Start off the semester strong by perusing our new September releases!
Drawing on oral and written testimonies from academics and students who have made complaints about harassment, bullying, and unequal working conditions at universities, Sara Ahmed examines what we can learn about power from those who complain about abuses of power in Complaint! Angela Y. Davis says, “Complaint! is precisely the text we need at this moment as we seek to understand and transform the institutional structures promoting racism and heteropatriarchy.”
The contributors to Assembly Codes: The Logistics of Media, edited by Matthew Hockenberry, Nicole Starosielski, and Susan Zieger, document how media and logistics—the techniques of organizing and coordinating the movement of materials, bodies, and information—are co-constitutive and key to the circulation of information and culture.
In Philosophy for Spiders: On the Low Theory of Kathy Acker, McKenzie Wark combines an autobiographical account of her relationship with Kathy Acker with her transgender reading of Acker’s writing to outline Acker’s philosophy of embodiment and its importance for theorizing the trans experience.
The contributors to Embodying Black Religions in Africa and Its Diasporas, edited by Yolanda Covington-Ward and Jeanette S. Jouili, investigate the complex intersections between the body, religious expression, and the construction and negotiation of social relationships and collective identities throughout the Black diaspora.
Sarah Jane Cervenak traces how Black artists and writers who create alternative spaces for Black people to gather free from those Enlightenment philosophies that presume Black people and land as given to enclosure and ownership in Black Gathering: Art, Ecology, Ungiven Life.
Andil Gosine revises understandings of queer desire in the Caribbean in Nature’s Wild, Love, Sex and the Law in the Caribbean, showing how the very concept of homosexuality in the Caribbean (and in the Americas more broadly) has been overdetermined by a colonially-influenced human/animal divide.
Thomas Aiello is Associate Professor of History at Valdosta State University and the author of many books, including Jim Crow’s Last Stand and The Grapevine of the Black South. His new book is The Life and Times of Louis Lomax: The Art of Deliberate Disunity, which traces the complicated and fascinating life of pioneering journalist, television host, bestselling author, and important yet overlooked civil rights figure Louis Lomax, who became one of the most influential voices of the civil rights movement despite his past as an ex-con, serial liar, and publicity-seeking provocateur.
David L. Chappell has called your book a “thrilling adventure story,” in addition to a “great intellectual biography.” How do you merge these two genres? That is, how do you work to craft a biography that is stylistically enjoyable for the reader?
It certainly helps to have a subject who lived an interesting life. Louis Lomax was a public intellectual, but also a media personality hungry for fame, a criminal, a crusading advocate for civil rights, and someone who lied consistently about his past. His life was itself an adventure, making telling an enjoyable story about it far easier. It is rare that a public intellectual like Lomax would become involved in the kinds of pursuits in which he was engaged. The most interesting part of his story is not evaluating his ideas, though the book certainly does that, but in figuring out why he thought what he thought and did what he did. It is ultimately that “why” question that combines the adventure story with the intellectual biography. Lomax’s thought and his strategy for relaying it to the public was shaped by his experience of growing up in the Jim Crow South, of lying about his college career, of his conviction for car theft and fraud, of his hustling journalism efforts, and of his desire for the limelight. Melding those stories with the ideas such experiences created is what merges the genres and makes the story enjoyable.
Why has Lomax been left out of the civil rights narrative of the 1960s? What are the stakes of incorporating him into that narrative?
Lomax has largely been given short shrift in discussions of civil rights because most of the era’s well-known figures staked out a position and defended it in the public sphere. Lomax’s position, however, was in a constant state of flux, making it difficult to pin down where he stood on various issues at various times without a full-length study like this one. Also, he was never part of a specific rights organization. He was a media personality that sometimes worked behind the scenes to help various causes and at other times worked to publicize them through his writing and his television and radio program.
When he does appear in civil rights narratives, then, he does so tangentially, because without a full understanding of his life, his influence, and his changing positions, it is difficult for most civil rights historians to pin down exactly where he fits. Hopefully this book can change that. Hopefully it demonstrates how important Lomax was to the trajectory of the movement. The stakes of that addition are significant because civil rights groups, whether the Nation of Islam, the Southern Christian Leadership Conference, or any other group in between them on the ideological spectrum, could have no substantial influence without the media. Lomax’s access to public platforms gave him the ability to publicize messages he cared about, to give louder voice to those he deemed worthy. In the process, he served as a (sometimes unreliable) gatekeeper for the messages of civil rights advocacy. Both as a thinker who helped develop the messages presented by advocates and as a vehicle to popularize those messages, Lomax was vital to the development of civil rights in the 1960s.
Can you summarize “the art of deliberate disunity,” as Lomax preached it? What might it have to offer our current political moment?
“The art of deliberate disunity” is a phrase coined by Lomax in a 1963 speech. He made the case that “only through diversity of opinion can we establish the basic prerequisite for the democratic process.” He criticized the idea that all civil rights victories were made equal, and that there was one right answer to the problem of Black equality in the United States. He saw as healthy the differences of opinion between, for example, his friends Malcolm X and Martin Luther King. Such disputes spurred innovation, which only benefited the movement writ large. If civil rights advocates only thought in a bifurcated way about “what we think” and about “what white people think,” the diversity of Black thought would get reduced to a lowest common denominator. By cultivating good faith debates among Black leaders, the art of deliberate disunity better respected the variety of Black opinions and demonstrated a version of democracy among a group seeking democracy from those in power. If we force everyone into a monolithic way of thinking, he argued, we are no better than white leaders.
It is an idea that does potentially have something to offer our current political moment, wherein warring factions are divided into separate camps, never the twain shall meet. Lomax, were he still around, would argue that the bigotry of the right and the push for ideological orthodoxy on the left create similar problems. The modern civil rights movement, Lomax would argue, needs to foster more internal debates about strategy and about goals. Such is not a weakness, but a democratic benefit that serves as a driver of creative growth.
In your account, Lomax has made a lasting impact both in terms of his contributions to Black journalism and his resistance against global colonialism. How exactly have these two projects benefitted from his influence, and how could they continue to benefit from readers’ increased knowledge of his life?
Lomax was able to move his journalism from his early work with the Black press to a more mainstream profile, publishing with white newspapers and publishers, becoming the first Black host of a news/talk television program, and developing a series of radio shows. His influence in that realm is vital, as so many mainstream journalists, television and radio hosts all benefit from his pioneering work. His success on The Louis Lomax Show, for example, was the country’s first demonstration that a news/talk program hosted by a Black man could be financially viable, removing that potential stigma and opening up that space to more journalists of color.
A similar claim could be made about his anticolonialism advocacy. While Lomax was in no way the first leader to argue against Western hegemony on the global stage, his popular comparisons between colonialism abroad and civil rights abuses at home brought such concerns to a popular audience. Much commentary in that regard came from the far Left, from voices that mainstream (and predominantly white) audiences never heard. But Lomax’s voice was able to make that case to a wider audience. Many others made similar arguments in the years after Lomax’s death, and of course colonialism has not disappeared, but Lomax’s advocacy was the first mainstream comparison of foreign colonialism and domestic racism and among the first public expressions of concern about the tumultuous situations in Africa and Thailand, places often forgotten by American audiences obsessed with Vietnam.
Lomax, as you describe him, is a complicated figure. He was a trailblazing newsman with a sharp political mind; at the same time, he loved to be the center of media attention, and was accused of womanizing and spousal abuse. Is there a Lomax figure living today who matches this combination of laudable attributes and personal flaws?
There is certainly no one today with the same basic profile as Lomax. The background check process would simply eliminate him from consideration for those kinds of jobs. There are, however, many with profiles that retain elements of Lomax’s trailblazing career. The Breakfast Club, for example, have been able to maintain a popular, mainstream radio program that relates news and serves as a hub of racial advocacy. Charlamagne tha God, Angela Yee, and DJ Envy have been able to find a space in the media landscape where they are both media reporters and media creators, chroniclers of advocacy and advocates themselves. On the other side of the political spectrum, pseudo-journalists like Geraldo Rivera, Sean Hannity, or Rush Limbaugh have used entertainment platforms to help guide policy and governing theory for their own side, usually in the cause of the very bigotry that people like Lomax sought to eliminate. Then there are broadcasters like Brian Williams, who was caught lying about a variety of stories, but has been able to make a comeback and continue his career despite that scandal. These are approximations, of course. Lomax’s profile simply could not exist today. His infidelity is probably still very common among news reporters and political theorists, but spousal abuse, lying about academic credentials, and his largely hidden prison record are not the kinds of things that could be covered in modern society.
Religion seems to have played a significant role in Lomax’s life and work. He was the son of a Christian preacher, a friend of Malcolm X and the Nation of Islam and accused by some of antisemitism. What can we learn from this confluence of religious affiliation and political movements?
Lomax saw religion as a means to an end. His upbringing was one of strict religious zeal, raised by preachers in the deepest of the Deep South. But his stories about his childhood emphasize religion’s value to people’s lives rather than its inherent truth. The same could be said about his feelings toward the Nation of Islam. He saw the group’s power not in its religious principles but in its political messaging. The religion itself was simply a vehicle for its larger aims, and when that religion got in the way, as when Malcolm X and Elijah Muhammad had a falling out, it was ultimately expendable. His supposed antisemitism, too, was less the result of any disagreement with Judaic thinking or belief. It was instead rooted in politics, a concern about the role of high finance in the plight of Black impoverishment. Thus it was that religion was invariably important to Lomax. It was always present in his life. He himself experimented with preaching for a time after he moved to Washington, DC. At the same time, however, religion was a pragmatic presence, there to be marshalled when necessary to make various arguments and influence the proper people.
That confluence of religious affiliation and political movements is also common today. While there are several leaders today whose faith is at the heart of their activism (Reverend William Barber seems to be the most high-profile example), the vast majority of people use their opinions about religion to justify their political beliefs, not the other way around. Lomax wasn’t necessarily allowing his politics to direct his faith, but he was using that faith to selectively influence those to whom he wanted to speak. And he supported that strategy in others like the Nation of Islam.
Our newest “In Conversation” video features Delinda Collier, Steven Nelson, co-editor of the Visual Arts of Africa and its Diasporas book series, and Duke University Press editor Elizabeth Ault discussing Collier’s new book Media Primitivism: Technological Art in Africa. They highlight how technologies of art move and are adopted across space and place, how African artists have made media and medium their own, and how African artists have challenged assumptions about African art as unmediated, primal, and natural. Media Primitivism is available now for 30% off with discount code CLLIER30.
As the days cool and leaves turn so should your new book pages! This month our new book titles will go great with your favorite hot drink.
Examining black performance practices that critique Western humanism, R. A. Judy offers an extended meditation on questions of blackness, the human, epistemology, and the historical ways in which the black being is understood in Sentient Flesh.
In Sensory Experiments, Erica Fretwell examines how psychophysics—a nineteenth-century scientific movement originating in Germany dedicated to the empirical study of sensory experience—became central to the process of creating human difference along the lines of race, gender, and ability in nineteenth-century America.
Brigitte Fielder presents an alternative theory of how race is constructed in Relative Races with readings of nineteenth-century personal narratives, novels, plays, stories, poems, and images to illustrate how interracial kinship follows non-heteronormative, non-biological, and non-patrilineal models of inheritance in nineteenth-century literary culture.
The Sense of Brown, which he was completing at the time of his death, is José Esteban Muñoz’s treatise on brownness and being as well as his most direct address to queer Latinx studies. Joshua Chambers-Letson and Tavia Nyong′o have edited the book and written an introduction.
Lyle Fearnley situates the production of ecological facts about the likely epicenter of viral pandemics inside the shifting cultural landscapes of agrarian change and the geopolitics of global health in the timely new book Virulent Zones.
Amalia Leguizamón reveals how the Argentine state, agribusiness, and their allies in the media and sciences deploy narratives of economic redistribution, scientific expertise, and national identity as a way to gain the public’s consent to grow genetically modified soybeans despite the massive environmental and social costs inSeeds of Power.
Drawing on ethnographic research with policy makers, politicians, activists, scholars, and the public in Manchester, England, Hannah Knox in Thinking Like a Climate confronts the challenges climate change poses to knowledge production and modern politics.
In Wild Things Jack Halberstam offers an alternative history of sexuality by tracing the ways in which the wild—a space located beyond normative borders of sexuality—offers sources of opposition to knowing and being that transgress Euro-American notions of the modern subject.
Saiba Varma in The Occupied Clinic, explores spaces of military and humanitarian care in Indian-controlled Kashmir—the world’s most militarized place—to examine the psychic, ontological, and political entanglements between medicine and violence.
With Cowards Don′t Make History, Joanne Rappaport examines the work of a group of Colombian social scientists led by Orlando Fals Borda, who in the 1970s developed a model of “participatory action research” in which they embedded themselves into local communities to use their research in the service of social and political organizing.
Vanessa Freije explores the causes and consequences of political scandals in Mexico from the 1960s through the 1980s in Citizens of Scandal, showing how Mexico City reporters began to denounce government corruption during this period in ways that defined the Mexican public sphere in the late twentieth century .
In Building Socialism, Christina Schwenkel analyzes the collaboration between East German and Vietnamese architects and urban planners as they attempted to transform the bombed-out industrial city of Vinh into a model socialist city.
Political theorist and anticapitalist activist Sabu Kohso uses the 2011 Fukushima nuclear disaster to illuminate the relationship between nuclear power, capitalism, and the nation-state in Radiation and Revolution, showing how nuclear power has become the organizing principle of the global order.
In Black Diamond Queens Maureen Mahon documents the major contributions African American women vocalists such as Big Mama Thornton, Betty Davis, Tina Turner, and Merry Clayton have made to rock and roll throughout its history.
Ethiraj Gabriel Dattatreyan in The Globally Familiar examines how the young men of Delhi’s hip hop scene construct themselves on- and off-line and how digital platforms offer these young men the means to reimagine themselves and their city through hip hop.
In essays addressing topics ranging from cinema, feminism, and art to hip hop, urban slums, and digital technology, Sujatha Fernandes in The Cuban Hustle explores the multitudinous ways ordinary Cubans have sought to hustle, survive, and create expressive cultures in the aftermath of the Soviet Union’s collapse.
In Genetic Afterlives, Noah Tamarkin illustrates how Lemba people in South Africa give their own meanings to the results of DNA tests that substantiated their ancestral connections to Jews and employ them to manage competing claims of Jewish ethnic and religious identity, African indigeneity, and South African citizenship.
Shane Denson examines the ways in which computer-generated digital images displace and transform the traditional spatial and temporal relationships that viewers had with conventional analog forms of cinema in Discorrelated Images.
Media Primitivism by Delinda Collier finds alternative concepts of mediation in African art by closely engaging with electricity-based works since 1944.
Writing in Space, 1973-2019 gathers the writings of conceptual artist Lorraine O’Grady as edited by Aruna D’Souza, including artist statements, scripts, magazine articles, critical essays on art and culture, and interviews.
Acknowledging the difficulty for artists in the twenty-first century to effectively critique systems of power, in The Play in the System Anna Watkins Fisher theorizes parasitism—a form of resistance in which artists comply with dominant structures as a tool for practicing resistance from within.
Filled with advice from over fifty contributors, this completely revised and expanded edition of our popular book The Academic’s Handbook guides academics at every career stage, whether they are first entering the job market or negotiating post-tenure challenges of accepting leadership and administrative roles. The volume is edited by Lori A. Flores and Jocelyn H. Olcott.
It’s hard to believe that summer is coming to an end but there’s still time to purchase new books to complete your summer reading list. Check out these exciting new titles coming out hot off the press this August!
In Information Activism, Cait McKinney traces how lesbian feminist activists in the United States and Canada between the 1970s and the present developed communication networks, databases, and digital archives to use as a foundation for their feminist, antiracist, and trans-inclusive work.
Resource Radicals by Thea Riofrancos explores the politics of extraction, energy, and infrastructure in contemporary Ecuador in order to understand how resource dependency becomes a dilemma for leftist governments and movements alike.
In Japonisme and the Birth of Cinema, Daisuke Miyao reveals the undetected influence that Japanese art and aesthetics had on early cinema and the pioneering films of the Lumiére brothers.
Drawing on ethnographic fieldwork, her experience reporting for People magazine, and dozens of interviews with photographers, journalists, publicists, magazine editors, and celebrities, in Manufacturing Celebrity Vanessa Díaz traces the complex power dynamics of the reporting and paparazzi work that fuel contemporary Hollywood and American celebrity culture.
In American Blockbuster, Charles R. Acland charts the origins, impact, and dynamics of the blockbuster, showing how it became a complex economic and cultural machine designed to advance popular support for technological advances.
Conceiving of sovereign space as volume rather than area, the contributors to Voluminous States, edited by Franck Billé, explore how such a conception reveals and underscores the three-dimensional nature of modern territorial governance.
In History 4° Celsius, Ian Baucom puts black studies into conversation with climate change, outlining how the ongoing concerns of critical race, diaspora, and postcolonial studies are crucial to understanding the Anthropocene and vice versa.
In Peripheral Nerve, the contributors to this volume reframe the history of the Cold War by focusing on how Latin America used the rivalry between superpowers to create alternative sociomedical pathways. The collection is edited by Anne-Emanuelle Birn and Raúl Necochea López.
In his posthumous book Sexual Hegemony, Christopher Chitty traces the 500 year history of capitalist sexual relations, showing how sexuality became a crucial dimension of the accumulation of capital and a technique of bourgeois rule. The book is edited by Max Fox and features an introduction by Christopher Nealon.
In Infamous Bodies, Samantha Pinto explores how histories of and the ongoing fame of Phillis Wheatley, Sally Hemings, Sarah Baartman, Mary Seacole, and Sarah Forbes Bonetta generate new ways of imagining black feminist futures.
Examining the work of Aretha Franklin, Nina Simone, Solange Knowles, Flying Lotus, and others, in The Meaning of Soul Emily J. Lordi proposes a new understanding of soul, showing how it came to signify a belief in black resilience enacted through musical practices.
In Afterlives of Affect, Matthew C. Watson considers the life and work of artist and Mayanist scholar Linda Schele (1942–1998) as an entry point to discuss the nature of cultural inquiry, decipherment in anthropology, and the social conditions of knowledge production.
In Enduring Cancer, Dwaipayan Banerjee explores the efforts of Delhi’s urban poor to create a livable life with cancer as they negotiate an over-extended health system unequipped to respond to the disease.
In Gestures of Concern, Chris Ingraham shows that gestures of concern, such as sharing or liking a post on social media, are central to establishing the necessary conditions for larger social or political change because they help to build the affective communities that orient us to one another with an imaginable future in mind.
The contributors to We Are Not Dreamers—who are themselves currently or formerly undocumented—call for the elimination of the Dreamer narrative, showing how it establishes high expectations for who deserves citizenship and marginalizes large numbers of undocumented youth. The collection is edited by Leisy J. Abrego and Genevieve Negrón-Gonzales.
The contributors to Gramsci in the World, edited by Roberto M. Dainotto and Fredric Jameson, examine the varying receptions and uses of Antonio Gramsci’s thought in diverse geographical, historical, and political contexts, highlighting its possibilities and limits for understanding and changing the social world.
As vast infrastructure projects transform the Mekong River, in Mekong DreamingAndrew Alan Johnson explores of how rapid environmental change affects how people live, believe, and dream.
Literally Swiss, the European Literature Network and Pro Helvetia have launched the first French Book Week, an online forum dedicated to French literature, translation and publishing in the UK. We’re happy to share our new and upcoming French Studies titles as part of the celebration. UK customers can purchase these books from our European distributor, Combined Academic Publishers.
The Birth of Solidarity: The History of the French Welfare State by François Ewald is edited by Melinda Cooper and translated from the French by Timothy Scott Johnson. The Birth of Solidarity—first published in French in 1986, revised in 1996, with the revised edition appearing here in English for the first time—is one of the most important historical and philosophical studies of the rise of the welfare state. It’s is a classic work of social and political theory that will appeal to all those interested in labor power, the making and dismantling of the welfare state, and Foucauldian notions of governmentality, security, risk, and the limits of liberalism.
Paris in the Dark: Going to the Movies in the City of Light, 1930–1950 by Eric Smoodin takes readers on a journey through the streets, cinemas, and theaters of Paris to sketch a comprehensive picture of French film culture during the 1930s and 1940s. Judith Mayne says, “Paris in the Dark is an outstanding study of the spaces and places of Parisian filmgoing and a major contribution to French film studies.”
The Wombs of Women: Race, Capital, Feminism by Françoise Vergès will be published in August. Translated by Kaiama L. Glover, The Wombs of Women examines the scandal of white doctors forcefully terminating the pregnancies of thousands of poor women of color on the French island of Réunion during the 1960s, showing how they resulted from the legacies of the racialized violence of slavery and colonialism. Vergès traces the long history of colonial state intervention in black women’s wombs during the slave trade and postslavery imperialism as well as in current birth control politics. She examines the women’s liberation movement in France in the 1960s and 1970s, showing that by choosing to ignore the history of the racialization of women’s wombs, French feminists inevitably ended up defending the rights of white women at the expense of women of color.
We also invite you to check out our journal French Historical Studies, the leading journal on the history of France, which publishes articles and commentaries on all periods of French history from the Middle Ages to the present. The journal’s diverse format includes forums, review essays, special issues, and articles in French, as well as bilingual abstracts of the articles in each issue. Also featured are bibliographies of recent articles, dissertations, and books in French history and announcements of fellowships, prizes, and conferences of interest to French historians.
Summer is just around the corner. As this new season begins, we’re releasing some exciting titles in history, art, anthropology, and more. Check out these brand new books arriving in June!
A Primer for Teaching Pacific Histories is a guide for college and high school teachers who are teaching Pacific histories for the first time or for experienced teachers who want to reinvigorate their courses. It can also serve those who are training future teachers to prepare their own syllabi, as well as teachers who want to incorporate Pacific histories into their world history courses.
In Disordering the Establishment, Lily Woodruff examines the development of artistic strategies of political resistance in France in the decades following World War II, showing how artists countered establishment ideology, challenged traditional art institutions, appealed to direct political engagement, and grappled with French intellectuals’ modeling of society.
Pointing out that presumptions of solidarity, antagonism, or incommensurability between Black and Native communities are insufficient to understand the relationships between both groups, the scholars, artists, and activists contributing to Otherwise Worlds investigate the complex relationships between settler colonialism and anti-Blackness to explore the political possibilities that emerge from such inquiries. This volume is edited by Tiffany Lethabo King, Jenell Navarro, and Andrea Smith.
In Trafficking, Hector Amaya examines how the dramatic escalation of drug violence in Mexico in 2008 transformed how people discussed violence and the rules of participation in the public sphere.
Sa’ed Atshan and Katharina Galor draw on ethnographic fieldwork and interviews in The Moral Triangle to explore the asymmetric relationships between Germans and Israeli and Palestinian immigrants in the context of official German policies, public discourse, and the impact of coming to terms with the past. You can watch Assistant Editor Sandra Korn interview Atshan and Galor here.
We know that many of you look forward to stocking up on new books at special discounts at our conferences, so we are pleased to extend a 30% discount on all in-stock books and journal issues. Use coupon code BERKS20 to save 30% when ordering online. Journal subscriptions and society memberships don’t qualify for the 30% discount.
Check out some of the exciting titles we would have featured in our booth at the Berks.
In I Never Left Home, poet and revolutionary Margaret Randall tells the moving, captivating, and astonishing story of her life, from her childhood in New York to joining the Sandanista movement in Nicaragua, from escaping political repression in Mexico to raising a family and teaching college. Watch a video of Margaret Randall discussing her memoir here.
In Second World, Second Sex, Kristen Ghodsee recuperates the lost history of feminist activism from the so-called Second World, showing how women from state socialist Bulgaria and socialist-leaning Zambia created networks and alliances that challenged American women’s leadership of the global women’s movement. Listen to an interview with Kristen Ghodsee here.
Jennifer C. Nash reframes black feminism’s engagement with intersectionality in Black Feminism Reimagined, contending that black feminists should let go of their possession and policing of the concept in order to better unleash black feminist theory’s visionary and world-making possibilities. Read an interview with Jennifer Nash here.
Lynn M. Thomas constructs a transnational history of skin lighteners in South Africa and beyond in Beneath the Surface, theorizing skin and skin color as a site for antiracist struggle and lighteners as a technology of visibility that both challenges and entrenches racial and gender hierarchies. Watch an interview with Lynn Thomas on South African TV here.
From The Guiding Light to Passions, Elana Levine traces the history of daytime television soap operas as an innovative and highly gendered mass cultural form in Her Stories. Read an interview with Elana Levine in Jezebelhere.
In Mafalda, Isabella Cosse examines the history, political commentary, and influence of the world-famous comic character Mafalda from her Argentine origins in 1964 to her global reach in the 1990s. Recently, the Argentinan goverment has been using Mafalda to educate citizens about wearing face masks during the pandemic. Read Cosse’s blog post on the campaign here.
The contributors to Spirit on the Move examine Pentecostalism’s appeal to black women worldwide and the ways it provides them with a source of community, access to power, and way to challenge social inequalities. This volume is edited by Judith Casselberry and Elizabeth A. Pritchard.
Ana María Reyes examines how the polarizing art of Beatriz González disrupted Cold War aesthetic discourses and the politics of class and modernization in 1960s Colombia in The Politics of Taste.
In Vexy Thing, Imani Perry recenters patriarchy to contemporary discussions of feminism through a social and literary analysis of cultural artifacts—ranging from nineteenth-century slavery court cases and historical vignettes to literature and contemporary art—from the Enlightenment to the present. Read an interview with Imani Perry here.
If you were hoping to connect with one of our editors about your book project at the Berks, please reach out to them by email. See our editors’ specialties and contact information here and our submissions guidelines here. We are now accepting submissions online!
Our journal issues in women’s and gender studies are also included in our 30%-off sale.
We’re pleased to announce that we’ve extended our Spring Sale through May 25, which will allow you to pick up some new titles at 50% off this month. Use coupon SPRING50 to save.
In the beautifully illustrated, full-color book AFRICOBRA, painter, photographer, and cofounder of Chicago arts collective AFRICOBRA Wadsworth A. Jarrell tells the definitive history of the group’s creation, history, and artistic and political principles and the ways it captured the rhythmic dynamism of black culture and social life to create uplifting art for all black people.
Eric Zolov presents a revisionist account of Mexican domestic politics and international relations during the long 1960s in The Last Good Neighbor, tracing how Mexico emerged from the shadow of FDR’s Good Neighbor policy to become a geopolitical player in its own right during the Cold War. Look for a Q&A with Zolov on our blog later this month.
Through innovative readings of gay and lesbian films, Lee Wallace offers a provocative argument in Reattachment Theory that queer experiments in domesticity have profoundly reshaped heterosexual marriage to such an extent that now all marriage is gay marriage.
François Ewald’s The Birth of Solidarity—first published in French in 1986 and appearing here in English for the first time—is one of the most important historical and philosophical studies of the rise of the welfare state. This edition is edited by Melinda Cooper.
Louise Amoore examines how machine learning algorithms are transforming the ethics and politics of contemporary society in Cloud Ethics, proposing what she calls cloud ethics as a way to hold algorithms accountable by engaging with the social and technical conditions under which they emerge and operate.
In Re-enchanting Modernity, Mayfair Yang examines the reemergence of religious life and ritual after decades of enforced secularized life in the coastal city of Wenzhou, showing how local practices of popular religion, Daoism, and Buddhism influence economic development and the structure of civil society.
In Writing Anthropology, fifty-two anthropologists reflect on scholarly writing as both craft and commitment, offering insights into the myriad roles of anthropological writing, the beauty and the function of language, the joys and pains of writing, and encouragement to stay at it. This collection is edited by Carole McGranahan.
In Beijing from Below, Harriet Evans tells the history of the residents in Dashalar—now redeveloped and gentrified but once one of the Beijing’s poorest neighborhoods—to show how their experiences complicate official state narratives of Chinese economic development and progress.
Alex Blanchette explores how the daily lives of a Midwestern town that is home to a massive pork complex were reorganized around the life and death cycles of pigs while using the factory farm as a way to detail the state of contemporary American industrial capitalism in Porkopolis. As the coronavirus tears through meatpacking plants around the U.S., Blanchette’s analysis is highly relevant. We’ll feature a Q&A with him on our blog later in the month.
Drawing on examples of things that happen to us but are nonetheless excluded from experience, as well as critical phenomenology, genealogy, and feminist theory, Cressida J. Heyes shows how and why experience has edges, and analyzes phenomena that press against them in Anaesthetics of Existence.
InThe Government of Beans, Kregg Hetherington uses Paraguay’s turn of the twenty-first century adoption of massive soybean production and the regulatory attempts to mitigate the resulting environmental degradation as a way to show how the tools used to drive economic growth exacerbate the very environmental challenges they were designed to solve.