Theater

50 Years of Theater: A Retrospective

Congratulations to Theater for reaching its fiftieth anniversary! The journal’s new issue, “50 Years of Theater: A Retrospective,” celebrates this milestone by reflecting on some of the journal’s editorial accomplishments. The full issue is freely available for three months. Start reading here.

With reflections from Tom Sellar, the current editor, and Gordon Rogoff, a founding editor, this anniversary edition honors Theater’s tradition of speculation on change and an altered society. It includes a section of excerpts from the journal’s archives in which contributors offer a vision for the future. A photo dossier considers the art of photographing live performance and theater productions, and a forum of reflections from past editors considers how the journal simultaneously served as a training organ for the emerging editors and writers who compose the editorial staff.

New Books in April

spring50_saleapril20_blog-1-1

Curling up on the couch with a great book is an excellent way to practice social distancing this month. All these titles will deliver before our sale ends on May 1, so check our website regularly. You can save 50% on all in-stock titles with coupon SPRING50

Tyler Bickford traces the dramatic rise of the “tween” pop music industry in Tween Pop, showing how it marshaled childishness as a key element in legitimizing children’s participation in public culture.

The contributors to Playing for Keeps examine the ways in which musical improvisation can serve as a way to negotiate violence, trauma, systemic inequality, and the aftermaths of war and colonialism. This volume is edited by Daniel Fischlin and Eric Porter.

John F. Szwed’s Space is the Place is the definitive biography of Sun Ra—composer, keyboardist, bandleader, philosopher, entrepreneur, poet, self-proclaimed extraterrestrial from Saturn, and a founder of Afrofuturism. We are pleased to be bringing this classic back into print with a new preface.

In Vital Decomposition, Kristina M. Lyons presents an ethnography of human-soil relations in which she follows state soil scientists and peasant farmers in Colombia’s Putumayo region, showing how their relationship with soil is key to caring for the forest and growing non-illicit crops in the face of violence, militarism, and environmental destruction.

Micha Rahder explores how multiple ways of knowing the forest of Guatemala’s Maya Biosphere Reserve shape conservation practice, local livelihoods, and landscapes in An Ecology of Knowledges.

In Relations, Marilyn Strathern provides a critical account of anthropology’s key concept of relation and its usage and significance in the English-speaking world, showing how its evolving use over the last three centuries reflects changing thinking about knowledge-making and kin-making.

In Virtual Pedophilia, Gillian Harkins traces the genealogy of the transformation of cultural construction of the pedophile as a social outcast into the image of normative white masculinity from the 1980s to the present, showing how his “normalcy” makes him hard to identify and stop.

In A People’s History of Detroit, Mark Jay and Philip Conklin use a Marxist framework to tell a sweeping story of Detroit from 1913 to the present, outlining the complex socio-political dynamics underlying major events in Detroit’s past, from the rise of Fordism and the formation of labor unions to deindustrialization and the city’s recent bankruptcy.

In Revolution and Disenchantment, Fadi A. Bardawil explores the hopes for and disenchantments with Marxism-Leninism in the writings and actions of revolutionary intellectuals within the 1960s Arab New Left.

In Tehrangeles Dreaming, Farzaneh Hemmasi draws on ethnographic fieldwork in Los Angeles and musical and textual analysis to examine how the pop music, music videos, and television made by Iranian expatriates express modes of Iranianness not possible in Iran.

The Lonely Letters is an epistolary blackqueer critique of the normative world in which Ashon T. Crawley meditates on the interrelation of blackqueer life, sounds of the black church, theology, mysticism, and the potential for platonic and erotic connection in a world that conspires against blackqueer life.

Drawing on Whitman and Adorno, Morton Schoolman proposes aesthetic education through film as a way to redress the political violence inflicted on difference society constructs as its racialized, gendered, Semitic, and sexualized other in A Democratic Enlightenment.

In Kwaito Bodies, Xavier Livermon examines the cultural politics of the youthful black body in South Africa through the performance, representation, and consumption of Kwaito—a style of electronic dance music that emerged following the end of apartheid.

Reflecting on the experience, philosophy, and practice of Latin American indigenous and Afro-descendant activist-intellectuals who mobilize to defend their territories from large-scale extraction, Arturo Escobar shows in Pluriversal Politics how the key to addressing planetary crises is the creation of the pluriverse—a world of many epistemological and ontological worlds.

The contributors to AIDS and the Distribution of Crises outline the myriad ways that the AIDS pandemic exists within a network of varied historical, overlapping, and ongoing crises borne of global capitalism and colonial, racialized, and gendered violence. This collection is edited by Jih-Fei Cheng, Alexandra Juhasz, and Nishant Shahani. It is currently available to read free online as part of our Navigating the Threat of Pandemic syllabus.

Never miss a new book! Sign up for our e-mail newsletters, and get notifications of new titles in your preferred disciplines as well as discounts and other news.

New Books in March

Spring is just around the corner—so it’s time to stock up on books for a whole new season of reading. Check out all of these titles arriving in March!

In I Never Left Home, poet and revolutionary Margaret Randall tells the moving, captivating, and astonishing story of her life, from her childhood in New York to joining the Sandanista movement in Nicaragua, from escaping political repression in Mexico to raising a family and teaching college.

Demanding Images is Karen Strassler’s ethnography of Indonesia’s post-authoritarian public sphere, exploring the role of public images as they gave visual form to the ideals, aspirations, and anxieties of democracy.

Focusing on a wide range of media technologies and practices in Beijing, Underglobalization by Joshua Neves examines the cultural politics of the “fake” and how frictions between legality and legitimacy propel dominant models of economic development and political life in contemporary China.

A writing manual as well as a manifesto, Every Day I Write the Book combines novelist and essayist Amitava Kumar’s practical writing advice with interviews with prominent writers, offering guidance and inspiration for academic writers at all levels.

In Negative Exposures, Margaret Hillenbrand explores how artistic appropriations of historical images effectively articulate the openly unsayable and counter the public secrecy that erases traumatic episodes from China’s past.

The contributors to Visualizing Fascism, edited by Julia Adeney Thomas and Geoff Eley, examine the imagery and visual rhetoric of interwar fascism in East Asia, southern Africa, and Europe to explore how fascism was visualized as a global and aesthetic phenomenon.

In his new book-length prose poem, The Voice in the Headphones, musician David Grubbs draws on decades of recording experience, taking readers into the recording studio to tell the story of an unnamed musician who struggles to complete a film soundtrack in a day-long marathon recording session.

Rahul Mukherjee explores how the media coverage of and debates about nuclear power plants and cellular phone antennas in India frames and sustains environmental activism in Radiant Infrastructures.

Salomé Aguilera Skvirsky theorizes the process genre—a filmic genre characterized by its representation of chronologically ordered steps in which some form of labor results in a finished product—in The Process Genre.

In The Queer Games Avant-Garde, Bonnie Ruberg presents twenty interviews with twenty-two queer video developers whose radical, experimental, vibrant, and deeply queer work is driving a momentous shift in the medium of video games.

Ana Y. Ramos-Zayas traces how parenting practices among urban elites in Brazil and Puerto Rico preserve and reproduce white privilege and economic inequality in Parenting Empires.

In Rock | Water | Life, Lesley Green examines the interwoven realities of inequality, racism, colonialism, and environmental destruction in South Africa, calling for environmental research and governance to transition to an ecopolitical approach that could address South Africa’s history of racial oppression and environmental exploitation.

Matt Brim shifts queer studies away from sites of elite education toward poor and working-class students and locations in Poor Queer Studies, showing how the field is driven by those flagship institutions that perpetuate class and race inequity in higher education.

In Paris in the Dark, Eric Smoodin takes readers on a journey through the streets, cinemas, and theaters of Paris to sketch a comprehensive picture of French film culture during the 1930s and 1940s.

Never miss a new book! Sign up for our e-mail newsletters, and get notifications of new titles in your preferred disciplines as well as discounts and other news.

New Books in January

If one of your resolutions for 2020 is to read more books, we’ve got you covered. Ring in the new year with these captivating new releases!

In Beneath the Surface, Lynn M. Thomas constructs a transnational history of skin lighteners in South Africa and beyond, theorizing skin and skin color as a site for antiracist struggle and lighteners as a technology of visibility that both challenges and entrenches racial and gender hierarchies.

Weaving U.S. history into the larger fabric of world history, the contributors to Crossing Empires de-exceptionalize the American empire, placing it in a global transimperial context as a way to grasp the power relations that shape imperial formations. This collection is edited by Kristin L. Hoganson and Jay Sexton.

Engaging contemporary photography by Sally Mann, Lorna Simpson, Carrie Mae Weems, and others, Shawn Michelle Smith traces how historical moments come to be known photographically and the ways in which the past continues to inhabit, punctuate, and transform the present through the photographic medium in Photographic Returns.

Spanning the centuries between pre-contact indigenous Haiti to the aftermath of the 2010 earthquake, the selections in The Haiti Reader introduce readers to Haiti’s dynamic history and culture from the viewpoint of Haitians from all walks of life. This volume is edited by Laurent Dubois, Kaiama L. Glover, Nadève Ménard, Millery Polyné, and Chantalle F. Verna.

The contributors to Futureproof (edited by D. Asher Ghertner, Hudson McFann, and Daniel M. Goldstein) examine the affective and aesthetic dimensions of security infrastructures and technology with studies ranging from Jamaica and Jakarta to Colombia and the US-Mexico border.

Examining abjection in a range of visual and material culture, the contributors to Abjection Incorporated move beyond critiques of abjection as a punitive form of social death to theorizing how it has become a means to acquire political and cultural capital in the twenty-first century. This volume is edited by Maggie Hennefeld and Nicholas Sammond.

Margaret E. Dorsey and Miguel Díaz-Barriga argue that border wall construction along the U.S.–Mexico border manifests transformations in citizenship practices that are aimed not only at keeping migrants out but also enmeshing citizens into a wider politics of exclusion in Fencing in Democracy.

In Politics of Rightful Killing, Sima Shakhsari analyzes the growth of Weblogistan—the online and real-life transnational network of Iranian bloggers in the early 2000s—and the ways in which despite being an effective venue for Iranians to pursue their political agendas, it was the site for surveillance, cooptation, and self-governance.

In Invisibility by Design, Gabriella Lukács traces how young Japanese women’s unpaid labor as bloggers, net idols, “girly” photographers, online traders, and cell phone novelists was central to the development of Japan’s digital economy in the 1990s and 2000s.

Presented in the context of the nonprofit arts collective More Art’s fifteen-year history, and featuring first-person testimony, critical essays, and in-depth documentary materials, More Art in the Public Eye is an essential, experiential guide to the field of socially engaged public art and its increasing relevance. This volume is edited by Micaela Martegani, Jeff Kasper, and Emma Drew, and we are distributing it for More Art.

Shana L. Redmond traces Paul Robeson’s continuing cultural resonances in popular culture and politics in Everything Man, showing how he remains a vital force and presence for all those he inspired.

In The Complete Lives of Camp People, Rudolf Mrázek presents a sweeping study of the material and cultural lives of internees of two twentieth-century concentration camps and the multiple ways in which their experiences speak to and reveal the fundamental logics of modernity.

In Avian Reservoirs, Frédéric Keck traces how the anticipation of bird flu pandemics has changed relations between birds and humans in Hong Kong, Singapore, and Taiwan, showing that humans’ reliance on birds is key to mitigating future pandemics.

Collecting texts from all corners of the world that span antiquity to the present, The Ocean Reader (edited by Eric Paul Roorda) charts humans’ relationship to the ocean, treating it as a dynamic site of history, culture, and politics.

The contributors to Blue Legalities attend to the seas as a legally and politically conflicted space to analyze the conflicts that emerge where systems of governance interact with complex geophysical, ecological, economic, biological, and technological processes. This collection is edited by Irus Braverman and Elizabeth R. Johnson.

Never miss a new book! Sign up for our e-mail newsletters, and get notifications of new titles in your preferred disciplines as well as discounts and other news.

New Books in September

Summer’s almost over, which means it’s time to start to replenishing your reading list! Celebrate the start of a new academic year with us by checking out this diverse array of books arriving in September.

Acknowledging the impending worldwide catastrophe of rising seas in the twenty-first century, Orrin H. Pilkey and Keith C. Pilkey outline the impacts on the United States’ shoreline and argue that the only feasible response along much of the U.S. shoreline is an immediate and managed retreat in Sea Level Rise.

Brenda R. Weber’s Latter-day Screens examines the ways in which the mediation of Mormonism through film, TV, blogs, YouTube videos, and memoirs functions as a means through which to understand conversations surrounding gender, sexuality, spirituality, capitalism, justice, and individualism in the United States.

Self-Devouring Growth by Julie Livingston shows how the global pursuit of economic and resource-driven growth comes at the expense of catastrophic destruction, thereby upending popular notions that economic growth and development is necessary for improving a community’s wellbeing.

In Under Construction, Daniel Mains explores the intersection of infrastructural development and governance in contemporary Ethiopia by examining the conflicts surrounding the construction of specific infrastructural technologies and how that construction impacts the daily lives of Ethiopians.

Elizabeth Freeman’s Beside You in Time expands bipolitical and queer theory by outlining a temporal view of the long nineteenth century and showing how time became a social and sensory means by which people resisted disciplinary regimes and assembled into groups in ways that created new forms of sociality.

Terry Smith—who is widely recognized as one of the world’s leading historians and theorists of contemporary art—traces the emergence of contemporary art and further develops his concept of contemporaneity in Art to Come through analyses of topics ranging from Chinese and Australian Indigenous art to architecture.

Henry Cow by Benjamin Piekut tells the story of the English experimental rock band Henry Cow and how it linked its improvisational musical aesthetic with a collectivist, progressive politics.

Davina Cooper’s Feeling Like a State explores the unexpected contribution a legal drama of withdrawal—as exemplified by some conservative Christians who deny people inclusion, goods, and services to LGBTQ individuals—might make to conceptualizing a more socially just, participative state.

In Making The Black Jacobins, Rachel Douglas traces the genesis, transformation, and afterlives of the different versions of C. L. R. James’s landmark The Black Jacobins across the decades from the 1930s onwards, showing how James revised it in light of his evolving politics.

William E. Connolly links climate change, fascism, and the nature of truth to demonstrate the profound implications of the deep imbrication between planetary nonhuman processes and cultural developments in Climate Machines, Fascist Drives, and Truth.

Cara New Daggett’s The Birth of Energy traces the genealogy of the idea of energy from the Industrial Revolution to the present, showing how it has informed fossil fuel imperialism, the governance of work, and our relationship to the Earth.

Never miss a new book! Sign up for our e-mail newsletters, and get notifications of new titles in your preferred disciplines as well as discounts and other news.

Scenes of Suffering

Contributors to “Scenes of Suffering,” out now from Theater, explore representations of pain, suffering, and trauma in contemporary American theater and performance. All articles are freely available for 3 months: read them here.

Topics include:

and more. Browse the table of contents, and be sure to sign up for email alerts so you don’t miss an issue.

What’s Next for Latinx?

We’re pleased to share “What’s Next for Latinx?”, the newest issue of Theater, edited by Chantal Rodriguez and Tom Sellar. Read the entire issue, freely available for three months.

With roots in protest and social change, Latinx theater carries an artistic vitality and urgency that has only been augmented by resistance to the current wave of repressive white nationalism. Even as U.S. agencies perpetuate inhumane policies and deplorable human rights violations against Latinxs, Latinx theatermakers continue to claim their places on America’s largest stages. In “What’s Next for Latinx?”, contributors ask where Latinx theater is going and what challenges it faces.

New Books in December

Check out our December new releases!

978-1-4780-0292-5.jpgColin Milburn’s Respawn examines the relationships between video games, hackers, and science fiction, showing how games provide models of social and political engagement, critique, and resistance while offering a vital space for players and hacktivists to challenge centralized power and experiment with alternative futures.

Jack Halberstam’s classic Female Masculinity has been called “a landmark study” (Feminist Theory) and a “pioneering document” (Gay and Lesbian Times) and has become one of our bestselling texts of all time. We are pleased to offer a new twentieth anniversary edition of the book, which features a new preface by the author.

978-1-4780-0166-9.jpg

In Can Politics Be Thought?—published in French in 1985 and appearing here in English for the first time—Alain Badiou offers his most forceful and systematic analysis of the crisis of Marxism in which he argues for the continuation of Marxist politics.

Containing over one hundred selections—many of which appear in English for the first time—this extensively revised and expanded second edition of the bestselling The Brazil Reader, edited by James Green, Victoria Langland, and Lilia Moritz Schwarcz, presents the lived experience of Brazilians from all social and economic classes, racial backgrounds, genders, and political perspectives over the past half-millennia.

Jessica A. Krug’s Fugitive Modernities traces the history and meaning of Kisama—a seventeenth-century fugitive slave community located in present-day Angola—by showing how it operated as a inspirational global symbol of resistance for fugitives on both sides of the Atlantic.

978-1-4780-0167-6.jpg

Megan H. Glick’s Infrahumanisms considers how twentieth-century conversations surrounding nonhuman life have impacted a broad range of attitudes toward forms of human difference such as race, sexuality, and health, showing how efforts to define a universal humanity create the means with which to reinforce various forms of social inequality.

Damon R. Young’s Making Sex Public tracks the emergence of new forms of sexuality in French and American cinema from the 1950s to the present, showing how cinema transformed narratives of sexuality and how women and queers were both agents and objects of that transformation.

Prompting a reevaluation of canonical understandings of twentieth century art history, Mapping Modernisms, edited by Elizabeth Harney and Ruth Phillips, provides an analysis of how indigenous artists and art from Africa, Oceania, and the Americas became recognized as modern.

The contributors to Passages and Afterworlds, edited by Maarit Forde and Yanique Hume, explore death and mortuary rituals across the Caribbean, showing how racial, cultural and class differences have been deployed in ritual practice and how such rituals have been governed in the colonial and postcolonial Caribbean.

978-1-4780-0094-5.jpg

The contributors to Sound Objects, an ambitious and wide-ranging collection edited by James Steintrager and Rey Chow, explore sound as an object, sound studies as a discipline, and the limits of sonic objectivity.

In Worldmaking, Dorinne Kondo draws on critical ethnographic work and over twenty years of experience as a dramaturge and playwright to theorize how racialized labor, aesthetics, affect, genre, and social inequity operate in contemporary theater.

In a bold challenge to conventional understandings of Hawai‘i’s admission as a U.S. state. Dean Saranillio’s Unsustainable Empire tracks the disparate stories different groups tell about Hawaiian statehood by returning to historical flashpoints ranging from the turn of the century until shortly after 1959.

Never miss a new book! Sign up for Subject Matters, our e-mail newsletter, and get notifications of new titles in your preferred disciplines as well as discounts and other news.

Theater Magazine Publishes Elfriede Jelinek, Carrie Mae Weems

ddthe_47_3The most recent issue of Theater magazine features new performance texts from major artists Elfriede Jelinek and Carrie Mae Weems.

In the first edition of Theater to launch since the November 2016 election altered the American political landscape, the magazine looks to theater artists “to provide clarity where leaders sow confusion, to inspire when cynicism reigns, and to offer a moral compass while the nation reels in disorientation,” writes editor Tom Sellar.

Nobel laureate playwright Elfriede Jelinek’s newest work On the Royal Road: The Burgher King delves into the psyche of a businessman tyrant whose hold on power gets channeled through American pop culture iconography, among other creative filters. An intimate conversation between Jelinek and her longtime translator Gitta Honegger accompanies the script.

In her new performance text Grace Notes: Reflections for Now, celebrated artist Carrie Mae Weems contemplates grace in the face of racism and violence through music, song, spoken word, and video. Carl Hancock Rux introduces the text with a panoramic essay on Grace Notes as “a non-decorative inclusive self-portrait,” interrupting the peripheralization of black women.

Jennifer Krasinski’s rumination on Taylor Mac’s recent 24-hour marathon performance of music from the American songbook, as well as performance criticism from Krasinski and David Bruin, complete the issue.

To read the issue online, visit read.dukeupress.edu/theater.

Curating Crisis

ddthe_47_2The most recent issue of Theater, “Curating Crisis,” is the journal’s second issue devoted to the curation of performance. It includes an additional set of interviews with four leading performance curatorsFlorian Malzacher, Sodja Lotker, Miranda Wright, and Boris Charmatzthat continue the conversation of historical precedents for curators specializing in theater, dance, and other live forms. It examines the ways in which performance curators are responding to crises and conflicts both within the fields of performance, and in the spheres of politics, economics, and history.

A special section features a series of essays based on lectures originally presented in SpielART festival’s 2015 convening, “Show Me the World,” in which contributors ask how curation strategies might acknowledge and build from postcolonial contexts. The section introduces major questions provoked by rethinking the role of the curator in a time of increasingly transcultural exchange and exhibition.

“Curating Crisis” includes articles on topics such as:

  • Multiculturalism
  • Black American Performance Artistry
  • Performance Curation
  • Micropolitics
  • Performance History

and much more.

Browse the table-of-contents and read the introduction made freely available. To learn more about the topic, read “Performance Curators,” Theater’s first issue devoted to performance curation.