As we approach the end of the semester, kick off your summer reading with some of our great new titles! Here’s what we have coming out in May.
Shannen Dee Williams provides a comprehensive history of Black Catholic nuns in the United States in Subversive Habits, tracing how Black sisters’ struggles were central to the long African American freedom movement.
The contributors to Re-Understanding Media, edited by Sarah Sharma and Rianka Singh, advance a feminist version of Marshall McLuhan’s key text, Understanding Media: The Extensions of Man, repurposing his insight that “the medium is the message” for feminist ends.
In Queer Companions, Omar Kasmani theorizes the construction of queer social relations at Pakistan’s most important Sufi site by examining the affective and intimate relationship between the site’s pilgrims and its patron saint.
In The Impasse of the Latin American Left, Franck Gaudichaud, Massimo Modonesi, and Jeffery R. Webber explore the Latin American Pink Tide as a political, economic, and cultural phenomenon, showing how it failed to transform the underlying class structures of their societies or challenge the imperial strategies of the United States and China.
In Passionate Work, Renyi Hong theorizes the notion of being “passionate about your work” as an affective project that encourages people to endure economically trying situations like unemployment, job change, repetitive and menial labor, and freelancing.
Allan E. S. Lumba explores how the United States used monetary policy and banking systems to justify racial and class hierarchies, enforce capitalist exploitation, and counter movements for decolonization in the American colonial Philippines in Monetary Authorities.
In The Lives of Jessie Sampter, Sarah Imhoff tells the story of the queer, disabled, Zionist writer Jessie Sampter (1883–1938), whose body and life did not match typical Zionist ideals and serves as an example of the complex relationships between the body, queerness, disability, religion, and nationalism.
Jodi Kim examines how the United States extends its sovereignty across Asia and the Pacific in the post-World War II era through a militarist settler imperialism that is leveraged on debt in Settler Garrison.
In Legal Spectatorship, Kelli Moore traces the political origins of the concept of domestic violence through visual culture in the United States, showing how it is rooted in the archive of slavery.
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