Gender Studies

New Books in April

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Curling up on the couch with a great book is an excellent way to practice social distancing this month. All these titles will deliver before our sale ends on May 1, so check our website regularly. You can save 50% on all in-stock titles with coupon SPRING50

Tyler Bickford traces the dramatic rise of the “tween” pop music industry in Tween Pop, showing how it marshaled childishness as a key element in legitimizing children’s participation in public culture.

The contributors to Playing for Keeps examine the ways in which musical improvisation can serve as a way to negotiate violence, trauma, systemic inequality, and the aftermaths of war and colonialism. This volume is edited by Daniel Fischlin and Eric Porter.

John F. Szwed’s Space is the Place is the definitive biography of Sun Ra—composer, keyboardist, bandleader, philosopher, entrepreneur, poet, self-proclaimed extraterrestrial from Saturn, and a founder of Afrofuturism. We are pleased to be bringing this classic back into print with a new preface.

In Vital Decomposition, Kristina M. Lyons presents an ethnography of human-soil relations in which she follows state soil scientists and peasant farmers in Colombia’s Putumayo region, showing how their relationship with soil is key to caring for the forest and growing non-illicit crops in the face of violence, militarism, and environmental destruction.

Micha Rahder explores how multiple ways of knowing the forest of Guatemala’s Maya Biosphere Reserve shape conservation practice, local livelihoods, and landscapes in An Ecology of Knowledges.

In Relations, Marilyn Strathern provides a critical account of anthropology’s key concept of relation and its usage and significance in the English-speaking world, showing how its evolving use over the last three centuries reflects changing thinking about knowledge-making and kin-making.

In Virtual Pedophilia, Gillian Harkins traces the genealogy of the transformation of cultural construction of the pedophile as a social outcast into the image of normative white masculinity from the 1980s to the present, showing how his “normalcy” makes him hard to identify and stop.

In A People’s History of Detroit, Mark Jay and Philip Conklin use a Marxist framework to tell a sweeping story of Detroit from 1913 to the present, outlining the complex socio-political dynamics underlying major events in Detroit’s past, from the rise of Fordism and the formation of labor unions to deindustrialization and the city’s recent bankruptcy.

In Revolution and Disenchantment, Fadi A. Bardawil explores the hopes for and disenchantments with Marxism-Leninism in the writings and actions of revolutionary intellectuals within the 1960s Arab New Left.

In Tehrangeles Dreaming, Farzaneh Hemmasi draws on ethnographic fieldwork in Los Angeles and musical and textual analysis to examine how the pop music, music videos, and television made by Iranian expatriates express modes of Iranianness not possible in Iran.

The Lonely Letters is an epistolary blackqueer critique of the normative world in which Ashon T. Crawley meditates on the interrelation of blackqueer life, sounds of the black church, theology, mysticism, and the potential for platonic and erotic connection in a world that conspires against blackqueer life.

Drawing on Whitman and Adorno, Morton Schoolman proposes aesthetic education through film as a way to redress the political violence inflicted on difference society constructs as its racialized, gendered, Semitic, and sexualized other in A Democratic Enlightenment.

In Kwaito Bodies, Xavier Livermon examines the cultural politics of the youthful black body in South Africa through the performance, representation, and consumption of Kwaito—a style of electronic dance music that emerged following the end of apartheid.

Reflecting on the experience, philosophy, and practice of Latin American indigenous and Afro-descendant activist-intellectuals who mobilize to defend their territories from large-scale extraction, Arturo Escobar shows in Pluriversal Politics how the key to addressing planetary crises is the creation of the pluriverse—a world of many epistemological and ontological worlds.

The contributors to AIDS and the Distribution of Crises outline the myriad ways that the AIDS pandemic exists within a network of varied historical, overlapping, and ongoing crises borne of global capitalism and colonial, racialized, and gendered violence. This collection is edited by Jih-Fei Cheng, Alexandra Juhasz, and Nishant Shahani. It is currently available to read free online as part of our Navigating the Threat of Pandemic syllabus.

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(en)gendering: Chinese Women’s Art in the Making

“(en)gendering: Chinese Women’s Art in the Making,” the latest issue of positions: asia critique, edited by Shuqin Cui, is available now.

"(en)gendering: Chinese Women’s Art in the Making" cover

While contemporary Chinese art has arrived as a critical subject in art history and found market success, current art criticism has yet to fully engage with art made by Chinese women, especially from the perspective of gender politics. In this special issue, contributors consider how the work of contemporary women artists has generated new approaches to and perspectives on the Chinese art canon.

The issue begins by laying a historical framework for the potentials and problems regarding the interpretation of Chinese women’s art, tracing its evolution throughout a century of Chinese history. Next, the issue addresses the spatial notion of boundary crossing, addressing how travel across national and theoretical boundaries affects the perception of artworks, and explores the misgivings of Chinese women artists about participating in a global exhibition system in which their artwork stands for “China” and “Women.” The issue concludes by looking at the idea of (en)gendering as a revision of women’s art prompting artists and the viewers of women’s artworks to challenge the conventional gaze that has dominated our ways of seeing.

Browse the issue’s contents and read the introduction, freely available.

Q&A with Matt Brim

MattBrimDuke2Matt Brim is Associate Professor of Queer Studies in the English Department at the College of Staten Island, City University of New York; author of James Baldwin and the Queer Imagination; and coeditor of Imagining Queer Methods. His newest book, Poor Queer Studies: Confronting Elitism in the University, shifts queer studies away from sites of elite education toward poor and working-class students and locations, showing how the field is driven by those flagship institutions that perpetuate class and race inequity in higher education.

In what ways did your own institutional journey among universities of varying prestige incite your desire to write this book? 

Higher education in the U.S. is incredibly stratified. As a matter of course, colleges are divided into class-based tiers and sorted by wealth-based rankings. Though the top of the academic hierarchy is visible thanks to the power of money and status to shine a spotlight on well-resourced academic people and places, much of the university world exists in a kind of educational shadow. Looking across tiers—and especially looking down tiers—becomes extremely difficult. You have to be a bit lucky to escape the aspirational, upward-looking vision created by the misconception that our models for good academic work come from high-status colleges and well-placed scholars.

Poor Queer StudiesMy own educational trajectory has taken me through tiers, up and down. I want to stress that this movement was fortuitous rather than intentional. I attended Wabash College, a small rich liberal arts college in Indiana, because Wabash paid most of my way. I earned my Ph.D. in English at Indiana University, a flagship state school, because that’s the only graduate program that accepted me. And then I taught freshman academic writing as a postdoctoral fellow at Duke University. I got that job because I’d taught so much composition at I.U. and because I’d been given the freedom by my mentors there to bring Queer Studies into the composition classroom. Duke was another world, even compared to the other relatively well-resourced schools I’d attended. The privilege it draws on and the privileges it affords are just staggering. Duke, not at all coincidentally, is one of the birthplaces of queer theory. After three years at Duke, I applied for a job at the College of Staten Island (CSI), a school I’d never heard of, a school that was largely invisible and unknowable from the outside, from above. Yet this off-the-radar, massively underfunded, open admissions, public school was advertising for an assistant professor of Queer Studies. This was strange to me because I’d only heard of Queer Studies happening at colleges I’d heard of. Yet only because I ended up at CSI, only because I’ve traveled from high to low in the academy, have I been able to conceive of this book. Poor Queer Studies tells the story of my re-education in Queer Studies at a place where the field is not known, not seen, not imagined to be.

You draw out a tension between Queer Studies’ identity as site of radical thinking, anti-normativity, and as a “disruptive cog in the system” of the university and its actual entanglements in a system of higher education that actively reproduces class stratification. Is this tension unique to Queer Studies? Does it play out in Queer Studies in a way distinctive than in other identity studies fields that have similar progressive desires? 

That such a tension exists means there is potential for change, and indeed Queer Studies has changed the academy in meaningful ways that have benefited several generations of students and scholars. At the same time, Queer Studies has been shaped by the two dynamics that have inarguably defined the true mission of the university for the past 30 years: class stratification and race sorting. Complicit in this structure, Queer Studies has found any number of ways to ease rather than confront queer-class tensions. I suspect that Queer Studies’ investment in radicality—which is perhaps our uniquely dominant field impulse—has contributed to such an easing of queer-class tensions. It’s not polite to ask what a radical idea costs to make, and it’s surely impossible to know all the ways some of our most radical queer ideas have been buoyed by institutional prestige, privilege, and material resources. It may also be true that the energy of powerful new ideas can make them seem self-sustaining, and we’d rather let them float free than weigh them down with the receipts from their production.

Nevertheless, powerful and even radical queer ideas get made on the cheap as well, and that fact is my entry point for this book. But because Queer Studies at schools such as CSI and other CUNY colleges endures within a thick web of class-based compromises, our queer radicality operates within palpable contexts of queer-class constraint. Needless to say, compromised queer radicality makes for a weak rallying cry, and so queer radicality tethered to and marked by class constraint makes Poor Queer Studies seem far afield from the visionary field of Queer Studies. If we want to keep the various class incarnations of the field in touch with each other—and that is one of my goals in this book—we might be more candid about the materiality of the production of all of our queer ideas. Put differently, Poor Queer Studies argues that queer scholarship ought be thought of as a workplace report, which is to say a localized record of material resources and queer resourcefulness.

In the book, you mention that you think of “poor” as a dimension of experience that informs your pedagogy at the College of Staten Island. Can you elaborate on what possibilities– linguistic, pedagogical, or theoretical– you find in the language of “poor”? 

I chose to use the word “poor” because it offers both a precision and a capaciousness and because it’s a word that people tend to quickly reject. The precision comes from its direct reference to the economic realities of life at CUNY, for “poor” sets the material baseline for teaching and scholarship at most of our campuses. Many CUNY students and their families live below the poverty line or are low-income or have precarious housing and food insecurity. Many of our campuses are crumbling because the State of New York refuses to fund repairs that it can, in fact, afford. Even with recent raises, our adjuncts are dramatically underpaid when compared to adjuncts at local public and deep-pocketed private universities. Coalescing in the term “poor,” these material conditions are the starting points for our intellectual work at CUNY, including the work of Queer Studies. You can’t go around them or set them aside. They preface and infuse all we do.

Appearing in so many forms, “poor” also becomes a conceptual baseline and a discursive construct, as well as a material reality. One interesting consequence is that in theory many CUNY community members try to reject “poor.” We are incentivized to turn away from “poor” because, on the one hand, it situates students too statically at the wrong end of an educational narrative that pins its hopes on social mobility, while on the other hand it deflates what I call the “aspirational mood” that characterizes the work of administrators and faculty alike at lower tier schools. Rather than reject “poor,” however, I try to integrate it into an analysis that asks about how Queer Studies actually happens at sites where “poor” is perhaps the primary coordinate by which we locate our “queer” work. And because “poor” evokes “rich,” I am also able to pursue a very differently located, comparative class analysis, setting Poor Queer Studies schools in relation to Rich Queer Studies schools—a relation the field very rarely pursues or acknowledges.

At non-elite institutions, faculty are expected to develop curricula that are both intellectually rigorous and train students for the workplace. What is the role of Queer Studies in improving and changing work? What kinds of queer labor can Queer Studies prepare students for?

Unlike most students at elite colleges, most students at non-selective four-year colleges and at community colleges already work for money, many of them full time. Insofar as Queer Studies has longstanding, field-defining associations with the wealthiest and most privileged higher education institutions rather than schools that serve non-traditional and working students, the field has been unprepared to think about the intersection of queer knowledge production and worker/working-class education. We haven’t asked very much about how Queer Studies classes can prepare students for the workforce; indeed, that question seems pretty unqueer given Queer Studies’ frequent critiques of the neoliberal university’s insinuations with capital. Also, the question of how to make better queer workers is not a liberal arts-friendly question, and Queer Studies is a liberal arts field. But it is the question in front of us at CSI, in night school, on weekends, after or before students’ workdays begin, or on their days off.

My students are interested, in other words, in how to use the language, ideas, and politics of Queer Studies on the job—not only their future careers but the jobs they’re headed to after class. We talk about breakrooms and bus rides to work and customer service roles and student-teaching classrooms, and we translate “high queer theory” to those local worksites. We think about how Queer Studies can make work life a bit better. On a personal level, doing this kind of queer-class integration has enabled me to reorient my own work life toward other kinds of labor and to appreciate the impoverishment of Queer Studies classrooms where the only queer career modeled is the Queer Studies professor’s own.

What is one thing you hope readers take away from Poor Queer Studies? What kind of future research do you hope it might inspire? 

I recently organized a panel at MLA on “Queer Studies and Its Class Locations.” The other panelists, Longoria and Eric Solomon, blew me away. Longoria works on queer issues in teacher education with a particular focus on queer immigrant youth and those with UndocuQueer identities, and Eric works at the intersection of poverty, the American South, and higher education. While each generously suggested that a poor queer studies framework had helped them conceptualize their work, they’re actually doing incredibly unique and groundbreaking research that recasts poor queer studies in ways I never would have imagined or predicted. That’s exciting to see. Moving ahead, just how many ways can we answer the question, “What’s poor about Queer Studies now?”

I end Poor Queer Studies by suggesting that we need more “queer ferrying” between non-peer institutions and, especially, between rich and poor colleges. We need more cross-class, cross-institutional sharing of opportunity, resources, and place-based knowledges and pedagogies. We need to train graduate students to do Queer Studies in its many institutional locations, not just in its class-based holding pattern at R1 and top tier schools. For me, working at CUNY, Queer Studies has become inseparable from open access public education. I hope Poor Queer Studies not only gives a name and a framework to a set of ideas that are imminent or nascent but also paves the way for the anti-elitist queer ferrying of those ideas around the many queer places of the academy.

Read the introduction to Poor Queer Studies free online and save 30% on the paperback edition with coupon code E20BRIM.

New Books in March

Spring is just around the corner—so it’s time to stock up on books for a whole new season of reading. Check out all of these titles arriving in March!

In I Never Left Home, poet and revolutionary Margaret Randall tells the moving, captivating, and astonishing story of her life, from her childhood in New York to joining the Sandanista movement in Nicaragua, from escaping political repression in Mexico to raising a family and teaching college.

Demanding Images is Karen Strassler’s ethnography of Indonesia’s post-authoritarian public sphere, exploring the role of public images as they gave visual form to the ideals, aspirations, and anxieties of democracy.

Focusing on a wide range of media technologies and practices in Beijing, Underglobalization by Joshua Neves examines the cultural politics of the “fake” and how frictions between legality and legitimacy propel dominant models of economic development and political life in contemporary China.

A writing manual as well as a manifesto, Every Day I Write the Book combines novelist and essayist Amitava Kumar’s practical writing advice with interviews with prominent writers, offering guidance and inspiration for academic writers at all levels.

In Negative Exposures, Margaret Hillenbrand explores how artistic appropriations of historical images effectively articulate the openly unsayable and counter the public secrecy that erases traumatic episodes from China’s past.

The contributors to Visualizing Fascism, edited by Julia Adeney Thomas and Geoff Eley, examine the imagery and visual rhetoric of interwar fascism in East Asia, southern Africa, and Europe to explore how fascism was visualized as a global and aesthetic phenomenon.

In his new book-length prose poem, The Voice in the Headphones, musician David Grubbs draws on decades of recording experience, taking readers into the recording studio to tell the story of an unnamed musician who struggles to complete a film soundtrack in a day-long marathon recording session.

Rahul Mukherjee explores how the media coverage of and debates about nuclear power plants and cellular phone antennas in India frames and sustains environmental activism in Radiant Infrastructures.

Salomé Aguilera Skvirsky theorizes the process genre—a filmic genre characterized by its representation of chronologically ordered steps in which some form of labor results in a finished product—in The Process Genre.

In The Queer Games Avant-Garde, Bonnie Ruberg presents twenty interviews with twenty-two queer video developers whose radical, experimental, vibrant, and deeply queer work is driving a momentous shift in the medium of video games.

Ana Y. Ramos-Zayas traces how parenting practices among urban elites in Brazil and Puerto Rico preserve and reproduce white privilege and economic inequality in Parenting Empires.

In Rock | Water | Life, Lesley Green examines the interwoven realities of inequality, racism, colonialism, and environmental destruction in South Africa, calling for environmental research and governance to transition to an ecopolitical approach that could address South Africa’s history of racial oppression and environmental exploitation.

Matt Brim shifts queer studies away from sites of elite education toward poor and working-class students and locations in Poor Queer Studies, showing how the field is driven by those flagship institutions that perpetuate class and race inequity in higher education.

In Paris in the Dark, Eric Smoodin takes readers on a journey through the streets, cinemas, and theaters of Paris to sketch a comprehensive picture of French film culture during the 1930s and 1940s.

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Revolutionary Positions: Gender and Sexuality in Cuba and Beyond

As the Cuban revolution reaches its 60th anniversary, “Revolutionary Positions: Gender and Sexuality in Cuba and Beyond,” a new issue of Radical History Review edited by Michelle Chase and Isabella Cosse, offers an exploration of the revolution’s impact through the lens of sexuality and gender.

The contributors to this issue study Cuban internationalist campaigns, the relationship between cultural diplomacy and mass media, and visual images of revolution and solidarity. They follow the emergence and negotiation of new gender ideals through the transgendering of Che’s “New Man,” the Cuban travels of Angela Davis, calls for sexual revolution in the Dutch Atlantic, and gender representations during the 1964 “Campaign of Terror” in Chile. In doing so, the authors provide fresh insight into Cuba’s transnational legacy on politics and culture during the Cold War and beyond.

Browse the table of contents, and start reading with Sarah J. Seidman’s article “Angela Davis in Cuba as Symbol and Subject,” free through the end of May.

You may also enjoy Isabella Cosse’s book Mafalda: A Social and Political History of Latin America’s Global Comic, first published in Argentina in 2014 and now available in English, which analyzes the vast appeal of the Argentinian comic Mafalda and its exploration of complex topics such as class identity, modernization, and state violence.

New Books in February

This month, we’re releasing an array of new reads in all of the subjects you love. Take a look at these new books coming this February!

The concluding volume in a poetic triptych, Alexis Pauline Gumbs’s Dub: Finding Ceremony takes inspiration from theorist Sylvia Wynter, dub poetry, and ocean life to offer a catalog of possible methods for remembering, healing, listening, and living otherwise.

In Wild Blue Media, Melody Jue destabilizes terrestrial-based media theory frameworks and reorients the perception of the world by considering the ocean itself as a media environment—a place where the weight and opacity of seawater transforms how information is created, stored, transmitted, and perceived.

In The Ocean in the School, Rick Bonus tells the stories of Pacific Islander students at the University of Washington as they and their allies struggled to transform a university they believed did not value their presence into a space based on meaningfulness, respect, and multiple notions of student success.

In Orozco’s American Epic, Mary K. Coffey examines José Clemente Orozco’s mural cycle Epic of American Civilization, which indicts history as complicit in colonial violence and questions the claims of Manifest Destiny in the United States and the Mexican desire to mend the wounds of conquest in pursuit of a postcolonial national project.

Nandita Sharma traces the development of the categories of migrants and natives from the nineteenth century to the present in Home Rule to theorize how the idea of people’s rights being tied to geographical notions of belonging came to be.

In Unfixed, Jennifer Bajorek traces the relationship between photography and decolonial politics in Francophone west Africa in the years immediately leading up to and following independence from French colonial rule in 1960, showing how photography both reflected and actively contributed to social and political change.

In Are You Entertained?, a collection of essays, interviews, visual art, and artist statements on topics ranging from music and dance to Black Twitter and the NBA’s dress code, the contributors consider what culture and Blackness mean in the twenty-first century’s digital consumer economy. This volume is edited by Simone C. Drake and Dwan K. Henderson.

In Musicophilia in Mumbai, Tejaswini Niranjana traces the place of Hindustani classical music in Mumbai throughout the long twentieth century, showing how the widespread love of music throughout the city created a culture of collective listening and social subjects who embodied new forms of modernity.

Focusing on the work of a Marxist anticolonial literary group active in India between the 1930s and 1950s, Neetu Khanna rethinks the project of decolonization in The Visceral Logics of Decolonization by showing how embodied and affective responses to colonial subjugation provide the catalyst for developing revolutionary consciousness.

Contributors to Queer Korea, edited by Todd A. Henry, offer interdisciplinary analyses of non-normative sexuality and gender nonconformity in Korea, extending individualized notions of queer neoliberalism beyond those set in Western queer theory.

Drawing on Marxist phenomenology, geography, and aesthetics and film from China, Hong Kong, and Taiwan made between the 1990s and the present, Erin Y. Huang theorizes the economic, cultural, and political conditions of neoliberal postsocialist China in Urban Horror.

The contributors to Affective Trajectories examine the mutual and highly complex entwinements between religion and affect in urban Africa in the early twenty-first century, tracing the myriad ways religious ideas, practices, and materialities interact with affect to configure life in urban African spaces. This collection is edited by Hansjörg Dilger, Astrid Bochow, Marian Burchardt, and Matthew Wilhelm-Solomon.

In Naked Agency, Naminata Diabate explores how the deployment of defiant nakedness by mature women in Africa challenges longstanding assumptions about women’s political agency.

From The Guiding Light to Passions, Elana Levine traces the history of daytime television soap operas as an innovative and highly gendered mass cultural form in Her Stories.

In Seeing by Electricity, Doron Galili traces television’s early history, from the fantastical devices initially imagined fifty years before the first television prototypes to the emergence of broadcast television in the 1930s, showing how television was always discussed and treated in relation to cinema.

Jeremy Packer and Joshua Reeves provide a critical account of the history and future of automation in warfare in Killer Apps by highlighting the threats posed by the latest advances in media technology and artificial intelligence.

Originally published in German in 1978 and appearing here in English for the first time, the second volume of Peter Weiss’s three-volume novel The Aesthetics of Resistance depicts anti-fascist resistance, radical proletarian political movements, and the relationship between art and resistance from the late 1930s to World War II.

Working Together: Louis Draper and the Kamoinge Workshop by Sarah Eckhardt accompanies the exhibition of the photography of Virginia artist Louis Draper and other members of the Kamoinge Workshop that opens at the Virginia Museum of Fine Arts in February 2020. We are distributing it for the museum.

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New Books in January

If one of your resolutions for 2020 is to read more books, we’ve got you covered. Ring in the new year with these captivating new releases!

In Beneath the Surface, Lynn M. Thomas constructs a transnational history of skin lighteners in South Africa and beyond, theorizing skin and skin color as a site for antiracist struggle and lighteners as a technology of visibility that both challenges and entrenches racial and gender hierarchies.

Weaving U.S. history into the larger fabric of world history, the contributors to Crossing Empires de-exceptionalize the American empire, placing it in a global transimperial context as a way to grasp the power relations that shape imperial formations. This collection is edited by Kristin L. Hoganson and Jay Sexton.

Engaging contemporary photography by Sally Mann, Lorna Simpson, Carrie Mae Weems, and others, Shawn Michelle Smith traces how historical moments come to be known photographically and the ways in which the past continues to inhabit, punctuate, and transform the present through the photographic medium in Photographic Returns.

Spanning the centuries between pre-contact indigenous Haiti to the aftermath of the 2010 earthquake, the selections in The Haiti Reader introduce readers to Haiti’s dynamic history and culture from the viewpoint of Haitians from all walks of life. This volume is edited by Laurent Dubois, Kaiama L. Glover, Nadève Ménard, Millery Polyné, and Chantalle F. Verna.

The contributors to Futureproof (edited by D. Asher Ghertner, Hudson McFann, and Daniel M. Goldstein) examine the affective and aesthetic dimensions of security infrastructures and technology with studies ranging from Jamaica and Jakarta to Colombia and the US-Mexico border.

Examining abjection in a range of visual and material culture, the contributors to Abjection Incorporated move beyond critiques of abjection as a punitive form of social death to theorizing how it has become a means to acquire political and cultural capital in the twenty-first century. This volume is edited by Maggie Hennefeld and Nicholas Sammond.

Margaret E. Dorsey and Miguel Díaz-Barriga argue that border wall construction along the U.S.–Mexico border manifests transformations in citizenship practices that are aimed not only at keeping migrants out but also enmeshing citizens into a wider politics of exclusion in Fencing in Democracy.

In Politics of Rightful Killing, Sima Shakhsari analyzes the growth of Weblogistan—the online and real-life transnational network of Iranian bloggers in the early 2000s—and the ways in which despite being an effective venue for Iranians to pursue their political agendas, it was the site for surveillance, cooptation, and self-governance.

In Invisibility by Design, Gabriella Lukács traces how young Japanese women’s unpaid labor as bloggers, net idols, “girly” photographers, online traders, and cell phone novelists was central to the development of Japan’s digital economy in the 1990s and 2000s.

Presented in the context of the nonprofit arts collective More Art’s fifteen-year history, and featuring first-person testimony, critical essays, and in-depth documentary materials, More Art in the Public Eye is an essential, experiential guide to the field of socially engaged public art and its increasing relevance. This volume is edited by Micaela Martegani, Jeff Kasper, and Emma Drew, and we are distributing it for More Art.

Shana L. Redmond traces Paul Robeson’s continuing cultural resonances in popular culture and politics in Everything Man, showing how he remains a vital force and presence for all those he inspired.

In The Complete Lives of Camp People, Rudolf Mrázek presents a sweeping study of the material and cultural lives of internees of two twentieth-century concentration camps and the multiple ways in which their experiences speak to and reveal the fundamental logics of modernity.

In Avian Reservoirs, Frédéric Keck traces how the anticipation of bird flu pandemics has changed relations between birds and humans in Hong Kong, Singapore, and Taiwan, showing that humans’ reliance on birds is key to mitigating future pandemics.

Collecting texts from all corners of the world that span antiquity to the present, The Ocean Reader (edited by Eric Paul Roorda) charts humans’ relationship to the ocean, treating it as a dynamic site of history, culture, and politics.

The contributors to Blue Legalities attend to the seas as a legally and politically conflicted space to analyze the conflicts that emerge where systems of governance interact with complex geophysical, ecological, economic, biological, and technological processes. This collection is edited by Irus Braverman and Elizabeth R. Johnson.

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The Most Read Articles of 2019

As 2019 comes to a close, we’re reflecting on the most read articles across all our journals. Check out the top 10 articles that made the list, all freely available until the end of January.

Instafame: Luxury Selfies in the Attention Economy” by Alice E. Marwick
Public Culture volume 27, issue 1 (75)

Anthropocene, Capitalocene, Plantationocene, Chthulucene: Making Kin” by Donna Haraway
Environmental Humanities volume 6, issue 1

Punks, Bulldaggers, and Welfare Queens: The Radical Potential of Queer Politics?” by Cathy J. Cohen
GLQ: A Journal of Lesbian and Gay Studies volume 3, issue 4

After Trans Studies” by Andrea Long Chu and Emmett Harsin Drager
TSQ: Transgender Studies Quarterly volume 6, issue 1

Necropolitics” by Achille Mbembe
Public Culture volume 15, issue 1

Markup Bodies: Black [Life] Studies and Slavery [Death] Studies at the Digital Crossroads” by Jessica Marie Johnson
Social Text volume 36, issue 4 (137)

Twin-Spirited Woman: Sts’iyóye smestíyexw slhá:li” by Saylesh Wesley
TSQ: Transgender Studies Quarterly volume 1, issue 3

Gender and Nation Building in Qatar: Qatari Women Negotiate Modernity” by Alainna Liloia
Journal of Middle East Women’s Studies volume 15, issue 3

All Power to All People?: Black LGBTTI2QQ Activism, Remembrance, and Archiving in Toronto” by Syrus Marcus Ware
TSQ: Transgender Studies Quarterly volume 4, issue 2

Unruly Edges: Mushrooms as Companion Species: For Donna Haraway” by Anna Tsing
Environmental Humanities volume 1, issue 1

Our Editors Pick Their Books of the Decade

As we come to the end of a decade, our editors look back at some of the most influential books we’ve published since 2010.

Ken Wissoker, Editorial Director

In the WakeI’m proud to have worked on a great number of field-changing and prize-winning books this decade, many of which had sway far beyond the academy. The one title that stands out for me is Christina Sharpe’s In the Wake. I’d worked with Christina on her exceptional first book Monstrous Intimacies so knew there was more brilliance to come. I can still picture the room at MLA in Vancouver where I first heard her present In the Wake’s powerful poetic text, compelling at so many layers at once. We were awed by her ability to move from the deeply familial and personal to the scale of world history without losing either the tone or the theory; by the stark realism of her account of Black death; and by the call to live on despite the weather. The book came out in November of 2016, by mid-March of the following year, artist Cauleen Smith had adopted the book’s title for her contribution to the 2017 Whitney Biennial.  I’ve since seen Sharpe’s work deeply engaged by Torkwase Dyson and other artists. Her narrating of the wake, the ship, the hold, and the weather — along with the idea of wakework itself — has been taken up by writers, critics, activists and readers, who felt Sharpe had named something for their lives. This quick recognition —the sense of being recognized, seen, or heard — is unusual and deeply special.  The book is an extraordinary gift to our ongoing political moment, one that will resonate for many years to come.

Courtney Berger, Executive Editor

Vibrant MatterIt’s been 10 years since we published Jane Bennett’s Vibrant Matter: A Political Ecology of Things (January 2010).  When I first read the manuscript, I knew it would be important. I knew that Bennett’s generous and reflective way of thinking and her engaging writing style would widen its audience beyond political theory (Bennett’s home discipline). But I had no idea how influential the book would be, setting the stage for a decade of conversation and debate about “thing-power” and the agential capacities of the nonhuman. Bennett’s plea to recognize the influence of nonhuman forces and things in the political realm and to decenter the human resonated with me and many others seeking new ways of thinking about our relationship to our environment. Influential books often provoke debate and this one certainly has done that. But, for me, the books that matter in the long run are the ones that invite me to think with them. Vibrant Matter is that kind of book. Bennett’s ideas have generated critique, disagreement, and reflection, all of which has pushed scholarship in new and important directions.  Notably, Mel Chen’s Animacies: Biopolitics, Racial Mattering, and Queer Affect (2012) builds upon Bennett’s attention to the affective dimensions of the nonhuman material world, but shows us how race, sexuality, and disability have shaped our notions of liveliness and of who and what matters in this world.  In The Biopolitics of Feeling: Race, Sex, and Science in the Nineteenth Century (2017) Kyla Schuller extends this critique, illustrating how the 19th century sciences of “impressibility” and animacy helped to solidify ontologies of racial difference, ideas that have had an often unacknowledged afterlife in new materialist philosophies.  Moreover, Bennett’s work has helped to lay the ground work for innovative book series like ANIMA, edited by Mel Chen and Jasbir Puar, which brings queer, race, and disability theory to bear on our understanding of life and matter, and Elements, edited by Stacy Alaimo and Nicole Starosielski, which foregrounds the material elements as lively forces that shape politics and culture.

My task was to name one book of the decade, and as you see, instead I named one book, and two more, and then two book series. Maybe that’s my way of dodging the task. But it also speaks to the expansive and generative quality of books, as they travel, intersect, and influence one another, as well as the vibrancy of the scholarly conversations I’m so privileged to be a part of. I can’t wait to see which books make their mark in the coming decade. . . .

Gisela Fosado, Editor

Light in the DarkGloria Anzaldúa’s brilliant book Light in the Dark/Luz en lo Oscuro is a work that is decades ahead of its time.  Published in 2015, but written before Anzaldúa’s untimely death in 2004, the book engages feminist and queer aesthetics, ontologies, epistemologies, and ethics, offering a new decolonial vision for our world.  It’s a must-read for all feminist scholars.

Elizabeth Ault, Editor

My book of the decade is Kristin Peterson’s Speculative Markets. I arrived at Duke Press in 2012, mere weeks after Speculative Marketsdefending my dissertation in American studies (focused on Black-cast sitcoms of the 1970s). I was pretty burnt out after 6 years of grad school, and feeling a little distant and alienated from the political passion and the joy of intellectual inquiry that had put me on an academic path in the first place. Speculative Markets was one of the first books I got to work on at the Press. Peterson’s book, an ethnography of pharmaceuticals in Nigeria, wasn’t an obvious fit with my areas of expertise. But the book begins with a blistering account of structural adjustment in the global 1970s and 80s, providing African perspectives on the global rise of neoliberalism, which had loomed large in my previous work. Thinking neoliberalism, the durability of colonial forms, speculation, and global anti-Blackness from Nigeria with Peterson introduced me to what cultural and medical anthropology and African studies can do. The book reoriented my perspective, introduced me to new conversations, and reminded me of the power of scholarship. It’s helped me chart the course that has comprised my career here at the Press over the past 7 years, which is why it’s my book of the decade.

Miriam Angress, Associate Editor

RemnantsOne of the books I’m joyful to have worked on is Remnants: A Memoir of Spirit, Activism, and Mothering, written by Rosemarie Freeney Harding with her daughter Rachel Elizabeth Harding. The author—an influential civil-rights activist—believed in the unity of all great spiritual teachings, and practiced multiple religions herself; she looked for the compassionate underpinnings of these traditions, such as the link she saw between Tibetan Buddhist teachings and lessons she learned from her mother as they visited dying relatives. Remnants incorporates stories of her civil rights leadership, co-founding an early integrated community center in Atlanta with her husband Dr. Vincent Harding, and working with friends and colleagues including Dr. Martin Luther King, Jr. and Coretta Scott King, Anne Braden, Dr. Howard Thurman and Sue Bailey Thurman, and Sweet Honey in the Rock singer Bernice Reagon.

Rachel Harding (Associate Professor of Indigenous Spiritual Traditions at University of Colorado) worked with her mother on the memoir for a decade before Freeney Harding’s death in 2004. After that, she excavated her mother’s voice from journals, previously published material, recordings, and her own memories.

Sandra Korn, Assistant Editor

Normal Life2011 was the year I realized that I was queer, and the year that I officially scrapped my parents’ dreams that I would become a scientist, when I switched my undergraduate major to Women, Gender, and Sexuality studies. It’s also the year that Dean Spade first published Normal Life: Administrative Violence, Critical Trans Politics, and the Limits of Law with South End Press. Same-sex marriage legalization and hate crime laws covering gender identity were slowly sweeping the U.S. state by state. Yet Dean Spade taught me that waiting for the courts to grant legal equality (the model adopted by the gay and lesbian rights movement) would never be sufficient to address the root causes of violence against trans people across the planet. Instead, Spade argues that trans liberation requires a grassroots movement, led by trans people most impacted by criminalization, surveillance, and detention and deportation. Duke Press published the second edition of Normal Life in 2015, and this book feels just as necessary as we head into 2020.

 

 

New Books in December

‘Tis the season for brand new books! This month, we’re releasing a variety of compelling titles from a wide range of disciplines—art, history, music, theory and philosophy, cultural studies, and many more. Check out these great reads available in December.

Andrea Smith examines the racial reconciliation movement in Evangelical Christianity through a critical ethnic studies lens in Unreconciled, evaluating the varying degrees to which Evangelical communities that were founded on white supremacy have attempted to address racism and become more inclusive.

In Picasso’s Demoiselles, eminent art historian Suzanne Preston Blier uncovers a previously unknown history of the influences and creative process of Pablo Picasso’s Les Demoiselles d’Avignon, one of the twentieth century’s most important, celebrated, and studied paintings.

In The Sonic Episteme Robin James examines how twenty-first-century conceptions of sound as acoustic resonance shape notions of the social world, personhood, and materiality in ways that support white supremacist capitalist patriarchy.

In Listen But Don’t Ask Question Kevin Fellezs traces the ways in which slack key guitar—a traditional Hawaiian musical style played on an acoustic steel-string guitar—is a site for the articulation of the complex histories, affiliations, and connotations of Hawaiian belonging.

Militarization: A Reader, edited by Roberto J. González, Hugh Gusterson, and Gustaaf Houtman, offers an anthropological perspective on militarization’s origin and sustained presence as a cultural process in its full social, economic, political, cultural, environmental, and symbolic contexts throughout the world.

Originally published in French in 1997 and appearing here in English for the first time, David Lapoujade’s William James: Empiricism and Pragmatism is both an accessible and rigorous introduction to and a pioneering rereading of James’s thought.

With topics that span the sixteenth century to the present in Latin America, the United States, Australia, the Middle East, and West Africa, the contributors to Ethnopornography show how ethnopornography—the eroticized observation of the Other for supposedly scientific or academic purposes—is fundamental to the creation of race, colonialism, and archival and ethnographic knowledge. This volume is edited by Pete Sigal, Zeb Tortorici, and Neil L. Whitehead.

In Otaku and the Struggle for Imagination in Japan Patrick Galbraith examines Japanese “otaku,” their relationships with fictional girl characters, the Japanese public’s interpretations of them as excessive and perverse, and the Japanese government’s attempts to co-opt them into depictions of “Cool Japan” to an international audience.

In Mafalda: A Social and Political History of Latin America’s Global Comic—first published in Argentina in 2014 and appearing here in English for the first time—Isabella Cosse examines the history, political commentary, and influence of the world-famous comic character Mafalda from her Argentine origins in 1964 to her global reach in the 1990s.

In The Licit Life of Capitalism Hannah Appel uses a case study of U.S. oil industry in Equatorial Guinea to illustrate how inequality makes markets, not just in West Africa but globally.

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