Religious Studies

New Books in November

Another month, another batch of great new releases! Check out all the new books we have coming out in November.

978-0-8223-7016-1In Black and Blur—the first volume in his consent not to be a single being trilogy—Fred Moten engages in a capacious consideration of the place and force of blackness in African diaspora arts, politics, and life, exploring a wide range of thinkers, musicians, and artists. The other two volumes in the series will be out in the spring.

The contributors to Asian Video Cultures: In the Penumbra of the Global examine Asian video cultures—from video platforms in Indonesia to amateur music videos in India—in the context of social movements, market economies, and local popular cultures, showing how Asian video practices are central to shaping contemporary experiences and mainstream global media.

Melanie Yergeau’s Authoring Autism challenges the academic and cultural stereotypes that do not acknowledge the rhetorical capabilities of autistic people, and shows how autistics both embrace and reject the rhetorical, thereby queering the lines of rhetoric, humanity, agency, and the very essence of rhetoric itself.

978-0-8223-7021-5Reckoning with one’s role in perpetuating systematic inequality, in The Beneficiary Bruce Robbins examines the implications of a humanitarianism in which the prosperous are the both the cause and the beneficiaries of the abhorrent conditions they seek to remedy.

In Domestic Economies Susanna Rosenbaum examines how immigrant Mexican and Central American domestic workers in Los Angeles and the predominantly white, upper-middle-class women who employ them seek to achieve the “American Dream,” underscoring how the American Dream’s ideology is racialized and gendered while exposing how pursuing it lies at the intersection of motherhood and domestic labor.

In Epigenetic Landscapes Susan Merrill Squier follows the cultural trail of C. H. Waddington’s “epigenetic landscape” metaphor from its first visualization by the artist John Piper to its use beyond science, examining how it has been used to illustrate complex systems that link scientific and cultural practices: graphic medicine, landscape architecture, and bioArt.

In Passionate and Pious Monique Moultrie explores the impact of faith-based sexual ministries on black women’s sexual agency to trace how these women navigate sexuality, religious authority, and their spiritual walk with God.

978-0-8223-6898-4.jpgIn Saving the Security State Inderpal Grewal traces the changing relations between the US state and its citizens in an era she calls advanced neoliberalism, under which everyday life is militarized, humanitarianism serves imperial aims, and white Christian men become exceptional citizens tasked with protecting the nation from racialized others.

In Sounds of CrossingAlex E. Chávez explores the contemporary politics of Mexican migrant cultural expression manifest in huapango arribeño, a musical genre from north-central Mexico that helps Mexicans build communities on both sides of the US border and give voice to the transnational migrant experience.

N. Fadeke Castor’s Spiritual Citizenship explores the roles African religious practice play in the formation of social and political identities play in post-independence Trinidad and Tobago, showing how Ifá/Orisha practitioners build and perceive a sense of diasporic belonging that leads them to work toward black liberation and a decolonial future.978-0-8223-7150-2

In Street Archives and City Life Emily Callaci maps a new terrain of political and cultural production in mid-twentieth-century Tanzanian cities. While the postcolonial Tanzanian ruling party adopted a policy of rural socialism—Ujamaa—an influx of youth migrants to the city of Dar es Salaam generated innovative forms of urbanism through the production and circulation of street archives.

We are excited to publish a tenth anniversary expanded edition of Jasbir K. Puar’s pathbreaking book, Terrorist Assemblages—which features a new preface by Tavia Nyong’o and a new postscript by the author. Puar argues that configurations of sexuality, race, gender, nation, class, and ethnicity are realigning in relation to contemporary forces of securitization, counterterrorism, and nationalism.

978-0-8223-7034-5In Test of Faith photographer Lauren Pond documents a Signs Following preacher and his family in rural West Virginia, offering a deeply nuanced, personal look at serpent handling that invites a greater understanding of a religious practice that has long faced derision and criticism. The book is the eighth winner of the Center for Documentary Studies/Honickman First Book Prize in Photography.

978-0-8223-7001-7Paul Rabinow continues his explorations of “a philosophic anthropology of the contemporary” in Unconsolable Contemporary by examining the work of German painter Gerhard Richter. Defining the contemporary as a moving ratio in which the modern becomes historical, Rabinow uses Richter’s work to illustrate how meaning is created within the contemporary.

The contributors to Unfinished, edited by João Biehl and Peter Lockeexplore the ethnographic essay’s expressive potentials by pursuing an anthropology of becoming, which attends to the contingency of lived experience and provides new means to represent what life means and how it can be represented.

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Read To Respond: Feminism and Women’s Rights

R2R final logoOur “Read to Respond” series addresses the current climate of misinformation by highlighting articles and books that encourage thoughtful, educated debate on today’s most pressing issues. This post focuses on feminism and women’s rights with articles tackling topics from abortion laws, maternity leave, Islamic feminism, and more. Read, reflect, and share these resources in and out of the classroom to keep these important conversations going.

Feminism and Women’s Rights

These articles are freely available until December 15, 2017. Follow along with the series over the next several months and share your thoughts with #ReadtoRespond.

Recent Issue of Tikkun Addresses the 50th Anniversary of the Israeli Occupation of the West Bank

btn_header_tikkun_logoIn the most recent issue of Tikkun, editor Rabbi Michael Lerner and contributors address the Israeli occupation of the West Bank as it reaches its 50th year. “The Occupation At 50” includes an editorial by Rabbi Lerner calling for momentum in the One Person/One Vote movement.

From the editorial:

With sufficient sensitivity, empathy and generosity of spirit, we could accomplish a powerful change of consciousness!

This is the real challenge—not headline grabbing, but the day-to-day, neighborhood and community group organizing around a vision of the world we want, not just what we are against. We at Tikkun and the Network of Spiritual Progressives can play our part, but this will take the participation and support of all those who really want to achieve the kind of liberation from Occupation that will benefit the Israelis, the Palestinians, the Jews, and all others on this planet.

In this issue of Tikkun we invited a broad swath of people, including many who disagree with us to our left and to our right, to comment on what the Occupation has meant to them and/or their ideas about how to end it.

The issue includes articles on topics such as:

Browse the table-of-contents to the issue and read Rabbi Lerner’s editorial, made freely available.

Interview with Shamus Khan from Public Culture

We are excited to share this interview with Shamus Khan, the new editor of Public Culture. We chat about his background, how he became the editor of the journal, how he sees the journal changing in the future, and what special issue topics are currently in the works.

Tell me a little about yourself and your background.

Iddpcult_26_1’m a sociologist. I’m the second sociologist in a row for Public Culture, which I think is a little unique, especially since it’s an anthropology and cultural studies journal. But I’m a cultural sociologist, so I do work on cultural institutions. I have a big project right now on the New York Philharmonic, I’m a former musician, and I worked my way through college as a restaurant cook and own a restaurant, so I’m a little involved in the cultural life of the places that I live. I also write on inequality, elites, and American culture.

I’m at Columbia University. I write both for popular audiences and for academic audiences, so I’ve been a columnist at Time magazine; I write pretty regularly for the New York Times; I’ve written in places like the New Yorker. I’m sort of attuned to making sure that the scholastic work that we do has some kind of public relevance and impact. I’m going to fairly strictly treat Public Culture as a scholastic publication. At the same time, one of the nice things in writing for the public is being forced to write clearly, and that sort of clarity is something I’m really going to push for within the journal.

My main research areas are culture, elites, inequality, but I’m increasingly working in other areas. I’m leading a big project right now on sexual violence. Columbia has asked me to study rape and sexual assault at college campuses, so I’m doing a very large-scale study on that with a number of ethnographers. So that’s a big part of my life right now.

It’s a new phase for me, recently tenured, to be taking over a publication like this, and really exciting.

How did you come to be the editor of Public Culture?

ddpcult_26_3I’ve been fairly active at the Institute for Public Knowledge, which is where Public Culture has been housed for the last five years under the leadership of Eric Klinenberg. I’ve written for Public Books, which is the popular online community tied to Public Culture. I know Caitlin Zaloom and Sharon Marcus, who run that, very well as well as a lot of members of the board.

To be honest, I was a little surprised when I was asked to take over the journal because I’ve never published in Public Culture. But in having conversations with members of the board, with Eric Klinenberg, it was clear to me that it was a space that would allow me to do some of the things that I wanted to do or see happen within our scholastic community, and that a lot of the things that were happening at the journal were already things that I supported and believed in.

I knew most of the board pretty well and liked all of the people on it, and so that made me feel like I would be stepping into a scenario at least where I’d have allies to talk to about concerns, thoughts, stuff like that. And before I accepted, I read every issue. It was this decision that if this is a journal I’m going to take over, I should know its content, its feel. It’s had many iterations, so in some ways, it’s not a journal; it’s had multiple lives. That was interesting for me to see, and it was also interesting for me to think about in terms of how it is that different scholars have used it to advance things that they’d like to see happen.

So that’s how I approached it, and I thought this is the sort of space that is both deeply scholastic in its orientation but pretty flexible in how that kind of work is done. And then I thought yes, this is the kind of place I’d like to be associated with.

How do you see Public Culture developing and how would you like to shape the journal in the future?

ddpcult_27_3It’s not going to be a radical departure—although Eric had a really keen focus on urban life, which will continue but will not be a huge part of my own focus. So that would be a little bit of difference. I like the theoretical richness of the journal, but I’m also totally happy to publish a paper that is findings-driven, that actually says something interesting about, or makes an observation about, the world; a paper that doesn’t have any strong new theoretical framework. Not every paper needs a new theory of the world.

I’m going to have a lot of focus on clarity of writing. I really want that to be a mark of the journal, so that when you pick it up and read it, you know exactly what people are saying and you’re able to get through each piece without being a specialist in the area. Since it is an interdisciplinary journal, that’s really important to me, that kind of clarity.

I’m going to have a kind of strong editorial hand, so I simply won’t send papers out for review that I don’t think I would publish. My desk rejection rate is pretty high, and that’s primarily because I think there’s no reason for someone to go through a long review process only to discover that the paper wouldn’t be published in that journal anyway. So I think that will be an aspect of my leadership.

In terms of things that I’d really like to bring in, I want more work on race with the journal, so that’s really going to be a focus of mine. It’s something that you can see in the new editorial board in terms of what people work on: race and ethnicity. There’s three new people on the board, Andrea Voyer, Josef Sorett, and Alondra Nelson, and all three of them have an attention to race and ethnicity as a core research area of theirs. So race would be one focus, and then there are three other subjects where I have special issues in mind.

What kinds of submissions do you want to see?

I’m interested in everything, I really am. I think people should also feel comfortable sending me stuff before they submit it. I’m happy to look at things and say this is or is not appropriate for the journal, because why wait six months to find out that something’s not appropriate when you could find out in four days? So there will be some desk rejections, or just conveying to people that this isn’t really appropriate; if you rewrote it in this way, I’d be interested in seeing it, but in its present form, it’s not really for us. That can sting but it’s also less frustrating.

What special issue topics are you planning for the future?

ddpcult_27_2Of course I’ll be open to special issues topics if people want to propose them. But when thinking about special issues and even thinking about things I’d be interested in publishing, one of the things that I consider is: what is a very important public or cultural phenomenon that we don’t spend as much time thinking about in the academy or in our own scholastic work? So for me, violence, sports, and religion are going to be three things I’d like to focus on for special issues.

One special issue I’d like to do is on sports. For sports, it’s because if you think about the ways in which people organize their lives, in many, many places, it sort of centers on sports—not completely centers, but it’s a major, major part of most communities. And yet, in terms of our own academic work, we don’t spend a lot of time on it. But we’re here at Duke; I’m sure that in March, this area is in a kind of radical fervor about March Madness and basketball. And I’m sure that when UNC and Duke play, it’s a pretty big deal around here. And it’s not just the case with college basketball. If we were to look internationally and think about soccer and the ways in which soccer has a huge impact throughout the world—billions of people watch, play, et cetera. It’s also a terrain where nations compete with one another in ways that aren’t associated with violence, but instead they’re these status competitions between places. It’s a really important arena of study that we don’t do much of, and so I want to do something on it.

I also want to do something on religion. We have departments of religion and religious studies, but in going through the journal issues, it’s not that integrated into the ways in which cultural studies has thought about itself. If you think about major organizing principles for people’s lives and for public culture, religion is one of them, and there’s a variety of things that I’m interested in here. I’d like to do a special issue with people that touches on these, and be open to whatever people propose. Like providing a richer and perhaps less caricature-like portrait of Evangelical Christians is an interest. There’s a kind of lay understanding of Evangelicals as conservative. I think that tends to be the case, but it’s not absolutely the case. And there’s multiple forms of Evangelicalism in the United States, and more broadly, there’s, what, a hundred-and-something million Evangelicals in China right now. And we know something about them, but they’re really not part of how we think about the public and cultural life, and we should. Similarly, if we think about the forms of international contention that go on, like the tensions between nations and the inner negotiation of national politics, international politics, religion plays a central role in that. We could not understand the America, Europe, Middle East engagement with one another independent of the impact of religion on those spaces and on the relationships. So I really want something on religion, to understand the relationship between religion and public culture.

ddpcult_27_1And then finally violence. And here I’m interested in interpersonal violence but also state violence, so from the very, very small-scale situations of the extension of violence to the ways in which nations interact and the ways in which nations fight. Some of this is drawn about from my own recent attention and work on sexual violence and sexual assault, on a kind of interpersonal and organizational level, and I’m also interested in the ways in which states perpetuate violence on one another. There’s some work that I’m really interested in on the effects of drones in communities, and what the role of violence is in terms of how it constructs those communities. There’s stuff that I’d be interested in in terms of the ways in which the state perpetuates violence.

Across many of these thematic issues—for example, I said I was interested in race; I’d be interested in some of the racial dynamics behind them. So, say, the relationship between race and religion, race and sport, and also race and violence. And thinking about things like how it is that the state interacts with different kinds of racialized subjects will be really important to me.

I will say gender across all of them is going to be important to me, too. I’m a sociologist, and sociologists typically are interested in race, class, gender—sometimes increasingly sexuality, too. For all of these, those would be things of interest, like the intersections of race, class, gender, and sexuality across violence, sport and religion. They’re dimensions of investigation.

For all three of the special issues, I imagine an international approach to the phenomenon: so it’s not just violence in America; I want to know about violence in all kinds of spaces, which transcends national boundaries or sometimes is located within a very, very small social space. Across all of them, religion, violence, and sport, there’ll be an international dynamic.

Tikkun wins Magazine of the Year Award for a Second Time

Tikkun 30:3Congratulations to Tikkun! The magazine has won the prestigious 2015 “Magazine of the Year: Overall Excellence in Religion Coverage award from the Religion Newswriters Association. It is the second time Tikkun has won this award. The Religion Newswriters Association’s awards recognize journalism excellence by measuring a magazine’s grasp on a diversity of religion issues.

Tikkun, published quarterly, offers analysis and commentary that strive to bridge the cultural divide between religious and secular progressives. By bringing together voices from many disparate religious and secular humanist communities to talk about social transformation, political change, and the evolution of our religious traditions, Tikkun creates space for the emergence of a religious Left to respond to the influence of the religious Right and the distortions of global capitalism, while simultaneously critiquing reductionist views that sometimes prevail in liberal and progressive circles.

Recent issues of Tikkun include topics on immigration, climate change, debt, disability justice, and nonviolence in foreign policy. Tikkun is available online. To subscribe to Tikkun, visit

To learn more about the award, please visit the RNA website.

New Books in September

Here we finally are in September, which always means a welcome reprieve from the sticky summer heat, as well as a healthy roster of forthcoming books. These are the titles to keep an eye out for this month:

McCracken cover image, 5936-4Allison McCracken’s book,  Real Men Don’t Sing: Crooning in American Culture, charts the rise and fall of crooners between 1925 and 1934, showing how the backlash against crooners’ perceived sexual and gender deviance created stylistically masculine norms for white male pop singers that continue to exist today.

In The Repeating Body: Slavery’s Visual Resonance in the Contemporary, Kimberly Juanita Brown explores the literary and visual representations of how black women bear the marks of slavery, centers black women in narratives of slavery, and uncovers and critiques the refusal to see the violence done to black women’s bodies.

Lewis cover image, 5934-0In Muslim Fashion: Contemporary Style Cultures, Reina Lewis analyzes Muslim modest clothing as fashion and shows how young Muslim women (with a focus on Britain, North America, and Turkey) are part of an emergent transnational youth subculture who use fashion to negotiate religion, identity, ethnicity, and mainstream consumer culture.

Rachel Hall characterizes post-9/11 airport security practices in The Transparent Traveler: The Performance and Culture of Airport Security as operating under the “aesthetics of transparency,” which requires passengers to perform innocence and be open to inspection—those who cannot are deemed opaque and presumed to be a threat. Travelers are no longer innocent until proven guilty; they are guilty until proven transparent.

Anthes cover image, 5994-4In Edgar Heap of Birds, the first book-length study of contemporary Native American artist Edgar Heap of Birds, Bill Anthes analyzes Heap of Bird’s art and politics in relation to Native American history, spirituality, and culture, the international art scene, and how his art critiques the subjugation of Native Americans.

Petra R. Rivera-Rideau shows in Remixing Reggaetón: The Cultural Politics of Race in Puerto Rico how the popular music style reggaetón offers a space for Puerto Rican musicians to express identities that center blackness, forge links across the African diaspora, and critique the popular Puerto Rican discourse of racial democracy, which conceals racism and marginalizes black Puerto Ricans.

In Dark Matters: On the Surveillance of BlacknessSimone Browne shows how racial ideologies and the long history of policing black bodies under transatlantic slavery structure contemporary surveillance technologies and practices. Analyzing a wide array of archival and contemporary texts, she demonstrates how surveillance reifies boundaries, borders, and bodies around racial lines.

Anzaldua cover image, 6009-4Light in the Dark/Luz en lo Oscuro is the culmination of Gloria E. Anzaldúa’s mature thought and the most comprehensive presentation of her philosophy. Focusing on aesthetics, ontology, epistemology, and ethics, it contains several developments in her many important theoretical contributions.

Mayra Rivera outlines the relationship between the ways ancient Christian thinkers and Western philosophers conceive of the “body” and “flesh” in Poetics of the Flesh. Rivera’s analysis furthers developments in new materialism and helps us to better understand the influence of Christian texts on contemporary theorizations of social structure, gender, race, and faith.

Project on Vegas, 5967-8In Strip Cultures: Finding America in Las VegasThe Project on Vegas shows how the Las Vegas Strip concentrates and magnifies American culture’s core truths. Among others, the Strip’s buffets, surveillance, large scale branding and consumption, and transformation of nature reflects larger trends and practices throughout America. Includes over 100 photographs by Karen Klugman.

In Pipe Politics, Contested Waters, Lisa Björkman explores why water is chronically unavailable in Mumbai, India’s economic and financial capital. She attributes water shortage to economic reforms that allowed urban development to ignore the water infrastructure, which means that in Mumbai, politics is often about water.

Corbett cover image, 5870-1Microgroove continues John Corbett’s exploration of diverse musics, with essays, interviews, and musician profiles that focus on jazz, improvised music, contemporary classical, rock, folk, blues, post-punk, and cartoon music, as well as painting, design, dance, and poetry.