Performance Studies

50 Years of Theater: A Retrospective

Congratulations to Theater for reaching its fiftieth anniversary! The journal’s new issue, “50 Years of Theater: A Retrospective,” celebrates this milestone by reflecting on some of the journal’s editorial accomplishments. The full issue is freely available for three months. Start reading here.

With reflections from Tom Sellar, the current editor, and Gordon Rogoff, a founding editor, this anniversary edition honors Theater’s tradition of speculation on change and an altered society. It includes a section of excerpts from the journal’s archives in which contributors offer a vision for the future. A photo dossier considers the art of photographing live performance and theater productions, and a forum of reflections from past editors considers how the journal simultaneously served as a training organ for the emerging editors and writers who compose the editorial staff.

New Books in April

spring50_saleapril20_blog-1-1

Curling up on the couch with a great book is an excellent way to practice social distancing this month. All these titles will deliver before our sale ends on May 1, so check our website regularly. You can save 50% on all in-stock titles with coupon SPRING50

Tyler Bickford traces the dramatic rise of the “tween” pop music industry in Tween Pop, showing how it marshaled childishness as a key element in legitimizing children’s participation in public culture.

The contributors to Playing for Keeps examine the ways in which musical improvisation can serve as a way to negotiate violence, trauma, systemic inequality, and the aftermaths of war and colonialism. This volume is edited by Daniel Fischlin and Eric Porter.

John F. Szwed’s Space is the Place is the definitive biography of Sun Ra—composer, keyboardist, bandleader, philosopher, entrepreneur, poet, self-proclaimed extraterrestrial from Saturn, and a founder of Afrofuturism. We are pleased to be bringing this classic back into print with a new preface.

In Vital Decomposition, Kristina M. Lyons presents an ethnography of human-soil relations in which she follows state soil scientists and peasant farmers in Colombia’s Putumayo region, showing how their relationship with soil is key to caring for the forest and growing non-illicit crops in the face of violence, militarism, and environmental destruction.

Micha Rahder explores how multiple ways of knowing the forest of Guatemala’s Maya Biosphere Reserve shape conservation practice, local livelihoods, and landscapes in An Ecology of Knowledges.

In Relations, Marilyn Strathern provides a critical account of anthropology’s key concept of relation and its usage and significance in the English-speaking world, showing how its evolving use over the last three centuries reflects changing thinking about knowledge-making and kin-making.

In Virtual Pedophilia, Gillian Harkins traces the genealogy of the transformation of cultural construction of the pedophile as a social outcast into the image of normative white masculinity from the 1980s to the present, showing how his “normalcy” makes him hard to identify and stop.

In A People’s History of Detroit, Mark Jay and Philip Conklin use a Marxist framework to tell a sweeping story of Detroit from 1913 to the present, outlining the complex socio-political dynamics underlying major events in Detroit’s past, from the rise of Fordism and the formation of labor unions to deindustrialization and the city’s recent bankruptcy.

In Revolution and Disenchantment, Fadi A. Bardawil explores the hopes for and disenchantments with Marxism-Leninism in the writings and actions of revolutionary intellectuals within the 1960s Arab New Left.

In Tehrangeles Dreaming, Farzaneh Hemmasi draws on ethnographic fieldwork in Los Angeles and musical and textual analysis to examine how the pop music, music videos, and television made by Iranian expatriates express modes of Iranianness not possible in Iran.

The Lonely Letters is an epistolary blackqueer critique of the normative world in which Ashon T. Crawley meditates on the interrelation of blackqueer life, sounds of the black church, theology, mysticism, and the potential for platonic and erotic connection in a world that conspires against blackqueer life.

Drawing on Whitman and Adorno, Morton Schoolman proposes aesthetic education through film as a way to redress the political violence inflicted on difference society constructs as its racialized, gendered, Semitic, and sexualized other in A Democratic Enlightenment.

In Kwaito Bodies, Xavier Livermon examines the cultural politics of the youthful black body in South Africa through the performance, representation, and consumption of Kwaito—a style of electronic dance music that emerged following the end of apartheid.

Reflecting on the experience, philosophy, and practice of Latin American indigenous and Afro-descendant activist-intellectuals who mobilize to defend their territories from large-scale extraction, Arturo Escobar shows in Pluriversal Politics how the key to addressing planetary crises is the creation of the pluriverse—a world of many epistemological and ontological worlds.

The contributors to AIDS and the Distribution of Crises outline the myriad ways that the AIDS pandemic exists within a network of varied historical, overlapping, and ongoing crises borne of global capitalism and colonial, racialized, and gendered violence. This collection is edited by Jih-Fei Cheng, Alexandra Juhasz, and Nishant Shahani. It is currently available to read free online as part of our Navigating the Threat of Pandemic syllabus.

Never miss a new book! Sign up for our e-mail newsletters, and get notifications of new titles in your preferred disciplines as well as discounts and other news.

New Books in March

Spring is just around the corner—so it’s time to stock up on books for a whole new season of reading. Check out all of these titles arriving in March!

In I Never Left Home, poet and revolutionary Margaret Randall tells the moving, captivating, and astonishing story of her life, from her childhood in New York to joining the Sandanista movement in Nicaragua, from escaping political repression in Mexico to raising a family and teaching college.

Demanding Images is Karen Strassler’s ethnography of Indonesia’s post-authoritarian public sphere, exploring the role of public images as they gave visual form to the ideals, aspirations, and anxieties of democracy.

Focusing on a wide range of media technologies and practices in Beijing, Underglobalization by Joshua Neves examines the cultural politics of the “fake” and how frictions between legality and legitimacy propel dominant models of economic development and political life in contemporary China.

A writing manual as well as a manifesto, Every Day I Write the Book combines novelist and essayist Amitava Kumar’s practical writing advice with interviews with prominent writers, offering guidance and inspiration for academic writers at all levels.

In Negative Exposures, Margaret Hillenbrand explores how artistic appropriations of historical images effectively articulate the openly unsayable and counter the public secrecy that erases traumatic episodes from China’s past.

The contributors to Visualizing Fascism, edited by Julia Adeney Thomas and Geoff Eley, examine the imagery and visual rhetoric of interwar fascism in East Asia, southern Africa, and Europe to explore how fascism was visualized as a global and aesthetic phenomenon.

In his new book-length prose poem, The Voice in the Headphones, musician David Grubbs draws on decades of recording experience, taking readers into the recording studio to tell the story of an unnamed musician who struggles to complete a film soundtrack in a day-long marathon recording session.

Rahul Mukherjee explores how the media coverage of and debates about nuclear power plants and cellular phone antennas in India frames and sustains environmental activism in Radiant Infrastructures.

Salomé Aguilera Skvirsky theorizes the process genre—a filmic genre characterized by its representation of chronologically ordered steps in which some form of labor results in a finished product—in The Process Genre.

In The Queer Games Avant-Garde, Bonnie Ruberg presents twenty interviews with twenty-two queer video developers whose radical, experimental, vibrant, and deeply queer work is driving a momentous shift in the medium of video games.

Ana Y. Ramos-Zayas traces how parenting practices among urban elites in Brazil and Puerto Rico preserve and reproduce white privilege and economic inequality in Parenting Empires.

In Rock | Water | Life, Lesley Green examines the interwoven realities of inequality, racism, colonialism, and environmental destruction in South Africa, calling for environmental research and governance to transition to an ecopolitical approach that could address South Africa’s history of racial oppression and environmental exploitation.

Matt Brim shifts queer studies away from sites of elite education toward poor and working-class students and locations in Poor Queer Studies, showing how the field is driven by those flagship institutions that perpetuate class and race inequity in higher education.

In Paris in the Dark, Eric Smoodin takes readers on a journey through the streets, cinemas, and theaters of Paris to sketch a comprehensive picture of French film culture during the 1930s and 1940s.

Never miss a new book! Sign up for our e-mail newsletters, and get notifications of new titles in your preferred disciplines as well as discounts and other news.

New Books in January

If one of your resolutions for 2020 is to read more books, we’ve got you covered. Ring in the new year with these captivating new releases!

In Beneath the Surface, Lynn M. Thomas constructs a transnational history of skin lighteners in South Africa and beyond, theorizing skin and skin color as a site for antiracist struggle and lighteners as a technology of visibility that both challenges and entrenches racial and gender hierarchies.

Weaving U.S. history into the larger fabric of world history, the contributors to Crossing Empires de-exceptionalize the American empire, placing it in a global transimperial context as a way to grasp the power relations that shape imperial formations. This collection is edited by Kristin L. Hoganson and Jay Sexton.

Engaging contemporary photography by Sally Mann, Lorna Simpson, Carrie Mae Weems, and others, Shawn Michelle Smith traces how historical moments come to be known photographically and the ways in which the past continues to inhabit, punctuate, and transform the present through the photographic medium in Photographic Returns.

Spanning the centuries between pre-contact indigenous Haiti to the aftermath of the 2010 earthquake, the selections in The Haiti Reader introduce readers to Haiti’s dynamic history and culture from the viewpoint of Haitians from all walks of life. This volume is edited by Laurent Dubois, Kaiama L. Glover, Nadève Ménard, Millery Polyné, and Chantalle F. Verna.

The contributors to Futureproof (edited by D. Asher Ghertner, Hudson McFann, and Daniel M. Goldstein) examine the affective and aesthetic dimensions of security infrastructures and technology with studies ranging from Jamaica and Jakarta to Colombia and the US-Mexico border.

Examining abjection in a range of visual and material culture, the contributors to Abjection Incorporated move beyond critiques of abjection as a punitive form of social death to theorizing how it has become a means to acquire political and cultural capital in the twenty-first century. This volume is edited by Maggie Hennefeld and Nicholas Sammond.

Margaret E. Dorsey and Miguel Díaz-Barriga argue that border wall construction along the U.S.–Mexico border manifests transformations in citizenship practices that are aimed not only at keeping migrants out but also enmeshing citizens into a wider politics of exclusion in Fencing in Democracy.

In Politics of Rightful Killing, Sima Shakhsari analyzes the growth of Weblogistan—the online and real-life transnational network of Iranian bloggers in the early 2000s—and the ways in which despite being an effective venue for Iranians to pursue their political agendas, it was the site for surveillance, cooptation, and self-governance.

In Invisibility by Design, Gabriella Lukács traces how young Japanese women’s unpaid labor as bloggers, net idols, “girly” photographers, online traders, and cell phone novelists was central to the development of Japan’s digital economy in the 1990s and 2000s.

Presented in the context of the nonprofit arts collective More Art’s fifteen-year history, and featuring first-person testimony, critical essays, and in-depth documentary materials, More Art in the Public Eye is an essential, experiential guide to the field of socially engaged public art and its increasing relevance. This volume is edited by Micaela Martegani, Jeff Kasper, and Emma Drew, and we are distributing it for More Art.

Shana L. Redmond traces Paul Robeson’s continuing cultural resonances in popular culture and politics in Everything Man, showing how he remains a vital force and presence for all those he inspired.

In The Complete Lives of Camp People, Rudolf Mrázek presents a sweeping study of the material and cultural lives of internees of two twentieth-century concentration camps and the multiple ways in which their experiences speak to and reveal the fundamental logics of modernity.

In Avian Reservoirs, Frédéric Keck traces how the anticipation of bird flu pandemics has changed relations between birds and humans in Hong Kong, Singapore, and Taiwan, showing that humans’ reliance on birds is key to mitigating future pandemics.

Collecting texts from all corners of the world that span antiquity to the present, The Ocean Reader (edited by Eric Paul Roorda) charts humans’ relationship to the ocean, treating it as a dynamic site of history, culture, and politics.

The contributors to Blue Legalities attend to the seas as a legally and politically conflicted space to analyze the conflicts that emerge where systems of governance interact with complex geophysical, ecological, economic, biological, and technological processes. This collection is edited by Irus Braverman and Elizabeth R. Johnson.

Never miss a new book! Sign up for our e-mail newsletters, and get notifications of new titles in your preferred disciplines as well as discounts and other news.

New Books in December

Check out our December new releases!

978-1-4780-0292-5.jpgColin Milburn’s Respawn examines the relationships between video games, hackers, and science fiction, showing how games provide models of social and political engagement, critique, and resistance while offering a vital space for players and hacktivists to challenge centralized power and experiment with alternative futures.

Jack Halberstam’s classic Female Masculinity has been called “a landmark study” (Feminist Theory) and a “pioneering document” (Gay and Lesbian Times) and has become one of our bestselling texts of all time. We are pleased to offer a new twentieth anniversary edition of the book, which features a new preface by the author.

978-1-4780-0166-9.jpg

In Can Politics Be Thought?—published in French in 1985 and appearing here in English for the first time—Alain Badiou offers his most forceful and systematic analysis of the crisis of Marxism in which he argues for the continuation of Marxist politics.

Containing over one hundred selections—many of which appear in English for the first time—this extensively revised and expanded second edition of the bestselling The Brazil Reader, edited by James Green, Victoria Langland, and Lilia Moritz Schwarcz, presents the lived experience of Brazilians from all social and economic classes, racial backgrounds, genders, and political perspectives over the past half-millennia.

Jessica A. Krug’s Fugitive Modernities traces the history and meaning of Kisama—a seventeenth-century fugitive slave community located in present-day Angola—by showing how it operated as a inspirational global symbol of resistance for fugitives on both sides of the Atlantic.

978-1-4780-0167-6.jpg

Megan H. Glick’s Infrahumanisms considers how twentieth-century conversations surrounding nonhuman life have impacted a broad range of attitudes toward forms of human difference such as race, sexuality, and health, showing how efforts to define a universal humanity create the means with which to reinforce various forms of social inequality.

Damon R. Young’s Making Sex Public tracks the emergence of new forms of sexuality in French and American cinema from the 1950s to the present, showing how cinema transformed narratives of sexuality and how women and queers were both agents and objects of that transformation.

Prompting a reevaluation of canonical understandings of twentieth century art history, Mapping Modernisms, edited by Elizabeth Harney and Ruth Phillips, provides an analysis of how indigenous artists and art from Africa, Oceania, and the Americas became recognized as modern.

The contributors to Passages and Afterworlds, edited by Maarit Forde and Yanique Hume, explore death and mortuary rituals across the Caribbean, showing how racial, cultural and class differences have been deployed in ritual practice and how such rituals have been governed in the colonial and postcolonial Caribbean.

978-1-4780-0094-5.jpg

The contributors to Sound Objects, an ambitious and wide-ranging collection edited by James Steintrager and Rey Chow, explore sound as an object, sound studies as a discipline, and the limits of sonic objectivity.

In Worldmaking, Dorinne Kondo draws on critical ethnographic work and over twenty years of experience as a dramaturge and playwright to theorize how racialized labor, aesthetics, affect, genre, and social inequity operate in contemporary theater.

In a bold challenge to conventional understandings of Hawai‘i’s admission as a U.S. state. Dean Saranillio’s Unsustainable Empire tracks the disparate stories different groups tell about Hawaiian statehood by returning to historical flashpoints ranging from the turn of the century until shortly after 1959.

Never miss a new book! Sign up for Subject Matters, our e-mail newsletter, and get notifications of new titles in your preferred disciplines as well as discounts and other news.

Poem of the Week

978-0-8223-7147-2For the second week of National Poetry Month, we’re sharing an excerpt from David Grubbs’s new book-length prose poem Now that the audience is assembled. The poem, both a work of literature and a study of music, describes a fictional performance during which a musician improvises the construction of a series of invented instruments before an audience that is alternately contemplative, participatory, disputatious, and asleep.

 

The demonstration is scarcely completed when the composer places his instrument on the ground and turns to address the audience.

The musician cannot flip the switch quite so easily, and she rocks back and forth with an unprotesting expression, still cradling her instrument and inhabiting a different sphere while the composer, speaking through the page-turner, shares his take on this brief performance: It needs to be said that a duo performance is something other than this composition. Two is an insufficient number. Two performers suffice only to show the technique. The structure of the work is the invitation for multiple individuals to create and experience alterations on the basis of unforeseen encounters. It’s a pleasure to encounter you in this way (composer and page-turner both gesture toward the musician, who gives no indication that she’s listening) and to do so again and again and differently each time, but a duo performance has a melancholic desert-island quality. That of two survivors, and we need others. Composer and page-turner toe the edge of the lighted rectangle and peer into the darkness: Do we have volunteers?

The audience feigns sleep or slumbers on.

Thankfully the composer knows when to drop the direct address, and the offer is not repeated. There is no need to force participation. He gestures for musician and page-turner to follow him as he shuffles toward the upstage door that once again swings open. They disappear for several minutes into the unknown region.

When they return to the performance space, they come provisioned with a collection of ten bulky round objects, each thick with dust and wrapped in a maroon cloth and tied with a piece of canary-yellow nylon rope. They lean the wrapped objects against the wall in an arrangement based on descending order of size. The largest of the bundles matches the arm span of the page-turner; the smallest resembles a hubcap.

We’re going to try something different, announces the composer.

Learn more about Now that the audience is assembled.

Curating Crisis

ddthe_47_2The most recent issue of Theater, “Curating Crisis,” is the journal’s second issue devoted to the curation of performance. It includes an additional set of interviews with four leading performance curatorsFlorian Malzacher, Sodja Lotker, Miranda Wright, and Boris Charmatzthat continue the conversation of historical precedents for curators specializing in theater, dance, and other live forms. It examines the ways in which performance curators are responding to crises and conflicts both within the fields of performance, and in the spheres of politics, economics, and history.

A special section features a series of essays based on lectures originally presented in SpielART festival’s 2015 convening, “Show Me the World,” in which contributors ask how curation strategies might acknowledge and build from postcolonial contexts. The section introduces major questions provoked by rethinking the role of the curator in a time of increasingly transcultural exchange and exhibition.

“Curating Crisis” includes articles on topics such as:

  • Multiculturalism
  • Black American Performance Artistry
  • Performance Curation
  • Micropolitics
  • Performance History

and much more.

Browse the table-of-contents and read the introduction made freely available. To learn more about the topic, read “Performance Curators,” Theater’s first issue devoted to performance curation.

The Pleasure of Sport: Readings for the Olympics

In anticipation of the Olympics starting this weekend, we wanted to share some of our books and special issues on sports. Did we touch on all of your favorites? Let us know in the comments.

Iddrhr_125n the most recent issue of Radical History Review, “Historicizing the Politics and Pleasure of Sport,” (#125) contributors explore how and why sport, paradoxically, leads to empowerment and disempowerment, inclusion and exclusion, unity and division. The issue features cutting-edge research on gender and sexuality, sport in the Global South, neoliberalism, race and ethnicity, and stadiums as sites of urban politics and national identity. The issue also includes a reflection on sport and art, book review essays, contemporary analysis on #BlackLivesMatter and sport, and a forum of scholars who use sport to teach radical history. Read the introduction, made freely available.

ddsaq_105_2A 2006 issue of SAQ: South Atlantic Quarterly, “The Pleasure Principle: Sport for the Sake of Pleasure,” (105:2) is a great read to prepare for the 2016 Olympics. Sport represents a singular source of social belonging and communal enjoyment—sometimes as intense as religious faith. “The Pleasure Principle” contributors address the issue of sport as a form of pleasure, contending that sport, like any form of popular culture, reveals a lot about the society in which it appears. Examining sports through various theoretical lenses, including Marxist, feminist, and poststructuralist, and from numerous disciplinary viewpoints—history, sociology, cinema studies, literature, and cultural studies—this special issue demonstrates the complexity of contemporary sports culture. Read Amy Bass’s “Objectivity Be Damned, or Why I Go to the Olympic Games: A Hands-On Lesson in Performative Nationalism” to learn why the events that transpire in a fortnight of international athletic competition should never be underemphasized, simplified, or dismissed merely as performative pomp and circumstance, or check out the introduction to the issue by David L. Andrews.

978-0-8223-4856-6_prMany of the athletes competing in the games will be truly transnational citizens, playing on a team in one country, while trying for Olympic glory under the different flag of their birth. Sports like soccer, baseball, and golf have tremendous global appeal. Rachael Miyung Joo’s book Transnational Sport: Gender, Media, and Global Korea looks in particular at Korean athletes and events and explores how global sport has helped shape what it means to be Korean.

978-0-8223-5563-2_prThe last time cricket was played at the Olympics was in 1900, but players and organizers are trying to get it included in a future games. To understand cricket, both the game and its cultural context, read C.L.R. James’s classic Beyond a Boundary, originally published in 1963 and republished in a handsome 50th anniversary edition in 2013. Writing in The Nation, Mark Naison called it, “a book of remarkable richness and force, which vastly expands our understanding of sports as an element of popular culture in the Western and colonial world.”

978-0-8223-4276-2_prThe Cuban baseball team has been the most successful national team at the Olympics since 1992, winning the gold medal three times and the silver twice.  The Quality of Home Runs is Thomas F. Carter’s lively ethnographic exploration of the interconnections between baseball and Cuban identity. Suggesting that baseball is in many ways an apt metaphor for cubanidad, Carter points out aspects of the sport that resonate with Cuban social and political life: the perpetual tension between risk and security, the interplay between individual style and collective regulation, and the risky journeys undertaken with the intention, but not the guarantee, of returning home.

Enjoy the games!

 

Digital Dramaturgies, Digital Feelings

Two recent issues of Theater, “Digital Feelings” (2016) and “Digital Dramaturgies” (2012), focus on new forms of performance arising in response to new technologies.

Digital Feelings

ddthe_46_2In “Digital Feelings,” guest co-editors Miriam Felton-Dansky and Jacob Gallagher-Ross investigate the emerging forms of affective experience engendered by digital technology, and theater artists’ strategic uses of these forms. How do we respond as live spectators to virtual pathos—and as virtual spectators to live pathos? The articles and performance pieces in this issue question the allure and disorientation of communication and affect in our digital age.

Topics in this issue include telegraph plays, live-streamed theater events, transmedia, and the impact of digital media and video recording on theater and performance criticism.

Digital Dramaturgies

ddthe_42_2In recent years, technologies of production and communication have multiplied exponentially, creating new modes of expression and storytelling. The Internet and cell phones allow instantaneous communication across global networks; media communities like YouTube have created venues for amateur performances to reach global audiences; and the enforced brevity of Facebook status updates, Twitter posts, and text messages have created compressed, allusive idioms out of everyday speech. These and other rapid technological and cultural changes have transformed theater, the oldest of “old media.” “Digital Dramaturgies” assembles contributions by scholars and artists that explore this transformation, considering both theater’s place in a world conditioned by new media and the place of these new media in the theater. Tackling questions of what is considered live theater in a digital age and how new media will share the stage with more traditional forms of performance, this issue establishes theater as a unique medium and meeting place for other media as it moves irreversibly into the digital domain.

Contributors to this issue explore a variety of ways—from Twitter plays in 140 characters to performances from the Avatar Repertory Theater in Second Life to two computer chatbots “restaging” debates between Michel Foucault and Noam Chomsky—that new technology can perform.

New Books in May

We have some great new titles coming out in May. To be sure you never miss a new title from us, and to be first to know about special sales and promotions, subscribe to our email newsletter, Subject Matters.

Activist archives

Doreen Lee’s Activist Archives investigates the origin, experiences, and legacy of the radical Indonesian student movement that helped end Suharto’s thirty-two year dictatorship in May of 1998, showing how student activists claimed their rich political and historical inheritance passed down by earlier generations of activist youth.
In The Brink of Freedom David Kazanjian revises dominant understandings of nineteenth-century conceptions of freedom by examining the letters of black settler colonists in Liberia and the letters and literature of Mayan rebels and their Creole antagonists in Yucatán, showing how they disrupted liberal formations of freedom.

 

endangered

Tell Me Why My Children Died narrates the efforts to identify a strange disease that killed thirty-eight people in a Venezuelan rainforest between 2007 and 2008 and sketches out systematic health inequities regarding the rights to produce and circulate knowledge about health throughout indigenous communities.

In Endangered City Austin Zeiderman focuses on the new political imperative to govern the present in anticipation of future disasters in Bogotá, Colombia, where the state works to protect the lives of poor and vulnerable citizens from a range of threats, including environmental hazards and urban violence.

In The Minor Gesture Erin Manning develops the concept of the minor gesture to rethink common assumptions about human agency, the ways we experience the everyday world, and the possibilities for new political praxis. This is the first book in the new series Thought in the Act, edited by Manning and Brian Massumi.

TVAnikó Imre’s TV Socialism provides an innovative history of television in socialist Europe during and after the Cold War, finding a variety of programming and economic practices that exceed state propaganda and challenge conventional understandings of culture and politics under socialism.

My Life with Things is Elizabeth Chin’s meditation on her relationship with consumer goods and a critical statement on the politics and method of anthropology in which she uses everyday items to intimately examine the ways consumption resonates with personal and social meaning.

Robert Bailey’s Art & Language International reconstructs the history of conceptual art collective Art & Language to show how its international collaborations with dozens of artists and critics between 1969 and 1977 laid the foundation for global contemporary art, all while highlighting how conceptual art exceeds the visual to impact the philosophical and political.

blacktinoContaining nine performance scripts by black and Latino/a queer playwrights and performance artists—each accompanied by an interview and essay, Blacktino Queer Performance approaches the interrelations of sexuality, blackness, and Latinidad.

In Biocultural Creatures Samantha Frost brings feminist and political theory together with findings in the life sciences to create a new theory of the human that explains the mutual constitution of the body, environment, biology, and habitat, while offering new resources for responding to political and environmental crises.

In The Value of Comparison Peter van der Veer highlights anthropology’s continuing ability to gain insights on the whole through the comparative study of the particular and unique while critiquing the quantitative social sciences for their sweeping generalizations.

hope

In Hope Draped in Black Joseph R. Winters responds to the belief that America follows a constant trajectory of racial progress, using African American literature and film to construct an idea of hope that embraces melancholy in order to acknowledge and mourn America’s traumatic history.

In Ghostly Desires Arnika Fuhrmann examines post-1997 Thai cinema and video art to show how vernacular Buddhist notions, stories, and images combine with sexual politics in figuring current struggles over gender, sexuality, personhood, and collective life.