Race and Ethnicity

New Books in June

Looking for some compelling reads this summer? Check out these new titles coming out in June!

Presenting ethnographic case studies from across the globe, the contributors to Anthropos and the Material, edited by Penny Harvey, Christian Krohn-Hansen and Knut G. Nustad, question and complicate long-held understandings of the divide between humans and things by examining encounters between the human and the nonhuman in numerous social, cultural, technological, and geographical contexts.

In Anti-Japan Leo T. S. Ching traces the complex dynamics that shape persisting negative attitudes toward Japan throughout East Asia, showing how anti-Japanism stems from the failed efforts at decolonization and reconciliation, the U.S. military presence, and shifting geopolitical and economic conditions in the region.

The contributors to Captivating Technology, edited by Ruha Benjamin, examine how carceral technologies such as electronic ankle monitors and predictive-policing algorithms are being deployed to classify and coerce specific populations and whether these innovations can be appropriated and reimagined for more liberatory ends.

Focusing on Costa Rica and Brazil, Andrea Ballestero’s A Future History of Water examines the legal, political, economic, and bureaucratic history of water in the context of the efforts to classify it as a human right, showing how seemingly small scale devices such as formulas and lists play large role in determining water’s status.

In Making the World Global, Isaac A. Komola examines how the relationships between universities, the American state, philanthropic organizations, and international financial institutions inform the academic understanding of the world as global in ways that frame higher education as a commodity, private good, and source of human capital.

Therí Alyce Pickens examines the speculative and science fiction of Octavia Butler, Nalo Hopkinson, and Tananarive Due in Black Madness :: Mad Blackness to rethink the relationship between race and disability, thereby unsettling the common theorization that they are mutually constitutive.

In Entre Nous, Grant Farred examines the careers of international soccer stars Lionel Messi and Luis Suarez, along with his own experience playing for an amateur township team in apartheid South Africa, to theorize the relationship between sports and the intertwined experiences of relation, separation, and belonging.

In The Fixer, Charles Piot follows Kodjo Nicolas Batema, a visa broker in the West African nation of Togo as he helps his clients apply for the U.S. Diversity Visa Lottery program. The lively stories shed light on current immigration debates.

In The African Roots of Marijuana, an authoritative history of cannabis in Africa, Chris S. Duvall challenges what readers thought they knew about cannabis by correcting widespread myths, outlining its relationship to slavery and colonialism, and highlighting Africa’s centrality to knowledge about and the consumption of one of the world’s most ubiquitous plants.

In Experiments with Empire, Justin Izzo examines how twentieth-century writers, artists, and anthropologists from France, West Africa, and the Caribbean experimented with ethnography and fiction in order to explore new ways of making sense of the complicated legacy of imperialism and to imagine new democratic futures.

Elizabeth M. DeLoughrey traces how indigenous and postcolonial peoples in the Caribbean and Pacific Islands grapple with the enormity of colonialism and anthropogenic climate change through art, poetry, and literature by using allegorical narratives in Allegories of the Anthropocene.

The Romare Bearden Reader, edited by Robert G. O’Meally, brings together a collection of newly written essays and canonical writings by novelists, poets, historians, critics, and playwrights, as well as Bearden’s most important writing, making it an indispensable volume on one of the giants of twentieth-century American art.

Terry Adkins: Infinity is Less Than One, which we are distributing for ICA Miami, accompanies the first institutional posthumous exhibition of the sculptural work of Terry Adkins (1953–2014), one of the great conceptual artists of the twenty-first century renowned for his pioneering work across numerous mediums. The catalogue is edited by Gean Moreno and Alex Gartenfeld.

The contributors to Racism Postrace, edited by Roopali Mukherjee, Sarah Banet-Weiser, and Herman Gray, theorize and examine the persistent concept of post-race in examples ranging from Pharrell Williams’s “Happy” to public policy debates, showing how proclamations of a post-racial society can normalize modes of racism and obscure structural antiblackness.

Never miss a new book! Sign up for our e-mail newsletters, and get notifications of new titles in your preferred disciplines as well as discounts and other news.

Interrogating “Diversity”

pcl_31_2_coverThe newest issue of Public Culture, “Interrogating ‘Diversity,’” edited by Damani J. Partridge and Matthew Chin, is available now.

Since the 1970s, the global practice of diversity has sparked a number of inclusion initiatives, such as affirmative action in universities, implemented to redress historical inequality. Contributors to this special issue argue that, in recent years, these initiatives have shifted away from their original intent toward a concept of “diversity” in which inclusion systematically denies access to minoritized populations.

“At elite institutions and in high-paying jobs in various global contexts, diversity has come to mean a sprinkling of color or the contingent presence of the ‘disadvantaged’ in otherwise majoritarian ‘White’ or upper-class/high-caste institutions,” write the editors in their introduction.

“Our call to interrogate diversity has also led us to collectively think beyond, outside, and in spite of diversity,” the editors continue. “It is not that we are against inclusion, but we cannot justify forms of inclusion that necessarily (even systematically) limit access. This includes forms that do very little to create possibilities for those who have systematically faced barriers that deny entrance. Interrogating diversity cannot mean sustaining existing institutions as we already know them. This process must be engaged in an activist, collective, and participatory project of social transformation.”

Read the introduction, freely available, or browse the table of contents.

New Books in April

We’ve got great new reads in April in anthropology, religious studies, sociology, feminism and women’s studies, and much more.

978-1-4780-0390-8_prIn Deported Americans legal scholar and former public defender Beth C. Caldwell tells the story of dozens of immigrants who were deported from the United States—the only country they have ever known—to Mexico, tracking the harmful consequences of deportation for those on both sides of the border.

In Makers of Democracy A. Ricardo López-Pedreros traces the ways in which a thriving middle class was understood to be a foundational marker of democracy in Colombia in the second half of the twentieth century, showing democracy to be a historically unstable and contentious practice.

978-1-4780-0387-8_pr

 

Maura Finkelstein examines what it means for textile mill workers in Mumbai—who are assumed to not exist—to live during a period of deindustrialization, showing in The Archive of Loss how mills and workers’ bodies constitute an archive of Mumbai’s history that challenge common thinking about the city’s past, present, and future.

Hester Blum examines the rich, offbeat collection of printed ephemera created by nineteenth- and early twentieth-century polar explorers, showing in The News at the Ends of the Earth how ship newspapers and other writing shows how explores wrestled with questions of time, space, and community while providing them with habits to survive the extreme polar climate.

978-1-4780-0309-0_pr

In Autonomy Nicholas Brown theorizes the historical and theoretical conditions for the persistence of art’s autonomy from the realm of the commodity by showing how an artist’s commitment to form and by demanding interpretive attention elude the logic of capital.

In a revised and expanded edition of Medicine Stories, Aurora Levins Morales weaves together the insights and lessons learned over a lifetime of activism to offer a new theory of social justice, bringing clarity and hope to tangled, emotionally charged social issues in beautiful and accessible language.

Exploring a wide range of sonic practices, from birdsong in the Marshall Islands to Zulu ululation, the contributors to Remapping Sound Studies, edited by Gavin Steingo and Jim Sykes, reorient the field of sound studies toward the global South in order to rethink and decolonize modes of understanding and listening to sound.

978-1-4780-0378-6_pr

In Dance for Me When I Die—first published in Argentina in 2004 and appearing here in English for the first time—Cristian Alarcón tells the story and legacy of seventeen year old Víctor Manuel Vital, aka Frente, who was killed by police in the slums of Buenos Aires.

The contributors to Spirit on the Move, edited by Judith Casselberry and Elizabeth A. Pritchard, examine Pentecostalism’s appeal to black women worldwide and the ways it provides them with a source of community, access to power, and way to challenge social inequalities.

Never miss a new book! Sign up for our e-mail newsletters, and get notifications of new titles in your preferred disciplines as well as discounts and other news.

New Books in March

Spring brings a fresh crop of new books. Check out what’s new in March.

The Politics of Operations, edited by Sandro Mezzadra and Brett Neilson, investigates how capital reshapes its relation with politics, showing how contemporary capitalism operates through the extraction of mineral resources, data, and cultures; the logistical organization of relations between people, property, and objects; and the penetration of financialization into all realms of economic life.

Zorach cover with border low resIn Art for People’s Sake Rebecca Zorach traces the little-told story of the Black Arts Movement in Chicago, showing how its artistic innovations, institution building, and community engagement helped the residents of Chicago’s South and West Sides respond to social, political, and economic marginalization.

Drawing on previously unexamined archives, the contributors to The Revolution from Within, edited by Michael Bustamante and Jessica Lambe, examine the Cuban Revolution from a Cuba-centric perspective by foregrounding the experience of everyday Cubans in analyses of topics ranging from agrarian reform and fashion to dance and the Mariel Boatlift.

978-1-4780-0380-9.jpgIn Hush Mack Hagood outlines how noise-cancelling headphones, tinnitus maskers, white noise machines, nature-sound mobile apps, and other forms of media give users the ability to create sonic safe spaces for themselves, showing how the desire to block certain sounds are informed by ideologies of race, gender, and class.

In Thought Crime Max Ward explores the Japanese state’s efforts to suppress political radicalism in the 1920s and 1930s through the enforcement of what it called thought crime, providing a window into understanding how modern states develop ideological apparatuses to subject their respective populations.

In Breaking Bad and Cinematic Television, Angelo Restivo uses the innovative show Breaking Bad as a point of departure for theorizing a new aesthetics of television in which the concept of the cinematic points to the ways in which television can change the ways viewers relate to and interact with the world.978-1-4780-0092-1.jpg

Examining the work of writers and artists including Carrie Mae Weems, Langston Hughes, Toni Morrison, and Allan deSouza, in The Difference Aesthetics Makes Kandice Chuh advocates for what she calls “illiberal humanism” as a way to counter the Eurocentric liberal humanism that perpetuates structures of social inequality.

In Surrogate Humanity Neda Atanasoski and Kalindi Vora trace the ways in which robots, artificial intelligence, and other technologies serve as surrogates for human workers within a labor system that is entrenched in and reinforces racial capitalism and patriarchy.

In The Afterlife of Reproductive Slavery Alys Eve Weinbaum investigates the continuing resonances of Atlantic slavery in the cultures and politics of human reproduction that characterize contemporary capitalism, showing how black feminist thought offers the best means through which to understand the myriad ways slavery continues to haunt the present.

Eliza Steinbock’s Shimmering Images traces how cinema offers alternative ways to understand gender transitions through a specific aesthetics of change, thereby opening up new means to understand transgender ontologies and epistemologies.

978-1-4780-0091-4.jpgGökçe Günel’s Spaceship in the Desert examines the development and construction of Masdar City, a zero-carbon city built by Abu Dhabi that houses a research institute for renewable energy which implemented a series of green technologies and infrastructures as a way to deal with climate change and prepare for a post-oil future.

In Developments in Russian Politics 9 an international team of experts provide a comprehensive and critical discussion of the country’s most recent developments, offering substantive coverage of the key areas in domestic and foreign Russian politics, perfect for courses on Russia today.

Never miss a new book! Sign up for our e-mail newsletters, and get notifications of new titles in your preferred disciplines as well as discounts and other news.

New Books in January

Black Feminism Reimagined.jpgNew Year, new books! From feminism to cultural studies to history, we’ve got some great new titles being released this month.

In Black Feminism Reimagined Jennifer C. Nash reframes black feminism’s engagement with intersectionality, contending that black feminists should let go of their possession and policing of the concept in order to better unleash black feminist theory’s visionary and world-making possibilities.

Fabricating Transnational Capitalism, edited by Lisa Rofel and Sylvia Yanagisako, is a collaborative ethnography of Italian-Chinese fashion ventures that offers a new methodology for understanding transnational capitalism in a global era.

978-1-4780-0199-7_crop.jpgEssential Essays—a landmark two volume set edited by David Morley—brings together Stuart Hall’s most influential and foundational works. Volume 1: Foundations of Cultural Studies focuses on the first half of Hall’s career, when he wrestled with questions of culture, class, representation, and politics, while Volume 2: Identity and Diaspora draws from Hall’s later essays, in which he investigated questions of colonialism, empire, and race. The volumes are also available for purchase separately.

In Going Stealth Toby Beauchamp positions surveillance as central to the understanding of transgender politics to show how contemporary security practices extend into everyday gendered lives.The Hundreds.jpg

The Hundreds—composed of pieces one hundred or multiples of one hundred words long—is Lauren Berlant and Kathleen Stewart’s collaborative experimental writing project in which they strive toward sensing and capturing the resonances that operate at the ordinary level of everyday experience.

Examining singers Marian Anderson, Billie Holiday, and Jimmy Scott as well as vocal synthesis technology in The Race of Sound, Nina Sun Eidsheim traces the ways in which the voice and its qualities are socially produced and how listeners assign a series of racialized and gendered set of assumptions to a singing voice.

Sexuality Disability and AgingThe contributors to Seeking Rights from the Left, edited by Elisabeth Friedman, evaluate the impact of the Latin American “Pink Tide” of left-leaning governments (2000-2015) on feminist, women’s, and LGBT movements and issues.

In Sexuality, Disability, and Aging Jane Gallop explores how disability and aging are commonly understood to undermine one’s sense of self and challenges narratives that register the decline of bodily potential and ability as nothing but an experience of loss.

Never miss a new book! Sign up for Subject Matters, our e-mail newsletter, and get notifications of new titles in your preferred disciplines as well as discounts and other news.

 

2018 Foerster Prize Winner Announced

ddaml_90_3_coverWe’re pleased to announce the winner of the 2018 Norman Foerster Prize, awarded to the best essay of the year in American Literature: “The Race of Machines: Blackness and Prosthetics in Early American Science Fiction” by Taylor Evans, published in volume 90, issue 3. Read the essay, freely available through the end of March, here.

The prize committee commented:

“Taylor Evans’s essay reveals an important—but previously unacknowledged—facet of the history and development of science fiction. To reveal the racialized nature of the figure of the ‘steam man,’ Evans draws parallels between the visual rhetoric of black caricatures (particularly minstrel tropes) and the development of the iconography of the ‘steam man.’ In so doing, Evans provides an important intervention in our understanding of the history of science fiction while broadening our understanding of the insidious means by which all facets of American popular culture are infected by racism. In addition to its contributions to the study of race, narrative, and popular culture, this essay should serve as a model for scholars looking to reveal the (seemingly) hidden cultural dimensions of fictional narratives, and particularly those that (like science fiction) are too easily dismissed as apolitical.”

Margaret Galvan’s “‘The Lesbian Norman Rockwell’: Alison Bechdel and Queer Grassroots Networks,” published in volume 90, issue 2, is the runner-up for the prize. The essay is freely available through the end of March. The committee remarked:

“Margaret Galvan’s essay engages in detailed archival research in order to demonstrate the impact of the large and vibrant queer community on the work of Alison Bechdel, one of the most celebrated comix artists of her generation. Focusing on Bechdel’s influential early series—work that was often published and distributed among grass-roots periodicals, and which has not received the scholarly attention given to her later work—Galvan identifies the various local, regional, and national influences that Bechdel drew from for her series. As such, the identification of Bechdel as ‘the lesbian Norman Rockwell’ is made to suggest not only her importance to the history of comix, but also to connect her to a heretofore unrecognized ‘folk’ community that engaged in vibrant and cooperative networks of support and influence. In addition to its contributions to our understanding of an important author in the contemporary canon, this essay should serve as a reminder of the importance of archival research for understanding the larger contexts of literary works, their influences, and their reception.”

Congratulations to Taylor Evans and Margaret Galvan for these exceptional essays!

The Most Read Articles of 2018

As 2018 comes to a close, we’re reflecting on the most read articles across all our journals. Check out the top 10 articles that made the list, all freely available until the end of January.

TSQ_5_1_coverToward the Decipherment of a Set of Mid-Colonial Khipus from the Santa Valley, Coastal Peru” by Manuel Medrano and Gary Urton

Predatory Value Economies of Dispossession and Disturbed Relationalities” by Jodi A. Byrd, Alyosha Goldstein, Jodi Melamed, and Chandan Reddy

Black Aesthetics, Black Value” by Lewis R. Gordon

Rural Voids” by Miriam Driessen

Desiring Blackness: A Queer Orientation to Marvel’s Black Panther, 1998–2016” by André Carrington

Conversational Exculpature” by Daniel Hoek

SMX_22_1(55)_coverThe Anarchy of Colored Girls Assembled in a Riotous Manner” by Saidiya Hartman

Collective Memory and the Transfeminist 1970s: Toward a Less Plausible History” by Finn Enke

Realism and the Absence of Value” Shamik Dasgupta

Partus sequitur ventrem: Law, Race, and Reproduction in Colonial Slavery” by Jennifer L. Morgan

Call for Proposals: South Atlantic Quarterly

saq_117_4_cover1The South Atlantic Quarterly is accepting proposals for thematic special issues through January 31, 2019. Themes should be in line with those of journal issues published in recent years, including critical race studies, feminist and queer theory, analyses of contemporary capital and labor, social and liberation movements, critical theory, and environmental humanities. Funds are available to translate original essays not written in English.

Special issue editors are responsible for soliciting essays, working with authors, editing texts, and assuring that deadlines and word counts are met.

saq_117_3_coverProposals should include a description of the concept or theme that organizes the issue (roughly 200 words) plus names of potential authors with very brief bios. Please indicate whether authors have already been contacted. Please propose, too, a date by which the complete, edited collection can feasibly be submitted.

Issues are composed of 70,000 words total. This is often configured as eight 8,000 word essays plus an introduction, but editors are free to configure the number and length of essays differently.

Please send proposals to saq@dukeupress.edu.

New Books in December

Check out our December new releases!

978-1-4780-0292-5.jpgColin Milburn’s Respawn examines the relationships between video games, hackers, and science fiction, showing how games provide models of social and political engagement, critique, and resistance while offering a vital space for players and hacktivists to challenge centralized power and experiment with alternative futures.

Jack Halberstam’s classic Female Masculinity has been called “a landmark study” (Feminist Theory) and a “pioneering document” (Gay and Lesbian Times) and has become one of our bestselling texts of all time. We are pleased to offer a new twentieth anniversary edition of the book, which features a new preface by the author.

978-1-4780-0166-9.jpg

In Can Politics Be Thought?—published in French in 1985 and appearing here in English for the first time—Alain Badiou offers his most forceful and systematic analysis of the crisis of Marxism in which he argues for the continuation of Marxist politics.

Containing over one hundred selections—many of which appear in English for the first time—this extensively revised and expanded second edition of the bestselling The Brazil Reader, edited by James Green, Victoria Langland, and Lilia Moritz Schwarcz, presents the lived experience of Brazilians from all social and economic classes, racial backgrounds, genders, and political perspectives over the past half-millennia.

Jessica A. Krug’s Fugitive Modernities traces the history and meaning of Kisama—a seventeenth-century fugitive slave community located in present-day Angola—by showing how it operated as a inspirational global symbol of resistance for fugitives on both sides of the Atlantic.

978-1-4780-0167-6.jpg

Megan H. Glick’s Infrahumanisms considers how twentieth-century conversations surrounding nonhuman life have impacted a broad range of attitudes toward forms of human difference such as race, sexuality, and health, showing how efforts to define a universal humanity create the means with which to reinforce various forms of social inequality.

Damon R. Young’s Making Sex Public tracks the emergence of new forms of sexuality in French and American cinema from the 1950s to the present, showing how cinema transformed narratives of sexuality and how women and queers were both agents and objects of that transformation.

Prompting a reevaluation of canonical understandings of twentieth century art history, Mapping Modernisms, edited by Elizabeth Harney and Ruth Phillips, provides an analysis of how indigenous artists and art from Africa, Oceania, and the Americas became recognized as modern.

The contributors to Passages and Afterworlds, edited by Maarit Forde and Yanique Hume, explore death and mortuary rituals across the Caribbean, showing how racial, cultural and class differences have been deployed in ritual practice and how such rituals have been governed in the colonial and postcolonial Caribbean.

978-1-4780-0094-5.jpg

The contributors to Sound Objects, an ambitious and wide-ranging collection edited by James Steintrager and Rey Chow, explore sound as an object, sound studies as a discipline, and the limits of sonic objectivity.

In Worldmaking, Dorinne Kondo draws on critical ethnographic work and over twenty years of experience as a dramaturge and playwright to theorize how racialized labor, aesthetics, affect, genre, and social inequity operate in contemporary theater.

In a bold challenge to conventional understandings of Hawai‘i’s admission as a U.S. state. Dean Saranillio’s Unsustainable Empire tracks the disparate stories different groups tell about Hawaiian statehood by returning to historical flashpoints ranging from the turn of the century until shortly after 1959.

Never miss a new book! Sign up for Subject Matters, our e-mail newsletter, and get notifications of new titles in your preferred disciplines as well as discounts and other news.

New Books in November

November is a huge book release month! Check out all the great new titles coming out this month. Many of them will be making their debuts at the academic conferences that are happening this month. Be sure to stop by our booths at the American Studies Association, the National Women’s Studies Association, the African Studies Association, the American Academy of Religion, and the American Anthropological Association, where you can pick up these and other titles for only $20 each.

In My Butch Career, Esther Newton—a pioneer figure in gay and lesbian studies—tells the compelling and disarming story of her struggle to write, teach, and find love, all while coming to terms with her lesbian identity during one of the worst periods of homophobic persecution in the twentieth century.

978-1-4780-0129-4Collective Creative Actions, edited by Ryan Dennis, highlights the twenty-five-year history of Project Row Houses in Houston’s Third Ward by addressing the idea of social practice through its five pillars of art, education, social safety nets, architectural preservation, and sustainability.

In How Art Can Be Thought Allan deSouza examines the popular terminology through which art is discussed, valued, and taught, showing how pedagogical language and practices within art schools can adapt to a politicized and rapidly changing world, as well as to the demands of contemporary art within a global industry.978-1-4780-0047-1

More than fifty years after the publication of C. L. R. James’s classic Beyond a Boundary, the contributors to Marxism, Colonialism, and Cricketedited by David Featherstone, Christopher Gair, Christian Høgsbjerg, and Andrew Smith, investigate its production and reception and its implication for debates about sports, gender, aesthetics, race, popular culture, politics, imperialism, and Caribbean and English identity.

978-1-4780-0022-8.jpgFeaturing work spanning six decades, Robert Christgau’s Is It Still Good to Ya? sums up the career of legendary rock critic and longtime Village Voice stalwart Robert Christgau, whose album and concert reviews, essays, and reflections on his career tackle the whole of pop music, from Louis Armstrong to M.I.A..

In Best Practice, Kimberly Chong offers a rich ethnographic account of how a global management consultantcy translates and implements the logic of financialization in contemporary China.

Dai Jinhua’s After the Post–Cold War interrogates history, memory, and the future of China as a global economic power in relation to its Cold War past to show how the recent erasure of the country’s socialist history signifies socialism’s failure and forecloses the imagining of a future beyond that of globalized capitalism.

In After Ethnos, Tobias Rees proposes an understanding of anthropology as a philosophically and poetically oriented and fieldwork-based investigation into the human and human thought rather than a study of culture or society in which anthropology is synonymous with ethnography and fieldwork.978-1-4780-0035-8.jpg

In Unruly Visions, Gayatri Gopinath traces the interrelation of affect, aesthetics, and diaspora through an exploration of a wide range of contemporary queer visual cultural forms by South Asian, Middle Eastern, African, Australian, and Latinx artists such as Tracey Moffatt, Akram Zaatari, and Allan deSouza.

In None Like Us Stephen Best offers a bold reappraisal of the critical assumptions that undergird black studies’ use of the slave past as an explanatory prism for understanding the black political present, thereby opening the circuits between past and present and charting a queer future for black study.

In An Intimate Rebuke, an ethnography of female empowerment, Laura S. Grillo offers new perspectives on how elder West African women deploy an ancient ritual in which they dance naked and slap their genitals and bare breasts to protest abuses of state power, globalization, witchcraft, rape, and other social dangers.

978-1-4780-0291-8Drawing on numerous examples from popular culture, in Empowered Sarah Banet-Weiser examines the relationship between popular feminism and popular misogyny as it plays out in advertising, online and multi-media platforms, and nonprofit and commercial campaigns, showing how feminism is often met with a backlash of harassment, assault, and institutional neglect.

Aren Z. Aizura’s Mobile Subjects examines transgender narratives about traveling for gender reassignment from 1952 to the present, showing how transgender fantasies about reinvention and mobility are racialized as white and often rely on violent colonial global divisions.

Through global case studies that explore biometric identification, border control, forensics, militarized policing, and counterterrorism, the contributors to Bodies as Evidence, edited by Mark Maguire, Ursula Rao, and Nils Zurawskishow how bodies have become critical sources of evidence that is organized and deployed to classify, recognize, and manage human life.

978-1-4780-0153-9.jpgIn Plan Colombia John Lindsay-Poland examines a 2005 massacre in Colombia, its subsequent investigation, official cover-up, and the international community’s response to outline how the U.S. military’s support for the Colombian Army contributed to atrocities while shaping the United States’s dominant model of military intervention.

Melissa Gregg’s Counterproductive explores the obsession with using productivity as the primary measure of most workers’ sense of value and success in the workplace, showing how it isolates workers from each other while erasing their collective efforts to define work limits.

Drawing on indigenous social movements and politics, contributors to A World of Many Worlds, edited by Marisol de la Cadena and Mario Blaser, question Western epistemologies, theorize new forms of knowledge production, and critique the presumed divide between nature and culture—all in service of creating a pluriverse: a cosmos composed of many worlds partially connected through divergent political practices.

Never miss a new book! Sign up for Subject Matters, our e-mail newsletter, and get notifications of new titles in your preferred disciplines as well as discounts and other news.