, Obamacare, and the Republican Dilemma
by David K. Jones, Katharine W. V. Bradley, and Jonathan Oberlander

Policy Diffusion in Polarized Times: The Case of the Affordable Care Act
by Craig Volden

Disjuncture and Difference in the Global Cultural Economy
by Arjun Appadurai

ddbou_44_2The Authoritarian Personality Revisited: Reading Adorno in the Age of Trump
by Peter E. Gordon

My Words to Victor Frankenstein above the Village of Chamounix: Performing Transgender Rage
by Susan Stryker

Introduction: Antinormativity’s Queer Conventions
by Robyn Wiegman

Michael Brown
by Stefano Harney and Fred Moten

Althusser’s Dramaturgy and the Critique of Ideology
by Étienne Balibar

Duke University Press to Bring James Baldwin’s Only Children’s Book Back Into Print

LittleManLittleManLittle Man, Little Man is the only children’s book by acclaimed writer James Baldwin. Published in 1976 by Dial Press, the book quickly went out of print. Now, at a time when Baldwin is more popular than ever, and readers, librarians, and booksellers are clamoring for more diverse children’s books, Duke University Press is proud to bring the book back into print. It will be available in August 2018.

In the book, four-year-old TJ spends his days on his lively Harlem block playing with his best friends WT and Blinky and running errands for neighbors. As he comes of age as a “Little Man” with big dreams, TJ faces a world of grown-up adventures and realities. Little Man, Little Man celebrates and explores the challenges and joys of black childhood. In it we not only see life in 1970s Harlem from a black child’s perspective; we gain a fuller appreciation of the genius of one of America’s greatest writers.

James Baldwin called Little Man, Little Man a “celebration of the self-esteem of black children.” In their brief introduction to the book, Baldwin scholars Nicholas Boggs and Jennifer DeVere Brody explain that the illustrations and text invite readers to “look again and experience the social ills represented in the book—violence, economic disparity, alcoholism and drug abuse, and the distortions of mass media—from the perspective of a black child, and one, it is important to note in closing, who is not innocent.” They suggest that audiences at the time were not ready for this perspective, which might explain the book’s initial reception.

Duke University Press’s new edition of Little Man, Little Man retains the charming original illustrations by French artist Yoran Cazac and includes a foreword by Baldwin’s nephew Tejan “TJ” Karefa-Smart (the inspiration for the title character) and an afterword by his niece Aisha Karefa-Smart.

Booksellers wanting more information or wishing to place an order for the book can contact Sales Manager Jennifer Schaper at jennifer.schaper@dukeupress.edu.

All other inquiries: Laura Sell, Publicity, lsell@dukeupress.edu or 919-687-3639.

Little Man, Little Man: A Story of Childhood
By James Baldwin. Illustrated by Yoran Cazac.
Edited and with an introduction by Nicholas Boggs and Jennifer DeVere Brody
With a foreword by Tejan Karefa and an afterword by Aisha Karefa-Smart
ISBN: 978-1-4780-0004-4
Hardcover, 128 pages, $22.95
Fully illustrated in color
August 2018

Bad Object

dddif_28_1_cover.jpgThe most recent issue of differences, “Bad Object,” returns to the work of the journal’s founding co-editor Naomi Schor, a leading scholar in feminist and critical theory. This issue takes as its starting point Schor’s book Bad Objects: Essays Popular and Unpopular (1995), in which she discussed her attraction to the “bad objects” the academy had overlooked or ignored: universalism, essentialism, and feminism. Underpinning these bad objects was her mourning of the literary, a sense that her work—and feminist theory more generally—had departed from the textual readings in which they were grounded.  

Schor’s question at the time was “Will a new feminist literary criticism arise that will take literariness seriously while maintaining its vital ideological edge?” The contributors to this issue take that literariness—the “bad object”— and her question seriously.

From the editor’s note:

“This is not a thematic issue; we did not ask contributors to address the question of language, or the new formalism, or debates about reading, nor to engage literary texts—though all those things were welcome. Our wager was that the essays, collected as a “Bad Object,” would be at once an invigorating and unsettling reading experience and would thus “speak for themselves.”

Read an essay from the issue, made freely available, and revisit Schor’s original book.