Watch our newest “In Conversation” video in which Bo Ruberg, author of The Queer Games Avant-Garde, talks with contributors and game designers Jess Marcotte and Dietrich “Squinky” Squinkifer about how they got into video game design, access and multimedia game design, and labor rights in gaming.
Every year we look forward to meeting authors in person at the NWSA Annual Meeting, and we are sad to be missing out on that this year. We know that many of you look forward to stocking up on new books at special discounts at our conferences, so we are pleased to extend a 50% discount on all in-stock books and journal issues with coupon code NWSA20 until November 23, 2020.
View our Women’s Studies catalog below for a complete list of all our newest titles in women, gender, and sexuality studies and across disciplines. You can also explore all of our books and journals in the field on dukeupress.edu. And although you cannot join us in the booth this year, you can listen to a number of our authors discuss their books through our In Conversation series on our YouTube channel.
Editor Elizabeth Ault has a message for everyone who would have attended NWSA this year, with her recommendations of the latest books in women, gender, and sexuality studies.
I was so looking forward to gathering with you all in the greatest city in the world, Minneapolis, this fall, but it’s not to be. I’m sending solidarity to all the folks who have been doing incredible organizing work there for years before the murder of George Floyd (#justiceforfonglee, #justiceforjamarclarke, #ceceisfree, #cecetaughtme #justiceforphilandocastile) and continue to provide networks of care and support every dang day.
I am so excited to be in conversation with y’all about the feminist work in Black studies, disability studies, geography, trans studies, queer theory, history, and more that has its home at NWSA. Please sign up for office hours to discuss your work with me here.
In the meantime, I know many of you are shopping the sale. Here are some crucial feminist texts that would never have made it to 50% off day in the booth–and you can get them shipped directly to you for 50% off from our website!!! You’ll see important strands of Black feminist thought and queer theory throughout these books, so I’ve tried to organize them more by method and topic to help you find what you’re looking for.
I’m writing this in late October and you’ll be reading it on the other side of whatever happens on November 3. Regardless, I’m confident these books have important wisdom to offer us as we move through this extraordinarily painful year, fortified by the work of organizers in Minneapolis and around the world, and by these thinkers and writers. They’re all helping us to imagine the world we want to live in and work to make it possible.
Jih-Fei Cheng, Alex Juhasz, and Nishant Shahani’s AIDS and the Distribution of Crises comes directly out of that scholarly/activist nexus, bringing together insights from a range of fields and positions about the ongoing viral crises that COVID-19 cratered into this winter. Sima Shakhsari’s book The Politics of Rightful Killing looks at transnational online networks of writers and activists to consider how Iranians in the diaspora and Iran itself thought about reconstituting democracy. Jillian Hernandez’s Aesthetics of Excess is right there too, drawing on her work with Black and Latina girls in Women on The Rise in Miami.
Alongside the amazing art Jillian and her interlocutors at WOTR created, much of which is included in full color in the book, we have some really amazing feminist art books out right now. Lorraine O’Grady’s work was at the center of the mind-blowing, pathbreaking We Wanted a Revolution show at the Brooklyn Museum a few years back, and now she has her own solo show there, accompanied by this new book of her writings about art practice and her vision for a Black feminist art world, Writing in Space. Maya Stovall has been performing and showing Liquor Store Theatre, a Detroit-based art and performance project for several years; her book by the same name considers the project as an ethnographic one reimagining what dispossessed neighborhoods in Detroit might still play host to. Bakirathi Mani’s new book, Unseeing Empire, centers work by South Asian women artists Annu Matthew, Seher Shah, and Gauri Gill to consider how empire continues to haunt South Asian desires for representation and representability.
But it’s not just visual arts that are important – feminist approaches to music also play a big role on this list, with books by Maureen Mahon, Shana Redmond, Ren Ellis Neyra, and Xavier Livermon centering the sonic.
And Alexis Pauline Gumbs’s Dub is a work of art–no less than an oracle for our times.
Another oracular work newly available is Jose Munoz’s posthumous Sense of Brown. This book is deep and lasting and Jose’s influence and importance is so clear and undeniable. More theoretical work on this list alongside Jose’s is Cressida Heyes’s book Anaesthetics of Existence, which is really speaking to me as this year continues to take and take. It’s a feminist phenomenology for this moment. Other books theorizing embodiment here include Neetu Khanna’s Visceral Logics of Decolonization, and Naked Agency, in which author Naminata Diabate considers women’s naked protests across Africa and the diaspora as a weighty, powerful form of vulnerable resistance.
Diabate’s work is embedded in a long history of such protests–new feminist history work from Brandi Brimmer, Francoise Verges, and Lynn Thomas provides important tools for understanding how we got here, and how things could be different.
Relations, the topic of Strathern’s capacious theorization, are also at the foundation of Brigitte Fielder’s rethinking of kinship and race. Her book is part of a strong list in queer and feminist cultural and literary studies that includes new books from Jack Halberstam (important queer theory, yes, but also important Kate Bush content!), Bo Ruberg (whose new book series is accepting proposals), Gillian Harkins (why are you still watching To Catch a Predator? I mean, you won’t after reading this book), Cait McKinney (the book we fondly refer to as “how lesbians invented the internet”), Erica Fretwell (She’ll make you care about The Yellow Wallpaper again, through centering the role of SMELL of all things), and Sam Pinto (the definitive take on Sarah Baartman and Sally Hemings that you have been waiting for!!).
That’s a lot of books! There’s so much richness and brilliance here. I’m excited to hear what you think about these books and how they’re informing your own work on twitter and in my office hours. In the meantime, keep well.
If you were hoping to connect with Elizabeth Ault or another of our editors about your book project at NWSA, please reach out to them by email. See our editors’ specialties and contact information here and our online submissions guidelines here.
And don’t forget about our great journals in gender studies, like Meridians: feminism, race, transnationalism; the Journal of Middle East Women’s Studies; Camera Obscura: Feminism, Culture, and Media Studies; differences: A Journal of Feminist Cultural Studies; GLQ: A Journal of Lesbian and Gay Studies, and TSQ: Transgender Studies Quarterly. If you don’t have access through your library, ask them to subscribe, pick up a personal subscription, or add a special issue to your sale order!
As the days cool and leaves turn so should your new book pages! This month our new book titles will go great with your favorite hot drink.
Examining black performance practices that critique Western humanism, R. A. Judy offers an extended meditation on questions of blackness, the human, epistemology, and the historical ways in which the black being is understood in Sentient Flesh.
In Sensory Experiments, Erica Fretwell examines how psychophysics—a nineteenth-century scientific movement originating in Germany dedicated to the empirical study of sensory experience—became central to the process of creating human difference along the lines of race, gender, and ability in nineteenth-century America.
Brigitte Fielder presents an alternative theory of how race is constructed in Relative Races with readings of nineteenth-century personal narratives, novels, plays, stories, poems, and images to illustrate how interracial kinship follows non-heteronormative, non-biological, and non-patrilineal models of inheritance in nineteenth-century literary culture.
The Sense of Brown, which he was completing at the time of his death, is José Esteban Muñoz’s treatise on brownness and being as well as his most direct address to queer Latinx studies. Joshua Chambers-Letson and Tavia Nyong′o have edited the book and written an introduction.
Lyle Fearnley situates the production of ecological facts about the likely epicenter of viral pandemics inside the shifting cultural landscapes of agrarian change and the geopolitics of global health in the timely new book Virulent Zones.
Amalia Leguizamón reveals how the Argentine state, agribusiness, and their allies in the media and sciences deploy narratives of economic redistribution, scientific expertise, and national identity as a way to gain the public’s consent to grow genetically modified soybeans despite the massive environmental and social costs in Seeds of Power.
Drawing on ethnographic research with policy makers, politicians, activists, scholars, and the public in Manchester, England, Hannah Knox in Thinking Like a Climate confronts the challenges climate change poses to knowledge production and modern politics.
In Wild Things Jack Halberstam offers an alternative history of sexuality by tracing the ways in which the wild—a space located beyond normative borders of sexuality—offers sources of opposition to knowing and being that transgress Euro-American notions of the modern subject.
Saiba Varma in The Occupied Clinic, explores spaces of military and humanitarian care in Indian-controlled Kashmir—the world’s most militarized place—to examine the psychic, ontological, and political entanglements between medicine and violence.
With Cowards Don′t Make History, Joanne Rappaport examines the work of a group of Colombian social scientists led by Orlando Fals Borda, who in the 1970s developed a model of “participatory action research” in which they embedded themselves into local communities to use their research in the service of social and political organizing.
Vanessa Freije explores the causes and consequences of political scandals in Mexico from the 1960s through the 1980s in Citizens of Scandal, showing how Mexico City reporters began to denounce government corruption during this period in ways that defined the Mexican public sphere in the late twentieth century .
In Building Socialism, Christina Schwenkel analyzes the collaboration between East German and Vietnamese architects and urban planners as they attempted to transform the bombed-out industrial city of Vinh into a model socialist city.
Political theorist and anticapitalist activist Sabu Kohso uses the 2011 Fukushima nuclear disaster to illuminate the relationship between nuclear power, capitalism, and the nation-state in Radiation and Revolution, showing how nuclear power has become the organizing principle of the global order.
In Black Diamond Queens Maureen Mahon documents the major contributions African American women vocalists such as Big Mama Thornton, Betty Davis, Tina Turner, and Merry Clayton have made to rock and roll throughout its history.
Ethiraj Gabriel Dattatreyan in The Globally Familiar examines how the young men of Delhi’s hip hop scene construct themselves on- and off-line and how digital platforms offer these young men the means to reimagine themselves and their city through hip hop.
In essays addressing topics ranging from cinema, feminism, and art to hip hop, urban slums, and digital technology, Sujatha Fernandes in The Cuban Hustle explores the multitudinous ways ordinary Cubans have sought to hustle, survive, and create expressive cultures in the aftermath of the Soviet Union’s collapse.
In Genetic Afterlives, Noah Tamarkin illustrates how Lemba people in South Africa give their own meanings to the results of DNA tests that substantiated their ancestral connections to Jews and employ them to manage competing claims of Jewish ethnic and religious identity, African indigeneity, and South African citizenship.
Shane Denson examines the ways in which computer-generated digital images displace and transform the traditional spatial and temporal relationships that viewers had with conventional analog forms of cinema in Discorrelated Images.
Media Primitivism by Delinda Collier finds alternative concepts of mediation in African art by closely engaging with electricity-based works since 1944.
Writing in Space, 1973-2019 gathers the writings of conceptual artist Lorraine O’Grady as edited by Aruna D’Souza, including artist statements, scripts, magazine articles, critical essays on art and culture, and interviews.
Acknowledging the difficulty for artists in the twenty-first century to effectively critique systems of power, in The Play in the System Anna Watkins Fisher theorizes parasitism—a form of resistance in which artists comply with dominant structures as a tool for practicing resistance from within.
Filled with advice from over fifty contributors, this completely revised and expanded edition of our popular book The Academic’s Handbook guides academics at every career stage, whether they are first entering the job market or negotiating post-tenure challenges of accepting leadership and administrative roles. The volume is edited by Lori A. Flores and Jocelyn H. Olcott.
Never miss a new book! Sign up for our e-mail newsletters, and get notifications of new titles in your preferred disciplines as well as discounts and other news.
With summer quickly coming to an end and the new academic year upon us, now is the perfect time to replenish your reading list! A great place to start is with our diverse array of new titles arriving this month.
Diary of a Detour is film scholar and author Lesley Stern’s memoir of living with cancer, where she chronicles the fears and daily experience of coming to grips with an incurable disease and turns to alternative obsessions and pleasures, from travel and friendships to her four chickens.
In Traffic in Asian Women, Laura Hyun Yi Kang demonstrates that the figure of “Asian women” functions as an analytic with which to understand the emergence, decline, and permutation of US power and knowledge at the nexus of capitalism, state power, global governance, and knowledge production throughout the twentieth century.
Abstract Barrios by Johana Londoño examines how the barrio has become a cultural force that has been manipulated in order to create Latinized urban landscapes that are palatable for white Americans who view concentrated areas of Latinx populations as a threat.
In Keith Haring’s Line, Ricardo Montez traces the drawn and painted line that was at the center of Keith Haring’s artistic practice, engaging with Haring’s messy relationships to race-making and racial imaginaries.
In Youth Power in Precarious Times, Melissa Brough explores how youth-centered forms of civic and cultural engagement in Medellín, Colombia, create networks of change that have the possibility to transform and democratize cities around the world.
Abigail A. Dumes offers an ethnographic exploration of the Lyme disease controversy to shed light on the relationship between contested illness and evidence-based medicine in the United States in Divided Bodies.
Examining theater, performance art, music, sports, dance, and photography, the contributors to Race and Performance after Repetition explore how theater and performance studies account for the complex relationship between race and time. The collection is edited by Soyica Diggs Colbert, Douglas A. Jones Jr., and Shane Voge.
Beyond the World’s End by T. J. Demos explores a range of artistic, activist, and cultural practices that provide compelling and radical propositions for building a just, decolonial, and environmentally sustainable future.
The contributors to Indigenous Textual Cultures examined the ways in which indigenous peoples created textual cultures to navigate, shape, and contest empire, colonialism, and modernity. The collection is edited by
Tony Ballantyne, Lachy Paterson, and Angela Wanhalla.
In Cultural Revolution and Revolutionary Culture, Alessandro Russo rethinks the history of China’s Cultural Revolution, arguing that it must be understood as a mass political experiment aimed at thoroughly reexamining the tenets of communism itself.
Animal Traffic by Rosemary-Claire Collard investigates the multibillion-dollar global exotic pet trade economy and the largely hidden processes through which exotic pets are produced and traded as lively capital.
Monica Popescu traces the development of African literature during the second half of the twentieth century in At Penpoint. She shows how the United States and the Soviet Union’s efforts to further their geopolitical and ideological goals influenced literary practices and knowledge production on the African continent.
Bolivia in the Age of Gas by Bret Gustafson examines the centrality of natural gas and oil to the making of modern Bolivia and the contradictory convergence of fossil-fueled capitalism, Indigenous politics, and revolutionary nationalism.
In this genealogy of Hindu right-wing nationalism, Hindutva as Political Monotheism, Anustup Basu connects Carl Schmitt’s notion of political theology to traditional theorems of Hindu sovereignty and nationhood, illustrating how Western and Indian theorists imagined a single Hindu political and religious people.
Never miss a new book! Sign up for our e-mail newsletters, and get notifications of new titles in your preferred disciplines as well as discounts and other news.
Today’s guest post is curated by the editors of AIDS and the Distribution of Crises, Jih-Fei Cheng, Assistant Professor of Feminist, Gender, and Sexuality Studies at Scripps College, Alexandra Juhasz, Alexandra Juhasz is Distinguished Professor of Film at Brooklyn College, City University of New York, and Nishant Shahani Associate Professor of Women’s, Gender, and Sexuality Studies at the Department of English at Washington State University. The contributors to AIDS and the Distribution of Crises outline the myriad ways that the AIDS pandemic exists within a network of varied historical, overlapping, and ongoing crises borne of global capitalism and colonial, racialized, and gendered violence. This post is a part of a short series. The following posts will be shared to the blog once a week over the next two weeks.
The contributions below grew out of our investments in marking and launching the publication of AIDS and the Distribution of Crises in late April. More importantly, we wanted to continue conversations that we began in the book about HIV/AIDS in light of COVID-19. We wanted to continue the format of “dispatches” in our book that allowed for more scattered and informal meditations. After contacting all the contributors to the edited volume, we planned logistics around synchronous conversations and asynchronous writings. For both formats, we asked our contributors to respond to the following questions:
- How can we think of AIDS and COVID-19 through logics that are both synchronous and asynchronous, temporally distinct yet overlapping, convergent and simultaneously divergent? How do we temporalize multiple durations of multiple crises, especially given that neither AIDS nor COVID-19 have singular histories or monolithic subjects?
- Since we collectively theorized the distribution of crises in our book (what Emily Bass evocatively theorized as “scattering”), how might we attend to the scattered logics of pandemics in the context of COVID-19? How do modes of social distancing magnify our experiences of being scattered and how do we find each other in its midst? In what ways does the pandemic simultaneously warrant a “scattered” lens so that we can think of COIVD-19 not just in epidemiological terms, but one that attends to crises in housing, access to water, migration and movement across borders, incarceration, racialized and gendered structures of wage labor.
- How might we hold accountable structural racism in the midst of pandemics? Plans for abating the COVID-19 pandemic have called for more data to demonstrate structural needs. This means increasing tracking systems and surveillance to illustrate the higher rates and incidences of infection, sickness, and death–particularly among Black, Native, Brown, and global south communities. Simultaneously, advocacy groups are collecting data on anti-Chinese/Asian discrimination and violence. How do we leverage data intersectionally to track and address structural vulnerability and systemic violence without resorting to carceral logics, such as policing and prisons?
- We have been struck by the casual invocations of phrases such as “when this is over,” “I can’t wait for things to go back to normal,” and “we have the right to work.” How might the presumptions about the temporary conditions of crises train our attention on quick social, political, or economic fixes rather than structural changes? What is the role of biomedical solutions (i.e., drugs, vaccines, plasma with COVID-19 virus antibodies, etc.) in addressing pandemic crises? How can we learn from histories and ongoing realities of HIV/AIDS in attending to these questions?
Discussions on Temporality, AIDS, and COVID-19:
Moderated by Alexandra Juhasz
Respondent: Emily Bass, Bishnupriya Ghosh, Pato Hebert, Cait McKinney, Juana Mariá Rodriguez, Julia A. Jordan-Zachary
Introduced by Nishant Shahani:
If I’m getting my dates correct, Jih-Fei, Alex, and I started working on AIDS and the Distribution of Crises in 2016. At this initial moment, the impetus behind the book was to offer a social and political barometer of the times and the current state of AIDS, both politically and academically. Part of our motivation was to attend to the distribution of HIV and AIDS at precisely the moment when it was increasingly being framed as over or as something that belonged to the past. In the book we call this retrospective framing “a national fiction of democracy, which served the tools of US empire and global capitalism.”
Fast forward to 2020 when our book comes out last month, right as COVID-19 escalates into its moments of crises. When sharing the book with friends and colleagues, I casually commented on the strangely coincidental timing of its release: who would have thought that a book about one pandemic would come out precisely during the midst of another one? But I now think this initial casual observation is actually a bit misplaced. If, as we argued in our book, that AIDS indexes multiple and ongoing crises, if we refuse idea of AIDS and pandemics in general as having singular points of origin and finite conclusions, then the overlap of AIDS and COVID can never be reduced to the temporality of coincidence. So in today’s conversation, we want to draw on this temporal critique of first occurance and triumphant biomedical end points to think about the ongoing nature of pandemics, especially in light of COVD 19. In their own way, each of our contributors in the book grapples with what AIDS looks like if we begin with contesting the supposition that AIDS began in the early 80s among a cluster of white gay men and ended when combination therapies hit markets in the mid 90s. Rather than constituting the concluding moment of the book, several of our essays begin with the axiom that crises are not simply epidemiological, but also socially and politically produced. We of course see this with COVID 19 and its scarcity models—of hospital beds, ventilators, and protective equipment. These forms of scarcity are not simply inevitable or axiomatic, but are consequences of austerity logics that are central to the project of neoliberalism, and which produce multiple crises in the plural. Rather than simply investing hope in medical cure, perhaps we can turn to investing in diagnosing a failing globalized system and move on from there to name strategies of collective survival.
If we can understand pandemics through the lens of enduring structures such as environmental racism, settler colonialism, incarceration, militarism, and gentrification, then rather than focusing on when they begin or when they will end, we can ask how pandemics scatter and proliferate. And then more importantly, we can ask how we will respond and act. I look forward to hearing our respondents’ thoughts on some of these questions.
Discussions on Solidarity: AIDS and COVID-19:
Respondents: Marlon B. Bailey, Andrew Jolivette, Theodore (Ted) Kerr
Moderated by Jih-Fei Cheng
Introduced by Nishant Shahani:
While today’s prompts are distinct in their approach to thinking about the relation between AIDS and COVID-19, they once again build on the discussion we began last week on the limits of theorizing AIDS through definitive periodizations. The idea of pandemics as crisis moments or singular turning points can be useful, but in some senses they also can be quite reductive. On the one hand, they foreground urgency and the necessity of solidarity and action; but they also frame these modes of urgency as states of exception rather than modes of slow death or crisis ordinariness, to use Lauren Berlant’s terms, that are diffused over long durations and distributed over different geographical and geopolitical contexts. We are interested in both what precedes putative first occurences of pandemics and also in what persists in their supposed aftermaths. So in the introduction to AIDS and the Distribution of Crises, we ask, and I think this in many ways is the guiding question of our book: “How is AIDS one or many of the outcomes and expressions of crises that are made ordinary and exceptional at the same time? And how are the durations and intensities of crises experienced in specific contexts?”
In thinking about the contexts of crises distribution, one of the goals of this book was to refuse making whiteness and the global north a default referential point for an understanding of AIDS. The goal was not simply to insert ignored groups into founding narratives without questioning the centrality of those narratives in the first place and interrogating how they came to be. So for example, in decentering the global north, we were not interested in simply theorizing the global south through what Bishnupriya Ghosh calls in her contribution in the book, a “cartographic projection.” The attention to difference without essentializing difference is particularly important as we extend our conversations about AIDS into thinking about COVID-19. For example, it is not enough to simply stop at foregrounding the disproportionate impact of COVID on black and brown people which tends to naturalize predisposing conditions to race rather than attending to the environmental or structural conditions of racism. It is worth recalling the work of scholars like Dorothy Roberts who have refused biological understandings of race that end up naturalizing socially made health disparities to logics of genetic difference. We thus have to be careful that our understanding of differential impact does not shift the conversation away from limited resources about access to healthcare to one of personal responsibility so that disproportionate impact can then be explained through individual failing rather than state neglect and state-sanctioned violence.
In relation to the two prompts that Jih-Fei began with, I’d like to leave us with a few quotes from our book that begin to grapple with these questions. In a roundtable on the globalization of AIDS in our book, Theodore (Ted) Kerr, one of our respondents today, asks: “I wonder what histories could be uncovered, what actions could be taken, and what discussions could be had if we took a longer approach to AIDS history.” And I’ve been thinking a lot about these words in light of the state-sanctioned police killings these last few weeks since a longer approach to AIDS history would also incorporate an understanding of white supremacy, and of the criminalization of black and brown bodies. In the same roundtable in our book and in a similar vein, Eric Stanley suggests that “the epidemiological foundations of what we have come to know as HIV/AIDS are the haunts of conquest and chattel slavery.” If we take longer approaches to past and futures of AIDS, how might we think of these hauntings as constitutive of our current crises in terms of housing, access to clean water, sick leave, and food security among various other issues?
In this light, the invocation for a moment when the pandemic is over undercuts the persistent nature of crises. It also obscures their multiple and intersecting iterations. Just as we understand pandemics as not exceptional but constitutive of capitalism, similarly, we cannot think about black and brown death as if it were simply a glitch in the system—it is, in fact, the system’s feature and intrinsic to US democracy –or US empire: these terms are and have always been fungible. But perhaps we can use this desire for a post-COVID world as an occasion to think about and enact abolitionist critiques since pandemics be can only ever be over if we imagine and fight for the abolition of prisons and white supremacist and settler logics of policing, containment, and incarceration. It was important to us to end our book with C Riley Snorton’s piece on crisis and abolition. So I want to end by reading just one important idea from Riley’s concluding essay as yet another prompt for this conversation today or for our thinking in general:
AIDS is not the only metaphor for premature death. So is the prison, or living under occupation, or in underdevelopment, or living while Black, while trans, while undocumented, while poor. Many folks living with AIDS are also living with a combination of the aforementioned conditions. But if one believes that AIDS, and its precipitating and attendant crises, are structural and ideological, then one must consider how those very spatiotemporal formulations also forge abolitionist strategies and imaginaries.
This month we approach Pride with mixed feelings—it is difficult to celebrate amid so much injustice, but the Supreme Court’s recent ruling that protects LGBTQ workers from job discrimination is heartening as a step forward.
We’d like to take this moment to lift up our latest scholarship in queer and trans studies.
Our Revisiting Queer Studies Syllabus highlights articles, books, and journal issues on topics such as queerness in poor and working-class populations, decolonizing queerness, antinormativity, queer migration, and contemporary coming-out stories. Our Trans Rights Syllabus addresses trans rights and politics globally, exploring coalitional models of social justice, black trans feminisms, surgery, disability, surveillance, and more. Both syllabi offer free journal content for a limited time, and books can be purchased from your local bookseller or online at dukeupress.edu.
Poor Queer Studies by Matt Brim shifts queer studies away from sites of elite education toward poor and working-class students and locations, showing how the field is driven by those flagship institutions that perpetuate class and race inequity in higher education. In a recent op-ed, Brim linked his research to cuts in higher education due to the coronavirus pandemic.
Many people have seen parallels between today’s pandemic and the AIDS crisis of the 1980s. In AIDS and the Distribution of Crises, contributors outline the myriad ways that the AIDS pandemic exists within a network of varied historical, overlapping, and ongoing crises borne of global capitalism and colonial, racialized, and gendered violence.
The Lonely Letters is an epistolary blackqueer critique of the normative world in which Ashon T. Crawley meditates on the interrelation of blackqueer life, sounds of the black church, theology, mysticism, and the potential for platonic and erotic connection in a world that conspires against blackqueer life. These letters may especially speak to people isolating alone in the pandemic. In an interview with New City Arts, Crawley talked a bit about being alone at home and in nature during this time.
Some people may be spending more time playing video games while socially isolating. To learn about some queer game makers and their projects, check out The Queer Games Avant-Garde: How LGBTQ Game Makers Are Reimagining the Medium of Video Games by Bonnie Ruberg. The book presents twenty interviews with twenty-two queer video game developers whose radical, experimental, vibrant, and deeply queer work is driving a momentous shift in the medium of video games.
In Honeypot: Black Southern Women Who Love Women, E. Patrick Johnson combines magical realism, poetry, and performative writing to bear witness to the real-life stories of black southern queer women in ways that reveal the complexity of identity and the challenges these women face.
Pride is celebrated worldwide, including in Korea. Check out Queer Korea, a collection edited by Todd A. Henry. The contributors offer interdisciplinary analyses of non-normative sexuality and gender nonconformity in Korea, extending individualized notions of queer neoliberalism beyond those set in Western queer theory.
We publish two journals that focus exclusively on queer and trans studies: TSQ: Transgender Studies Quarterly and GLQ: A Journal of Lesbian and Gay Studies. Both journals offer individual subscriptions.
In “Time Out of Joint: The Queer and Customary in Africa,” a new issue of GLQ: A Journal of Lesbian and Gay Studies, contributors investigate how queer theory might change when African texts, experiences, and concepts are placed front and center rather than treated as examples or case studies.
The authors consider what the concept of customary does to the dialectic of tradition and modernity that is at the heart of much Africanist scholarship. Can queer theoretical texts travel beyond the North Atlantic world that made them without reproducing imperial ways of knowing? Can there be an African queer theory? In posing these questions, the authors encourage readers to consider queerness from and within Africa, exploring what African customary forms of gender and sexuality might do to the antinormativity of queer theory and how presumptions within Euro-American queer scholarship contribute to Afro-pessimist or Afro-optimist scholarship.
The issue’s introduction by editors Kirk Fiereck, Neville Hoad, and Danai S. Mupotsa is free to read online. Keguro Macharia’s article “belated: interruption,” which considers belatedness in relation to the encounter between queer and Africa, is free as well through the end of September.
We’re excited to unveil our Fall 2020 catalog. Check out some highlights from the season below and then download a copy for a closer read. These titles will be published between July 2020 and January 2021.
On the cover we’re featuring an image from artist Lorraine O’Grady’s Writing in Space, 1973–2019, which gathers her statements, scripts, and previously unpublished notes charting the development of her performance work and conceptual photography. The book is edited by Aruna D’Souza.
We lead off with Diary of a Detour by Lesley Stern, a memoir of living with cancer and the unexpected detours illness can produce. Poet Eileen Myles calls it “the most pleasurable cancer book imaginable.” It’s illustrated with delightful drawings of Stern’s chickens, who brought solace during her journey.
The next pages feature a couple of queer studies superstars: Jack Halberstam and the late José Esteban Muñoz. Muñoz was working on The Sense of Brown when he died in 2013. Scholars Joshua Chambers-Letson and Tavia Nyong′o have edited his unfinished manuscript and added an introduction. The book is a treatise on brownness and being as well as Muñoz’s most direct address to queer Latinx studies. Jack Halberstam’s new book Wild Things offers an alternative history of sexuality by tracing the ways in which wildness has been associated with queerness and queer bodies throughout the twentieth century. It’s sure to please fans of his bestselling previous books Female Masculinity and The Queer Art of Failure. LGBTQ studies scholars will also want to check out Information Activism: A Queer History of Lesbian Media Technologies by Cait McKinney and Sexual Hegemony, in which Christopher Chitty traces the 500-year history of capitalist sexual relations by excavating the class dynamics of the bourgeoisie’s attempts to regulate homosexuality. And Left of Queer, an issue of Social Text edited by David L. Eng and Jasbir K. Puar, offers a detailed examination of queerness and its nearly three-decade academic and political mainstreaming and institutionalization.
Two books on the fall list will be helpful to recent PhDs as they navigate the job market and the complicated world of academe. Putting the Humanities PhD to Work by Katina L. Rogers grounds practical career advice in a nuanced consideration of the current landscape of the academic workforce. And we announce a fourth edition of The Academic’s Handbook. This edition of the popular guide is edited by Lori A. Flores and Jocelyn H. Olcott and is completely revised and expanded. Over fifty contributors from a wide range of disciplines and backgrounds offer practical advice for academics at every career stage, whether they are first entering the job market or negotiating post-tenure challenges of accepting leadership and administrative roles.
Black studies continues to be a strong part of our list. This winter we publish a new book by Katherine McKittrick. In Dear Science and Other Stories she presents a creative and rigorous study of black and anticolonial methodologies, exploring how narratives of imprecision and relationality interrupt knowledge systems that seek to observe, index, know, and discipline blackness. Dear Science is the first book in the new Errantries series, edited by McKittrick, Simone Browne, and Deborah Cowen. In Sentient Flesh R. A. Judy offers an extended meditation on questions of blackness, the human, epistemology, and the historical ways in which the black being is understood. And we’re also looking forward to La Marr Jurelle Bruce’s How to Go Mad without Losing Your Mind, an urgent provocation and poignant meditation on madness in black radical art.
Fall brings some great new art and art history titles, including Latinx Art by Arlene Dávila, who draws on numerous interviews with artists, dealers, and curators to provide an inside and critical look of the global contemporary art market. Looking at Latinx aesthetics from a popular culture perspective, Jillian Hernandez’s Aesthetics of Excess analyzes the personal clothing, makeup, and hairstyles of working-class Black and Latina girl to show how cultural discourses of aesthetic value racialize the bodies of women and girls of color. And in ¡Presente!, Diana Taylor offers the theory of presente as a model of standing by and with victims of structural and endemic violence by being physically and politically present in situations where it seems that nothing can be done. In Liquor Store Theater, Maya Stovall uses her conceptual art project—in which she danced near her Detroit neighborhood’s liquor stores as a way to start conversations with her neighbors—as a point of departure for understanding everyday life in Detroit and the possibilities for ethnographic research, art, and knowledge creation. In Beyond the World’s End, T. J. Demos explores a range of artistic, activist, and cultural practices that provide compelling and radical propositions for building a just, decolonial, and environmentally sustainable future. And in Keith Haring’s Line, Ricardo Montez traces the drawn and painted line that was at the center of Keith Haring’s artistic practice, engaging with Haring’s messy relationships to race-making and racial imaginaries.
If you love music books, you’re in luck this fall. We offer Black Diamond Queens by Maureen Mahon, which documents the major contributions African American women vocalists such as Big Mama Thornton, Betty Davis, Tina Turner, and Merry Clayton have made to rock and roll throughout its history. And in The Meaning of Soul, Emily J. Lordi examines the work of Aretha Franklin, Nina Simone, Solange Knowles, Flying Lotus, and others in order to propose a new understanding of soul, showing how it came to signify a belief in black resilience enacted through musical practices.
We’re featuring a great group of Latin American studies titles this fall. In The Cuban Hustle, Sujatha Fernandes explores the many ways artists, activists, and ordinary Cubans have sought to hustle, survive, and express themselves in the aftermath of the Soviet Union’s collapse. We also welcome back returning authors Brett Gustafson with Bolivia in the Age of Gas and Joanne Rappaport with Cowards Don’t Make History.
We welcome back a number of other returning authors as well. In History 4° Celsius Ian Baucom continues his inquiries into the place of the Black Atlantic in the making of the modern and postmodern world. Catherine Besteman offers a sweeping theorization of the ways in which countries from the global North are reproducing South Africa’s apartheid system on a worldwide scale in her new book Militarized Global Apartheid. Erin Manning’s latest book For a Pragmatics of the Useless explores the links between neurotypicality, whiteness, and black life. Joseph Masco returns with The Future of Fallout, and Other Episodes in Radioactive World-Making, which examines the psychosocial, material, and affective consequences of the advent of nuclear weapons, the Cold War security state, climate change on contemporary US democratic practices and public imaginaries. And in The Wombs of Women, Françoise Vergès traces the long history of colonial state intervention in black women’s wombs during the slave trade and postslavery imperialism as well as in current birth control politics.
Fall also brings essential new journal issues in political science and political history. In “Fascism and Anti-Fascism since 1945,” an issue of Radical History Review, contributors show how fascist ideology continues to circulate and be opposed transnationally despite its supposed death at the end of World War II. And “The ACA at 10,” a two-part issue of the Journal of Health Politics, Policy and Law, marks the tenth anniversary of the Affordable Care Act with essays from prominent analysts of US health policy and politics that explore critical issues and themes in the ACA’s evolution.
There’s so much more! We invite you to download the entire catalog and check out all the great books and journals inside. And be sure to sign up for our email alerts so you’ll know when titles you’re interested in are available.
Our editors look forward to meeting their authors at conferences every year and are sad to be missing out on that this spring. The annual meeting of the Society for Cinema and Media Studies would have taken place April 1-5 in Denver this year. We know that many of you look forward to stocking up on new books at special discounts at our conferences, so we are pleased to extend a 50% discount on all in-stock books and journal issues through May 1. In addition, if you spend $100 or more, we are offering free shipping to U.S. addresses. Journal subscriptions and society memberships don’t qualify for the 50% discount, but they do count toward the $100 threshold.
Instead of greeting Executive Editor Courtney Berger in person this year, check out her recommendations for new titles in the discipline and a great round up of other ways to learn about all the new scholarship that was to be presented at the conference.
Hello, SCMSers. I’m sorry that I won’t see you all in person this year. In the past couple of months, we have published an amazing range of new books in film & media studies. I was looking forward to showing them off at the conference. I hope you’ll go to our website to see the new and forthcoming titles and take advantage of the 50% off sale. (I know, I know. It’s not the same as being able to browse books at the exhibit hall, but it’s the best we’ve got right now.) You can learn about the centrality of the soap opera to the history of American tv production in Elana Levine’s Her Stories, experience the film culture of mid-20th century Paris with Eric Smoodin in Paris in the Dark, or find out about the environmental publics that emerge in India around radiant technologies like cell-phone towers in Rahul Mukherjee’s Radiant Infrastructures.
There were some exciting panels this year that I was hoping to attend that highlight some emerging areas on Duke’s media studies list. Several panels on environment and media feature work related to the new Elements series, edited by Nicole Starosielski and Stacy Alaimo. Some of these panels will be happening in virtual form during the week, so check them out if you can. Melody Jue’s Wild Blue Media is the latest book in the series. Jue submerges key concepts of media—such as storage and transmission—under water, asking us to reconsider conventional notions of media environment. It’s a must read for folks in media studies, in my opinion.
Also, here’s a heads up about an upcoming book series on gaming and game culture called “Power Play” that will be edited by Jen Malkowski and TreaAndrea Russworm. It’s brand new, so no books yet; but keep your eyes open for new books in this area. And if you are into queer gaming culture, check out Bonnie Ruberg’s volume The Queer Games Avant-Garde, which features interviews with 22 queer video game developers and designers.
Finally, I want to give a shout out to Eliza Steinbock, whose book Shimmering Images won this year’s SCMS Best First Book Award. Congratulations, Eliza!
Take care, everyone, and I look forward to seeing you next year.
If you were hoping to connect with Courtney or another of our editors about your book project at SCMS, please reach out to them by email. See our editors’ specialties and contact information here and our new online submissions guidelines here.
We’re also excited to welcome liquid blackness: journal of aesthetics and black studies to our publishing program next spring. And don’t forget to check out our great new journal issues in film and media studies, including “On Chantal Akerman” from Camera Obscura, “Contemporary German and Austrian Cinema” from New German Critique, “Scenes of Suffering” from Theater, and “Multimodal Media” from Poetics Today.
Once again, we’re sorry to miss you in person but hope the 50% discount with free U.S. shipping on orders over $100 will make it possible for you to pick up some new books and journal issues. Use coupon SPRING50 at checkout and see the fine print on the sale here.
Curling up on the couch with a great book is an excellent way to practice social distancing this month. All these titles will deliver before our sale ends on May 1, so check our website regularly. You can save 50% on all in-stock titles with coupon SPRING50.
Tyler Bickford traces the dramatic rise of the “tween” pop music industry in Tween Pop, showing how it marshaled childishness as a key element in legitimizing children’s participation in public culture.
The contributors to Playing for Keeps examine the ways in which musical improvisation can serve as a way to negotiate violence, trauma, systemic inequality, and the aftermaths of war and colonialism. This volume is edited by Daniel Fischlin and Eric Porter.
John F. Szwed’s Space is the Place is the definitive biography of Sun Ra—composer, keyboardist, bandleader, philosopher, entrepreneur, poet, self-proclaimed extraterrestrial from Saturn, and a founder of Afrofuturism. We are pleased to be bringing this classic back into print with a new preface.
In Vital Decomposition, Kristina M. Lyons presents an ethnography of human-soil relations in which she follows state soil scientists and peasant farmers in Colombia’s Putumayo region, showing how their relationship with soil is key to caring for the forest and growing non-illicit crops in the face of violence, militarism, and environmental destruction.
Micha Rahder explores how multiple ways of knowing the forest of Guatemala’s Maya Biosphere Reserve shape conservation practice, local livelihoods, and landscapes in An Ecology of Knowledges.
In Relations, Marilyn Strathern provides a critical account of anthropology’s key concept of relation and its usage and significance in the English-speaking world, showing how its evolving use over the last three centuries reflects changing thinking about knowledge-making and kin-making.
In Virtual Pedophilia, Gillian Harkins traces the genealogy of the transformation of cultural construction of the pedophile as a social outcast into the image of normative white masculinity from the 1980s to the present, showing how his “normalcy” makes him hard to identify and stop.
In A People’s History of Detroit, Mark Jay and Philip Conklin use a Marxist framework to tell a sweeping story of Detroit from 1913 to the present, outlining the complex socio-political dynamics underlying major events in Detroit’s past, from the rise of Fordism and the formation of labor unions to deindustrialization and the city’s recent bankruptcy.
In Revolution and Disenchantment, Fadi A. Bardawil explores the hopes for and disenchantments with Marxism-Leninism in the writings and actions of revolutionary intellectuals within the 1960s Arab New Left.
In Tehrangeles Dreaming, Farzaneh Hemmasi draws on ethnographic fieldwork in Los Angeles and musical and textual analysis to examine how the pop music, music videos, and television made by Iranian expatriates express modes of Iranianness not possible in Iran.
The Lonely Letters is an epistolary blackqueer critique of the normative world in which Ashon T. Crawley meditates on the interrelation of blackqueer life, sounds of the black church, theology, mysticism, and the potential for platonic and erotic connection in a world that conspires against blackqueer life.
Drawing on Whitman and Adorno, Morton Schoolman proposes aesthetic education through film as a way to redress the political violence inflicted on difference society constructs as its racialized, gendered, Semitic, and sexualized other in A Democratic Enlightenment.
In Kwaito Bodies, Xavier Livermon examines the cultural politics of the youthful black body in South Africa through the performance, representation, and consumption of Kwaito—a style of electronic dance music that emerged following the end of apartheid.
Reflecting on the experience, philosophy, and practice of Latin American indigenous and Afro-descendant activist-intellectuals who mobilize to defend their territories from large-scale extraction, Arturo Escobar shows in Pluriversal Politics how the key to addressing planetary crises is the creation of the pluriverse—a world of many epistemological and ontological worlds.
The contributors to AIDS and the Distribution of Crises outline the myriad ways that the AIDS pandemic exists within a network of varied historical, overlapping, and ongoing crises borne of global capitalism and colonial, racialized, and gendered violence. This collection is edited by Jih-Fei Cheng, Alexandra Juhasz, and Nishant Shahani. It is currently available to read free online as part of our Navigating the Threat of Pandemic syllabus.
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