Gender Studies

Decolonizing Sex and Sexuality

coverimage (1)The most recent issue of the Journal of Middle East Women’s Studies, “Decolonizing Sex and Sexuality,” edited by Jarrod Hayes, is now available.

The title of this themed issue uses the term decolonization to refer to the work of producing sexuality and feminist scholarship and theory focused on the specificities of the region. The issue features articles that challenge dominant notions of decolonization and postcoloniality in relation to sex, sexuality, and feminism. Specifically, the articles critically engage with scholarship and theory from the metropole, examine un- and underexplored territory, including non-normative and non-conforming embodiments and life, and address novel or taken-for-granted questions, such as how to define queer and feminist.

Browse the table-of-contents and read the introduction, made freely available.

We also recommend the following books for further reading on body, sexuality, and resistance.

978-0-8223-6918-9In The Right to Maim, Jasbir Puar brings her pathbreaking work on the liberal state, sexuality, and biopolitics to bear on our understanding of disability. Using the concept of “debility”—bodily injury and social exclusion brought on by economic and political factors—to disrupt the category of disability, she shows how debility, disability, and capacity together constitute an assemblage that states use to control populations.

978-0-8223-6241-8 with rule

As the 2011 uprisings in North Africa reverberated across the Middle East, a diverse cross-section of women and girls publicly disputed gender and sexual norms in novel, unauthorized, and often shocking ways. In a series of case studies ranging from Tunisia’s 14 January Revolution to the Taksim Gezi Park protests in Istanbul, the contributors to Freedom without Permission, edited by Frances Hasso and Zakia Salime, reveal the centrality of the intersections between body, gender, sexuality, and space to these groundbreaking events.

Focusing on political movements and cultural practices in different global locations, including Turkey, Palestine, France, and the former Yugoslavia, the contributors to Vulnerability in Resistance, edited by Judith Butler, Zeynep Gambetti, and Leticia Sabsay, articulate an understanding of the role of vulnerability in practices of resistance. Pointing to possible strategies for a feminist politics of transversal engagements and suggesting a politics of bodily resistance that does not disavow forms of vulnerability, the contributors develop a new conception of embodiment and sociality within fields of contemporary power.

Wildness

The most recent special issue of South Atlantic Quarterly, “Wildness,” edited by Jack Halberstam and Tavia Nyong’o, is now available.

m_saq_117_3_coverThe concept of wildness within queer studies has generated new vocabularies for historicizing and theorizing modes of embodiment and categories of experience that lie beyond the conventional, institutionally produced, and modern classifications used to describe and explain gender and sexual variance. Wildness can refer to profusions of plant life, to animal worlds, crazed and unscripted human behaviors, and the unknown and the uncharted, as well as to wandering and wayward sensibilities, alternative understandings of freedom and power, and intense moods and unstable environments. Wildness has functioned as the Other to civilization and plays a distinct role in the racialized fantasies of violence and chaos that underpin white settler colonial imaginaries. It has also named a realm of activity that lies beyond the domestic and institutional, a realm that confronts medical, legal, and governmental efforts to order, catalog, and know various forms of life.

Contributors to this issue explore the meaning, function, and challenges presented by the wild and wildness now and in the past, focusing on how wildness relates to new directions in queer studies, animal studies, and the study of embodied difference.

Browse the table of contents and read the introduction now, freely available.

The Global South: Histories, Politics, Maps

m_rhr_18_131_coverThe Global South: Histories, Politics, Maps,” a special issue of Radical History Review, offers a range of perspectives on the intellectual formation of the global South. Spanning time periods and objects of study across the global South, the essays develop new theoretical frameworks for thinking about geography, inequality, and subjectivity. Contributors investigate the construction of gender and racial formation in the global South and explore what is politically and theoretically at stake in considering under-studied places like Guyana or peripheries like Melanesia. One essay considers how encounters between spaces in the global South, specifically between Lebanon and West Africa, help to redirect attention from the northern nations’ preoccupations with their former colonies to the frictions of decolonization. Several articles focus on the role of popular culture in regard to the geopolitical formation of the global South, with topics ranging from film to music to the career of Muhammad Ali. Read the introduction to the issue, freely available now.

978-0-8223-6991-2Contributors to this Radical History Review issue include Emily Callaci, whose recent book Street Archives and City Life maps a new terrain of political and cultural production in mid- to late twentieth-century Tanzanian urban landscapes. While the postcolonial Tanzanian ruling party (TANU) adopted a policy of rural socialism known as Ujamaa, an influx of youth migrants to the city of Dar es Salaam generated innovative forms of urbanism through the circulation of what Callaci calls street archives: popular texts including women’s Christian advice literature, newspaper columns, self-published pulp fiction novellas, and song lyrics. Through these textual networks, Callaci shows how youth migrants and urban intellectuals fashioned a collective ethos of postcolonial African citizenship, ushering in an urban revolution in spite of the nation-state’s pro-rural ideology.

Duke University Press Sponsors ACRL awards for librarians working in Women’s and Gender Studies

acrl_1Duke University Press is pleased to announce its sponsorship of two achievement awards through the Association of College and Research Libraries (ACRL), Women and Gender Studies Section (WGSS). The Significant Achievement Award and the Career Achievement Award will be presented at the 2018 American Library Association (ALA) annual meeting this week.

Significant Achievement Award

Shirley Lew, dean of library, teaching, and learning services at Vancouver Community College and Baharak Yousefi, head of library communications at Simon Fraser University, are the winners of the 2018 ACRL WGSS Award for Significant Achievement in Women and Gender Studies Librarianship.

This award, honoring a significant or one-time contribution to women and gender studies librarianship, was presented to Lew and Yousefi for their book, Feminists Among Us: Resistance and Advocacy in Library Leadership. Feminists Among Us makes explicit the ways in which a grounding in feminist theory and practice impacts the work of library administrators who identify as feminists. Award chair Dolores Fidishun lauds the book as “a seminal review of the intersection of feminism, power, and leadership in our profession.”

Career Achievement Award

Diedre Conkling, director of the Lincoln County Library District, is the winner of the 2018 ACRL WGSS Award for Career Achievement.

This award, honoring significant long-standing contributions to women and gender studies in the field of librarianship over the course of a career, was presented to Conkling for her work as a longtime member of the WGSS, Feminist Task force, the Committee on the Status of Women in Librarianship, and the Library Leadership and Management Association Women’s Administrator’s Discussion Group.

“Conkling has continuously brought women’s issues to the forefront of our organization,” Fidishun states, “and has served as an inspiration and mentor to many of us in the association. Through her activism she has demonstrated the power of women’s voices in ALA and in the world, always asking the important questions and looking for ways to move women’s agendas forward in ALA.”

Congratulations to all winners!

About ACRL

The Association of College and Research Libraries is the higher education association for librarians. Representing nearly 10,500 academic and research librarians and interested individuals, ACRL (a division of the American Library Association) develops programs, products, and services to help academic and research librarians learn, innovate and lead within the academic community.

About Duke University Press’s commitment to emerging fields

Duke University Press is committed to advancing the frontiers of knowledge and contributing boldly to the international community of scholarship, promoting a sincere spirit of tolerance and a commitment to learning, freedom, and truth. An early establisher of scholarship in queer theory, gender studies, and sexuality studies, Duke University Press is dedicated to supporting others who contribute to these fields.

“Queer about Comics”: A Selected Reading List

Today we’re featuring a selected reading list on the intersection of queer studies and comics studies compiled by Ramzi Fawaz, co-editor (with Darieck Scott) of “Queer about Comics,” a special issue of American Literature (volume 90, issue 2), now available.

ddaml_90_2_coverQueer about Comics” explores the intersection of queer theory and comics studies. The contributors provide new theories of how comics represent and reconceptualize queer sexuality, desire, intimacy, and eroticism, while also investigating how the comic strip, as a hand-drawn form, queers literary production and demands innovative methods of analysis from the fields of literary, visual, and cultural studies.

Contributors examine the relationships among reader, creator, and community across a range of comics production, including mainstream superhero comics, independent LGBTQ comics, and avant-garde and experimental feminist narratives. They also address queer forms of identification elicited by the classic X-Men character Rogue, the lesbian grassroots publishing networks that helped shape Alison Bechdel’s oeuvre, and the production of black queer fantasy in the Black Panther comic book series, among other topics.

To learn more about the issue, browse the table-of-contents and read the introduction, made freely available.

Additionally, these three articles have been made freely available for a short time, until December 15, 2018:


“Queer about Comics”: A Selected Reading List

Comics and Graphic Narratives

Meg-John Barker and Julia Scheele. Queer: A Graphic History. London: Icon Books, 2016.

Alison Bechdel. The Essential Dykes to Watch Out For. New York: Houghton Mifflin, 2008.

Alison Bechdel. Fun Home: A Family Tragicomic. New York: Mariner Book, 2007.

Jennifer Camper, ed. Juicy Mother Volume 1: Celebration. New York: Soft Skull Press, 2005.

Jennifer Camper. Rude Girls and Dangerous Women. New York: Laugh Line Press, 1994.

Charles Zan Christensen, ed. Anything That Loves: Comics beyond “Gay” and “Straight”. Seattle: Northwest Press, 2013.

Jaime Cortez. Sexile: A Graphic Novel Biography of Adela Vazquez. New York: Institute for Gay Men’s Health, 2004.

Howard Crus. Stuck Rubber Baby. New York: DC Comics, 2000.

Blue Delliquanti. Oh Human Star. Vol. 1. Self-published, 2017.

Diane Dimassa. The Complete Hothead Paisan: Homocidal Lesbian Terrorist. San Francisco: Cleis Press, 1999.

Dylan Edwards. Transposes. Seattle: Northwest Press, 2012.

Edie Fake. Gaylord Phoenix. Los Angeles: Secret Acres, 2010.

Gay Comix (September 1980–July 1988). Northampton, MA: Kitchen Sink Press.

Kieron Gillon (writer) and Jamie McKelvie (artist). Young Avengers Omnibus. New York: Marvel, 2014.

Sina Grace (writer) and Alessandro Vitti (artist). Iceman Volume 1: Thawing Out and Iceman Volume 2: Absolute Zero. New York: Marvel Comics, 2018.

Justin Hall, ed. No Straight Lines: Four Decades of Queer Comics. Seattle: Fantagraphics Books, 2013.

Nagata Kabi. My Lesbian Experience with Loneliness. Los Angeles: Seven Seas, 2017.

Robert Kirby. Curbside Boys: The New York Years. New York: Cleis Press, 2002.

Ed Luce. Wuvable Oaf. Seattle: Fantagraphics Books, 2015.

Jon Macy. Teleny and Camille. Seattle: Northwest Press, 2010.

Cristy C. Roads. Spit and Passion. New York: Feminist Press at CUNY, 2012.

Tommy Roddy, Carl Hippensteel, et al. Pride High. Seattle: Northwest Press, 2017.

Ariel Schrag, Potential: The High School Comic Chronicles of Ariel Schrag. New York: Touchstone, 2008.

A. K. Summers. Pregnant Butch: Nine Long Months Spent in Drag. New York: Soft Skull Press, 2014.

Gengoroh Tagame. My Brother’s Husband. Vol. 1. Translated by Anne Ishii. New York: Pantheon, 2017.

Shimura Takako. Wandering Son: Book 1. Translated by Matt Thorn. Seattle: Fantagraphics Books, 2011.

Mariko Tamaki (writer) and Jillian Tamaki (artist). Skim. San Diego: Groundwork Books, 2010.

Tom of Finland. Tom of Finland: The Complete Kake Comics. Cologne, Germany: Taschen, 2014.

David Wojnarowicz (writer), James Romberger (artist), and Marguerite Van Cook (artist). Seven Miles a Second. Seattle: Fantagraphics Books, 2013.

Scholarship

Michelle Ann Abate, Karly Marie Grice, and Christine N. Stamper, eds. “Lesbians and Comics” (special issue). Journal of Lesbian Studies 22.4 (2018).

Noah Berlatsky. Wonder Woman: Bondage and Feminism in the Marston/Peters Comics, 1941–1948. New York: Rutgers University Press, 2015.

Hillary Chute. “Why Queer?” in Why Comics? From Underground to Everywhere. New York: Harper, 2017.

Brian Cremins. “Bodies, Transfigurations, and Bloodlust in Edie Fake’s Graphic Novel Gaylord Phoenix.” Journal of Medical Humanities, 34.2 (June 2013).

Ramzi Fawaz. The New Mutants: Superheroes and the Radical Imagination of American Comics. New York: New York University Press, 2016.

Ramzi Fawaz. “Stripped to the Bone: Sequencing Queerness in the Comic Strip Work of Joe Brainard and David Wojnarowicz.” ASAP/Journal 2.2 (May 2017).

Margaret Galvan. “Making Space: Jennifer Camper, LGBTQ Anthologies, and Queer Comics Communities.” Journal of Lesbian Studies 22.4 (2017).

Andréa Gilroy. “The Epistemology of the Phone Booth: The Superheroic Identity and Queer Theory in Batwoman: Elegy.” ImageTexT 8.1 (2015).

Gayatri Gopinath. “Chitra Ganesh’s Queer Re-Visions.” GLQ 15.3 (2009).

Justin Hall. “Erotic Comics.” In The Routledge Companion to Comics, ed. Frank Bramlett, Roy T. Cook, and Aaron Meskin. New York: Routledge, 2016.

Michael Harrison. “The Queer Spaces and Fluid Bodies of Nazario’s Anarcoma.” Postmodern Culture 19.3 (2009).

Yetta Howard. “Politically Incorrect, Visually Incorrect: Bitchy Butch’s Unapologetic Discrepancies in Lesbian Identity and Comic Art.” Journal of Popular Culture 45.1 (February 2012).

Ashley Manchester. “Teaching Critical Looking: Pedagogical Approaches to Using Comics as Queer Theory.” SANE journal: Sequential Art Narrative in Education 2.2 (2017).

Michael Moon. Darger’s Resources. Durham, NC: Duke University Press, 2012.

Paul Petrovic. “Queer Resistance, Gender Performance, and ‘Coming Out’ of the Panel Borders in Greg Rucka and J. H. Williams III’s Batwoman: Elegy.” Journal of Graphic Novels and Comics 2.1 (2011).

Jonathan Risner. “‘Authentic’ Latino/as and Queer Characters in Mainstream and Alternative Comics.” In Multicultural Comics: From Zap to Blue Beetle, edited by Frederick Luis Aldama. Austin: University of Texas Press, 2010.

Darieck Scott. “Big Black Beauty: Drawing and Naming the Black Male Figure in Superhero and Gay Porn Comics.” In Porn Archives, edited by Tim Dean, Steven Ruszczycky, and David Squires. Durham, NC: Duke University Press, 2014.

Darieck Scott and Ramzi Fawaz, eds. “Queer about Comics” (special issue). American Literature 90.2 (June 2018).

Sina Shamsavari. “Gay Ghetto Comics and the Alternative Gay Comics of Robert Kirby.” Queer Studies in Media and Popular Culture 2.1 (March 2017).

Patrick Walter. “A Post-Colony in Pieces: Black Faces, White Masks, and Queer Potentials in Unknown Solider.” In The Blacker the Ink: Constructions of Black Identity in Comics and Sequential Art, edited by Frances Gateward and John Jennings. New Brunswick, NJ: Rutgers University Press, 2015.

Andrea Wood. ‘“Straight’ Women, Queer Texts: Boy-Love Manga and the Rise of a Global Counterpublic.” Women’s Studies Quarterly 34.1/2 (Spring–Summer 2006).

LGBT Pride Month

Happy Pride Month! We’re excited to share our latest books and journals in lesbian, gay, bisexual, transgender, and queer studies. Join us in celebrating LGBTQ+ pride by reading up!

978-0-8223-7070-3The Rest of It: Hustlers, Cocaine, Depression, and Then Some, 1976–1988 is the new memoir of Martin Duberman, a major historian and founding figure of gay and lesbian studies. Duberman tells the revealing story of how he managed to survive and be productive during a difficult twelve-year period in which he was beset by drug addiction, health problems, and personal loss.

From experimental shorts and web series to Hollywood blockbusters and feminist porn, the work of African American lesbian filmmakers has made a powerful contribution to film history but has been largely unacknowledged by cinema historians and cultural critics. Assembling a range of interviews, essays, and conversations, Sisters in the Life, edited by Yvonne Welbon and Alexandra Juhasz, tells a full story of out African American lesbian media-making spanning three decades.

978-0-8223-6983-7In her new book Me and My House, Magdalena Zaborowska uses James Baldwin’s house in the south of France as a lens through which to reconstruct his biography and to explore the politics and poetics of blackness, queerness, and domesticity in his complex and underappreciated later works.

Libby Adler’s Gay Priori offers a comprehensive critique of the mainstream LGBT legal agenda in the United States, showing how LGBT equal rights discourse drives legal advocates toward a narrow array of reform objectives that do little to help the lives of the most marginalized members of the LGBT community.

art1In the 1970s a group of pioneering feminist and queer entrepreneurs launched a movement that ultimately changed the way sex was talked about, had, and enjoyed. In Vibrator Nation Lynn Comella tells the fascinating history of how feminist sex-toy stores raised sexual consciousness, redefined the adult industry, and changed women’s lives.

Developed in the United States in the 1980s, facial feminization surgery (FFS) is a set of bone and soft tissue reconstructive surgical procedures intended to feminize the faces of trans- women. In The Look of a Woman Eric Plemons foregrounds the narratives of FFS patients and their surgeons as they move from consultation and the operating room to postsurgery recovery. He shows how the increasing popularity of FFS represents a shift away from genital-based conceptions of trans- selfhood in ways that mirror the evolving views of what is considered to be good trans- medicine.

978-0-8223-7038-3From the dagger mistress Ezili Je Wouj and the gender-bending mermaid Lasiren to the beautiful femme queen Ezili Freda, the Ezili pantheon of Vodoun spirits represents the divine forces of love, sexuality, prosperity, pleasure, maternity, creativity, and fertility. In Ezili’s Mirrors, Omise’eke Natasha Tinsley theorizes black Atlantic sexuality by tracing how contemporary queer Caribbean and African American writers and performers evoke Ezili, offering a model of queer black feminist theory that creates new possibilities for decolonizing queer studies.

In Fugitive Life Stephen Dillon examines the literary and artistic work of feminist, queer antiracist activists who were imprisoned or became fugitives in the United States during the 1970s, showing how they were among the first to theorize and make visible the co-constitutive symbiotic relationship between neoliberalism and racialized mass-incarceration.

978-0-8223-7154-0Drawing on over 300 prosecutions of sex acts in colonial New Spain between 1530 and 1821, in Sins against Nature Zeb Tortorici shows how courts used the concept “against nature” to try those accused of sodomy, bestiality, and other sex acts, thereby demonstrating how the archive influences understandings of bodies, desires, and social categories.

Lyndon K. Gill’s Erotic Islands foregrounds a queer presence in foundational elements of Trinidad and Tobago’s national imaginary—Carnival masquerade design, Calypso musicianship, and queer HIV/AIDS activism—to show how same-sex desire provides the means for the nation’s queer population to develop survival and community building strategies.

In Disturbing Attachments Kadji Amin challenges the idealization of Jean Genet as a paradigmatic figure within queer studies to illuminate the methodological dilemmas at the heart of queer theory. Pederasty, which was central to Genet’s sexuality and to his passionate cross-racial and transnational political activism late in life, is among a series of problematic and outmoded queer attachments that Amin uses to deidealize and historicize queer theory.

TSQ_5_2_coverTrans* surgery has been an object of fantasy, derision, refusal, and triumph. For decades after its establishment in the 1950s, clinicians considered a desire for reconstructive genital surgery to be the linchpin of the transsexual diagnosis. “The Surgery Issue,” a special issue of TSQ: Transgender Studies Quarterly edited by Eric Plemons and Chris Straayer, explores the vital and contested place of surgical intervention in the making of trans* bodies, theories, and practices. This issue engages “the surgical” in its many forms. Contributors contemplate a wide scope: physical, technical, and social aspects of the body; trans* and transition-related surgeries broadly construed; local and international endeavors; the conceptual, the theoretical, and the practical; the historical and the speculative.

LOOK FOR THESE UPCOMING ISSUES

ddaml_90_2_coverAmerican Literature’s “Queer about Comics,” edited by Dariek Scott and Ramzi Fawaz, explores the intersection of queer theory and comics studies. The contributors provide new theories of how comics represent and re-conceptualize queer sexuality, desire, intimacy, and eroticism, while also investigating how the comic strip, as a hand-drawn form, queers literary production and demands innovative methods of analysis from the fields of literary, visual, and cultural studies.

Contributors examine the relationships among reader, creator, and community across a range of comics production, including mainstream superhero comics, independent LGBTQ comics, and avant-garde and experimental feminist narratives. They also address queer forms of identification elicited by the classic X-Men character Rogue, the lesbian grassroots publishing networks that helped shape Alison Bechdel’s oeuvre, and the production of black queer fantasy in the Black Panther comic book series, among other topics.

GLQ-Clit Club 2“The Queer Commons,” a special issue of GLQ: A Journal of Lesbian and Gay Studies, edited by Gavin Butt and Nadja Millner-Larsen, explore how contemporary queer energies have been directed toward commons-forming initiatives from activist provision of social services to the maintenance of networks around queer art, protest, public sex, and bar cultures that sustain queer lives otherwise marginalized by heteronormative society and mainstream LGBTQ politics. This issue forges a connection between the common and the queer, asking how the category “queer” might open up a discourse that has emerged as one of the most important challenges to contemporary neoliberalization at both the theoretical and practical level.

Contributors look to radical networks of care, sex, and activism present within diverse queer communities including HIV/AIDS organizing, the Wages for Housework movement, New York’s Clit Club community, and trans/queer collectives in San Francisco. The issue also includes a dossier of shorter contributions that offer speculative provocations about the radicalism of queer commonality across time and space, from Gezi Park uprisings in Turkey to future visions of collectivity outside of the internet.

International Day Against Homophobia, Transphobia and Biphobia

Today is International Day Against Homophobia, Transphobia and Biphobia. In solidarity, we’d like to share some of our scholarship on gender identity and sexuality.

ddtsq_5_1_coverThe first issue from TSQ: Transgender Studies Quarterly‘s fifth volume is its first nonthemed, open-call issue, inviting a broad scope of scholarship in the field of trans studies. The issue features “Policy,” “Research Note,” and “Translation” sections, as well as a reproduction of an “action art object” collectively created by several trans artists and art scholars for distribution at the 2016 International Trans* Studies Conference in Tucson. The issue also includes several book reviews.

From the introduction by editors Paisley Currah and Susan Stryker:

“As a complement to whatever other actions we might take as individuals, we, as editors of this academic journal, hope the articles we are able to publish in this issue of TSQ can make their own contributions, in their own ways, to empowering trans lives, using knowledge and analysis to improve social conditions and contesting the violence being directed against us.”

Read the introduction to the issue now, made freely available.

ddglq_24_1_coverThe most recent issue of GLQ: A Journal of Lesbian and Gay Studies features a forum on the Pulse nightclub shooting in June 2016. It offers a range of responses to the murders of forty-nine people—and the injuring of many more—that took place in the early morning hours of June 12, 2016, at Pulse, a queer nightclub in Orlando, Florida. While acts of violence—everyday and spectacular—have long histories in queer and trans communities (threatening trans and queer people of color with double, triple, quadruple forms of jeopardy), one guiding question for this collection of contributions revolves around what is at stake in responding to and unpacking violent and publicly mediated events after the fact, after the events have faded from public consciousness. Read the special forum, “GLQ Forum/Aftereffects: The Pulse Nightclub Shootings,” made freely available.

Look for these upcoming issues

ddaml_90_2_coverAmerican Literature‘s “Queer about Comics,” edited by Dariek Scott and Ramzi Fawaz, explores the intersection of queer theory and comics studies. The contributors provide new theories of how comics represent and re-conceptualize queer sexuality, desire, intimacy, and eroticism, while also investigating how the comic strip, as a hand-drawn form, queers literary production and demands innovative methods of analysis from the fields of literary, visual, and cultural studies.

Contributors examine the relationships among reader, creator, and community across a range of comics production, including mainstream superhero comics, independent LGBTQ comics, and avant-garde and experimental feminist narratives. They also address queer forms of identification elicited by the classic X-Men character Rogue, the lesbian grassroots publishing networks that helped shape Alison Bechdel’s oeuvre, and the production of black queer fantasy in the Black Panther comic book series, among other topics.

GLQ-Clit Club 2“The Queer Commons,” a special issue of GLQ: A Journal of Lesbian and Gay Studies edited by explore how contemporary queer energies have been directed toward commons-forming initiatives from activist provision of social services to the maintenance of networks around queer art, protest, public sex, and bar cultures that sustain queer lives otherwise marginalized by heteronormative society and mainstream LGBTQ politics. This issue forges a connection between the common and the queer, asking how the category “queer” might open up a discourse that has emerged as one of the most important challenges to contemporary neoliberalization at both the theoretical and practical level.

Contributors look to radical networks of care, sex, and activism present within diverse queer communities including HIV/AIDS organizing, the Wages for Housework movement, New York’s Clit Club community, and trans/queer collectives in San Francisco. The issue also includes a dossier of shorter contributions that offer speculative provocations about the radicalism of queer commonality across time and space, from Gezi Park uprisings in Turkey to future visions of collectivity outside of the internet.

 

 

 

New Books in April

 April brings a fresh crop of great new books. Check out what we’re releasing this month.

978-0-8223-7153-3.jpg

In Biblical Porn Jessica Johnson draws on a decade of fieldwork at Pastor Mark Driscoll’s Mars Hill Church in Seattle to show how congregants became entangled in a process of religious conviction through which they embodied Driscoll’s teaching on gender and sexuality in ways that supported the church’s growth.

In Abject Performances Leticia Alvarado explores how Latino artists and cultural producers have developed and deployed an irreverent aesthetics of abjection to resist assimilation and disrupt respectability politics.

Matthew Vitz’s A City on a Lake outlines the environmental history and politics of Mexico City as it transformed its original forested, water-rich environment into a smog-infested megacity, showing how the scientific and political disputes over water policy, housing, forestry, and sanitary engineering led to the city’s unequal urbanization and environmental decline.

In Domesticating Democracy Susan Helen Ellison offers an ethnography of Alternate Dispute Resolution (ADR) organizations in El Alto, Bolivia, showing that by helping residents cope with their interpersonal disputes and economic troubles how they change the ways Bolivians interact with the state and global capitalism, making them into self-reliant citizens.

978-0-8223-7081-9.jpgKatherine Verdery’s My Life as a Spy analyzes the 2,781 page surveillance file the Romanian secret police compiled on her during her research trips to Transylvania in the 1970s and 1980s. Reading it led her to question her identity and also revealed how deeply the secret police was embedded in everyday life.

 In Edges of Exposure, following Senegalese toxicologists as they struggle to keep equipment, labs, and projects operating, Noémi Tousignant explores the impact of insufficient investments in scientific capacity in postcolonial Africa.

 

Examining human rights discourse from the French Revolution to the present, in Human Rights and the Care of the Self Alexandre Lefebvre turns common assumptions about human rights—that its main purpose is to enable, protect, and care for those in need—on their heads, showing how the value of human rights lies in its support of ethical self-care.

Gay PrioriLibby Adler’s Gay Priori offers a comprehensive critique of the mainstream LGBT legal agenda in the United States, showing how LGBT equal rights discourse drives legal advocates toward a narrow array of reform objectives that do little to help the lives of the most marginalized members of the LGBT community.

In From the Tricontinental to the Global South Anne Garland Mahler traces the history and intellectual legacy of the understudied global justice movement called the Tricontinental and calls for a revival of the Tricontinental’s politics as a means to strengthen racial justice and anti-neoliberal struggles in the twenty-first-century.

Aimee Bahng’s Migrant Futures traces the cultural production of futurity by juxtaposing the practices of speculative finance against those of speculative fiction, showing how speculative novels, films, and narratives create alternative futures that envision the potential for new political economies, social structures, and subjectivities that exceed the framework of capitalism.

A Primer for Teaching Environmental History, by Emily Wakild and Michelle K. Berry, is a guide for college and high school teachers who are teaching environmental history for the first time, for experienced teachers who want to reinvigorate their courses, for those who are training future teachers to prepare their own syllabi, and for teachers who want to incorporate environmental history into their world history courses. The book is part of a new series, Design Principles for Teaching History.

Never miss a new book! Sign up for Subject Matters, our e-mail newsletter, and get notifications of new titles in your preferred disciplines as well as discounts and other news.

Reimagining Ourselves: Race, Gender, and Disability in Black Panther and A Wrinkle in Time

Sami Final-9Today’s guest post is by Sami Schalk, author of the new book Bodyminds Reimagined: (Dis)ability, Race, and Gender in Black Women’s Speculative Fiction.

It is a good time to be a black nerd—a blerd, if you will. The past few years have seen increased appearances of not only black characters, but entire black speculative worlds, worlds where we are not merely sidekicks, but heroes and heroines. From Netflix’s Luke Cage and Jordan Peele’s Oscar-winning Get Out to Ryan Coogler’s record-shattering hit film Black Panther and Ava Duvernay’s just-released A Wrinkle in Time, we are in an incredible moment for black speculative film, television, and literature. I use “speculative” here, like I do in my new book, Bodyminds Reimagined, as an umbrella term for non-realist representations, including science fiction, fantasy, horror, and magical realism. For a long time, African American literature and film were heavily burdened by the need and desire for positive, realist representations of black people to combat a legacy of influential racist stereotypes. As I discuss in the introduction to Bodyminds Reimagined, available for free here, positive, authentic representations for black and other oppressed groups are often assumed to only occur through realism, like life-writing and historical dramas, but increasingly more writers and filmmakers are experimenting with how speculative fiction and film can also provide empowering representations of marginalized people.

978-0-8223-7088-8Black Panther represents an alternate version of our world in which the people of Wakanda, a secret African nation that went into hiding to protect its supply of vibranium from the colonizing world, have developed their own advanced technology and culture. In this cinematic universe, based on the comic book series of the same title, the Wakandan king, T’Challa, serves as the Black Panther, protector of Wakanda, and is given extraordinary physical abilities through a mystical heart-shaped herb. Throughout the film, T’Challa relies on his genius younger sister Shuri, princess of Wakanda, who develops and improves vibranium technology, and an army of strong black women, the Dora Milaje, who are led by General Okoye. In this speculative world, black people are leaders and inventors as well as farmers, warriors, and spies. Black Panther reimagines the meaning of blackness and womanhood as well as the roles and expectations for black men and women. Importantly, the film provides this reimagining in conjunction with political messages about the history of colonization while also remaining firmly in the superhero genre—full of dramatic fights and chase scenes required of any superhero movie. While black, disabled, and feminist authors of speculative fiction, like Octavia E. Butler, Samuel Delany, Nalo Hopkinson, and Nnedi Okorafor have been creating politicized non-realist texts which center marginalized characters for years, Hollywood is now beginning to catch up, learning to combine diversity and politics with superheroes, science fiction, and other non-realist genres.

The move to reimagine race and gender identity through speculative fiction and film continues in the new film A Wrinkle in Time, originally a 1962 award-winning speculative fiction novel by Madeleine L’Engle. The book was initially rejected dozens of times, due in part, the author speculated, to its divergence from genre norms at the time, such as featuring a female protagonist. In its current adaptation, A Wrinkle in Time casts a black girl in the lead role of Meg Murray and other characters are also played by women of color. In the film, Meg, along with her friend and younger brother, bend time to travel the universe in order to find and rescue Meg’s scientist father who has been missing for four years. While not as explicitly political at Black Panther and created for a younger audience, A Wrinkle in Time nonetheless reimagines race and gender norms by creating a smart black girl character who must learn to love herself as she is, using her knowledge of physics and love for her family to become a hero.

What is missing from the race and gender diversity of these recent black speculative worlds, however, is disability. In Black Panther, while we see some bodily and age diversity among the tribal leaders, we do not see disabled characters except for the villain Ulysses Klaue who has a prosthetic hand—a representation that aligns with the trope of disability as a symbol or cause of evil. In A Wrinkle in Time, although there are messages about self-love (especially for black people, women and girls) embedded throughout, from Meg’s self-consciousness about her naturally curly hair to Oprah Winfrey’s character Mrs. Which rhetorically asking “Is there such thing as the wrong size?”, disability makes no appearance in the film. Further, in Black Panther CIA operative Everett Ross is shot in the spine but is completely healed by Wakandan technology. This choice suggests that disability has been eliminated in Wakanda. In Chapter 3 of Bodyminds Reimagined, I discuss the role of disability and technology in representations of the future, particularly in Octavia E. Butler’s Parable series. There I explain that western visions of the future are typically disability-free futures, like that suggested in Black Panther. Despite the fact that advances in human technology are often used for violence and war (especially against people of color) and despite the fact that technology increasingly allows people to live with more severe and varied disabilities than in the past, we continue to hold onto the ideal of a technologically-created able-bodied, able-minded future in which disabled people cease to exist. The belief in and hope for such a future or fantasy world is based on ableist notions that disabled lives are inherently worse than non-disabled lives and that disabled people do not contribute to the world in important ways.

The lack of positive disability representation (that is, disabled characters who aren’t villains, especially ones played by actually disabled actors) in the increasingly diverse world of speculative film demonstrates that there is still more work to be done. In Bodyminds Reimagined, I analyze how black women writers reimagine the possibilities and limits of bodyminds by creating complex, interesting, and powerful representations of disabled characters. With the release and success of films like Get Out, Black Panther, and A Wrinkle in Time, it seems that speculative film is beginning to catch up the speculative fiction in terms of race and gender, but not as much in terms of disability. By highlighting the role of disability alongside race and gender in black women’s speculative fiction, I hope that Bodyminds Reimagined contributes to this powerful moment in black speculative representations so that perhaps in the Black Panther sequel and other future films, we might see the kind of engagement with and embrace of disability identity that we have begun to see around blackness and womanhood as well.

Pick up Sami Schalk’s Bodyminds Reimagined for 30% off using coupon code E18BODYM at dukeupress.edu.

International Women’s Day

On International Women’s Day, we’re excited to celebrate the achievements of women globally and energized to continue pressing for gender equality. If you’re looking to learn the latest in women’s studies, consider exploring a few of our newest works in this impactful and progressive field.

978-0-8223-7086-4From experimental shorts and web series to Hollywood blockbusters and feminist porn, the work of African American lesbian filmmakers has made a powerful contribution to film history. But despite its importance, this work has gone largely unacknowledged by cinema historians and cultural critics. Assembling a range of interviews, essays, and conversations, Sisters in the Life, edited by Yvonne Welbon and Alexandra Juhasz, tells a full story of out African American lesbian media-making spanning three decades.

Trump-WomensMarch_2017-top-1510075_(32409710246)On January 21, 2017, over 5 million people marched all over the world in support of women’s rights, immigration reform, healthcare reform, environmental policy reform, reproductive rights, LGBTQ+ rights, racial equality, freedom of religion, and worker’s rights, among other causes. A few weeks ago we shared recent scholarship on the 2017 Women’s March itself, as well as continued journal scholarship on feminism and women’s rights. Check out “Positions in Solidarity: Voices and Images from the US Women’s Marches” by Deborah Frizzell in Cultural Politics and “The Women’s March: New York, January 21, 2017” by Caroline Walker Bynum in Common Knowledge.

978-0-87273-184-4A landmark exhibition organized by the Brooklyn Museum, We Wanted a Revolution: Black Radical Women, 1965–85 examines the political, social, cultural, and aesthetic priorities of women of color during the emergence of second-wave feminism. The Brooklyn Museum published two volumes related to the exhibition. The first, the Sourcebook, republishes an array of rare and little-known documents from the period by artists, writers, cultural critics, and art historians such as Gloria Anzaldúa, James Baldwin, bell hooks, Lucy R. Lippard, Audre Lorde, Toni Morrison, Lowery Stokes Sims, Alice Walker, and Michelle Wallace. The second volume, New Perspectives, includes original essays and perspectives by Aruna D’Souza, Uri McMillan, Kellie Jones, and Lisa Jones that place the exhibition’s works in both historical and contemporary contexts, and also includes two new poems by Alice Walker. The exhibition is currently on display at the Albright-Knox Art Gallery in Buffalo, NY, through May 27.

readtorespondOur Read to Respond: Feminism and Women’s Rights reading list features journal articles and books tackling topics from abortion laws, maternity leave, Islamic feminism, and more. Read, reflect, and share these resources in and out of the classroom to keep these important conversations going.

978-0-8223-6257-9In the spring of 1994, the tiny African nation of Rwanda was ripped apart by a genocide that left nearly a million dead.  After the violence subsided, Rwanda’s women—drawn by the necessity of protecting their families—carved out unlikely new roles for themselves as visionary pioneers creating stability and reconciliation in genocide’s wake. In Rwandan Women Rising, Swanee Hunt shares the stories of some seventy women—heralded activists and unsung heroes alike—who overcame unfathomable brutality, unrecoverable loss, and unending challenges to rebuild Rwandan society.

In The Pursuit of Happiness Bianca C. Williams traces the experiences of African American women as they travel to Jamaica, where they address the perils and disappointments of American racism by looking for intimacy, happiness, and a connection to their racial identities. Through their encounters with Jamaican online communities and their participation in trips organized by Girlfriend Tours International, the women construct notions of racial, sexual, and emotional belonging by forming relationships with Jamaican men and other “girlfriends.”

wpj33_4_23_frontcover_fppWorld Policy Journal (WPJ) is the flagship publication of the World Policy Institute. For over thirty years the journal has been home to both distinguished and emerging thinkers from around the globe. Articles inject new ideas into international debates on the world’s most pressing issues. Essays and reported pieces cover global security, regional conflict, political controversy, and cultural and social change. The journal is known for lively, intelligent writing that challenges conventional wisdom and offers fresh perspectives on underreported issues. We’re highlighting three important articles from WPJ for International Women’s Day, made freely available until the end of the month:

978-0-8223-7003-1In Considering Emma Goldman Clare Hemmings examines the significance of the anarchist activist and thinker for contemporary feminist politics. Rather than attempting to resolve the tensions and problems that Goldman’s thinking about race, gender, and sexuality pose for feminist thought, Hemmings embraces them, finding them to be helpful in formulating a new queer feminist praxis. She shows how serious engagement with Goldman’s political ambivalences opens up larger questions surrounding feminist historiography, affect, fantasy, and knowledge production.

Sara R. Farris, in In the Name of Women’s Rights, examines the demands for women’s rights from an unlikely collection of right-wing nationalist political parties, neoliberals, and some feminist theorists and policy makers. Focusing on contemporary France, Italy, and the Netherlands, Farris labels this exploitation and co-optation of feminist themes by anti-Islam and xenophobic campaigns as “femonationalism.” She shows that by characterizing Muslim males as dangerous to western societies and as oppressors of women, and by emphasizing the need to rescue Muslim and migrant women, these groups use gender equality to justify their racist rhetoric and policies.

978-0-8223-7004-8In Passionate and Pious Monique Moultrie explores the impact of faith-based sexual ministries on black women’s sexual agency to trace how these women navigate sexuality, religious authority, and their spiritual walk with God. These popular ministries exist largely beyond the traditional church, with dialogues about sex taking place in chat rooms and through text messages, social media, email, and other media. Moultrie reframes biblical interpretations and conceptions of what constitutes a healthy relationship to provide a basis for sexual decision making that does not privilege monogamy or deny female pleasure.

ddmew_13_3_coverWe’re spotlighting the Journal of Middle East Women’s Studies this month to celebrate International Women’s Day and Women’s History Month. Follow the blog or sign up for email alerts to read more of the JMEWS blog series featuring the most widely read articles, a theme on war and empire, a special feature on co-editor miriam cooke, and more.

In seventeenth-century Lima, pious Catholic women gained profound theological understanding and enacted expressions of spiritual devotion by engaging with a wide range of sacred texts and objects, as well as with one another, their families, and ecclesiastical authorities. In Embodying the Sacred, Nancy E. van Deusen considers how women created and navigated a spiritual existence within the colonial city’s complex social milieu, transforming early modern Catholicism.

978-0-8223-7002-4In Domestic Economies, Susanna Rosenbaum examines how two groups of women—Mexican and Central American domestic workers and the predominantly white, middle-class women who employ them—seek to achieve the “American Dream.” By juxtaposing their understandings and experiences, she illustrates how immigrant and native-born women strive to reach that ideal, how each group is indispensable to the other’s quest, and what a vital role reproductive labor plays in this pursuit.

Want to show your feminism to the world? We now offer Feminist Killjoy t-shirts, inspired by Sara Ahmed’s book Living a Feminist Life, in both adult and children’s sizes! You can pick one up (or grab one for a friend) here.

Feminist Killjoy Groupkids front and back