Join us today in wishing pioneering anthropologist Esther Newton a happy eightieth birthday. We are proud to have published three titles by Newton and invite you to revisit them in her honor today.
Newton’s editor, Ken Wissoker, shares, “For as long as I can remember, Esther Newton has been a guiding presence in queer anthropology. When I started as an editor, I would sometimes sit with her and Elizabeth Kennedy at talks, watching what she had helped birth in the legendary Mother Camp grow into a major part of the field. Our collaborations on Margaret Mead Made Me Gay and on her memoir My Butch Career are highlights of my time at the Press, books that will carry her work for queer generations to come.
In her memoir My Butch Career (2018), Newton tells the compelling, disarming, and at times sexy story of her struggle to write, teach, and find love, all while coming to terms with her identity during a particularly intense time of homophobic persecution in the twentieth century. Despite having written the now-classic text Mother Camp (1972), she was denied tenure twice. But by age forty, where My Butch Career‘s narrative ends, she began to achieve personal and scholarly stability in the company of the first politicized generation of out lesbian and gay scholars with whom she helped create gender and sexuality studies.
While My Butch Career mingles personal reflection on her upbringing, her parents, and her love affairs with her struggle to be recognized professionally, Margaret Mead Made Me Gay (2000) is more of an intellectual memoir that chronicles the development of her ideas from the excitement of early feminism in the 1960s to friendly critiques of queer theory in the 1990s.
In 2014, we brought Newton’s book Cherry Grove, Fire Island, originally published in in 1993, back into print in a teachable paperback edition. The book is a cultural history of the gay and lesbian vacation town near New York City, where she herself vacationed for many years. Her ethnography was deeply personal. In an interview with Cultural Anthropology, she recounts, “I gave a book party in the Grove to sell books, but also to do a slideshow, to give something back to the community. What people really were interested in, though, was to go to the index and look for their own names.”
A movie about Newton is in the works. One scene was filmed at the Duke University Press booth at the 2018 annual meeting of the American Anthropological Association, where we launched My Butch Career. We can’t wait to see it!
These days Esther Newton is retired and splits her time between Michigan, where she was previously a professor of American Culture and Women’s and Gender Studies, and Florida. She enjoys spending time with family and doing agility training with her dogs. When interviewed for Queer Forty a few years ago, she said, “The second half of life does hold pleasures. We are not as hot as we once were, but we can know the pleasures of long term life partner relationships and friendships. . . . Some of the uncertainty and anxiety of the earlier years do abate. And I have found that there is such a thing as wisdom.”
Esther Newton, 1967. Photograph by Nancy Rae Smith.
Thank you, Esther, for all the wisdom you have shared through your scholarship, and Happy Birthday!
Every year we look forward to meeting authors in person at the NWSA Annual Meeting, and we are sad to be missing out on that this year. We know that many of you look forward to stocking up on new books at special discounts at our conferences, so we are pleased to extend a 50% discount on all in-stock books and journal issues with coupon code NWSA20 until November 23, 2020.
View our Women’s Studies catalog below for a complete list of all our newest titles in women, gender, and sexuality studies and across disciplines. You can also explore all of our books and journals in the field on dukeupress.edu.And although you cannot join us in the booth this year, you can listen to a number of our authors discuss their books through our In Conversation series on our YouTube channel.
Editor Elizabeth Ault has a message for everyone who would have attended NWSA this year, with her recommendations of the latest books in women, gender, and sexuality studies.
I was so looking forward to gathering with you all in the greatest city in the world, Minneapolis, this fall, but it’s not to be. I’m sending solidarity to all the folks who have been doing incredible organizing work there for years before the murder of George Floyd (#justiceforfonglee, #justiceforjamarclarke, #ceceisfree, #cecetaughtme #justiceforphilandocastile) and continue to provide networks of care and support every dang day.
I am so excited to be in conversation with y’all about the feminist work in Black studies, disability studies, geography, trans studies, queer theory, history, and more that has its home at NWSA. Please sign up for office hours to discuss your work with me here.
In the meantime, I know many of you are shopping the sale. Here are some crucial feminist texts that would never have made it to 50% off day in the booth–and you can get them shipped directly to you for 50% off from our website!!! You’ll see important strands of Black feminist thought and queer theory throughout these books, so I’ve tried to organize them more by method and topic to help you find what you’re looking for.
I’m writing this in late October and you’ll be reading it on the other side of whatever happens on November 3. Regardless, I’m confident these books have important wisdom to offer us as we move through this extraordinarily painful year, fortified by the work of organizers in Minneapolis and around the world, and by these thinkers and writers. They’re all helping us to imagine the world we want to live in and work to make it possible.
Jih-Fei Cheng, Alex Juhasz, and Nishant Shahani’s AIDS and the Distribution of Crises comes directly out of that scholarly/activist nexus, bringing together insights from a range of fields and positions about the ongoing viral crises that COVID-19 cratered into this winter. Sima Shakhsari’s book The Politics of Rightful Killing looks at transnational online networks of writers and activists to consider how Iranians in the diaspora and Iran itself thought about reconstituting democracy. Jillian Hernandez’s Aesthetics of Excess is right there too, drawing on her work with Black and Latina girls in Women on The Rise in Miami.
Alongside the amazing art Jillian and her interlocutors at WOTR created, much of which is included in full color in the book, we have some really amazing feminist art books out right now. Lorraine O’Grady’s work was at the center of the mind-blowing, pathbreaking We Wanted a Revolution show at the Brooklyn Museum a few years back, and now she has her own solo show there, accompanied by this new book of her writings about art practice and her vision for a Black feminist art world, Writing in Space. Maya Stovall has been performing and showing Liquor Store Theatre, a Detroit-based art and performance project for several years; her book by the same name considers the project as an ethnographic one reimagining what dispossessed neighborhoods in Detroit might still play host to. Bakirathi Mani’s new book, Unseeing Empire, centers work by South Asian women artists Annu Matthew, Seher Shah, and Gauri Gill to consider how empire continues to haunt South Asian desires for representation and representability.
And Alexis Pauline Gumbs’s Dub is a work of art–no less than an oracle for our times.
Another oracular work newly available is Jose Munoz’s posthumous Sense of Brown. This book is deep and lasting and Jose’s influence and importance is so clear and undeniable. More theoretical work on this list alongside Jose’s is Cressida Heyes’s book Anaesthetics of Existence, which is really speaking to me as this year continues to take and take. It’s a feminist phenomenology for this moment. Other books theorizing embodiment here include Neetu Khanna’s Visceral Logics of Decolonization, and Naked Agency, in which author Naminata Diabate considers women’s naked protests across Africa and the diaspora as a weighty, powerful form of vulnerable resistance.
Diabate’s work is embedded in a long history of such protests–new feminist history work from Brandi Brimmer, Francoise Verges, and Lynn Thomas provides important tools for understanding how we got here, and how things could be different.
Relations, the topic of Strathern’s capacious theorization, are also at the foundation of Brigitte Fielder’s rethinking of kinship and race. Her book is part of a strong list in queer and feminist cultural and literary studies that includes new books from Jack Halberstam (important queer theory, yes, but also important Kate Bush content!), Bo Ruberg (whose new book series is accepting proposals), Gillian Harkins (why are you still watching To Catch a Predator? I mean, you won’t after reading this book), Cait McKinney (the book we fondly refer to as “how lesbians invented the internet”), Erica Fretwell (She’ll make you care about The Yellow Wallpaper again, through centering the role of SMELL of all things), and Sam Pinto (the definitive take on Sarah Baartman and Sally Hemings that you have been waiting for!!).
That’s a lot of books! There’s so much richness and brilliance here. I’m excited to hear what you think about these books and how they’re informing your own work on twitter and in my office hours. In the meantime, keep well.
If you were hoping to connect with Elizabeth Ault or another of our editors about your book project at NWSA, please reach out to them by email. See our editors’ specialties and contact information here and our online submissions guidelines here.
We hope you enjoy the latest video in our In Conversation series, which features Cait McKinney, author of Information Activism: A Queer History of Lesbian Media Technologies, speaking about the book with Executive Editor Courtney Berger. In the book, McKinney traces how lesbian feminist activists in the United States and Canada between the 1970s and the present developed communication networks, databases, and digital archives to use as a foundation for their feminist, antiracist, and trans-inclusive work.
Greetings, 4S-ers! I am excited to attend this year’s virtual conference. While it has been difficult to miss out on the conversations and connections facilitated by in-person conferences, virtual conferences offer new opportunities. I’m not usually able to attend 4S on the years when it’s held outside of the U.S., so this is a bit of a bonus for me. I’ll be waking up early on East Coast time to attend panels, many of which include Duke University Press authors. My schedule is overflowing with panels that focus on more-than-human worlds (including the viral, of course); trans, queer, and feminist approaches to science studies; race and indigeneity; the environment (especially work on the elements, energy, and toxicity); and data and algorithmic thinking.
Finally, unlike an in-person conference, where I spend most of my time meeting with potential authors and hearing about projects in the works, this year I will be focused on attending panels and deepening my knowledge of the field. However, I am still eager to hear about your book projects. You can send me an email or submit a proposal through our online submission portal. I look forward to seeing you around the conference.
Vanessa Díaz is the author of the new book Manufacturing Celebrity. She is Assistant Professor of Chicana/o and Latina/o Studies at Loyola Marymount University.Drawing on ethnographic fieldwork, her experience reporting for People magazine, and dozens of interviews with photographers, journalists, publicists, magazine editors, and celebrities, Díaz traces the complex power dynamics of the reporting and paparazzi work that fuel contemporary Hollywood and American celebrity culture.This guest post by the author introduces the trailer and teaser for her new book.
As a multimedia ethnographer and documentary filmmaker, I always knew I wanted to create a book trailer for Manufacturing Celebrity. The prospect of capturing the essence of the over 300 pages of Manufacturing Celebrity in a few minutes of video was daunting. However, because the book itself is rich with images from my own photography, the photography of the paparazzi I worked with, and material from the magazines I write about, imagining a visual representation of the book was organic. I started developing ideas for the trailer early this year, with the assistance of two research assistants at Loyola Marymount University, Malik Gay-Bañuelos and Steven Uribe. We decided that it was important to focus not only on the main issues, questions and conundrums the book presents, but specifically to highlight the stories of the paparazzo Chris Guerra who was killed on the job and former People magazine reporter and sexual assault survivor Natasha Stoynoff who ground my discussion about precarity in the manufacturing of celebrity. By the time we started to make progress on the trailer’s development, the pandemic hit and we had to conceptualize video production in a new way. I set up the camera equipment lighting in my living room, and recorded my own interview while Malik and Steven interviewed me via FaceTime. Video editor Larissa Díaz Hahn of The Díaz Collective took my interview, original footage shared with me by the paparazzi, images from the book, my archive of celebrity reporting clips, and archival news footage and began masterfully piecing together the trailer. It was a collaborative process and we went through various iterations, with a focus on doing justice to the central themes of the book and, most importantly, the incredibly intense stories of my friends and colleagues Chris and Natasha. The goal of the trailer is to provide an engaged, visual representation of the book that encapsulates in a few minutes what is at stake with the stories I’m telling and why this book matters in this particular moment in history. The trailer shows the ways the book centers on issues of power, privilege and positionality in a way that resonates with the present moment. As the U.S. remains in an uprising focused on addressing systemic racism, and as Hollywood figures remain at the center of controversy due to rampant abuse of power on racial, gender, and intersectional levels, Manufacturing Celebrity breaks down the larger stakes of celebrity culture and demonstrates how the Hollywood-Industrial Complex is part and parcel in the broader systemic inequalities of the U.S. The trailer offers a small taste of the complicated questions and analysis Manufacturing Celebrity forces the reader to grapple with. You’ll never look at celebrity magazines the same again.
Literally Swiss, the European Literature Network and Pro Helvetia have launched the first French Book Week, an online forum dedicated to French literature, translation and publishing in the UK. We’re happy to share our new and upcoming French Studies titles as part of the celebration. UK customers can purchase these books from our European distributor, Combined Academic Publishers.
The Birth of Solidarity: The History of the French Welfare State by François Ewald is edited by Melinda Cooper and translated from the French by Timothy Scott Johnson. The Birth of Solidarity—first published in French in 1986, revised in 1996, with the revised edition appearing here in English for the first time—is one of the most important historical and philosophical studies of the rise of the welfare state. It’s is a classic work of social and political theory that will appeal to all those interested in labor power, the making and dismantling of the welfare state, and Foucauldian notions of governmentality, security, risk, and the limits of liberalism.
Paris in the Dark: Going to the Movies in the City of Light, 1930–1950 by Eric Smoodin takes readers on a journey through the streets, cinemas, and theaters of Paris to sketch a comprehensive picture of French film culture during the 1930s and 1940s. Judith Mayne says, “Paris in the Dark is an outstanding study of the spaces and places of Parisian filmgoing and a major contribution to French film studies.”
The Wombs of Women: Race, Capital, Feminism by Françoise Vergès will be published in August. Translated by Kaiama L. Glover, The Wombs of Women examines the scandal of white doctors forcefully terminating the pregnancies of thousands of poor women of color on the French island of Réunion during the 1960s, showing how they resulted from the legacies of the racialized violence of slavery and colonialism. Vergès traces the long history of colonial state intervention in black women’s wombs during the slave trade and postslavery imperialism as well as in current birth control politics. She examines the women’s liberation movement in France in the 1960s and 1970s, showing that by choosing to ignore the history of the racialization of women’s wombs, French feminists inevitably ended up defending the rights of white women at the expense of women of color.
We also invite you to check out our journal French Historical Studies, the leading journal on the history of France, which publishes articles and commentaries on all periods of French history from the Middle Ages to the present. The journal’s diverse format includes forums, review essays, special issues, and articles in French, as well as bilingual abstracts of the articles in each issue. Also featured are bibliographies of recent articles, dissertations, and books in French history and announcements of fellowships, prizes, and conferences of interest to French historians.
We know that many of you look forward to stocking up on new books at special discounts at our conferences, so we are pleased to extend a 30% discount on all in-stock books and journal issues. Use coupon code BERKS20 to save 30% when ordering online. Journal subscriptions and society memberships don’t qualify for the 30% discount.
Check out some of the exciting titles we would have featured in our booth at the Berks.
In I Never Left Home, poet and revolutionary Margaret Randall tells the moving, captivating, and astonishing story of her life, from her childhood in New York to joining the Sandanista movement in Nicaragua, from escaping political repression in Mexico to raising a family and teaching college. Watch a video of Margaret Randall discussing her memoir here.
In Second World, Second Sex, Kristen Ghodsee recuperates the lost history of feminist activism from the so-called Second World, showing how women from state socialist Bulgaria and socialist-leaning Zambia created networks and alliances that challenged American women’s leadership of the global women’s movement. Listen to an interview with Kristen Ghodsee here.
Jennifer C. Nash reframes black feminism’s engagement with intersectionality in Black Feminism Reimagined, contending that black feminists should let go of their possession and policing of the concept in order to better unleash black feminist theory’s visionary and world-making possibilities. Read an interview with Jennifer Nash here.
Lynn M. Thomas constructs a transnational history of skin lighteners in South Africa and beyond in Beneath the Surface, theorizing skin and skin color as a site for antiracist struggle and lighteners as a technology of visibility that both challenges and entrenches racial and gender hierarchies. Watch an interview with Lynn Thomas on South African TV here.
From The Guiding Light to Passions, Elana Levine traces the history of daytime television soap operas as an innovative and highly gendered mass cultural form in Her Stories. Read an interview with Elana Levine in Jezebelhere.
In Mafalda, Isabella Cosse examines the history, political commentary, and influence of the world-famous comic character Mafalda from her Argentine origins in 1964 to her global reach in the 1990s. Recently, the Argentinan goverment has been using Mafalda to educate citizens about wearing face masks during the pandemic. Read Cosse’s blog post on the campaign here.
The contributors to Spirit on the Move examine Pentecostalism’s appeal to black women worldwide and the ways it provides them with a source of community, access to power, and way to challenge social inequalities. This volume is edited by Judith Casselberry and Elizabeth A. Pritchard.
Ana María Reyes examines how the polarizing art of Beatriz González disrupted Cold War aesthetic discourses and the politics of class and modernization in 1960s Colombia in The Politics of Taste.
In Vexy Thing, Imani Perry recenters patriarchy to contemporary discussions of feminism through a social and literary analysis of cultural artifacts—ranging from nineteenth-century slavery court cases and historical vignettes to literature and contemporary art—from the Enlightenment to the present. Read an interview with Imani Perry here.
If you were hoping to connect with one of our editors about your book project at the Berks, please reach out to them by email. See our editors’ specialties and contact information here and our submissions guidelines here. We are now accepting submissions online!
Our journal issues in women’s and gender studies are also included in our 30%-off sale.
Today’s guest post is by Isabella Cosse, an independent researcher for the National Science and Technology Research Council and the University of Buenos Aires. She is the author of numerous books, including Pareja, sexualidad y familia en los años sesenta and her new book, Mafalda: A Social and Political History of Latin America’s Global Comic. In Mafalda, Cosse examines the history, political commentary, and influence of the world-famous comic character Mafalda from her Argentine origins in 1964 to her global reach in the 1990s.
In Argentina, the government took drastic measures to deal with the COVID-19 pandemic early on. Despite an acute economic crisis, on March 19 the government decreed a mandatory nation-wide lock-down. The aim was to prepare the healthcare system while slowing down the spread of the virus. A month and a half later, with the national death toll at less than 300, there seems to be no doubt that this was the right strategy, especially when compared to the terrible situation faced by other countries where the government failed to take action in time.
That does not mean things have not been hard in Argentina. Nor that what lies ahead will be easy. The most vulnerable sectors of society are struggling just to cover their basic food needs, even with the aid provided by the government. Winter is only weeks away and when it finally arrives it will aggravate the situation. Wage-earners with a steady job and middle-class independent workers have also been hit by the effects of the pandemic, as they face a shrinking labor market and dwindling salaries in a context of mounting inflation. Tension and uncertainty dwell in every household. Conflicts and anxieties simmer just below the surface, ready to erupt at any moment.
As a way of dealing with the situation, people have taken to social media like never before. News on the virus and its effects naturally spread like wildfire, but so do memes and jokes. As in other crises, humor in its various forms makes it easier for us to navigate these hard times. It allows us to laugh at the tensions that we face on a daily basis, serving as a relief valve. As Freud said, humor acts on our emotional state, enabling us to look at something unpleasant and even painful through the lens of laughter, thus displacing unmanageable feelings of distress. It therefore helps process conflict, functioning as an effective coping mechanism.
A few days ago, it became mandatory for Argentines to wear face masks when leaving the house. This marked a new stage in the quarantine. Seeing people walking briskly down the street, with their faces covered up and carefully avoiding each other certainly presents a disheartening picture. In that grim context, Mafalda—Latin America’s most famous cartoon character—made the news. The people of Buenos Aires woke up one morning to find that the much-loved statue of this iconic character was sporting its own homemade face mask. An anonymous fan—one of the many among the legions of readers that the comic strip has garnered in its almost sixty years of existence—had decided that Mafalda had to make a statement in this new global crisis. And not just Mafalda, but her friends Susanita and Manolito as well, who flank her sides at a prudent distance, as if mindful of the current social distancing guidelines.
This is not the first time something like this has happened. In fact, since the very beginning, Mafalda has helped to channel the dilemmas faced by the comic strip’s readers. This wise-beyond-her-years little girl emerged as an expression of the antiestablishment generations of the sixties, reflecting on the changes that were shaking the foundations of social and family life at the time and speaking out against the many injustices in the world. And she did it with a witty and endearing humor.
Despite the character’s obvious social commitment and the fact that her readers have had no qualms about appropriating her as a symbol of what they consider a just cause, her creator, Joaquín Salvador Lavado (or Quino, as he is more widely known), has only very rarely given permission to use her in public campaigns. This, however, is one of those rare occasions. Mafalda now leads a group of popular cartoons featured in an awareness-raising effort launched by the government that also seeks to encourage Argentines and help them withstand the lockdown, just as it faces insistent calls from the opposition to lift the strict quarantine measures.
In the current crisis it is not surprising that Quino could be persuaded to lend his famous character for this effort. The historical moment we are living is one of great global uncertainty. But even if some suffer more than others, it is undeniable that the entire planet is afflicted. In the image chosen for the campaign, we see Mafalda caring for a bandaged globe as if it were a sick child. That strip, which was originally drawn as a reflection on the problems of humanity, now expresses the current state of the world almost literally. As in the past, this crisis—the ways to face it and the effects it has—entails political disputes on a transnational scale, and humor can not only help relieve our anxieties, it can also contribute to shape a common identity, one that takes on the responsibility of caring for the world and all its inhabitants.
Mafalda, and all in-stock Duke University Press titles, are available for 50% off during our Spring Sale with coupon SPRING50.
Our editors look forward to meeting their authors at conferences every year and are sad to be missing out on that this spring. The annual meeting of the Latin American Studies Association would have taken place May 13-16 in Guadalajara, Mexico this year. We know that many of you look forward to stocking up on new books at special discounts at our conferences, so we are pleased to extend a 50% discount on all in-stock books and journal issues through May 25.
Instead of greeting Editorial Director Gisela Concepción Fosado in person this year, check out her recommendations for new titles in the discipline and a great round up of other ways to learn about all the new scholarship that we planned to present at the conference.
¡Saludos afectuosos a todxs mis colegas de LASA!
I hope everyone is taking care of themselves and their communities as much as possible during these challenging times. I’m so sorry that we’ll all miss coming together in person this year. I’m particularly sad to miss the bustle of the book exhibit and all of the enthusiasm LASA members invariably extend towards our new releases. We can’t offer you our usual piles and piles of beautifully crafted books, but I can share with you a few highlights that represent a small slice of our newest Latin American studies books.
Kregg Hetherington’s thought-provoking new book, The Government of Beans: Regulating Life in the Age of Monocrops traces well-meaning attempts by Paraguay bureaucrats and activists to regulate the destructive force of monocrops. Although Paraguay’s massive new soy monocrop brought wealth, it also brought deforestation, biodiversity loss, rising inequality, and violence, all beyond the scope of the toolkit of the current government.
We’re thrilled to be publishing an English edition of Isabella Cosse’s award winning book, Mafalda: A Social and Political History of Latin America’s Global Comic. Winner of LASA’s Premio Americano, Mafalda represents transnational cultural history at its absolute best. Analyzing how the comic strip, Mafalda, reflects generational conflicts, gender, modernization, the Cold War, authoritarianism, neoliberalism, and much more, Cosse demonstrates the unexpected power of humor to shape revolution and resistance. Engagingly written, Mafalda is a great course book for graduate and undergraduate level courses.
Eric Zolov’s brand new book, The Last Good Neighbor: Mexico in the Global Sixties, presents a revisionist account of Mexican domestic politics and international relations during the long 1960s, tracing how Mexico emerged from the shadow of FDR’s Good Neighbor policy to become a geopolitical player in its own right during the Cold War. If you’re looking for an engaging and brilliant book on Mexican politics and foreign relations, written by one of the most talented historians around, this one is a must-read.
Pluriversal Politics: The Real and the Possible, by renowned anthropologist and social theorist Arturo Escobar, fits perfectly with LASA’s theme this year, “Améfrica Ladina: vinculando mundos y saberes, tejiendo esperanzas.” In the book, Escobar engages with the politics of the possible and shows how established notions of what is real and attainable prohibit the emergence of radically alternative visions of the future.
Like Escobar’s work, Kristina Lyons’s new book is also based on ethnographic fieldwork in Colombia. Vital Decomposition: Soil Practitioners and Life Politics tells us a timely story of human-soil relations. Lyons examines the practices and philosophies of rural farmers who value the decomposing layers of leaves, which make the soils that sustain life in the Amazon, and shows how the study and stewardship of the soil point to alternative frameworks for living and dying. Like Escobar’s work, Lyons beautifully centers local knowledge to open up new ways of collective living and knowing, “vinculando mundos y saberes.”
Two exceptional newly released art history books include Ana María Reyes’s The Politics of Taste: Beatriz González and Cold War Aesthetics and Mary Coffey’s Orozco′s American Epic: Myth, History, and the Melancholy of Race, which are both gorgeously illustrated in full color. In The Politics of Taste, Ana María Reyes brilliantly examines the works of Colombian artist Beatriz González and Argentine-born art critic, Marta Traba, who championed González’s art during Colombia’s National Front coalition government (1958–74). Mary Coffey’s sophisticated and theoretically nuanced book looks at José Clemente Orozco’s twenty-four-panel mural cycle entitled The Epic of American Civilization. An artifact of Orozco’s migration from Mexico to the United States, the Epic stands as the only fresco in which he explores both American and Mexican narratives of national history, progress, and identity.
This truly represents a small slice of our new books in Latin American studies. Please check out our two most recent catalogs to see our full list of new releases! Cuidense mucho y nos vemos el proximo año.
If you were hoping to connect with Gisela or another of our editors about your book project at LASA, please reach out to them by email. See our editors’ specialties and contact information here and our new online submissions guidelines here.
Once again, we’re sorry to miss you in person but hope the 50% discount will make it possible for you to pick up some new books and journal issues. Use coupon SPRING50 at checkout and see the fine print on the sale here.
We’re pleased to announce that we’ve extended our Spring Sale through May 25, which will allow you to pick up some new titles at 50% off this month. Use coupon SPRING50 to save.
In the beautifully illustrated, full-color book AFRICOBRA, painter, photographer, and cofounder of Chicago arts collective AFRICOBRA Wadsworth A. Jarrell tells the definitive history of the group’s creation, history, and artistic and political principles and the ways it captured the rhythmic dynamism of black culture and social life to create uplifting art for all black people.
Eric Zolov presents a revisionist account of Mexican domestic politics and international relations during the long 1960s in The Last Good Neighbor, tracing how Mexico emerged from the shadow of FDR’s Good Neighbor policy to become a geopolitical player in its own right during the Cold War. Look for a Q&A with Zolov on our blog later this month.
Through innovative readings of gay and lesbian films, Lee Wallace offers a provocative argument in Reattachment Theory that queer experiments in domesticity have profoundly reshaped heterosexual marriage to such an extent that now all marriage is gay marriage.
François Ewald’s The Birth of Solidarity—first published in French in 1986 and appearing here in English for the first time—is one of the most important historical and philosophical studies of the rise of the welfare state. This edition is edited by Melinda Cooper.
Louise Amoore examines how machine learning algorithms are transforming the ethics and politics of contemporary society in Cloud Ethics, proposing what she calls cloud ethics as a way to hold algorithms accountable by engaging with the social and technical conditions under which they emerge and operate.
In Re-enchanting Modernity, Mayfair Yang examines the reemergence of religious life and ritual after decades of enforced secularized life in the coastal city of Wenzhou, showing how local practices of popular religion, Daoism, and Buddhism influence economic development and the structure of civil society.
In Writing Anthropology, fifty-two anthropologists reflect on scholarly writing as both craft and commitment, offering insights into the myriad roles of anthropological writing, the beauty and the function of language, the joys and pains of writing, and encouragement to stay at it. This collection is edited by Carole McGranahan.
In Beijing from Below, Harriet Evans tells the history of the residents in Dashalar—now redeveloped and gentrified but once one of the Beijing’s poorest neighborhoods—to show how their experiences complicate official state narratives of Chinese economic development and progress.
Alex Blanchette explores how the daily lives of a Midwestern town that is home to a massive pork complex were reorganized around the life and death cycles of pigs while using the factory farm as a way to detail the state of contemporary American industrial capitalism in Porkopolis. As the coronavirus tears through meatpacking plants around the U.S., Blanchette’s analysis is highly relevant. We’ll feature a Q&A with him on our blog later in the month.
Drawing on examples of things that happen to us but are nonetheless excluded from experience, as well as critical phenomenology, genealogy, and feminist theory, Cressida J. Heyes shows how and why experience has edges, and analyzes phenomena that press against them in Anaesthetics of Existence.
InThe Government of Beans, Kregg Hetherington uses Paraguay’s turn of the twenty-first century adoption of massive soybean production and the regulatory attempts to mitigate the resulting environmental degradation as a way to show how the tools used to drive economic growth exacerbate the very environmental challenges they were designed to solve.