In both traditional and experimental prose, this special issue interrogates and reflects on the here and now—our present and new political moment. Collective thinking and writing is one method through which leftist intellectuals have operated in reactionary times and the issue uses such methodology to explore extraction, privatization, data-mining, and other workings of global capital. Turning experimentally away from the authorial and agential subject of modernity, and towards a poly-vocal exposition of water as a protagonist, this issue develops a heuristic for writing the deep history of the global present without centering either capitalism or the developmentalist state.
This issue asks how LGBTQ literary production has evolved in response to the dramatic transformations in queer life that have taken place since the early 1990s. Taking inspiration from “QUEERS READ THIS!”—a leaflet distributed at the 1990 New York Pride March by activist group Queer Nation—the contributors to this issue theorize what such an impassioned command would look like today: in light of our current social and political realities, what should queers read now and how are they reading and writing texts? The contributors offer innovative and timely approaches to the place, function, and political possibilities of LGBTQ literature in the wake of AIDS, gay marriage, the rise of institutional queer theory, the ascendancy of transgender rights, the #BlackLivesMatter movement, and the 2016 election. The authors reconsider camp aesthetics in the Trump era, uncover long-ignored histories of lesbian literary labor, reconceptualize contemporary black queer literary responses to institutional violence and racism, and query the methods by which we might forge a queer-of-color literary canon. This issue frames LGBTQ literature as not only a growing list of texts but also a vast range of reading attitudes, affects, contexts, and archives that support queer ways of life.
The United Nations World Refugee Day, marked every year on June 20, commemorates the strength, courage, and perseverance of millions of refugees. With thousands of families displaced around the world and with the current humanitarian crisis at the US border, it seems especially crucial to understand what is behind these issues. We’ve compiled recent scholarship from our journals and books on the refugee crisis and migration studies.
The most recent issue of South Atlantic Quarterly, “Rethinking Migration and Autonomy from within the ‘Crises’,” edited by Martina Tazzioli, Glenda Garelli, and Nicholas De Genova, focuses on the “autonomy of migration” in light of the economic crisis. It brings together the most cutting-edge approaches to migration, such as migration and logistics, with reappraisals of categories of political theory, such as “autonomy” and migrant “subjectivity.” Read the introduction to the issue, “Autonomy of Asylum?: The Autonomy of Migration Undoing the Refugee Crisis Script,” made freely available.
Nicholas De Genova is also editor of the recent book The Borders of “Europe”, which features Martina Tazzioli and Glenda Garelli as contributors, as well as Stephan Scheel, who is a contributor to the SAQ issue. Addressing the new technologies and technical forms European states use to curb, control, and constrain the autonomy of migration, the contributors show how the continent’s amorphous borders present a premier site for the enactment and disputation of the very idea of Europe. Attending to migrant and refugee supporters as well as those who stoke nativist fears, this timely volume demonstrates how the enforcement of Europe’s borders is an important element of the worldwide regulation of human mobility.
Sandro Mezzadra and Brett Neilson, contributors to “Rethinking Migration and Autonomy from within the ‘Crises,'” are also authors of Border as Method, or, the Multiplication of Labor, which charts the proliferation of borders generated by contemporary globalization, investigating their implications for migratory movements, capitalist transformations, and political life. Fellow contributor Verónica Gago is author of the new book Neoliberalism from Below, which examines how Latin American neoliberalism is propelled not just from above by international finance, corporations, and government, but also by the activities of migrant workers, vendors, sweatshop workers, and other marginalized groups.
Our Migration Studies reading list, part of our “Read to Respond” series, encourages thoughtful, educated debate on this pressing issue. Read, reflect, and share these resources in and out of the classroom to keep these important conversations going.
The Journal of Korean Studies is the preeminent journal in its field, publishing high-quality articles in all disciplines in the humanities and social sciences on a broad range of Korea-related topics, both historical and contemporary. Korean studies is a dynamic field, with student enrollments and tenure-track positions growing throughout North America and abroad. At the same time, the Korean peninsula’s increasing importance in the world has sparked interest in Korea well beyond those whose academic work focuses on the region. Recent topics include the history of anthropology of Korea; seventeenth century Korean love stories; the Chinese diaspora in North Korea; student activism in colonial Korea in the 1940s; and GLBTQ life in contemporary South Korea. Contributors include scholars conducting transnational work on the Asia-Pacific as well as on relevant topics throughout the global Korean diaspora. The Journal of Korean Studies is based at the Center for Korean Research at Columbia University.
Browse the table of contents to the issue.
Today is International Day Against Homophobia, Transphobia and Biphobia. In solidarity, we’d like to share some of our scholarship on gender identity and sexuality.
The first issue from TSQ: Transgender Studies Quarterly‘s fifth volume is its first nonthemed, open-call issue, inviting a broad scope of scholarship in the field of trans studies. The issue features “Policy,” “Research Note,” and “Translation” sections, as well as a reproduction of an “action art object” collectively created by several trans artists and art scholars for distribution at the 2016 International Trans* Studies Conference in Tucson. The issue also includes several book reviews.
From the introduction by editors Paisley Currah and Susan Stryker:
“As a complement to whatever other actions we might take as individuals, we, as editors of this academic journal, hope the articles we are able to publish in this issue of TSQ can make their own contributions, in their own ways, to empowering trans lives, using knowledge and analysis to improve social conditions and contesting the violence being directed against us.”
Read the introduction to the issue now, made freely available.
The most recent issue of GLQ: A Journal of Lesbian and Gay Studies features a forum on the Pulse nightclub shooting in June 2016. It offers a range of responses to the murders of forty-nine people—and the injuring of many more—that took place in the early morning hours of June 12, 2016, at Pulse, a queer nightclub in Orlando, Florida. While acts of violence—everyday and spectacular—have long histories in queer and trans communities (threatening trans and queer people of color with double, triple, quadruple forms of jeopardy), one guiding question for this collection of contributions revolves around what is at stake in responding to and unpacking violent and publicly mediated events after the fact, after the events have faded from public consciousness. Read the special forum, “GLQ Forum/Aftereffects: The Pulse Nightclub Shootings,” made freely available.
Look for these upcoming issues
American Literature‘s “Queer about Comics,” edited by Dariek Scott and Ramzi Fawaz, explores the intersection of queer theory and comics studies. The contributors provide new theories of how comics represent and re-conceptualize queer sexuality, desire, intimacy, and eroticism, while also investigating how the comic strip, as a hand-drawn form, queers literary production and demands innovative methods of analysis from the fields of literary, visual, and cultural studies.
Contributors examine the relationships among reader, creator, and community across a range of comics production, including mainstream superhero comics, independent LGBTQ comics, and avant-garde and experimental feminist narratives. They also address queer forms of identification elicited by the classic X-Men character Rogue, the lesbian grassroots publishing networks that helped shape Alison Bechdel’s oeuvre, and the production of black queer fantasy in the Black Panther comic book series, among other topics.
“The Queer Commons,” a special issue of GLQ: A Journal of Lesbian and Gay Studies edited by explore how contemporary queer energies have been directed toward commons-forming initiatives from activist provision of social services to the maintenance of networks around queer art, protest, public sex, and bar cultures that sustain queer lives otherwise marginalized by heteronormative society and mainstream LGBTQ politics. This issue forges a connection between the common and the queer, asking how the category “queer” might open up a discourse that has emerged as one of the most important challenges to contemporary neoliberalization at both the theoretical and practical level.
Contributors look to radical networks of care, sex, and activism present within diverse queer communities including HIV/AIDS organizing, the Wages for Housework movement, New York’s Clit Club community, and trans/queer collectives in San Francisco. The issue also includes a dossier of shorter contributions that offer speculative provocations about the radicalism of queer commonality across time and space, from Gezi Park uprisings in Turkey to future visions of collectivity outside of the internet.
“The Surgery Issue,” a special issue of TSQ: Transgender Studies Quarterly edited by Eric Plemons and Chris Straayer, explores the vital and contested place of surgical intervention in the making of trans* bodies, theories, and practices. This issue engages “the surgical” in its many forms. Contributors contemplate a wide scope: physical, technical, and social aspects of the body; trans* and transition-related surgeries broadly construed; local and international endeavors; the conceptual, the theoretical, and the practical; the historical and the speculative.
Trans* surgery has been an object of fantasy, derision, refusal, and triumph. For decades after its establishment in the 1950s, clinicians considered a desire for reconstructive genital surgery to be the linchpin of the transsexual diagnosis. Drawing on earlier legacies of sexology and plastic surgery and the emerging specialties of endocrinology and surgical transplant, early emphasis on genital surgery determined clinical legibility, shaped forms of identification, produced institutional capacities, and became the object of criticism by those for whom a desire for body alterations indicated profound pathologies on the parts of patients and their willing surgeons. Subsequent contestations of the medico-surgical framework troubled the place of surgical intervention and helped mark the emergence of “transgender” as an alternative, more inclusive term for gender nonconforming subjects who were sometimes less concerned with surgical intervention.
Beginning in the 1990s, new histories of trans* clinical practice challenged the institutional claim that transsexuals were uniform in their desire for genital surgery, and trans* authors began to advocate relationships to their surgically altered bodies as sites of power rather than capitulation. Still others refused a focus on surgery-centric conceptualizations of trans* on the grounds that it obscures the conditions of how and for whom surgery is available, values Euro-American histories of transsexualism, and obfuscates the reality that trans* subjectivity might be as much about justice and rights as it is about physical transition.
Read the introduction to the issue, made freely available.
Eric Plemons, coeditor of “The Surgery Issue,” is also author of the recent book The Look of a Woman: Facial Feminization Surgery and the Aims of Trans- Medicine. Developed in the 1980s, facial feminization surgery (FFS) is a set of reconstructive surgical procedures intended to feminize the faces of trans- women. Plemons foregrounds the narratives of FFS patients and their surgeons, showing how the increasing popularity of FFS represents a shift away from genital-based conceptions of trans- selfhood. He demonstrates how FFS is changing the project of surgical sex reassignment by reconfiguring the kind of sex that surgery aims to change.
Jessica Loudis recently became editor of World Policy Journal (WPJ), the flagship publication of the World Policy Institute. We sat down with her to discuss the new editorship, the direction of the journal, and upcoming issue themes.
What are your plans for the journal during your tenure as editor?
I want to cover policy in unexpected ways, and to draw in readers who don’t yet know they’re interested in the subject. Part of this involves taking a more multidisciplinary approach. For instance, our current issue has a piece about Dubai’s efforts to send a manned mission to Mars, and another about how Britain’s public space laws were shaped by music festivals in the 80s and 90s. Basically, WPJ will be the place to read the kinds of pieces you wouldn’t initially expect to find in a policy magazine.
How do you see the journal developing in the next few years?
I’m interested in discovering new, talented writers from all over the world, and in giving them the opportunity to tell stories that wouldn’t work for other magazines. We want to cultivate a sensibility that is incisive, offbeat, and multidisciplinary, and to do so by putting journalists and scholars and thinkers in conversation with one another. Ultimately, I want to create an intellectual community around the magazine, and to start meaningful conversations that have a broader impact.
How have you selected issue topics for the journal?
I’m interested in topics that are open-ended and allow for different avenues of access. For instance, the theme of our summer issue is “Megalomania,” and it will include a piece on a rising female fascist politician in Italy, another on a failed attempt to abolish time zones, and one on former London Mayor Boris Johnson’s overambitious architectural initiatives. I like topics that can speak to people in different ways, and which allow for a bit of fun.
Oh, on a related note, we’ve also brought on a cocktail historian, Eben Klemm, to create original cocktails based on our themes. For “Megalomania,” Eben has designed a cocktail that is a combination of Mussolini and Saddam Hussein’s favorite drinks, with an Idi Amin flourish thrown in for good measure.
Are there certain topics or fields you’re interested in focusing on?
I come from a literary background, and I’m very interested in having people from literature and the arts think about policy and politics in new ways. I’m also interested in anthropology and sociology, and I’ve really enjoyed working with specialists in those fields. In general, I want to surprise readers by drawing connections they hadn’t previously considered.
Can you tell us more about upcoming issues?
Our upcoming issues are “Megalomania,” “The Limits of Big Data,” and “Tourism.”
I already told you a little about megalomania, and for “The Limits of Big Data,” we have a piece I’m excited about on facial recognition software and programmable empathy. Another piece I’m looking forward to is on the Vatican’s big data initiative. As for the rest, you’ll have to wait and see…
For the tourism issue, we’re looking at a lot of different kinds of tourism: medical, adoption, dental, retail, to name a few.
One of the interesting things about the journal is its work recruiting journalists from around the world, can you shed more light on how you find new voices and stories?
I was fortunate to work at Al Jazeera and Bookforum before WPJ, which allowed me to cultivate an international network of writers and critics. Beyond that, I just read constantly, and try to do so as widely as possible. I follow the book publishing catalogs (especially Duke’s, which is consistently excellent), I read magazines, I pay attention to what’s happening in journalism, and I do a bit of Twitter stalking to see who the people I respect are reading and talking to. Finally, I’ll often ask colleagues or friends in my field for recommendations or advice on particular topics.
Tell us more about any other World Policy programs you’d like us to know about.
World Policy Journal and World Policy Institute are about to launch a very cool new program called “Renegotiating the Social Contract.” There will be a few parts to this, including conferences, publications, and multimedia projects. The idea is that the classic social contract as we’ve known it has broken down, and in a lot of ways, changed. While keeping in mind how the social contract used to be structured between citizens and the government, we’re looking how it’s currently structured, and what’s been lost or gained.
It’s rare right now to hear the terms “nationalism” and “free speech” outside the context of partisan politics, but these terms can provide entry points into how a country understands itself, and which legacies its citizens value—or conspicuously don’t. In this issue, contributors explore the mythologies that bind a nation and consider how societies around the world define themselves in terms of what citizens are—and aren’t—allowed to say and represent.
Topics include the novelist Yukio Mishima and the history of homosexuality in Japan, which has traditionally been accepted in practice, though not in law; the role of psychoanalysis in Argentina during and after its authoritarian regime; how Jamaica’s roots-reggae revival is a return to a tradition of musicians providing social commentary; and Britain’s New Age Traveler movement, a freewheeling 70s-era subculture whose impromptu festivals shaped the development of UK public-space laws.
This issue presents new directions in the study of the civil unrest in France during May 1968 on its fiftieth anniversary. Authors from France and the United States emphasize the nature and experience of the political upheaval in May 1968, the long-term cultural impacts of events in Paris, and the ways in which these events figure into a global context. Contributors offer new ways of understanding and interpreting the discord by focusing on the emotional and cultural resonance of the events of May 1968 in activism and popular culture. Other essays explore the relation of student activism in former French colonies to events in France, place the events of May 1968 in a global context by considering diplomatic and radical networks between Europe and the United States, and examine the cultural relationship between France and Germany.
Also commemorating the fiftieth anniversary of 1968 is Susana Draper’s book 1968 Mexico: Constellations of Freedom and Democracy, forthcoming in August. Draper gives voice to de-emphasized contributors to the protest movement in Mexico—Marxist philosophers, political prisoners, and women—illustrating how many diverse voices inspired alternative forms of political participation.
In Biblical Porn Jessica Johnson draws on a decade of fieldwork at Pastor Mark Driscoll’s Mars Hill Church in Seattle to show how congregants became entangled in a process of religious conviction through which they embodied Driscoll’s teaching on gender and sexuality in ways that supported the church’s growth.
In Abject Performances Leticia Alvarado explores how Latino artists and cultural producers have developed and deployed an irreverent aesthetics of abjection to resist assimilation and disrupt respectability politics.
Matthew Vitz’s A City on a Lake outlines the environmental history and politics of Mexico City as it transformed its original forested, water-rich environment into a smog-infested megacity, showing how the scientific and political disputes over water policy, housing, forestry, and sanitary engineering led to the city’s unequal urbanization and environmental decline.
In Domesticating Democracy Susan Helen Ellison offers an ethnography of Alternate Dispute Resolution (ADR) organizations in El Alto, Bolivia, showing that by helping residents cope with their interpersonal disputes and economic troubles how they change the ways Bolivians interact with the state and global capitalism, making them into self-reliant citizens.
Katherine Verdery’s My Life as a Spy analyzes the 2,781 page surveillance file the Romanian secret police compiled on her during her research trips to Transylvania in the 1970s and 1980s. Reading it led her to question her identity and also revealed how deeply the secret police was embedded in everyday life.
Examining human rights discourse from the French Revolution to the present, in Human Rights and the Care of the Self Alexandre Lefebvre turns common assumptions about human rights—that its main purpose is to enable, protect, and care for those in need—on their heads, showing how the value of human rights lies in its support of ethical self-care.
Libby Adler’s Gay Priori offers a comprehensive critique of the mainstream LGBT legal agenda in the United States, showing how LGBT equal rights discourse drives legal advocates toward a narrow array of reform objectives that do little to help the lives of the most marginalized members of the LGBT community.
In From the Tricontinental to the Global South Anne Garland Mahler traces the history and intellectual legacy of the understudied global justice movement called the Tricontinental and calls for a revival of the Tricontinental’s politics as a means to strengthen racial justice and anti-neoliberal struggles in the twenty-first-century.
Aimee Bahng’s Migrant Futures traces the cultural production of futurity by juxtaposing the practices of speculative finance against those of speculative fiction, showing how speculative novels, films, and narratives create alternative futures that envision the potential for new political economies, social structures, and subjectivities that exceed the framework of capitalism.
A Primer for Teaching Environmental History, by Emily Wakild and Michelle K. Berry, is a guide for college and high school teachers who are teaching environmental history for the first time, for experienced teachers who want to reinvigorate their courses, for those who are training future teachers to prepare their own syllabi, and for teachers who want to incorporate environmental history into their world history courses. The book is part of a new series, Design Principles for Teaching History.
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