Religion

Black Sacred Music Archive Now Available

We are excited to announce the digitization of Black Sacred Music: A Journal of Theomusicology, published semiannually from 1987 to 1995 and now available online for the first time.

Subscribe now for access, or ask your library to purchase the archive.

Black Sacred Music, under the editorship of Yahya Jontingaba (formerly known as Jon Michael Spencer), sought to establish theomusicology—a theologically informed musicology—as a distinct discipline, incorporating methods from anthropology, sociology, psychology, and philosophy to examine the full range of black sacred music. Topics included the theology of American pop, the early days of rap, the African church, spirituals, gospel music, civil rights songs, and much more.

The journal consisted of scholarly articles, essays, hymns and folk songs, sermons, historical reprints, and reviews of books, hymn books, and recordings. It also published volumes of archival writings by R. Nathaniel Dett, William Grant Still, and Willis Laurence James.

Notable contributors include Philip V. Bohlman, Michael Eric Dyson, Andrew Greeley, Mark Sumner Harvey, Willie James Jennings, D. Soyini Madison, Sonja Peterson-Lewis, Harold Dean Trulear, William C. Turner Jr., Archbishop Desmond M. Tutu, Cornel West, and Jeremiah A. Wright Jr.

Q&A with Brenda R. Weber, Author of Latter-day Screens

weberBrenda R. Weber is Professor of Gender Studies at Indiana University, editor of Reality Gendervision: Sexuality and Gender on Transatlantic Reality Television, and author of Makeover TV: Selfhood, Citizenship, and Celebrity, both also published by Duke University Press. Her newest book, Latter-day Screens: Gender, Sexuality, and Mediated Mormonism examines how mediation of Mormonism through film, TV, blogs, YouTube videos, and memoirs functions as a means to understand conversations surrounding gender, sexuality, spirituality, capitalism, justice, and individualism in the United States.

You mention in the acknowledgements that two of your close friends—fellow non-Mormons who also grew up surrounded by Mormon culture—thought writing the book was a mistake. What was it that allowed you to move beyond their fears (and perhaps your own) and continue on with the project? 

One of the things I try to capture in the memoir section of the book (coming at the end) is the way that Mormonism influenced practically every aspect of my growing up in Mesa, Arizona, because the religion has such a strong set of beliefs practices, and behaviors—through things like what one can eat or drink but also about your use of time and your perceived friendliness. It also set limits on how hard I could think (and still be considered nice) and what exactly I could aspire to become professionally and personally, and it absolutely forbade the legitimacy of LGBT loves or lives. So for me and my other non-Mormon friends, we lived with a constant sense of a very powerful presence that could be felt and could judge us but couldn’t really be detected or blocked, like the air we breathe. It had a way of seeping into us and taking up residence in our bodies. I think my friends and I dealt with this largely by not dealing with it—we left town, moved on, grew up. Writing the book meant dismantling a coping mechanism I had used for nearly 30 years, and my friends were concerned about no longer having this capacity for separation.

As with most of my projects, it was my fascination with learning that made me move beyond those fears. Instead of turning my back and mind on those people and beliefs that had governed my childhood, I became truly interested in understanding the history, culture, and media representations of Mormons, both mainstream and fundamentalist. It was a wonderful way to purge a lot of childhood ghosts, but I do still have anxieties that I can never again go to a high school reunion and I’ve pretty much been de-friended by all of my LDS friends from childhood. And I want to emphasize, this is not something I could have done as a child or a teenager. I needed to be an adult with enough certainty about me that taking a part a necessary scaffolding wouldn’t undo a broader sense of my self.

Images and ideas of Mormonism, or what you call “mediated Mormonism,” are quite powerful cultural tools: You describe mediated Mormonism as a “lens” through which we can see the inner workings and mechanics of American culture. What do you see as particular to the Church of Latter-Day Saints that allows its representations to have this powerful clarifying effect? 

Latter-day ScreensAs an American religion born in the nineteenth century, Mormonism came alive as new possibilities in media were also born. Religion scholars have long talked about the advent of the printing press as presaging both the Protestant Revolution and a spread and diversification of Christianity. Mormonism nicely illustrates this story as well, fittingly in the New World of the Americas where the book is set. The Book of Mormon was first published in Palmyra, New York in 1830. Joseph Smith ordered a run of 5,000 copies (at a cost of $3,000), which is an astronomical number and cost for that time period. But the print run tells us a great deal about the rise of book culture in the United States, the zealous emergence of a number of new religions in this time period, the rise in literacy across more rural parts of the United States, and the general affordability of publishing in this period.

I had an opportunity while researching this book to visit E. B. Grandin, the print shop that made The Book of Mormon, now turned into a site staffed and run by the mainstream LDS Church. While there, I was astounded that if I stood on tippy toes at the back door, I could see the Erie Canal, which was like an information super highway in the nineteenth century, moving goods and in this case ideas across the country and into Canada. With the spread of the book soon went the spread of missionaries, because this has always been a very proselytizing religion.

This circulation of Mormon missionaries and ideas served to crystalize Mormonism as a recognizable “thing” in the culture, what in the book I call Mormonism as a meme. Broader American and even international culture has not always looked on Mormonism in a positive light, but it is often referenced to do a larger symbolic work. So, as we see in the case of Big Love or Sister Wives, fundamentalist Mormons are called upon to serve as “American everymen” who live their lives a little differently. They become proxy figures for asking if there are limits to the American experiment.

You argue that the struggles against norms taking place inside and around Latter-day screens actually become accelerants for social justice. For instance, you discuss how Utah’s dismissal of their case against the polygamous Brown family from Sister Wives coincided with the state’s issuing of licenses for same-sex marriages. What potential (and limitations) do you see in cultural media like reality television to become agents of change in broader legal and political spheres? 

978-0-8223-5682-0_prWell, culture has always been an agent in the legal and political sphere, so it’s not like this is a new thing. Fighting to eradicate slavery, for instance, brought forth a whole new set of protest literatures from slave narratives to sentimental novels.

But as I discuss in my 2014 book Reality Gendervision, people love to hate on TV, particularly reality TV. And don’t get me wrong, there’s a lot to critique, but I don’t think it is the medium itself that is to blame. Perhaps I have convinced myself as a media scholar, but I think the issue is really about critical thinking skills and media literacy. The more people can think critically, the more all kinds of media can be used in beneficial ways.

In the book, you describe the kidnapping victim Elizabeth Smart as a “cultural meme,” serving as a sign of the ultimate innocent victim who meets the affective demand to be “happy” after trauma. How do you see these same demands– for innocent victims who don’t “hold a grudge”—working in our own cultural and institutional logics surrounding sexual assault and violence? Is Smart as a meme a direct mirror for our larger culture, or an exaggeration that allows us to see ourselves more clearly?

I see the image of Elizabeth Smart as absolutely an outlying representation, particularly in an era of #MeToo that asks survivors of sexual assault to claim their stories and to be willing to share their feelings of anger about them. Also, I want to be clear that I don’t fault Elizabeth Smart for her affect. I have no idea what her actual feelings are inside, and she may well have a different emotional experience that she, rightfully, does not divulge as part of her public persona. Or maybe she doesn’t. I wouldn’t want to be understood as saying that Smart is wrong in being happy but that the effect of her affect (if you want to put it this way) is to suggest she will never attack. This, in turn, reinforces normative notions of heteronormative femininity that suggest a woman’s value is heightened through her willingness to put others before herself, including their emotional needs. I use a line in the book from Judith Freeman’s excellent memoir The Latter Days (2017) about receiving instructions on femininity as a young Mormon girl. Freeman and others were given an example of sitting in a church pew and not feeling well. If this happened, they were advised, it would be far better to throw up in your purse than to ask others to stand up so that you could get to the restroom. Better to barf in a handbag! That’s the kind of gender identity at the heart of the happy affect I examine in the book.

You close your book by discussing LGBT+ Mormons and their relationship with media as a space for self-recognition, working against patterns in the church where a denial of self-knowledge is often a condition of subjectivity, like in the show My Husband’s Not Gay. Do you think that twenty-first century social media can accomplish this self-representation in a new way that television cannot?

I wouldn’t say that it is mutually exclusive (either television can do it better or social media does) but cumulative. When I use the phrase Latter-day Screens, this is exactly what I’m getting at – that cultural ideas, impressions, and images are produced through a conversation between different media platforms (television, feature film, memoir) and through both high and low, professional and amateur production, all coming together in these relatively coherent symbols that are labeled “Mormon.”

Ideas change through continual and repeated exposure to an idea. Just this week, for example, a new television show popped onto my TIVO, called Trapped: The Alex Cooper Story (Lifetime, released September 28, 2019). It offers a made-for-television version of the 2016 memoir Saving Alex, written by Alex Cooper. Cooper writes about being raised LDS and coming out to her parents, who in desperation, forcibly put her in reparation therapy. It’s a brutal, sad story with a triumphant ending. But Saving Alex is not a singular story—there are many memoirs about LGBT+ lives and loves and the hardship of living as gay and Mormon, many of them self-published, many others serving as the backbone of film or television representation (as for instance in The Falls: Testament of Love or Latter Days).

Social media is critical to all of this because it is immediate and it is amateur, meaning one doesn’t require a ten-million dollar budget and backing from Hollywood before telling one’s truth, or testifying (a key tenet of Mormonism). Mediation, as we discussed in the first question, here serves as quintessentially Mormon, or, as many of the people who create media content around Mormonism say, “As out-Mormoning the Mormons.” Dan Reynolds, the lead singer of Imagine Dragons, says it most powerfully in the documentary Believer,

There’s one thing my Mormon values have taught me since I was young. It’s that no matter what the world says about who you are, what you believe, still do it. A hundred percent. That spirit was the spirit that carried me through my mission. I felt like I was baring my truth regardless what anyone thought about me. That’s all because of Mormonism and my parents, they all prepped me for this moment now. A determined Mormon is a scary thing, I will tell you that. Because they don’t stop. I knocked a hundred doors to get into one door. I knocked a thousand doors on my mission. If there’s one thing I can guarantee it’s that I will continue to knock this door until somebody answers.

That’s on page 21 of my book, if anyone wants to read more!

What is something you hope readers will take away from this in-depth account of the various ways in which Mormonism circulates in our media?

In terms of media, I hope that readers perceive the clarifying capacities of Mormonism, when we understand it as both a way of seeing and a way of thinking. Really, my book is not so much about Mormons as people or Mormon ideas. Instead, it’s about Mormonism as an idea. Decoding its many values is a bit like taking apart a complex engine, in that we really begin to see and understand how bits and pieces work together to create something far bigger than the sum of its parts.

In terms of the overall project, I hope that readers see that everyone has a story worth telling, and I hope they understand my regard toward actual Mormon people as being not judgmental but also not completely sympathetic. For me, my experience with the influence of Mormonism helped me understand the workings of hegemony, a critical term within gender studies that is often used and seldom defined. But basically, hegemony has to do with the invisible systems that compel people not only to act in ways opposite to their self-interest but also to believe those power relations are superior to other ways, so they champion their continuation. I had a hard time understanding how I could never have been formally schooled in the values of Mormonism yet knew the codes so well I had internalized them. Writing this book allowed me to understand that hegemonic process more and in so doing to be free of them in some ways.

Read the introduction to Latter-day Screens free online and save 30% on the paperback edition using coupon code E19WEBER.

 

 

New Books in September

Summer’s almost over, which means it’s time to start to replenishing your reading list! Celebrate the start of a new academic year with us by checking out this diverse array of books arriving in September.

Acknowledging the impending worldwide catastrophe of rising seas in the twenty-first century, Orrin H. Pilkey and Keith C. Pilkey outline the impacts on the United States’ shoreline and argue that the only feasible response along much of the U.S. shoreline is an immediate and managed retreat in Sea Level Rise.

Brenda R. Weber’s Latter-day Screens examines the ways in which the mediation of Mormonism through film, TV, blogs, YouTube videos, and memoirs functions as a means through which to understand conversations surrounding gender, sexuality, spirituality, capitalism, justice, and individualism in the United States.

Self-Devouring Growth by Julie Livingston shows how the global pursuit of economic and resource-driven growth comes at the expense of catastrophic destruction, thereby upending popular notions that economic growth and development is necessary for improving a community’s wellbeing.

In Under Construction, Daniel Mains explores the intersection of infrastructural development and governance in contemporary Ethiopia by examining the conflicts surrounding the construction of specific infrastructural technologies and how that construction impacts the daily lives of Ethiopians.

Elizabeth Freeman’s Beside You in Time expands bipolitical and queer theory by outlining a temporal view of the long nineteenth century and showing how time became a social and sensory means by which people resisted disciplinary regimes and assembled into groups in ways that created new forms of sociality.

Terry Smith—who is widely recognized as one of the world’s leading historians and theorists of contemporary art—traces the emergence of contemporary art and further develops his concept of contemporaneity in Art to Come through analyses of topics ranging from Chinese and Australian Indigenous art to architecture.

Henry Cow by Benjamin Piekut tells the story of the English experimental rock band Henry Cow and how it linked its improvisational musical aesthetic with a collectivist, progressive politics.

Davina Cooper’s Feeling Like a State explores the unexpected contribution a legal drama of withdrawal—as exemplified by some conservative Christians who deny people inclusion, goods, and services to LGBTQ individuals—might make to conceptualizing a more socially just, participative state.

In Making The Black Jacobins, Rachel Douglas traces the genesis, transformation, and afterlives of the different versions of C. L. R. James’s landmark The Black Jacobins across the decades from the 1930s onwards, showing how James revised it in light of his evolving politics.

William E. Connolly links climate change, fascism, and the nature of truth to demonstrate the profound implications of the deep imbrication between planetary nonhuman processes and cultural developments in Climate Machines, Fascist Drives, and Truth.

Cara New Daggett’s The Birth of Energy traces the genealogy of the idea of energy from the Industrial Revolution to the present, showing how it has informed fossil fuel imperialism, the governance of work, and our relationship to the Earth.

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New Books in March

Spring brings a fresh crop of new books. Check out what’s new in March.

The Politics of Operations, edited by Sandro Mezzadra and Brett Neilson, investigates how capital reshapes its relation with politics, showing how contemporary capitalism operates through the extraction of mineral resources, data, and cultures; the logistical organization of relations between people, property, and objects; and the penetration of financialization into all realms of economic life.

Zorach cover with border low resIn Art for People’s Sake Rebecca Zorach traces the little-told story of the Black Arts Movement in Chicago, showing how its artistic innovations, institution building, and community engagement helped the residents of Chicago’s South and West Sides respond to social, political, and economic marginalization.

Drawing on previously unexamined archives, the contributors to The Revolution from Within, edited by Michael Bustamante and Jessica Lambe, examine the Cuban Revolution from a Cuba-centric perspective by foregrounding the experience of everyday Cubans in analyses of topics ranging from agrarian reform and fashion to dance and the Mariel Boatlift.

978-1-4780-0380-9.jpgIn Hush Mack Hagood outlines how noise-cancelling headphones, tinnitus maskers, white noise machines, nature-sound mobile apps, and other forms of media give users the ability to create sonic safe spaces for themselves, showing how the desire to block certain sounds are informed by ideologies of race, gender, and class.

In Thought Crime Max Ward explores the Japanese state’s efforts to suppress political radicalism in the 1920s and 1930s through the enforcement of what it called thought crime, providing a window into understanding how modern states develop ideological apparatuses to subject their respective populations.

In Breaking Bad and Cinematic Television, Angelo Restivo uses the innovative show Breaking Bad as a point of departure for theorizing a new aesthetics of television in which the concept of the cinematic points to the ways in which television can change the ways viewers relate to and interact with the world.978-1-4780-0092-1.jpg

Examining the work of writers and artists including Carrie Mae Weems, Langston Hughes, Toni Morrison, and Allan deSouza, in The Difference Aesthetics Makes Kandice Chuh advocates for what she calls “illiberal humanism” as a way to counter the Eurocentric liberal humanism that perpetuates structures of social inequality.

In Surrogate Humanity Neda Atanasoski and Kalindi Vora trace the ways in which robots, artificial intelligence, and other technologies serve as surrogates for human workers within a labor system that is entrenched in and reinforces racial capitalism and patriarchy.

In The Afterlife of Reproductive Slavery Alys Eve Weinbaum investigates the continuing resonances of Atlantic slavery in the cultures and politics of human reproduction that characterize contemporary capitalism, showing how black feminist thought offers the best means through which to understand the myriad ways slavery continues to haunt the present.

Eliza Steinbock’s Shimmering Images traces how cinema offers alternative ways to understand gender transitions through a specific aesthetics of change, thereby opening up new means to understand transgender ontologies and epistemologies.

978-1-4780-0091-4.jpgGökçe Günel’s Spaceship in the Desert examines the development and construction of Masdar City, a zero-carbon city built by Abu Dhabi that houses a research institute for renewable energy which implemented a series of green technologies and infrastructures as a way to deal with climate change and prepare for a post-oil future.

In Developments in Russian Politics 9 an international team of experts provide a comprehensive and critical discussion of the country’s most recent developments, offering substantive coverage of the key areas in domestic and foreign Russian politics, perfect for courses on Russia today.

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American Academy of Religion, 2018

Before the Thanksgiving holiday, we enjoyed catching up with authors and editors and selling books and journals at the 2018 annual meeting of the American Academy of Religion in Denver.

Spiritual CitizenshipWe were thrilled to feature two recent award-winning titles in the booth: Spiritual Citizenship by N. Fadeke Castor, which won the 2018 Clifford Geertz Prize from the Society for the Anthropology of Religion; and Everyday Conversions by Attiya Ahmad, which won the 2018 Association for Middle East Women’s Studies (AMEWS) Book Award.

Last year’s winner of the CDS/Honickman First Book Prize in Photography, Lauren Pond, displayed some of her photographs during the conference, and gave an artist’s talk about her book, Test of Faith.

Monique Moultrie, author of Passionate and Pious, and Laura Grillo, author of An Intimate Rebuke, both stopped by the booth to say hello.

If you weren’t able to attend the conference, or if your luggage was too heavy for more great books, you can still save 30% on all our great religion titles on our website using coupon code AAR18, through the end of the year.

Trans*historicities

The most recent issue of TSQ: Transgender Studies Quarterly, “Trans*historicities,” edited by Leah DeVun and Zeb Tortorici, is now available.

coverimageThis issue offers a theoretical and methodological imagining of what constitutes trans* before the advent of the terms that scholars generally look to for the formation of modern conceptions of gender, sex, and sexuality. What might we find if we look for trans* before trans*? While some historians have rejected the category of transgender to speak of experiences before the mid-twentieth century, others have laid claim to those living gender-non-conforming lives before our contemporary era. By using the concept of trans*historicity, this volume draws together trans* studies, historical inquiry, and queer temporality while also emphasizing the historical specificity and variability of gendered systems of embodiment in different time periods.

Essay topics include a queer analysis of medieval European saints, discussions of a nineteenth-century Russian religious sect, an exploration of a third gender in early modern Japanese art, a reclamation of Ojibwe and Plains Cree Two-Spirit language, and biopolitical genealogies and filmic representations of transsexuality. The issue also features a roundtable discussion on trans*historicities and an interview with the creators of the 2015 film Deseos. Critiquing both progressive teleologies and the idea of sex or gender as a timeless tradition, this issue articulates our own desires for trans history, trans*historicities, and queerly temporal forms of historical narration.

Browse the table of contents and read the introduction, made freely available.

Q&A with Amy Laura Hall, author of Laughing at the Devil

Amy-Laura-Hall-0616-preferredAmy Laura Hall is Associate Professor of Christian Ethics at Duke University Divinity School. She is the author of Kierkegaard and the Treachery of LoveConceiving Parenthood: American Protestantism and the Spirit of Reproduction; and Writing Home, With Love: Politics for Neighbors and Naysayers. In her new book, Laughing at the Devil: Seeing the World with Julian of Norwich, she takes up medieval mystic Julian of Norwich’s call to laugh at the Devil as a means to transform a setting of dread and fear into the means to create hope, solidarity, and resistance.

You compare Julian of Norwich to Nicki Minaj. How did that happen?

It happened in the car. I had been writing this book for fourteen years, trying to say what I most needed to hear in between washing dishes, grading papers, and picking up dog poop. I was sitting in the parking lot of the Duke Federal Credit Union, and my older daughter started playing Nicki Minaj on her phone. She said, “I love the way she laughs!” Both of my daughters were dancing, unafraid. It was a small miracle. (And those are the ones that matter.) Nicki Minaj brought a miracle into the Duke Federal Credit Union parking lot. She had invited my two daughters to sing, laugh, dance, and declare, unabashed. I remember staring into the bushes that block the parking lot from Main Street. I saw Julian of Norwich smile. I saw this clearly.

978-1-4780-0025-9How do medieval texts speak to contemporary readers?

We, the peasants, continue to rebel against a feudal system, in a myriad of ways. Through street theater, murals, graffiti, research essays, public protests, catchy chants and songs, human beings continue to resist the ways that we are treated like tools. This book is my own best, creative intervention against the untruth of radical inequality, racist terror, drone strikes, torture, and the system of denigrating and silencing women that many of us refer to as “the patriarchy.”

What can Julian of Norwich offer those who are secular or who do not follow the Christian faith?

I have not written this book in order to sneak Christianity into the brains of people who are not Christian. There are writers who do this, and I try to avoid this kind of subterfuge. Given this caveat, I will note that there are non-Christian feminists who have found her blessed moxie encouraging. There are non-Christian women who have found the story of her eventual commitment to a semi-secluded setting, as an anchorite, to be intriguing. So, such readers may find this book helpful. There is also an annoyingly resilient fad in mainstream, popular culture in the U.S. to romanticize, even to enchant, the medieval period. I will be delighted if people who love the television series “Game of Thrones,” for example, find in Julian’s visions of consanguinity (meaning, literally, being of one blood, made as blood kin through grace) an alternative way to see themselves and their neighbors. I will be delighted if the book offers non-Christians a chance to reconsider the generalized “Gospel of Austerity,” (a term I use frequently) whereby we gain purchase on life through suffering and/or competition for scarce resources. Julian has invited me to find the miracles of solidarity around me. Perhaps she will do the same for others.

One might think of laughter and religion as unlikely bedfellows. How did you arrive at your focus on laughter? Where does humor fit in contemporary religious scholarship?

The focus of the book is not laughter, exactly. Having said this, I appreciate the insight at the core of this question. Christians are not generally known for our laughter. We are perhaps best known for our proclivity to scowl. I chose the title of the book in order to highlight one of Julian’s less quoted, but truly remarkable visions, where she laughs at the Devil. I read her visions as redirecting her and eventually her readers away from a cycle of shame, fear, cruelty, and self-protection. The sense of shameless abandon that my daughters and I received through Nicki Minaj’s music that day involved our forgetfulness that we are being assessed. The words from a poppy song from my own teen years comes to mind. The medieval-esque video for the 1983 song “Safety Dance” is absurd, in the best sense of that word. Meaning, as the Oxford English Dictionary notes, “Of a thing: against or without reason or propriety; incongruous, unreasonable, illogical.” Julian of Norwich’s writings do have a kind of congruity. But that congruity is set within a context of gratuity. To put this more plainly, she has seen visions of God’s extravagant, abiding love that resituate what much of the Western world considers to be common sense. Is it safe to dance? Is it safe to live in a way that seems unreasonable, even foolish? The simple answer is no. But Julian invites us to laugh at the Devil with her, and I invite readers to risk acting “like we come from out of this world.” (Thank you, dear Men Without Hats.)

Is there anything else you would like potential readers to know about Julian of Norwich?

Julian of Norwich is not technically a Saint in her beloved Mother Church (the Roman Catholic Church). There are reasons for this. For one, her bones disintegrated. Julian was not an otherworldly, magical creature. She was a person. She was a human being. And she wrote a book about God that includes her visions of God’s attention to and sanctification of mundane, very worldly details, like fish-scales and raindrops, like bread and crushed grapes. It is also a fun fact that, although Julian the anchorite is often depicted artistically as alone, coifed, and serene, with a tranquil cat in her lap, Julian the anchorite could have plausibly shared her church apartment in Norwich with some chickens, a cow, or even a mischievous goat.

Read the introduction to Laughing at the Devil free online, and purchase the paperback for 30% off using coupon code E18LAUGH at dukeupress.edu.

New in August

The summer is almost over, but August brings lots of great books to read while you prepare for the new semester. Check out what’s coming this month!

978-1-4780-0004-4.jpgNow available for the first time in nearly forty years, James Baldwin’s only children’s book Little Man, Little Man follows the day to day life of the four year old protagonist TJ and his friends in their 1970s Harlem neighborhood as they encounter the social realities of being black in America. Highly praised in Kirkus Reviews, Publishers Weekly, and School Library Journal, this exciting new edition is a must-buy for Baldwin fans.

In Decolonizing Extinction Juno Salazar Parreñas traces the ways in which colonialism and decolonization shape relations between humans and nonhumans at a Malaysian orangutan rehabilitation center, contending that considering rehabilitation from an orangutan perspective will shift conservation biology from ultimately violent investments in population growth and toward a feminist sense of welfare.978-1-4780-0015-0

Boaventura de Sousa Santos’s The End of the Cognitive Empire further develops his concept of the “epistemologies of the South,” in which he outlines a theoretical, methodological, and pedagogical framework for challenging the dominance of Eurocentric thought while showing how an embrace of the forms of knowledge of marginalized groups can lead to global justice.

Attending to the everyday lives of infrastructure across four continents, the contributors to The Promise of Infrastructure, edited by Nikhil Anand and Akhil Gupta, demonstrate how infrastructure such as roads, power lines, and water pipes offer a productive site for generating new ways to theorize time, politics, and promise.

978-1-4780-0006-8In The Blue Clerk award-winning poet Dionne Brand explores memory, language, culture, and the nature of writing through a series of haunting prose poems that contain dialogues between the figure of the poet and the Blue Clerk, who is tasked with managing the poet’s discarded attempts at writing.

Radhika Mongia’s Indian Migration and Empire outlines the colonial genealogy of the modern nation-state by tracing how the British Empire monopolized control over migration, showing how between its abolition of slavery in 1834 and World War One, the regulation of Indians moving throughout the Commonwealth linked migration with nationality and state sovereignty.

In Experimental Practice Dimitris Papadopoulos explores the potential for building new forms of political and social movements through the reconfiguration of the material conditions of existence.

Melissa Hackman’s Desire Work traces the experiences of Pentecostal “ex-gay” men in Cape Town, South Africa, as they attempted to cure their homosexuality, forge a heterosexual masculinity, and enter into heterosexual marriage through various forms emotional, bodily, and religious work.

In Double Negative Racquel J. Gates examines the potential of so-called negative representations of African Americans in film and TV, from Coming to America to Basketball Wives and Empire, showing how such representations can strategically pose questions about blackness, black culture, and American society in ways that more respectable ones cannot.

978-1-4780-0025-9.jpgIn her impassioned, analytical, playful, and irreverent book Laughing at the Devil, theologian Amy Laura Hall takes up Julian of Norwich’s call to laugh at the Devil as a means to transform a setting of dread and fear into the means to create hope, solidarity, and resistance.

The contributors to Ethnographies of U.S. Empire, edited by Carole McGranahan and John Collins, examine how people live in and with empire, presenting ethnographic scholarship from across U.S. imperial formations, from the Mohawk Nation, Korea, and the Philippines to Guantánamo and the hills of New Jersey.

In Across Oceans of Law Renisa Mawani charts the story of the Komagata Maru—a steamship that left Hong Kong for Vancouver in 1914 carrying 376 Punjabi immigrants who were denied entry into Canada—to illustrate imperialism’s racial, legal, spatial, and temporal dynamics and how oceans operate as sites of jurisdictional and colonial contest.

Micol Seigel’s Violence Work redefines policing as “violence work,” showing how it is shaped by its role of channeling state violence and how its status as a civilian institution obscures its ties to militarization.

The contributors to Constructing the Pluriverse, a volume edited by Bernd Reiter, explore how non-Western, pluriversal approaches to core questions in the social sciences and humanities can help to dramatically rethink the relationship between knowledge and power.

978-1-4780-0024-2.jpgStraight A’s features personal narratives of Asian American undergraduate students at Harvard University in which they reflect on their shared experiences with discrimination, stereotypes, immigrant communities, their relationship to their Asian heritage, and the difficulties that come with being expected to reach high levels of achievement. This timely new book edited by Christine Yano and Neal Adolph Akatsuka will help inform current debates about Asian American students in elite educational institutions.

In Migrants and City-Making Ayşe Çağlar and Nina Glick Schiller trace the lived experiences of migrants in three cities struggling to regain their former standing, showing how they live and work in their new cities in ways that require them to negotiate the unequal networks of power that connect their lives to regional, national, and global institutions.

In 1968 Mexico Susana Draper puts the events and aftermath of 1968 Mexico into a global picture and counters the dominant cultural narratives of 1968 by giving voice to the Mexican Marxist philosophers, political prisoners, and women who participated in the movement and inspired alternative forms of political participation.

Art and Theory of Post-1989 Central and Eastern Europe, the latest volume of MoMA’s Primary Documents edited by Ana Janevski, Roxana Marcoci, and Ksenia Nouril, reflects on the effects that communism’s disintegration across Central and Eastern Europe—including the Soviet Union’s fifteen republics—had on the art practices, criticism, and cultural production of the following decades.

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New Books in April

 April brings a fresh crop of great new books. Check out what we’re releasing this month.

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In Biblical Porn Jessica Johnson draws on a decade of fieldwork at Pastor Mark Driscoll’s Mars Hill Church in Seattle to show how congregants became entangled in a process of religious conviction through which they embodied Driscoll’s teaching on gender and sexuality in ways that supported the church’s growth.

In Abject Performances Leticia Alvarado explores how Latino artists and cultural producers have developed and deployed an irreverent aesthetics of abjection to resist assimilation and disrupt respectability politics.

Matthew Vitz’s A City on a Lake outlines the environmental history and politics of Mexico City as it transformed its original forested, water-rich environment into a smog-infested megacity, showing how the scientific and political disputes over water policy, housing, forestry, and sanitary engineering led to the city’s unequal urbanization and environmental decline.

In Domesticating Democracy Susan Helen Ellison offers an ethnography of Alternate Dispute Resolution (ADR) organizations in El Alto, Bolivia, showing that by helping residents cope with their interpersonal disputes and economic troubles how they change the ways Bolivians interact with the state and global capitalism, making them into self-reliant citizens.

978-0-8223-7081-9.jpgKatherine Verdery’s My Life as a Spy analyzes the 2,781 page surveillance file the Romanian secret police compiled on her during her research trips to Transylvania in the 1970s and 1980s. Reading it led her to question her identity and also revealed how deeply the secret police was embedded in everyday life.

 In Edges of Exposure, following Senegalese toxicologists as they struggle to keep equipment, labs, and projects operating, Noémi Tousignant explores the impact of insufficient investments in scientific capacity in postcolonial Africa.

 

Examining human rights discourse from the French Revolution to the present, in Human Rights and the Care of the Self Alexandre Lefebvre turns common assumptions about human rights—that its main purpose is to enable, protect, and care for those in need—on their heads, showing how the value of human rights lies in its support of ethical self-care.

Gay PrioriLibby Adler’s Gay Priori offers a comprehensive critique of the mainstream LGBT legal agenda in the United States, showing how LGBT equal rights discourse drives legal advocates toward a narrow array of reform objectives that do little to help the lives of the most marginalized members of the LGBT community.

In From the Tricontinental to the Global South Anne Garland Mahler traces the history and intellectual legacy of the understudied global justice movement called the Tricontinental and calls for a revival of the Tricontinental’s politics as a means to strengthen racial justice and anti-neoliberal struggles in the twenty-first-century.

Aimee Bahng’s Migrant Futures traces the cultural production of futurity by juxtaposing the practices of speculative finance against those of speculative fiction, showing how speculative novels, films, and narratives create alternative futures that envision the potential for new political economies, social structures, and subjectivities that exceed the framework of capitalism.

A Primer for Teaching Environmental History, by Emily Wakild and Michelle K. Berry, is a guide for college and high school teachers who are teaching environmental history for the first time, for experienced teachers who want to reinvigorate their courses, for those who are training future teachers to prepare their own syllabi, and for teachers who want to incorporate environmental history into their world history courses. The book is part of a new series, Design Principles for Teaching History.

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Melanie S. Morrison’s Spring Tour for Murder on Shades Mountain

978-0-8223-7117-5In Murder on Shades Mountain: The Legal Lynching of Willie Peterson and the Struggle for Justice in Jim Crow Birmingham,  social justice educator and activist Melanie S. Morrison tells the tragic story of the murder and attempted murder of three young women in 1930s Birmingham, Alabama, and the aftermath, which saw a reign of terror unleashed on the town’s black community, the wrongful conviction and death sentencing of Willie Peterson, and a black-led effort to free Peterson.

Publishers Weekly gave Murder on Shades Mountain a Starred Review and Foreword Reviews said readers will be “enthralled” by the gripping story. You can catch Melanie S. Morrison at one of the stops on her national tour, which begins next week.

Meet the Speakers and Book Signing Reception
April 5, 7:00 pm
White Privilege Conference
Amway Grand Plaza Hotel
187 Monroe Avenue NW, Grand Rapids, MI 49503
https://www.whiteprivilegeconference.com/wpc-19

Public Lecture and Book Signing
April 9, 4:30 pm
Vanderbilt University
Buttrick Hall, Room 102, 390 24th Avenue S., Nashville, TN 37212
https://events.vanderbilt.edu/index.php?eID=121269

Book Talk & Signing
April 12, 6:00 pm
East Lansing Public Library
950 Abbot Road, East Lansing, MI 48823
https://elpl.bibliocommons.com/events/search/local_start=2018-04-01%20TO%20/event/5a849828b2e43d2e00fbc764

Book Talk & Signing
April 15, 1:30 pm
Salus Center, in partnership with Everybody Reads
624 E Michigan Avenue, Lansing, MI 48912
http://www.saluscenter.org/

Presentation and Book Signing
April 24, 6:00 pm
Avondale Library
509 40th Street, Birmingham, AL 35222

Book Talk and Signing
April 26, 11:00 am
Birmingham-Southern College
Harbert Building Auditorium, 900 Arkadelphia Road, Birmingham, AL 35254

Sermon and Book Signing
April 29, 5:00 pm
Circle of Mercy
15 Overbrook Place, Asheville, NC 28805
https://www.circleofmercy.org/

Book Talk & Signing
May 3, 7:00 pm
Hayti Heritage Center
804 Old Fayetteville Street, Durham, NC 27701
https://events.durhamcountylibrary.org/event/618676

Book Talk & Signing
May 8, 7:00 pm
Scuppernong Books
304 South Elm St., Greensboro, NC 27401
http://www.scuppernongbooks.com/event

Book Talk & Signing
May 14, 7:00 pm
Busboys and Poets – 14th and V
2021 14th Street NW, Washington, DC 20009
http://www.busboysandpoets.com/events/event/author-event-murder-on-shades-mountain-the-legal-lynching-of-willie-peterso

Book Talk & Signing
May 16, 6:30 pm
Center for Diversity and Innovation, Battle Creek, Michigan
Location: TBA
http://www.kellogg.edu/community/kcccdi/

Book Talk & Signing
May 31, 7:00 pm
Books Inc
1491 Shattuck Avenue, Berkeley, CA 94704
https://www.booksinc.net/event/melanie-s-morrison-books-inc-berkeley

Book Talk & Signing
June 13, 7:00 pm
SpringHouse Ministry Center
610 W 28th Street, Minneapolis, MN
http://www.springhousemn.org/