October is upon us, and we have a number of new books to introduce to you this month. Be on the lookout for these exciting titles at bookstores, online, or at academic meetings later this fall.
In The Right to Maim, Jasbir K. Puar continues her pathbreaking work on the liberal state, sexuality, and biopolitics to theorize the production of disability, using Israel’s occupation of Palestine as an example of how settler colonial states rely on liberal frameworks of disability to maintain control of bodies and populations.
Jennifer Terry, in Attachments to War, traces how biomedical logics entangle Americans in a perpetual state of war, in which new forms of wounding necessitate the continual development of treatment and prosthetic technologies while the military justifies violence and military occupation as necessary conditions for advancing medical knowledge.
Life in the Age of Drone Warfare, edited by Lisa Parks and Caren Kaplan, explores the historical, juridical, geopolitical, and cultural dimensions of drone technology and warfare, showing how drones generate ways of understanding the world, shape the ways lives are lived and ended on the ground, and operate within numerous mechanisms of militarized state power.
Tracing the college experiences of Iraq and Afghanistan war veterans in her new book Grateful Nation, Ellen Moore challenges the popular narratives that explain student veterans’ academic difficulties while showing how these narratives and institutional support for the military lead to suppression of campus debate about the wars, discourage anti-war activism, and encourage a growing militarization.
The Extractive Zone by Macarena Gómez-Barris extends decolonial theory into greater conversation with race, sexuality, and Indigenous studies; and traces the political, aesthetic, and performative practices of South American indigenous activists, intellectuals, and artists that emerge in opposition to the ruinous effects of extractive capital.
Essays, interviews, and artist statements in Collective Situations —many of which are appearing in English for the first time—present a range of socially engaged art practices in Latin America between 1995 and 2010 that rethink the boundaries between art and activism. The collection is edited by Bill Kelley Jr. and Grant H. Kester.
In Never Alone, Except for Now, juxtaposing contemporary art against familiar features of the Web such as emoticons, Kris Cohen explores how one can be connected to people and places online while simultaneously being alone and isolated. This phenomenon lies in the space between populations built through data collection, and publics created by interacting with others.
Originally published in 1939, Aimé Césaire’s Cahier d’un Retour au Pays Natal is a landmark of modern French poetry and a founding text of the Négritude movement. Journal of a Homecoming, a bilingual edition, features a new authoritative translation, revised introduction, and extensive commentary, making it a magisterial edition of Césaire’s surrealist masterpiece.
In Neoliberalism from Below, Verónica Gago provides a new theory of neoliberalism by examining how Latin American neoliberalism is propelled not just from above by international finance, corporations, and government, but by the activities of migrant workers, vendors, sweatshop workers, and other marginalized groups in and around the La Salada market in Buenos Aires.
Kristen Ghodsee, in Red Hangover, examines the legacies of twentieth-century communism on the contemporary political landscape twenty-five years after the Berlin Wall fell, reflecting on the lived experience of postsocialism and how many ordinary men and women across Eastern Europe suffered from the massive social and economic upheavals in their lives after 1989.
Drawing on ethnographic fieldwork and his experience trading derivatives, in The Social Life of Financial Derivatives, Edward LiPuma theorizes the profound social dimensions of derivatives markets and the processes, rituals, mentalities, and belief systems that drive them.
In Monrovia Modern, Danny Hoffman uses the ruins of four iconic modernist buildings in Monrovia, Liberia as a way to explore the relationship between the built environment and political imagination, showing how these former symbols of modernist nation building transformed into representations of the challenges that Monrovia’s residents face.
Steeped in Heritage, by Sarah Ives, explores the racial and environmental politics behind South Africa’s rooibos tea industry to examine heritage-based claims to the indigenous plant by two groups of contested indigeneity: white Afrikaners and “coloured” South Africans.
In Tropical Freedom, Ikuko Asaka examines emancipation’s intersection with settler colonialism in North America, showing how emancipation efforts in the United States and present-day Canada were accompanied by attempts to relocate freed blacks to tropical regions, thereby conceiving freedom as a racially segregated condition based upon geography and climate.
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