Media Studies

Courtney Berger on the Canceled SCMS Conference

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Our editors look forward to meeting their authors at conferences every year and are sad to be missing out on that this spring. The annual meeting of the Society for Cinema and Media Studies would have taken place April 1-5 in Denver this year. We know that many of you look forward to stocking up on new books at special discounts at our conferences, so we are pleased to extend a 50% discount on all in-stock books and journal issues through May 1. In addition, if you spend $100 or more, we are offering free shipping to U.S. addresses. Journal subscriptions and society memberships don’t qualify for the 50% discount, but they do count toward the $100 threshold.

CBerger_webInstead of greeting Executive Editor Courtney Berger in person this year, check out her recommendations for new titles in the discipline and a great round up of other ways to learn about all the new scholarship that was to be presented at the conference.

Hello, SCMSers. I’m sorry that I won’t see you all in person this year. In the past couple of months, we have published an amazing range of new books in film & media studies. I was looking forward to showing them off at the conference.  I hope you’ll go to our website to see the new and forthcoming titles and take advantage of the 50% off sale. (I know, I know. It’s not the same as being able to browse books at the exhibit hall, but it’s the best we’ve got right now.) You can learn Her Storiesabout the centrality of the soap opera to the history of American tv production in Elana Levine’s Her Stories, experience the film culture of mid-20th century Paris with Eric Smoodin in Paris in the Dark, or find out about the environmental publics that emerge in India around radiant technologies like cell-phone towers in Rahul Mukherjee’s Radiant Infrastructures.

There were some exciting panels this year that I was hoping to attend that highlight some emerging areas on Duke’s media studies list. Several panels on environment and media feature work related to the new Elements series, edited by Nicole Starosielski and Stacy Alaimo. Some of these panels will be happening in virtual form during the week, so check them out if Wild Blue Mediayou can. Melody Jue’s Wild Blue Media is the latest book in the series. Jue submerges key concepts of media—such as storage and transmission—under water, asking us to reconsider conventional notions of media environment. It’s a must read for folks in media studies, in my opinion.

Also, here’s a heads up about an upcoming book series on gaming and game culture called “Power Play” that will be edited by Jen Malkowski and TreaAndrea Russworm. It’s brand new, so no books yet; but keep your eyes open for new books in this area. And if you are into queer gaming culture, check out Bonnie Ruberg’s volume The Queer Games Avant-Garde, which features interviews with 22 queer video game developers and designers.

Finally, I want to give a shout out to Eliza Steinbock, whose book Shimmering Images won this year’s SCMS Best First Book Award. Congratulations, Eliza!

Take care, everyone, and I look forward to seeing you next year.

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If you were hoping to connect with Courtney or another of our editors about your book project at SCMS, please reach out to them by email. See our editors’ specialties and contact information here and our new online submissions guidelines here.

We’re also excited to welcome liquid blackness: journal of aesthetics and black studies to our publishing program next spring. And don’t forget to check out our great new journal issues in film and media studies, including “On Chantal Akerman” from Camera Obscura, “Contemporary German and Austrian Cinema” from New German Critique, “Scenes of Suffering” from Theater, and “Multimodal Media” from Poetics Today.

Once again, we’re sorry to miss you in person but hope the 50% discount with free U.S. shipping on orders over $100 will make it possible for you to pick up some new books and journal issues. Use coupon SPRING50 at checkout and see the fine print on the sale here.

New Books in April

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Curling up on the couch with a great book is an excellent way to practice social distancing this month. All these titles will deliver before our sale ends on May 1, so check our website regularly. You can save 50% on all in-stock titles with coupon SPRING50

Tyler Bickford traces the dramatic rise of the “tween” pop music industry in Tween Pop, showing how it marshaled childishness as a key element in legitimizing children’s participation in public culture.

The contributors to Playing for Keeps examine the ways in which musical improvisation can serve as a way to negotiate violence, trauma, systemic inequality, and the aftermaths of war and colonialism. This volume is edited by Daniel Fischlin and Eric Porter.

John F. Szwed’s Space is the Place is the definitive biography of Sun Ra—composer, keyboardist, bandleader, philosopher, entrepreneur, poet, self-proclaimed extraterrestrial from Saturn, and a founder of Afrofuturism. We are pleased to be bringing this classic back into print with a new preface.

In Vital Decomposition, Kristina M. Lyons presents an ethnography of human-soil relations in which she follows state soil scientists and peasant farmers in Colombia’s Putumayo region, showing how their relationship with soil is key to caring for the forest and growing non-illicit crops in the face of violence, militarism, and environmental destruction.

Micha Rahder explores how multiple ways of knowing the forest of Guatemala’s Maya Biosphere Reserve shape conservation practice, local livelihoods, and landscapes in An Ecology of Knowledges.

In Relations, Marilyn Strathern provides a critical account of anthropology’s key concept of relation and its usage and significance in the English-speaking world, showing how its evolving use over the last three centuries reflects changing thinking about knowledge-making and kin-making.

In Virtual Pedophilia, Gillian Harkins traces the genealogy of the transformation of cultural construction of the pedophile as a social outcast into the image of normative white masculinity from the 1980s to the present, showing how his “normalcy” makes him hard to identify and stop.

In A People’s History of Detroit, Mark Jay and Philip Conklin use a Marxist framework to tell a sweeping story of Detroit from 1913 to the present, outlining the complex socio-political dynamics underlying major events in Detroit’s past, from the rise of Fordism and the formation of labor unions to deindustrialization and the city’s recent bankruptcy.

In Revolution and Disenchantment, Fadi A. Bardawil explores the hopes for and disenchantments with Marxism-Leninism in the writings and actions of revolutionary intellectuals within the 1960s Arab New Left.

In Tehrangeles Dreaming, Farzaneh Hemmasi draws on ethnographic fieldwork in Los Angeles and musical and textual analysis to examine how the pop music, music videos, and television made by Iranian expatriates express modes of Iranianness not possible in Iran.

The Lonely Letters is an epistolary blackqueer critique of the normative world in which Ashon T. Crawley meditates on the interrelation of blackqueer life, sounds of the black church, theology, mysticism, and the potential for platonic and erotic connection in a world that conspires against blackqueer life.

Drawing on Whitman and Adorno, Morton Schoolman proposes aesthetic education through film as a way to redress the political violence inflicted on difference society constructs as its racialized, gendered, Semitic, and sexualized other in A Democratic Enlightenment.

In Kwaito Bodies, Xavier Livermon examines the cultural politics of the youthful black body in South Africa through the performance, representation, and consumption of Kwaito—a style of electronic dance music that emerged following the end of apartheid.

Reflecting on the experience, philosophy, and practice of Latin American indigenous and Afro-descendant activist-intellectuals who mobilize to defend their territories from large-scale extraction, Arturo Escobar shows in Pluriversal Politics how the key to addressing planetary crises is the creation of the pluriverse—a world of many epistemological and ontological worlds.

The contributors to AIDS and the Distribution of Crises outline the myriad ways that the AIDS pandemic exists within a network of varied historical, overlapping, and ongoing crises borne of global capitalism and colonial, racialized, and gendered violence. This collection is edited by Jih-Fei Cheng, Alexandra Juhasz, and Nishant Shahani. It is currently available to read free online as part of our Navigating the Threat of Pandemic syllabus.

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Joshua Neves on the Coronavirus (COVID-19), Anti-Chinese Racism, and the Politics of Underglobalization

Neves, Joshua photoJoshua Neves, author of Underglobalization:
Beijing’s Media Urbanism and the Chimera of Legitimacy
, is Associate Professor and Canada Research Chair, Film Studies at Concordia University and coeditor of Asian Video Cultures, also published by Duke University Press. He wrote this post on February 21, 2020 and updated the statistics today, March 11.

In the 2018-19 flu season, the United States’ Center for Disease Control (CDC) estimated that 16.5 million Americans saw a health care provider for their illness, 490,600 people were hospitalized, and 34,200 people died from influenza. Such data helps us to temper recent panic about the coronavirus, contagion narratives, and the repressive Chinese state. 

To be sure, the strict management of information and party-state bureaucracy have plagued China’s response to the virus. My aim here is not to downplay what are very grave challenges to public health, but rather to turn attention to the ways the viral outbreak has also been swollen by frenzied news and social media around the world. Among the many responses in North America and Europe, for example, is a resurgent anti-Chinese racism. This includes suspicions about exotic animals and racialized ideas about sickness and disease, as well as alarm about surgical mask shortages, government cover ups, and entire cities under quarantine. As a recent US headline puts it, “First the media sold you overblown fears. Now it’s selling false comfort.”

But there is little new in this hysteria over China as a breeding ground for pandemics. From counterfeit medicine to authoritarian capitalism, China plays a complicated role in stories about the world system. On the one hand, it’s laboring population serves as factory to the world and has sustained the global economy through stagnation and crisis. It both produces the world’s best known things and is derided as a menial laborer or copycat—and not, that is, a designer. A major theme in recent news coverage centers on profits lost to factory closures. In many such stories, concerns about the well-being of migrant workers, among others, seems limited to their inability to get to work. On the other hand, even while China co-creates what we have come to know as globalization, its ambition and the challenges it poses to the Washington Consensus have led many to see the country as a global villain. Alongside Russia, Iran, etc., the PRC increasingly fills an imaginary void in post-Cold War geopolitics. It is the “other” that “we” organize our anger or fear around. 

What interests me about the tensions framing the COVID-19 outbreak is that China is at once understood to be inside and outside of the world or proper society of nations. It is both a prime mover and sickly underminer. This contradiction—including mistrust, intolerance, fear—must be tied to a history of anti-Chinese racism in North America and elsewhere. Not surprisingly, the current “yellow peril” is once again linked to the exploitation of Chinese workers, as well as a deep suspicion of these same people’s motives and lifeworlds. It highlights the inequality of global supply chains—a current logic of racialized capitalism—which seek to move things in specific directions and keep everyone in their place. It is this sense of global order that the virus ignores with its potential to spread where it should not. Contagion thus not only refers to the unruliness of new flu strains, but to the new mobilities of Chinese people, products, and technologies. The latter includes US attempts to block the Chinese company, Huawei, from building 5G infrastructure around the world. Officials claim that Chinese built networks will allow Beijing to infiltrate critical telecom infrastructure, making them insecure and threatening. These same reports rely on language that could just as well describe panic about the infectivity of influenza. Per Vice President Mike Pence, “We cannot ensure the defense of the West if our allies grow dependent on the East.”

The point of highlighting such tensions is not to bracket the very real problems posed by the People’s Republic of China or its vision of the future. But it is to refuse sweeping and prejudicial assessments of China and the Chinese, which inform insidious racisms by tethering ideas about counterfeits, censorship, exotic animals, the flu, and much more, to particular bodies. Put simply, these critiques are widespread, confused, epidemic—and demand more nuanced attention from journalists, scholars, and publics. What remains undigested by routine critiques of China, and is once again brought into relief by the recent outbreak of the outbreak narrative, is how smug dismissals buttress troubling ideas about the munificent “West” and the “free world.” This is one of the most menacing and normalized aspects of anti-Chinese racism in the North Atlantic. It locates viral contagion in Asian cities and populations, naming them as external threats, thereby consolidating a violent clash of civilization understanding of the earth. Here is safe; there is toxic.

It is important to add that, contrary to Euro-American assumptions about Chinese repression and citizen compliance, political dissent is endemic and visible across the PRC. For example, in Social Protests and Contentious Authoritarianism in China, political scientist Xi Chen describes both the dramatic rise and routinization of social protest in China and also how, “beneath the surface of noise and anxiety,” China’s political system remains stable. This is a complex political formation and no doubt differs from the imagination of protest in places like the US. But these differences notwithstanding, it is important to understand that protest and dissensus are frequent responses to life in contemporary China—and many Chinese citizens are “more than ready to blame the Communist Party for suppressing public health information and closing ranks against the people.” What is distinct, and marks an increasingly global condition, is that such protests are not made within formal civil society. Instead they are quasi- or il-legal, and suggest new modes of political society. Consider the January 2020 essay, “When Fury Becomes Fear,” from the outspoken former academic and critic, Xu Zhangrun. In searing prose, Xu argues that the current epidemic sounds a “viral alarm” and “has revealed the rotten core of Chinese governance.” See Geremie R. Barmé’s translation of Xu’s essay here, a Wuhan diary here, a typical report about netizen responses here, or the Sinophobia tracker here. What matters about such examples, is that they refuse the self-righteous politics of pity—where, for example, Americans are free and Chinese are controlled—and instead demands that we re-examine the workings of popular politics under globalization, which includes China and the so-called “West.”

Screen Shot 2020-02-21 at 12.42.46 PMAs I write, 4,379 people have died from the coronavirus and nearly 119,108 cases have been confirmed. Currently over 1000 deaths have been reported outside of China, with Wuhan, Hubei Province, still the most affected area. While details vary, reports indicate that lockdowns and curfews affect hundreds of millions Chinese citizens. The strictest rules, per the South China Morning Post, keep 60 million Hubei residents from leaving their homes. Further coverage suggests that the epidemic may now have peaked, as its spread slows in China, though others note that Japan is now a hotbed for the virus, with new cases also confirmed in the Philippines, South Korea, Iran, Egypt, and others. I linger on the current flu epidemic, stories about its (mis)management, and its Asian hosts and itineraries because they bring into relief a range of issues that are critical to what I call underglobalization

978-1-4780-0805-7When writing Underglobalization, I struggled to make sense of the contradictory and often racist understandings of China that co-exist in much official and popular discourse. As above, I was struck by the way that China is both dismissed as a fake, parasite or outlier nation and, at the same time, is critical to both the global economy and institutions, and to the everyday experience of the world. This paradox brings into relief deep structural conflicts over what constitutes political, economic, and social legitimacy in the present and future. Against such antagonisms, Underglobalization charts how a wide range of social actors underperform or refuse to implement the specific procedures and protocols required by globalization at different scales. Put differently, what international law (like the TRIPS Agreement) identifies as illegal must also be understood, in many contexts, to be locally valid. One important ramification of this claim is the recognition that contemporary global dynamics are shaped by increasing tensions between (il)legality and (il)legitimacy. Most simply the book asks: what happens when legal contracts around the world—including rights, civil society and citizenship—fail or become dangerous, and on what ground are political relationships reclaimed and sustained? 

Save 30% on the paperback edition of Joshua Neves’ Underglobalization using the coupon code E20NEVES and download the introduction here.

 

New Books in March

Spring is just around the corner—so it’s time to stock up on books for a whole new season of reading. Check out all of these titles arriving in March!

In I Never Left Home, poet and revolutionary Margaret Randall tells the moving, captivating, and astonishing story of her life, from her childhood in New York to joining the Sandanista movement in Nicaragua, from escaping political repression in Mexico to raising a family and teaching college.

Demanding Images is Karen Strassler’s ethnography of Indonesia’s post-authoritarian public sphere, exploring the role of public images as they gave visual form to the ideals, aspirations, and anxieties of democracy.

Focusing on a wide range of media technologies and practices in Beijing, Underglobalization by Joshua Neves examines the cultural politics of the “fake” and how frictions between legality and legitimacy propel dominant models of economic development and political life in contemporary China.

A writing manual as well as a manifesto, Every Day I Write the Book combines novelist and essayist Amitava Kumar’s practical writing advice with interviews with prominent writers, offering guidance and inspiration for academic writers at all levels.

In Negative Exposures, Margaret Hillenbrand explores how artistic appropriations of historical images effectively articulate the openly unsayable and counter the public secrecy that erases traumatic episodes from China’s past.

The contributors to Visualizing Fascism, edited by Julia Adeney Thomas and Geoff Eley, examine the imagery and visual rhetoric of interwar fascism in East Asia, southern Africa, and Europe to explore how fascism was visualized as a global and aesthetic phenomenon.

In his new book-length prose poem, The Voice in the Headphones, musician David Grubbs draws on decades of recording experience, taking readers into the recording studio to tell the story of an unnamed musician who struggles to complete a film soundtrack in a day-long marathon recording session.

Rahul Mukherjee explores how the media coverage of and debates about nuclear power plants and cellular phone antennas in India frames and sustains environmental activism in Radiant Infrastructures.

Salomé Aguilera Skvirsky theorizes the process genre—a filmic genre characterized by its representation of chronologically ordered steps in which some form of labor results in a finished product—in The Process Genre.

In The Queer Games Avant-Garde, Bonnie Ruberg presents twenty interviews with twenty-two queer video developers whose radical, experimental, vibrant, and deeply queer work is driving a momentous shift in the medium of video games.

Ana Y. Ramos-Zayas traces how parenting practices among urban elites in Brazil and Puerto Rico preserve and reproduce white privilege and economic inequality in Parenting Empires.

In Rock | Water | Life, Lesley Green examines the interwoven realities of inequality, racism, colonialism, and environmental destruction in South Africa, calling for environmental research and governance to transition to an ecopolitical approach that could address South Africa’s history of racial oppression and environmental exploitation.

Matt Brim shifts queer studies away from sites of elite education toward poor and working-class students and locations in Poor Queer Studies, showing how the field is driven by those flagship institutions that perpetuate class and race inequity in higher education.

In Paris in the Dark, Eric Smoodin takes readers on a journey through the streets, cinemas, and theaters of Paris to sketch a comprehensive picture of French film culture during the 1930s and 1940s.

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New Books in February

This month, we’re releasing an array of new reads in all of the subjects you love. Take a look at these new books coming this February!

The concluding volume in a poetic triptych, Alexis Pauline Gumbs’s Dub: Finding Ceremony takes inspiration from theorist Sylvia Wynter, dub poetry, and ocean life to offer a catalog of possible methods for remembering, healing, listening, and living otherwise.

In Wild Blue Media, Melody Jue destabilizes terrestrial-based media theory frameworks and reorients the perception of the world by considering the ocean itself as a media environment—a place where the weight and opacity of seawater transforms how information is created, stored, transmitted, and perceived.

In The Ocean in the School, Rick Bonus tells the stories of Pacific Islander students at the University of Washington as they and their allies struggled to transform a university they believed did not value their presence into a space based on meaningfulness, respect, and multiple notions of student success.

In Orozco’s American Epic, Mary K. Coffey examines José Clemente Orozco’s mural cycle Epic of American Civilization, which indicts history as complicit in colonial violence and questions the claims of Manifest Destiny in the United States and the Mexican desire to mend the wounds of conquest in pursuit of a postcolonial national project.

Nandita Sharma traces the development of the categories of migrants and natives from the nineteenth century to the present in Home Rule to theorize how the idea of people’s rights being tied to geographical notions of belonging came to be.

In Unfixed, Jennifer Bajorek traces the relationship between photography and decolonial politics in Francophone west Africa in the years immediately leading up to and following independence from French colonial rule in 1960, showing how photography both reflected and actively contributed to social and political change.

In Are You Entertained?, a collection of essays, interviews, visual art, and artist statements on topics ranging from music and dance to Black Twitter and the NBA’s dress code, the contributors consider what culture and Blackness mean in the twenty-first century’s digital consumer economy. This volume is edited by Simone C. Drake and Dwan K. Henderson.

In Musicophilia in Mumbai, Tejaswini Niranjana traces the place of Hindustani classical music in Mumbai throughout the long twentieth century, showing how the widespread love of music throughout the city created a culture of collective listening and social subjects who embodied new forms of modernity.

Focusing on the work of a Marxist anticolonial literary group active in India between the 1930s and 1950s, Neetu Khanna rethinks the project of decolonization in The Visceral Logics of Decolonization by showing how embodied and affective responses to colonial subjugation provide the catalyst for developing revolutionary consciousness.

Contributors to Queer Korea, edited by Todd A. Henry, offer interdisciplinary analyses of non-normative sexuality and gender nonconformity in Korea, extending individualized notions of queer neoliberalism beyond those set in Western queer theory.

Drawing on Marxist phenomenology, geography, and aesthetics and film from China, Hong Kong, and Taiwan made between the 1990s and the present, Erin Y. Huang theorizes the economic, cultural, and political conditions of neoliberal postsocialist China in Urban Horror.

The contributors to Affective Trajectories examine the mutual and highly complex entwinements between religion and affect in urban Africa in the early twenty-first century, tracing the myriad ways religious ideas, practices, and materialities interact with affect to configure life in urban African spaces. This collection is edited by Hansjörg Dilger, Astrid Bochow, Marian Burchardt, and Matthew Wilhelm-Solomon.

In Naked Agency, Naminata Diabate explores how the deployment of defiant nakedness by mature women in Africa challenges longstanding assumptions about women’s political agency.

From The Guiding Light to Passions, Elana Levine traces the history of daytime television soap operas as an innovative and highly gendered mass cultural form in Her Stories.

In Seeing by Electricity, Doron Galili traces television’s early history, from the fantastical devices initially imagined fifty years before the first television prototypes to the emergence of broadcast television in the 1930s, showing how television was always discussed and treated in relation to cinema.

Jeremy Packer and Joshua Reeves provide a critical account of the history and future of automation in warfare in Killer Apps by highlighting the threats posed by the latest advances in media technology and artificial intelligence.

Originally published in German in 1978 and appearing here in English for the first time, the second volume of Peter Weiss’s three-volume novel The Aesthetics of Resistance depicts anti-fascist resistance, radical proletarian political movements, and the relationship between art and resistance from the late 1930s to World War II.

Working Together: Louis Draper and the Kamoinge Workshop by Sarah Eckhardt accompanies the exhibition of the photography of Virginia artist Louis Draper and other members of the Kamoinge Workshop that opens at the Virginia Museum of Fine Arts in February 2020. We are distributing it for the museum.

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New Books in January

If one of your resolutions for 2020 is to read more books, we’ve got you covered. Ring in the new year with these captivating new releases!

In Beneath the Surface, Lynn M. Thomas constructs a transnational history of skin lighteners in South Africa and beyond, theorizing skin and skin color as a site for antiracist struggle and lighteners as a technology of visibility that both challenges and entrenches racial and gender hierarchies.

Weaving U.S. history into the larger fabric of world history, the contributors to Crossing Empires de-exceptionalize the American empire, placing it in a global transimperial context as a way to grasp the power relations that shape imperial formations. This collection is edited by Kristin L. Hoganson and Jay Sexton.

Engaging contemporary photography by Sally Mann, Lorna Simpson, Carrie Mae Weems, and others, Shawn Michelle Smith traces how historical moments come to be known photographically and the ways in which the past continues to inhabit, punctuate, and transform the present through the photographic medium in Photographic Returns.

Spanning the centuries between pre-contact indigenous Haiti to the aftermath of the 2010 earthquake, the selections in The Haiti Reader introduce readers to Haiti’s dynamic history and culture from the viewpoint of Haitians from all walks of life. This volume is edited by Laurent Dubois, Kaiama L. Glover, Nadève Ménard, Millery Polyné, and Chantalle F. Verna.

The contributors to Futureproof (edited by D. Asher Ghertner, Hudson McFann, and Daniel M. Goldstein) examine the affective and aesthetic dimensions of security infrastructures and technology with studies ranging from Jamaica and Jakarta to Colombia and the US-Mexico border.

Examining abjection in a range of visual and material culture, the contributors to Abjection Incorporated move beyond critiques of abjection as a punitive form of social death to theorizing how it has become a means to acquire political and cultural capital in the twenty-first century. This volume is edited by Maggie Hennefeld and Nicholas Sammond.

Margaret E. Dorsey and Miguel Díaz-Barriga argue that border wall construction along the U.S.–Mexico border manifests transformations in citizenship practices that are aimed not only at keeping migrants out but also enmeshing citizens into a wider politics of exclusion in Fencing in Democracy.

In Politics of Rightful Killing, Sima Shakhsari analyzes the growth of Weblogistan—the online and real-life transnational network of Iranian bloggers in the early 2000s—and the ways in which despite being an effective venue for Iranians to pursue their political agendas, it was the site for surveillance, cooptation, and self-governance.

In Invisibility by Design, Gabriella Lukács traces how young Japanese women’s unpaid labor as bloggers, net idols, “girly” photographers, online traders, and cell phone novelists was central to the development of Japan’s digital economy in the 1990s and 2000s.

Presented in the context of the nonprofit arts collective More Art’s fifteen-year history, and featuring first-person testimony, critical essays, and in-depth documentary materials, More Art in the Public Eye is an essential, experiential guide to the field of socially engaged public art and its increasing relevance. This volume is edited by Micaela Martegani, Jeff Kasper, and Emma Drew, and we are distributing it for More Art.

Shana L. Redmond traces Paul Robeson’s continuing cultural resonances in popular culture and politics in Everything Man, showing how he remains a vital force and presence for all those he inspired.

In The Complete Lives of Camp People, Rudolf Mrázek presents a sweeping study of the material and cultural lives of internees of two twentieth-century concentration camps and the multiple ways in which their experiences speak to and reveal the fundamental logics of modernity.

In Avian Reservoirs, Frédéric Keck traces how the anticipation of bird flu pandemics has changed relations between birds and humans in Hong Kong, Singapore, and Taiwan, showing that humans’ reliance on birds is key to mitigating future pandemics.

Collecting texts from all corners of the world that span antiquity to the present, The Ocean Reader (edited by Eric Paul Roorda) charts humans’ relationship to the ocean, treating it as a dynamic site of history, culture, and politics.

The contributors to Blue Legalities attend to the seas as a legally and politically conflicted space to analyze the conflicts that emerge where systems of governance interact with complex geophysical, ecological, economic, biological, and technological processes. This collection is edited by Irus Braverman and Elizabeth R. Johnson.

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New Books in December

‘Tis the season for brand new books! This month, we’re releasing a variety of compelling titles from a wide range of disciplines—art, history, music, theory and philosophy, cultural studies, and many more. Check out these great reads available in December.

Andrea Smith examines the racial reconciliation movement in Evangelical Christianity through a critical ethnic studies lens in Unreconciled, evaluating the varying degrees to which Evangelical communities that were founded on white supremacy have attempted to address racism and become more inclusive.

In Picasso’s Demoiselles, eminent art historian Suzanne Preston Blier uncovers a previously unknown history of the influences and creative process of Pablo Picasso’s Les Demoiselles d’Avignon, one of the twentieth century’s most important, celebrated, and studied paintings.

In The Sonic Episteme Robin James examines how twenty-first-century conceptions of sound as acoustic resonance shape notions of the social world, personhood, and materiality in ways that support white supremacist capitalist patriarchy.

In Listen But Don’t Ask Question Kevin Fellezs traces the ways in which slack key guitar—a traditional Hawaiian musical style played on an acoustic steel-string guitar—is a site for the articulation of the complex histories, affiliations, and connotations of Hawaiian belonging.

Militarization: A Reader, edited by Roberto J. González, Hugh Gusterson, and Gustaaf Houtman, offers an anthropological perspective on militarization’s origin and sustained presence as a cultural process in its full social, economic, political, cultural, environmental, and symbolic contexts throughout the world.

Originally published in French in 1997 and appearing here in English for the first time, David Lapoujade’s William James: Empiricism and Pragmatism is both an accessible and rigorous introduction to and a pioneering rereading of James’s thought.

With topics that span the sixteenth century to the present in Latin America, the United States, Australia, the Middle East, and West Africa, the contributors to Ethnopornography show how ethnopornography—the eroticized observation of the Other for supposedly scientific or academic purposes—is fundamental to the creation of race, colonialism, and archival and ethnographic knowledge. This volume is edited by Pete Sigal, Zeb Tortorici, and Neil L. Whitehead.

In Otaku and the Struggle for Imagination in Japan Patrick Galbraith examines Japanese “otaku,” their relationships with fictional girl characters, the Japanese public’s interpretations of them as excessive and perverse, and the Japanese government’s attempts to co-opt them into depictions of “Cool Japan” to an international audience.

In Mafalda: A Social and Political History of Latin America’s Global Comic—first published in Argentina in 2014 and appearing here in English for the first time—Isabella Cosse examines the history, political commentary, and influence of the world-famous comic character Mafalda from her Argentine origins in 1964 to her global reach in the 1990s.

In The Licit Life of Capitalism Hannah Appel uses a case study of U.S. oil industry in Equatorial Guinea to illustrate how inequality makes markets, not just in West Africa but globally.

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New Books in November

This month, we’re offering a cornucopia of fresh titles in anthropology, media studies, sociology, history, native and indigenous studies, and more. Take a look at all of these exciting new books available in November!

978-1-4780-0649-7_prWhat does it mean to be a decolonial tourist? We are excited to present our first travel guide book,  Detours, edited by Hokulani K. Aikau and Vernadette Vicuna Gonzalez.  In the book artists, activists, and scholars redirect readers from the fantasy of Hawai‘i as a tropical paradise and tourist destination toward a multilayered and holistic engagement with Hawai‘i’s culture, complex history, and the effects of colonialism. We’ll have lots of copies at the American Studies Association meeting in Honolulu later this month.

Mark Goodale’s ethnographic study of Bolivian politics and society between 2006 and 2015, A Revolution in Fragments, reveals the fragmentary and contested nature of the country’s radical experiments in pluralism, ethnic politics, and socioeconomic planning.colonialism.

In The Politics of Taste Ana María Reyes examines how the polarizing art of Beatriz González disrupted Cold War aesthetic discourses and the politics of class and modernization in 1960s Colombia.

Nicholas D’Avella offers an ethnographic reflection on the value of buildings in post-crisis Buenos Aires in Concrete Dreams, showing how everyday practices transform buildings into politically, economically, and socially consequential objects, and arguing that such local forms of value and practice suggest possibilities for building better futures.

In his engaging and moving book, Honeypot, E. Patrick Johnson combines magical realism, poetry, and performative writing to bear witness to the real-life stories of black southern queer women in ways that reveal the complexity of identity and the challenges these women face. Johnson is on a book tour for Honeypot. Look for a post later this month with all the dates.

In Trans Exploits Jian Neo Chen examines how contemporary trans of color artists are tracking and resisting their displacement and social marginalization through new forms of cultural expression, performance, and activism.

 

In Punctuations Michael J. Shapiro examines how the use of punctuation—conceived not as a series of marks but as a metaphor for the ways in which artistic genres engage with intelligibility—in art opens pathways for thinking through the possibilities for oppositional politics.

In a meditation on loss, inheritance, and survival, The Unspoken as Heritage, renowned historian Harry Harootunian explores the Armenian genocide’s multigenerational afterlives that remain at the heart of the Armenian diaspora by sketching the everyday lives of his parents, who escaped the genocide in the 1910s.

Tyler Denmead critically examines his role as the founder of New Urban Arts—a nonprofit arts program for young people of color in Providence, Rhode Island—and how despite its success, it unintentionally contributed to Providence’s urban renewal efforts, gentrification, and the displacement of people of color in The Creative Underclass.

Kamari Maxine Clarke explores the African Union’s pushback against the International Criminal Court in order to theorize affect’s role in shaping forms of justice in Affective Justice.

In Before the Flood, Jacob Blanc examines the creation of the Itaipu Dam—the largest producer of hydroelectric power in the world—on the Brazil–Paraguay border during the 1970s and 1980s to explore the long-standing conflicts around land, rights, indigeneity, and identity in rural Brazil.

In Screening Race in American Nontheatrical Film, edited by Allyson Nadia Field and Marsha Gordon, the contributors examine the place and role of race in educational films, home movies, industry and government films, anthropological films, church films, and other forms of noncommercial filmmaking throughout the twentieth century.

Deborah A. Thomas uses the 2010 military and police incursion into the Kingston, Jamaica, Tivoli Gardens neighborhood as a point of departure for theorizing the roots of contemporary state violence in Jamaica and other post-plantation societies in Political Life in the Wake of the Plantation.

In Progressive Dystopia Savannah Shange traces the afterlives of slavery as lived in a progressive high school set in post-gentrification San Francisco, showing how despite the school’s sincere antiracism activism, it unintentionally perpetuated antiblackness through various practices.

In Sacred Men Keith L. Camacho examines the U.S. Navy’s war crimes tribunal in Guam between 1944 and 1949 which tried members of Guam’s indigenous Chamorro community and Japanese nationals and its role in shaping contemporary domestic and international laws regarding combatants, jurisdiction, and property.

Maile Arvin analyzes the history of racialization of Polynesians within the context of settler colonialism across Polynesia, especially in Hawai‘i, arguing that a logic of possession through whiteness animates European and Hawaiian settler colonialism in Possessing Polynesians.

978-1-4780-0621-3_prIn his experimental ethnography, Ethnography #9, Alan Klima examines moneylending, gambling, funeral casinos, and the consultations of spirits and mediums to predict winning lottery numbers to illustrate the relationship between contemporary Thai spiritual and financial practices and global capitalism’s abstraction of monetary value.

In Biogenetic Paradoxes of the Nation, Sakari Tamminen traces the ways in which the mandates of 1992’s Convention on Biological Diversity—hailed as the key symbol of a common vision for saving Earth’s biodiversity—contribute less to biodiversity conservation than to individual nations using genetic resources for economic and cultural gain.

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New Books in October

It’s official—fall has arrived! With the start of this new season, we’re releasing dynamic new reads in art and visual culture, anthropology, feminist studies, cultural studies, sociology, and more. Check out all of these exciting books available in October.

Continuing the work she began in The Promise of Happiness and Willful Subjects by taking up a single word and following its historical, intellectual, and political significance, Sara Ahmed explores how use operates as an organizing concept, technology of control, and tool for diversity work in What’s the Use?

In Where Histories Reside Priya Jaikumar examines seven decades of films shot on location in India to show how attending to filmed space reveals alternative timelines and histories of cinema as well as the myriad ways cinema constructs India as a place.

Eva Haifa Giraud contends in What Comes after Entanglement? that recent theory that foregrounds the ways that human existence is entangled with other nonhuman life and the natural world often undermine successful action and calls for new modes of activist organizing and theoretical critique.

The contributors to Reading Sedgwick (edited by Lauren Berlant) reflect on the long and influential career of Eve Kosofsky Sedgwick, whose pioneering work in queer theory has transformed understandings of affect, intimacy, politics, and identity.

Conceptualizing anthropology as a mode of practical and transformative inquiry in A Possible Anthropology, Anand Pandian stages an ethnographic encounter with the field in an effort to grasp its impact on the world and its potential for addressing and offering solutions to the profound crises of the present.

In Symbolic Violence Michael Burawoy brings Pierre Bourdieu into an extended debate with Marxism by outlining the parallels and divergences between Bourdieu’s thought and preeminent Marxist theorists including Gramsci, Fanon, Beauvoir, and Freire.

Achille Mbembe theorizes the genealogy of the contemporary world—one plagued by inequality, militarization, enmity, and a resurgence of racist, fascist, and nationalist forces—and calls for a radical revision of humanism a the means to create a more just society in Necropolitics.

In Fidel between the Lines Laura-Zoë Humphreys tracks late-socialist Cuba’s changing dynamics of social criticism and censorship through Cuban cinema and its cultural politics.

In A Fragile Inheritance, Saloni Mathur investigates the work of two seminal figures from the global South: the New Delhi-based critic and curator Geeta Kapur and contemporary multimedia artist Vivan Sundaram, illuminating  how their political and aesthetic commitments intersect and foreground uncertainty, difficulty, conflict, and contradiction.  

Ronak K. Kapadia examines multimedia visual art by artists from societies besieged by the US war on terror in Insurgent Aesthetics, showing how their art offers queer feminist critiques of US global warfare that forge new aesthetic and social alliances with which to sustain critical opposition to the global war machine.

In Eros Ideologies Laura E. Pérez analyzes Latina art to explore a new notion of decolonial thought and love based on the integration of body, mind, and spirit that offers a means to creating a more democratic and just present and future.

Edited by Frances Richard, I Stand in My Place with My Own Day Here features essays by more than fifty renowned international writers considering thirteen monumental works of art commissioned by The New School between 1930 and the present. We are distributing this beautiful art book for The New School.

Between Form and Content is a catalog that accompanied the first exhibition to focus on Jacob Lawrence’s experience at Black Mountain College in North Carolina in 1946, where his interaction with Josef Albers had a lasting impact on his future career. We are distributing this catalog for Black Mountain College Museum + Art Center.

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New Books in September

Summer’s almost over, which means it’s time to start to replenishing your reading list! Celebrate the start of a new academic year with us by checking out this diverse array of books arriving in September.

Acknowledging the impending worldwide catastrophe of rising seas in the twenty-first century, Orrin H. Pilkey and Keith C. Pilkey outline the impacts on the United States’ shoreline and argue that the only feasible response along much of the U.S. shoreline is an immediate and managed retreat in Sea Level Rise.

Brenda R. Weber’s Latter-day Screens examines the ways in which the mediation of Mormonism through film, TV, blogs, YouTube videos, and memoirs functions as a means through which to understand conversations surrounding gender, sexuality, spirituality, capitalism, justice, and individualism in the United States.

Self-Devouring Growth by Julie Livingston shows how the global pursuit of economic and resource-driven growth comes at the expense of catastrophic destruction, thereby upending popular notions that economic growth and development is necessary for improving a community’s wellbeing.

In Under Construction, Daniel Mains explores the intersection of infrastructural development and governance in contemporary Ethiopia by examining the conflicts surrounding the construction of specific infrastructural technologies and how that construction impacts the daily lives of Ethiopians.

Elizabeth Freeman’s Beside You in Time expands bipolitical and queer theory by outlining a temporal view of the long nineteenth century and showing how time became a social and sensory means by which people resisted disciplinary regimes and assembled into groups in ways that created new forms of sociality.

Terry Smith—who is widely recognized as one of the world’s leading historians and theorists of contemporary art—traces the emergence of contemporary art and further develops his concept of contemporaneity in Art to Come through analyses of topics ranging from Chinese and Australian Indigenous art to architecture.

Henry Cow by Benjamin Piekut tells the story of the English experimental rock band Henry Cow and how it linked its improvisational musical aesthetic with a collectivist, progressive politics.

Davina Cooper’s Feeling Like a State explores the unexpected contribution a legal drama of withdrawal—as exemplified by some conservative Christians who deny people inclusion, goods, and services to LGBTQ individuals—might make to conceptualizing a more socially just, participative state.

In Making The Black Jacobins, Rachel Douglas traces the genesis, transformation, and afterlives of the different versions of C. L. R. James’s landmark The Black Jacobins across the decades from the 1930s onwards, showing how James revised it in light of his evolving politics.

William E. Connolly links climate change, fascism, and the nature of truth to demonstrate the profound implications of the deep imbrication between planetary nonhuman processes and cultural developments in Climate Machines, Fascist Drives, and Truth.

Cara New Daggett’s The Birth of Energy traces the genealogy of the idea of energy from the Industrial Revolution to the present, showing how it has informed fossil fuel imperialism, the governance of work, and our relationship to the Earth.

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