Gender Studies

New Books in January

If one of your resolutions for 2020 is to read more books, we’ve got you covered. Ring in the new year with these captivating new releases!

In Beneath the Surface, Lynn M. Thomas constructs a transnational history of skin lighteners in South Africa and beyond, theorizing skin and skin color as a site for antiracist struggle and lighteners as a technology of visibility that both challenges and entrenches racial and gender hierarchies.

Weaving U.S. history into the larger fabric of world history, the contributors to Crossing Empires de-exceptionalize the American empire, placing it in a global transimperial context as a way to grasp the power relations that shape imperial formations. This collection is edited by Kristin L. Hoganson and Jay Sexton.

Engaging contemporary photography by Sally Mann, Lorna Simpson, Carrie Mae Weems, and others, Shawn Michelle Smith traces how historical moments come to be known photographically and the ways in which the past continues to inhabit, punctuate, and transform the present through the photographic medium in Photographic Returns.

Spanning the centuries between pre-contact indigenous Haiti to the aftermath of the 2010 earthquake, the selections in The Haiti Reader introduce readers to Haiti’s dynamic history and culture from the viewpoint of Haitians from all walks of life. This volume is edited by Laurent Dubois, Kaiama L. Glover, Nadève Ménard, Millery Polyné, and Chantalle F. Verna.

The contributors to Futureproof (edited by D. Asher Ghertner, Hudson McFann, and Daniel M. Goldstein) examine the affective and aesthetic dimensions of security infrastructures and technology with studies ranging from Jamaica and Jakarta to Colombia and the US-Mexico border.

Examining abjection in a range of visual and material culture, the contributors to Abjection Incorporated move beyond critiques of abjection as a punitive form of social death to theorizing how it has become a means to acquire political and cultural capital in the twenty-first century. This volume is edited by Maggie Hennefeld and Nicholas Sammond.

Margaret E. Dorsey and Miguel Díaz-Barriga argue that border wall construction along the U.S.–Mexico border manifests transformations in citizenship practices that are aimed not only at keeping migrants out but also enmeshing citizens into a wider politics of exclusion in Fencing in Democracy.

In Politics of Rightful Killing, Sima Shakhsari analyzes the growth of Weblogistan—the online and real-life transnational network of Iranian bloggers in the early 2000s—and the ways in which despite being an effective venue for Iranians to pursue their political agendas, it was the site for surveillance, cooptation, and self-governance.

In Invisibility by Design, Gabriella Lukács traces how young Japanese women’s unpaid labor as bloggers, net idols, “girly” photographers, online traders, and cell phone novelists was central to the development of Japan’s digital economy in the 1990s and 2000s.

Presented in the context of the nonprofit arts collective More Art’s fifteen-year history, and featuring first-person testimony, critical essays, and in-depth documentary materials, More Art in the Public Eye is an essential, experiential guide to the field of socially engaged public art and its increasing relevance. This volume is edited by Micaela Martegani, Jeff Kasper, and Emma Drew, and we are distributing it for More Art.

Shana L. Redmond traces Paul Robeson’s continuing cultural resonances in popular culture and politics in Everything Man, showing how he remains a vital force and presence for all those he inspired.

In The Complete Lives of Camp People, Rudolf Mrázek presents a sweeping study of the material and cultural lives of internees of two twentieth-century concentration camps and the multiple ways in which their experiences speak to and reveal the fundamental logics of modernity.

In Avian Reservoirs, Frédéric Keck traces how the anticipation of bird flu pandemics has changed relations between birds and humans in Hong Kong, Singapore, and Taiwan, showing that humans’ reliance on birds is key to mitigating future pandemics.

Collecting texts from all corners of the world that span antiquity to the present, The Ocean Reader (edited by Eric Paul Roorda) charts humans’ relationship to the ocean, treating it as a dynamic site of history, culture, and politics.

The contributors to Blue Legalities attend to the seas as a legally and politically conflicted space to analyze the conflicts that emerge where systems of governance interact with complex geophysical, ecological, economic, biological, and technological processes. This collection is edited by Irus Braverman and Elizabeth R. Johnson.

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The Most Read Articles of 2019

As 2019 comes to a close, we’re reflecting on the most read articles across all our journals. Check out the top 10 articles that made the list, all freely available until the end of January.

Instafame: Luxury Selfies in the Attention Economy” by Alice E. Marwick
Public Culture volume 27, issue 1 (75)

Anthropocene, Capitalocene, Plantationocene, Chthulucene: Making Kin” by Donna Haraway
Environmental Humanities volume 6, issue 1

Punks, Bulldaggers, and Welfare Queens: The Radical Potential of Queer Politics?” by Cathy J. Cohen
GLQ: A Journal of Lesbian and Gay Studies volume 3, issue 4

After Trans Studies” by Andrea Long Chu and Emmett Harsin Drager
TSQ: Transgender Studies Quarterly volume 6, issue 1

Necropolitics” by Achille Mbembe
Public Culture volume 15, issue 1

Markup Bodies: Black [Life] Studies and Slavery [Death] Studies at the Digital Crossroads” by Jessica Marie Johnson
Social Text volume 36, issue 4 (137)

Twin-Spirited Woman: Sts’iyóye smestíyexw slhá:li” by Saylesh Wesley
TSQ: Transgender Studies Quarterly volume 1, issue 3

Gender and Nation Building in Qatar: Qatari Women Negotiate Modernity” by Alainna Liloia
Journal of Middle East Women’s Studies volume 15, issue 3

All Power to All People?: Black LGBTTI2QQ Activism, Remembrance, and Archiving in Toronto” by Syrus Marcus Ware
TSQ: Transgender Studies Quarterly volume 4, issue 2

Unruly Edges: Mushrooms as Companion Species: For Donna Haraway” by Anna Tsing
Environmental Humanities volume 1, issue 1

Our Editors Pick Their Books of the Decade

As we come to the end of a decade, our editors look back at some of the most influential books we’ve published since 2010.

Ken Wissoker, Editorial Director

In the WakeI’m proud to have worked on a great number of field-changing and prize-winning books this decade, many of which had sway far beyond the academy. The one title that stands out for me is Christina Sharpe’s In the Wake. I’d worked with Christina on her exceptional first book Monstrous Intimacies so knew there was more brilliance to come. I can still picture the room at MLA in Vancouver where I first heard her present In the Wake’s powerful poetic text, compelling at so many layers at once. We were awed by her ability to move from the deeply familial and personal to the scale of world history without losing either the tone or the theory; by the stark realism of her account of Black death; and by the call to live on despite the weather. The book came out in November of 2016, by mid-March of the following year, artist Cauleen Smith had adopted the book’s title for her contribution to the 2017 Whitney Biennial.  I’ve since seen Sharpe’s work deeply engaged by Torkwase Dyson and other artists. Her narrating of the wake, the ship, the hold, and the weather — along with the idea of wakework itself — has been taken up by writers, critics, activists and readers, who felt Sharpe had named something for their lives. This quick recognition —the sense of being recognized, seen, or heard — is unusual and deeply special.  The book is an extraordinary gift to our ongoing political moment, one that will resonate for many years to come.

Courtney Berger, Executive Editor

Vibrant MatterIt’s been 10 years since we published Jane Bennett’s Vibrant Matter: A Political Ecology of Things (January 2010).  When I first read the manuscript, I knew it would be important. I knew that Bennett’s generous and reflective way of thinking and her engaging writing style would widen its audience beyond political theory (Bennett’s home discipline). But I had no idea how influential the book would be, setting the stage for a decade of conversation and debate about “thing-power” and the agential capacities of the nonhuman. Bennett’s plea to recognize the influence of nonhuman forces and things in the political realm and to decenter the human resonated with me and many others seeking new ways of thinking about our relationship to our environment. Influential books often provoke debate and this one certainly has done that. But, for me, the books that matter in the long run are the ones that invite me to think with them. Vibrant Matter is that kind of book. Bennett’s ideas have generated critique, disagreement, and reflection, all of which has pushed scholarship in new and important directions.  Notably, Mel Chen’s Animacies: Biopolitics, Racial Mattering, and Queer Affect (2012) builds upon Bennett’s attention to the affective dimensions of the nonhuman material world, but shows us how race, sexuality, and disability have shaped our notions of liveliness and of who and what matters in this world.  In The Biopolitics of Feeling: Race, Sex, and Science in the Nineteenth Century (2017) Kyla Schuller extends this critique, illustrating how the 19th century sciences of “impressibility” and animacy helped to solidify ontologies of racial difference, ideas that have had an often unacknowledged afterlife in new materialist philosophies.  Moreover, Bennett’s work has helped to lay the ground work for innovative book series like ANIMA, edited by Mel Chen and Jasbir Puar, which brings queer, race, and disability theory to bear on our understanding of life and matter, and Elements, edited by Stacy Alaimo and Nicole Starosielski, which foregrounds the material elements as lively forces that shape politics and culture.

My task was to name one book of the decade, and as you see, instead I named one book, and two more, and then two book series. Maybe that’s my way of dodging the task. But it also speaks to the expansive and generative quality of books, as they travel, intersect, and influence one another, as well as the vibrancy of the scholarly conversations I’m so privileged to be a part of. I can’t wait to see which books make their mark in the coming decade. . . .

Gisela Fosado, Editor

Light in the DarkGloria Anzaldúa’s brilliant book Light in the Dark/Luz en lo Oscuro is a work that is decades ahead of its time.  Published in 2015, but written before Anzaldúa’s untimely death in 2004, the book engages feminist and queer aesthetics, ontologies, epistemologies, and ethics, offering a new decolonial vision for our world.  It’s a must-read for all feminist scholars.

Elizabeth Ault, Editor

My book of the decade is Kristin Peterson’s Speculative Markets. I arrived at Duke Press in 2012, mere weeks after Speculative Marketsdefending my dissertation in American studies (focused on Black-cast sitcoms of the 1970s). I was pretty burnt out after 6 years of grad school, and feeling a little distant and alienated from the political passion and the joy of intellectual inquiry that had put me on an academic path in the first place. Speculative Markets was one of the first books I got to work on at the Press. Peterson’s book, an ethnography of pharmaceuticals in Nigeria, wasn’t an obvious fit with my areas of expertise. But the book begins with a blistering account of structural adjustment in the global 1970s and 80s, providing African perspectives on the global rise of neoliberalism, which had loomed large in my previous work. Thinking neoliberalism, the durability of colonial forms, speculation, and global anti-Blackness from Nigeria with Peterson introduced me to what cultural and medical anthropology and African studies can do. The book reoriented my perspective, introduced me to new conversations, and reminded me of the power of scholarship. It’s helped me chart the course that has comprised my career here at the Press over the past 7 years, which is why it’s my book of the decade.

Miriam Angress, Associate Editor

RemnantsOne of the books I’m joyful to have worked on is Remnants: A Memoir of Spirit, Activism, and Mothering, written by Rosemarie Freeney Harding with her daughter Rachel Elizabeth Harding. The author—an influential civil-rights activist—believed in the unity of all great spiritual teachings, and practiced multiple religions herself; she looked for the compassionate underpinnings of these traditions, such as the link she saw between Tibetan Buddhist teachings and lessons she learned from her mother as they visited dying relatives. Remnants incorporates stories of her civil rights leadership, co-founding an early integrated community center in Atlanta with her husband Dr. Vincent Harding, and working with friends and colleagues including Dr. Martin Luther King, Jr. and Coretta Scott King, Anne Braden, Dr. Howard Thurman and Sue Bailey Thurman, and Sweet Honey in the Rock singer Bernice Reagon.

Rachel Harding (Associate Professor of Indigenous Spiritual Traditions at University of Colorado) worked with her mother on the memoir for a decade before Freeney Harding’s death in 2004. After that, she excavated her mother’s voice from journals, previously published material, recordings, and her own memories.

Sandra Korn, Assistant Editor

Normal Life2011 was the year I realized that I was queer, and the year that I officially scrapped my parents’ dreams that I would become a scientist, when I switched my undergraduate major to Women, Gender, and Sexuality studies. It’s also the year that Dean Spade first published Normal Life: Administrative Violence, Critical Trans Politics, and the Limits of Law with South End Press. Same-sex marriage legalization and hate crime laws covering gender identity were slowly sweeping the U.S. state by state. Yet Dean Spade taught me that waiting for the courts to grant legal equality (the model adopted by the gay and lesbian rights movement) would never be sufficient to address the root causes of violence against trans people across the planet. Instead, Spade argues that trans liberation requires a grassroots movement, led by trans people most impacted by criminalization, surveillance, and detention and deportation. Duke Press published the second edition of Normal Life in 2015, and this book feels just as necessary as we head into 2020.

 

 

New Books in December

‘Tis the season for brand new books! This month, we’re releasing a variety of compelling titles from a wide range of disciplines—art, history, music, theory and philosophy, cultural studies, and many more. Check out these great reads available in December.

Andrea Smith examines the racial reconciliation movement in Evangelical Christianity through a critical ethnic studies lens in Unreconciled, evaluating the varying degrees to which Evangelical communities that were founded on white supremacy have attempted to address racism and become more inclusive.

In Picasso’s Demoiselles, eminent art historian Suzanne Preston Blier uncovers a previously unknown history of the influences and creative process of Pablo Picasso’s Les Demoiselles d’Avignon, one of the twentieth century’s most important, celebrated, and studied paintings.

In The Sonic Episteme Robin James examines how twenty-first-century conceptions of sound as acoustic resonance shape notions of the social world, personhood, and materiality in ways that support white supremacist capitalist patriarchy.

In Listen But Don’t Ask Question Kevin Fellezs traces the ways in which slack key guitar—a traditional Hawaiian musical style played on an acoustic steel-string guitar—is a site for the articulation of the complex histories, affiliations, and connotations of Hawaiian belonging.

Militarization: A Reader, edited by Roberto J. González, Hugh Gusterson, and Gustaaf Houtman, offers an anthropological perspective on militarization’s origin and sustained presence as a cultural process in its full social, economic, political, cultural, environmental, and symbolic contexts throughout the world.

Originally published in French in 1997 and appearing here in English for the first time, David Lapoujade’s William James: Empiricism and Pragmatism is both an accessible and rigorous introduction to and a pioneering rereading of James’s thought.

With topics that span the sixteenth century to the present in Latin America, the United States, Australia, the Middle East, and West Africa, the contributors to Ethnopornography show how ethnopornography—the eroticized observation of the Other for supposedly scientific or academic purposes—is fundamental to the creation of race, colonialism, and archival and ethnographic knowledge. This volume is edited by Pete Sigal, Zeb Tortorici, and Neil L. Whitehead.

In Otaku and the Struggle for Imagination in Japan Patrick Galbraith examines Japanese “otaku,” their relationships with fictional girl characters, the Japanese public’s interpretations of them as excessive and perverse, and the Japanese government’s attempts to co-opt them into depictions of “Cool Japan” to an international audience.

In Mafalda: A Social and Political History of Latin America’s Global Comic—first published in Argentina in 2014 and appearing here in English for the first time—Isabella Cosse examines the history, political commentary, and influence of the world-famous comic character Mafalda from her Argentine origins in 1964 to her global reach in the 1990s.

In The Licit Life of Capitalism Hannah Appel uses a case study of U.S. oil industry in Equatorial Guinea to illustrate how inequality makes markets, not just in West Africa but globally.

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E. Patrick Johnson’s Fall Tour for Honeypot

E. Patrick Johnson, author of Honeypot: Black Southern Women Who Love Women (Duke University Press), will be reading and discussing his new book at various locations throughout the US this fall and into the beginning of next year. At one of these events in Chicago, he will be in conversation with Honeypot contributor Alexis Pauline Gumbs, author of M Archive and Spill, both also published by Duke University Press.

Reading and Discussion
Monday, November 11 at 6:00 pm
Busboys and Poets
2021 14th St NW, Washington, DC 20009

Reading and Discussion
Tuesday, November 19 at 7:00 pm
Amherst Books
8 Main St, Amherst, MA 01002

Reading and Discussion
Thursday, December 5
Women & Children First
5233 N. Clark St, Chicago, IL 60640

Reading and Discussion
Saturday, December 7
Charis Books & More
184 S. Candler St, Decatur, GA 30030

Reading and Discussion with Alexis Pauline Gumbs
Sunday, January 12 at 3:00 pm
Seminary Co-op Bookstore
5751 S. Woodlawn Ave, Chicago, IL 60637

Reading and Discussion
Wednesday, January 22 at 7:00 pm
The Regulator Bookshop
720 9th St, Durham, NC 27705

Reading and Discussion
Thursday, January 23
Malaprop’s Bookstore/Cafe
55 Haywood St, Asheville, NC 28801

Reading and Discussion
Wednesday, January 29
Harvard Book Store
1256 Massachusetts Ave, Cambridge, MA 02138

Reading and Discussion
Friday, February 7
Skylight Books
1814 N. Vermont Ave, Los Angeles, CA 90027

Combining oral history with magical realism and poetry, Honeypot is an engaging and moving book that reveals the complexity of identity while offering a creative method for scholarship to represent the lives of other people in a rich and dynamic way.

New Books in November

This month, we’re offering a cornucopia of fresh titles in anthropology, media studies, sociology, history, native and indigenous studies, and more. Take a look at all of these exciting new books available in November!

978-1-4780-0649-7_prWhat does it mean to be a decolonial tourist? We are excited to present our first travel guide book,  Detours, edited by Hokulani K. Aikau and Vernadette Vicuna Gonzalez.  In the book artists, activists, and scholars redirect readers from the fantasy of Hawai‘i as a tropical paradise and tourist destination toward a multilayered and holistic engagement with Hawai‘i’s culture, complex history, and the effects of colonialism. We’ll have lots of copies at the American Studies Association meeting in Honolulu later this month.

Mark Goodale’s ethnographic study of Bolivian politics and society between 2006 and 2015, A Revolution in Fragments, reveals the fragmentary and contested nature of the country’s radical experiments in pluralism, ethnic politics, and socioeconomic planning.colonialism.

In The Politics of Taste Ana María Reyes examines how the polarizing art of Beatriz González disrupted Cold War aesthetic discourses and the politics of class and modernization in 1960s Colombia.

Nicholas D’Avella offers an ethnographic reflection on the value of buildings in post-crisis Buenos Aires in Concrete Dreams, showing how everyday practices transform buildings into politically, economically, and socially consequential objects, and arguing that such local forms of value and practice suggest possibilities for building better futures.

In his engaging and moving book, Honeypot, E. Patrick Johnson combines magical realism, poetry, and performative writing to bear witness to the real-life stories of black southern queer women in ways that reveal the complexity of identity and the challenges these women face. Johnson is on a book tour for Honeypot. Look for a post later this month with all the dates.

In Trans Exploits Jian Neo Chen examines how contemporary trans of color artists are tracking and resisting their displacement and social marginalization through new forms of cultural expression, performance, and activism.

 

In Punctuations Michael J. Shapiro examines how the use of punctuation—conceived not as a series of marks but as a metaphor for the ways in which artistic genres engage with intelligibility—in art opens pathways for thinking through the possibilities for oppositional politics.

In a meditation on loss, inheritance, and survival, The Unspoken as Heritage, renowned historian Harry Harootunian explores the Armenian genocide’s multigenerational afterlives that remain at the heart of the Armenian diaspora by sketching the everyday lives of his parents, who escaped the genocide in the 1910s.

Tyler Denmead critically examines his role as the founder of New Urban Arts—a nonprofit arts program for young people of color in Providence, Rhode Island—and how despite its success, it unintentionally contributed to Providence’s urban renewal efforts, gentrification, and the displacement of people of color in The Creative Underclass.

Kamari Maxine Clarke explores the African Union’s pushback against the International Criminal Court in order to theorize affect’s role in shaping forms of justice in Affective Justice.

In Before the Flood, Jacob Blanc examines the creation of the Itaipu Dam—the largest producer of hydroelectric power in the world—on the Brazil–Paraguay border during the 1970s and 1980s to explore the long-standing conflicts around land, rights, indigeneity, and identity in rural Brazil.

In Screening Race in American Nontheatrical Film, edited by Allyson Nadia Field and Marsha Gordon, the contributors examine the place and role of race in educational films, home movies, industry and government films, anthropological films, church films, and other forms of noncommercial filmmaking throughout the twentieth century.

Deborah A. Thomas uses the 2010 military and police incursion into the Kingston, Jamaica, Tivoli Gardens neighborhood as a point of departure for theorizing the roots of contemporary state violence in Jamaica and other post-plantation societies in Political Life in the Wake of the Plantation.

In Progressive Dystopia Savannah Shange traces the afterlives of slavery as lived in a progressive high school set in post-gentrification San Francisco, showing how despite the school’s sincere antiracism activism, it unintentionally perpetuated antiblackness through various practices.

In Sacred Men Keith L. Camacho examines the U.S. Navy’s war crimes tribunal in Guam between 1944 and 1949 which tried members of Guam’s indigenous Chamorro community and Japanese nationals and its role in shaping contemporary domestic and international laws regarding combatants, jurisdiction, and property.

Maile Arvin analyzes the history of racialization of Polynesians within the context of settler colonialism across Polynesia, especially in Hawai‘i, arguing that a logic of possession through whiteness animates European and Hawaiian settler colonialism in Possessing Polynesians.

978-1-4780-0621-3_prIn his experimental ethnography, Ethnography #9, Alan Klima examines moneylending, gambling, funeral casinos, and the consultations of spirits and mediums to predict winning lottery numbers to illustrate the relationship between contemporary Thai spiritual and financial practices and global capitalism’s abstraction of monetary value.

In Biogenetic Paradoxes of the Nation, Sakari Tamminen traces the ways in which the mandates of 1992’s Convention on Biological Diversity—hailed as the key symbol of a common vision for saving Earth’s biodiversity—contribute less to biodiversity conservation than to individual nations using genetic resources for economic and cultural gain.

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Q&A with Brenda R. Weber, Author of Latter-day Screens

weberBrenda R. Weber is Professor of Gender Studies at Indiana University, editor of Reality Gendervision: Sexuality and Gender on Transatlantic Reality Television, and author of Makeover TV: Selfhood, Citizenship, and Celebrity, both also published by Duke University Press. Her newest book, Latter-day Screens: Gender, Sexuality, and Mediated Mormonism examines how mediation of Mormonism through film, TV, blogs, YouTube videos, and memoirs functions as a means to understand conversations surrounding gender, sexuality, spirituality, capitalism, justice, and individualism in the United States.

You mention in the acknowledgements that two of your close friends—fellow non-Mormons who also grew up surrounded by Mormon culture—thought writing the book was a mistake. What was it that allowed you to move beyond their fears (and perhaps your own) and continue on with the project? 

One of the things I try to capture in the memoir section of the book (coming at the end) is the way that Mormonism influenced practically every aspect of my growing up in Mesa, Arizona, because the religion has such a strong set of beliefs practices, and behaviors—through things like what one can eat or drink but also about your use of time and your perceived friendliness. It also set limits on how hard I could think (and still be considered nice) and what exactly I could aspire to become professionally and personally, and it absolutely forbade the legitimacy of LGBT loves or lives. So for me and my other non-Mormon friends, we lived with a constant sense of a very powerful presence that could be felt and could judge us but couldn’t really be detected or blocked, like the air we breathe. It had a way of seeping into us and taking up residence in our bodies. I think my friends and I dealt with this largely by not dealing with it—we left town, moved on, grew up. Writing the book meant dismantling a coping mechanism I had used for nearly 30 years, and my friends were concerned about no longer having this capacity for separation.

As with most of my projects, it was my fascination with learning that made me move beyond those fears. Instead of turning my back and mind on those people and beliefs that had governed my childhood, I became truly interested in understanding the history, culture, and media representations of Mormons, both mainstream and fundamentalist. It was a wonderful way to purge a lot of childhood ghosts, but I do still have anxieties that I can never again go to a high school reunion and I’ve pretty much been de-friended by all of my LDS friends from childhood. And I want to emphasize, this is not something I could have done as a child or a teenager. I needed to be an adult with enough certainty about me that taking a part a necessary scaffolding wouldn’t undo a broader sense of my self.

Images and ideas of Mormonism, or what you call “mediated Mormonism,” are quite powerful cultural tools: You describe mediated Mormonism as a “lens” through which we can see the inner workings and mechanics of American culture. What do you see as particular to the Church of Latter-Day Saints that allows its representations to have this powerful clarifying effect? 

Latter-day ScreensAs an American religion born in the nineteenth century, Mormonism came alive as new possibilities in media were also born. Religion scholars have long talked about the advent of the printing press as presaging both the Protestant Revolution and a spread and diversification of Christianity. Mormonism nicely illustrates this story as well, fittingly in the New World of the Americas where the book is set. The Book of Mormon was first published in Palmyra, New York in 1830. Joseph Smith ordered a run of 5,000 copies (at a cost of $3,000), which is an astronomical number and cost for that time period. But the print run tells us a great deal about the rise of book culture in the United States, the zealous emergence of a number of new religions in this time period, the rise in literacy across more rural parts of the United States, and the general affordability of publishing in this period.

I had an opportunity while researching this book to visit E. B. Grandin, the print shop that made The Book of Mormon, now turned into a site staffed and run by the mainstream LDS Church. While there, I was astounded that if I stood on tippy toes at the back door, I could see the Erie Canal, which was like an information super highway in the nineteenth century, moving goods and in this case ideas across the country and into Canada. With the spread of the book soon went the spread of missionaries, because this has always been a very proselytizing religion.

This circulation of Mormon missionaries and ideas served to crystalize Mormonism as a recognizable “thing” in the culture, what in the book I call Mormonism as a meme. Broader American and even international culture has not always looked on Mormonism in a positive light, but it is often referenced to do a larger symbolic work. So, as we see in the case of Big Love or Sister Wives, fundamentalist Mormons are called upon to serve as “American everymen” who live their lives a little differently. They become proxy figures for asking if there are limits to the American experiment.

You argue that the struggles against norms taking place inside and around Latter-day screens actually become accelerants for social justice. For instance, you discuss how Utah’s dismissal of their case against the polygamous Brown family from Sister Wives coincided with the state’s issuing of licenses for same-sex marriages. What potential (and limitations) do you see in cultural media like reality television to become agents of change in broader legal and political spheres? 

978-0-8223-5682-0_prWell, culture has always been an agent in the legal and political sphere, so it’s not like this is a new thing. Fighting to eradicate slavery, for instance, brought forth a whole new set of protest literatures from slave narratives to sentimental novels.

But as I discuss in my 2014 book Reality Gendervision, people love to hate on TV, particularly reality TV. And don’t get me wrong, there’s a lot to critique, but I don’t think it is the medium itself that is to blame. Perhaps I have convinced myself as a media scholar, but I think the issue is really about critical thinking skills and media literacy. The more people can think critically, the more all kinds of media can be used in beneficial ways.

In the book, you describe the kidnapping victim Elizabeth Smart as a “cultural meme,” serving as a sign of the ultimate innocent victim who meets the affective demand to be “happy” after trauma. How do you see these same demands– for innocent victims who don’t “hold a grudge”—working in our own cultural and institutional logics surrounding sexual assault and violence? Is Smart as a meme a direct mirror for our larger culture, or an exaggeration that allows us to see ourselves more clearly?

I see the image of Elizabeth Smart as absolutely an outlying representation, particularly in an era of #MeToo that asks survivors of sexual assault to claim their stories and to be willing to share their feelings of anger about them. Also, I want to be clear that I don’t fault Elizabeth Smart for her affect. I have no idea what her actual feelings are inside, and she may well have a different emotional experience that she, rightfully, does not divulge as part of her public persona. Or maybe she doesn’t. I wouldn’t want to be understood as saying that Smart is wrong in being happy but that the effect of her affect (if you want to put it this way) is to suggest she will never attack. This, in turn, reinforces normative notions of heteronormative femininity that suggest a woman’s value is heightened through her willingness to put others before herself, including their emotional needs. I use a line in the book from Judith Freeman’s excellent memoir The Latter Days (2017) about receiving instructions on femininity as a young Mormon girl. Freeman and others were given an example of sitting in a church pew and not feeling well. If this happened, they were advised, it would be far better to throw up in your purse than to ask others to stand up so that you could get to the restroom. Better to barf in a handbag! That’s the kind of gender identity at the heart of the happy affect I examine in the book.

You close your book by discussing LGBT+ Mormons and their relationship with media as a space for self-recognition, working against patterns in the church where a denial of self-knowledge is often a condition of subjectivity, like in the show My Husband’s Not Gay. Do you think that twenty-first century social media can accomplish this self-representation in a new way that television cannot?

I wouldn’t say that it is mutually exclusive (either television can do it better or social media does) but cumulative. When I use the phrase Latter-day Screens, this is exactly what I’m getting at – that cultural ideas, impressions, and images are produced through a conversation between different media platforms (television, feature film, memoir) and through both high and low, professional and amateur production, all coming together in these relatively coherent symbols that are labeled “Mormon.”

Ideas change through continual and repeated exposure to an idea. Just this week, for example, a new television show popped onto my TIVO, called Trapped: The Alex Cooper Story (Lifetime, released September 28, 2019). It offers a made-for-television version of the 2016 memoir Saving Alex, written by Alex Cooper. Cooper writes about being raised LDS and coming out to her parents, who in desperation, forcibly put her in reparation therapy. It’s a brutal, sad story with a triumphant ending. But Saving Alex is not a singular story—there are many memoirs about LGBT+ lives and loves and the hardship of living as gay and Mormon, many of them self-published, many others serving as the backbone of film or television representation (as for instance in The Falls: Testament of Love or Latter Days).

Social media is critical to all of this because it is immediate and it is amateur, meaning one doesn’t require a ten-million dollar budget and backing from Hollywood before telling one’s truth, or testifying (a key tenet of Mormonism). Mediation, as we discussed in the first question, here serves as quintessentially Mormon, or, as many of the people who create media content around Mormonism say, “As out-Mormoning the Mormons.” Dan Reynolds, the lead singer of Imagine Dragons, says it most powerfully in the documentary Believer,

There’s one thing my Mormon values have taught me since I was young. It’s that no matter what the world says about who you are, what you believe, still do it. A hundred percent. That spirit was the spirit that carried me through my mission. I felt like I was baring my truth regardless what anyone thought about me. That’s all because of Mormonism and my parents, they all prepped me for this moment now. A determined Mormon is a scary thing, I will tell you that. Because they don’t stop. I knocked a hundred doors to get into one door. I knocked a thousand doors on my mission. If there’s one thing I can guarantee it’s that I will continue to knock this door until somebody answers.

That’s on page 21 of my book, if anyone wants to read more!

What is something you hope readers will take away from this in-depth account of the various ways in which Mormonism circulates in our media?

In terms of media, I hope that readers perceive the clarifying capacities of Mormonism, when we understand it as both a way of seeing and a way of thinking. Really, my book is not so much about Mormons as people or Mormon ideas. Instead, it’s about Mormonism as an idea. Decoding its many values is a bit like taking apart a complex engine, in that we really begin to see and understand how bits and pieces work together to create something far bigger than the sum of its parts.

In terms of the overall project, I hope that readers see that everyone has a story worth telling, and I hope they understand my regard toward actual Mormon people as being not judgmental but also not completely sympathetic. For me, my experience with the influence of Mormonism helped me understand the workings of hegemony, a critical term within gender studies that is often used and seldom defined. But basically, hegemony has to do with the invisible systems that compel people not only to act in ways opposite to their self-interest but also to believe those power relations are superior to other ways, so they champion their continuation. I had a hard time understanding how I could never have been formally schooled in the values of Mormonism yet knew the codes so well I had internalized them. Writing this book allowed me to understand that hegemonic process more and in so doing to be free of them in some ways.

Read the introduction to Latter-day Screens free online and save 30% on the paperback edition using coupon code E19WEBER.

 

 

New Books in October

It’s official—fall has arrived! With the start of this new season, we’re releasing dynamic new reads in art and visual culture, anthropology, feminist studies, cultural studies, sociology, and more. Check out all of these exciting books available in October.

Continuing the work she began in The Promise of Happiness and Willful Subjects by taking up a single word and following its historical, intellectual, and political significance, Sara Ahmed explores how use operates as an organizing concept, technology of control, and tool for diversity work in What’s the Use?

In Where Histories Reside Priya Jaikumar examines seven decades of films shot on location in India to show how attending to filmed space reveals alternative timelines and histories of cinema as well as the myriad ways cinema constructs India as a place.

Eva Haifa Giraud contends in What Comes after Entanglement? that recent theory that foregrounds the ways that human existence is entangled with other nonhuman life and the natural world often undermine successful action and calls for new modes of activist organizing and theoretical critique.

The contributors to Reading Sedgwick (edited by Lauren Berlant) reflect on the long and influential career of Eve Kosofsky Sedgwick, whose pioneering work in queer theory has transformed understandings of affect, intimacy, politics, and identity.

Conceptualizing anthropology as a mode of practical and transformative inquiry in A Possible Anthropology, Anand Pandian stages an ethnographic encounter with the field in an effort to grasp its impact on the world and its potential for addressing and offering solutions to the profound crises of the present.

In Symbolic Violence Michael Burawoy brings Pierre Bourdieu into an extended debate with Marxism by outlining the parallels and divergences between Bourdieu’s thought and preeminent Marxist theorists including Gramsci, Fanon, Beauvoir, and Freire.

Achille Mbembe theorizes the genealogy of the contemporary world—one plagued by inequality, militarization, enmity, and a resurgence of racist, fascist, and nationalist forces—and calls for a radical revision of humanism a the means to create a more just society in Necropolitics.

In Fidel between the Lines Laura-Zoë Humphreys tracks late-socialist Cuba’s changing dynamics of social criticism and censorship through Cuban cinema and its cultural politics.

In A Fragile Inheritance, Saloni Mathur investigates the work of two seminal figures from the global South: the New Delhi-based critic and curator Geeta Kapur and contemporary multimedia artist Vivan Sundaram, illuminating  how their political and aesthetic commitments intersect and foreground uncertainty, difficulty, conflict, and contradiction.  

Ronak K. Kapadia examines multimedia visual art by artists from societies besieged by the US war on terror in Insurgent Aesthetics, showing how their art offers queer feminist critiques of US global warfare that forge new aesthetic and social alliances with which to sustain critical opposition to the global war machine.

In Eros Ideologies Laura E. Pérez analyzes Latina art to explore a new notion of decolonial thought and love based on the integration of body, mind, and spirit that offers a means to creating a more democratic and just present and future.

Edited by Frances Richard, I Stand in My Place with My Own Day Here features essays by more than fifty renowned international writers considering thirteen monumental works of art commissioned by The New School between 1930 and the present. We are distributing this beautiful art book for The New School.

Between Form and Content is a catalog that accompanied the first exhibition to focus on Jacob Lawrence’s experience at Black Mountain College in North Carolina in 1946, where his interaction with Josef Albers had a lasting impact on his future career. We are distributing this catalog for Black Mountain College Museum + Art Center.

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New Books in September

Summer’s almost over, which means it’s time to start to replenishing your reading list! Celebrate the start of a new academic year with us by checking out this diverse array of books arriving in September.

Acknowledging the impending worldwide catastrophe of rising seas in the twenty-first century, Orrin H. Pilkey and Keith C. Pilkey outline the impacts on the United States’ shoreline and argue that the only feasible response along much of the U.S. shoreline is an immediate and managed retreat in Sea Level Rise.

Brenda R. Weber’s Latter-day Screens examines the ways in which the mediation of Mormonism through film, TV, blogs, YouTube videos, and memoirs functions as a means through which to understand conversations surrounding gender, sexuality, spirituality, capitalism, justice, and individualism in the United States.

Self-Devouring Growth by Julie Livingston shows how the global pursuit of economic and resource-driven growth comes at the expense of catastrophic destruction, thereby upending popular notions that economic growth and development is necessary for improving a community’s wellbeing.

In Under Construction, Daniel Mains explores the intersection of infrastructural development and governance in contemporary Ethiopia by examining the conflicts surrounding the construction of specific infrastructural technologies and how that construction impacts the daily lives of Ethiopians.

Elizabeth Freeman’s Beside You in Time expands bipolitical and queer theory by outlining a temporal view of the long nineteenth century and showing how time became a social and sensory means by which people resisted disciplinary regimes and assembled into groups in ways that created new forms of sociality.

Terry Smith—who is widely recognized as one of the world’s leading historians and theorists of contemporary art—traces the emergence of contemporary art and further develops his concept of contemporaneity in Art to Come through analyses of topics ranging from Chinese and Australian Indigenous art to architecture.

Henry Cow by Benjamin Piekut tells the story of the English experimental rock band Henry Cow and how it linked its improvisational musical aesthetic with a collectivist, progressive politics.

Davina Cooper’s Feeling Like a State explores the unexpected contribution a legal drama of withdrawal—as exemplified by some conservative Christians who deny people inclusion, goods, and services to LGBTQ individuals—might make to conceptualizing a more socially just, participative state.

In Making The Black Jacobins, Rachel Douglas traces the genesis, transformation, and afterlives of the different versions of C. L. R. James’s landmark The Black Jacobins across the decades from the 1930s onwards, showing how James revised it in light of his evolving politics.

William E. Connolly links climate change, fascism, and the nature of truth to demonstrate the profound implications of the deep imbrication between planetary nonhuman processes and cultural developments in Climate Machines, Fascist Drives, and Truth.

Cara New Daggett’s The Birth of Energy traces the genealogy of the idea of energy from the Industrial Revolution to the present, showing how it has informed fossil fuel imperialism, the governance of work, and our relationship to the Earth.

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Trans*/Religion

In “Trans*/Religion,” new from TSQ: Transgender Studies Quarterly, editors Max Strassfeld and Robyn Henderson-Espinoza stage a long-overdue conversation between trans studies and religious studies. Read their introduction to the issue, freely available.

Contributors consider trans identity alongside Mizrahi (Arab-Jewish) identity, examine concepts of gender and spirit possession in Cuban Santería through a trans lens, present a trans analysis of the beginnings of revival preaching in evangelical Christianity, braid crip theory with trans theory and phenomenological theology, and more.

The issue also includes art, book reviews, and more. Check out the full table of contents.

Make sure you’ve signed up to receive email alerts about new issues of TSQ, and ask your library to subscribe to the journal if it doesn’t already!