Watch our newest “In Conversation” video in which Bo Ruberg, author of The Queer Games Avant-Garde, talks with contributors and game designers Jess Marcotte and Dietrich “Squinky” Squinkifer about how they got into video game design, access and multimedia game design, and labor rights in gaming.
Every year we look forward to meeting authors, editors, and readers in person at the ASA Annual Meeting, and we are sad to be missing out this year, although the meeting has gone virtual. We know that many of you look forward to stocking up on new titles at special discounts at our conferences, so we are pleased to extend a discount on all in-stock books and journal issues with coupon code AFSA20 until December 31, 2020.
View our African Studies catalog below for a complete list of all our newest titles in African Studies and across disciplines. You can also explore all of our African Studies books and journals on dukeupress.edu.
Editor Elizabeth Ault has a welcome message for participants in this year’s African Studies Association Annual Meeting. See below, as well, for a brief written message.
Hello African studies! I’m super looking forward to joining in the virtual panels over the next few days–something I rarely get to do at the in-person conference, so a real luxury. Since we won’t be able to celebrate the release of the new books I mention in my video above in person, I’m particularly excited for the panels devoted to three recent books: Monica Popescu’s At Penpoint, Xavier Livermon’s Kwaito Bodies, and Lynn Thomas’s Beneath the Surface. I’ll be the one with the champagne flute! And of course, as the Association continues to think about the racial politics of the field and the university more broadly, following an extraordinarily painful (if occasionally hopeful!) summer of pandemic and protests, I’m looking forward to President Ato Quayson’s address on Friday evening.
But of course I’ll miss our in-person conversations and all the generosity that y’all have shown me since I started attending the conference back in 2014. I’m really excited to be in conversation about projects that think from the continent, that consider the relationship between African studies and Black studies, that center queer and trans lives, and that work to reach across disciplinary, regional, and linguistic barriers. Please sign up for office hours to discuss your work with me here.
Elizabeth mentions a number of books and series in her video, including Hannah Appel’s The Licit Life of Capitalism, Catherine Besteman’s Militarized Global Apartheid, Leslie Green’s Rock |Water | Life, Stephanie Newell’s Histories of Dirt, and Jennifer Bajorek’s Unfixed. The Theory in Forms series features multiple new books: Naked Agency by Naminata Diabate, The Wombs of Women by Françoise Vergès, Beneath the Surface by Lynn Thomas, Genetic Afterlives by Noah Tamarkin, Revolution and Disenchantment by Fadi A. Bardawil, and At Penpoint by Monica Popescu.
And don’t forget about our outstanding journals in African studies, including Nka: Journal of Contemporary African Art and Comparative Studies of South Asia, Africa and the Middle East. All special issues, such as “Rethinking Cosmopolitanism: Africa in Europe ⁄ Europe in Africa,” “Black British Art Histories,” and “Time out of Joint: The Queer and the Customary in Africa,” are eligible for the 50% discount using code AFSA20.
Ian Baucom’s launch event for History 4° Celsius was hosted by Ranjana Khanna and Achille Mbembe and the Forum for Scholar’s and Publics. Check out new titles in the Visual Arts of Africa and Its Diasporas series and the Religious Cultures of Africa and the African Diaspora People series. And look out for a video conversation with Delinda Collier, author of Media Primitivism, very soon!
ASA President Ato Quayson will deliver the ASA Presidential Lecture Friday, November 20, 4:00pm-5:45pm EST.
Join DUP authors for author-meets-critics sessions:
Monica Popescu, At Penpoint, Saturday, November 21, 8:00am-9:45am EST
Xavier Livermon, Kwaito Bodies, Saturday, November 21, 12:00pm-1:45pm EST
Lynn Thomas, Beneath the Surface, Saturday, November 21, 4:00pm-5:45pm EST
The ASA will commemorate the work of the late Tejumola Olaniyan with four sessions on Thursday and Friday:
Thursday, November 19, 8:00am-9:45am EST | Thursday, November 19, 10:00am-11:45am EST | Thursday, November 19, 12:00pm-1:45pm EST | Friday, November 20, 10:00am-11:45am EST
November is here, and even though we may have the US election and the end of the semester on our minds, there are still new books to celebrate. Check out our November releases. They should all be out before the end of our 50% off sale on November 23, so be sure to check the website frequently. Use coupon code FALL2020 to save.
Animalia: An Anti-Imperial Bestiary for Our Times is a unique new collection edited by Antoinette Burton and Renisa Mawani. The contributors analyze twenty-six animals—domestic, feral, predatory, and mythical—whose relationship to imperial authorities and settler colonists reveals how the presumed racial supremacy of Europeans underwrote the history of Western imperialism.
In Aesthetics of Excess: The Art and Politics of Black and Latina Embodiment, Jillian Hernandez examines how cultural discourses of aesthetic value racialize the bodies of women and girls of color by Analyzing the personal clothing, makeup, and hairstyles of working-class Black and Latina girls.
In Liquor Store Theatre, artist and anthropologist Maya Stovall uses her Liquor Store Theatre conceptual art project—in which she danced near her Detroit neighborhood’s liquor stores as a way to start conversations with her neighbors—as a point of departure for understanding everyday life in Detroit and the possibilities for ethnographic research, art, and knowledge creation.
Mimi Sheller’s Island Futures: Caribbean Survival in the Anthropocene delves into the ecological crises and reconstruction challenges affecting the entire Caribbean region, showing how vulnerability to ecological collapse and the quest for a “just recovery” in the Caribbean emerge from specific transnational political, economic, and cultural dynamics.
Catherine Besteman offers a sweeping theorization of the ways in which countries from the global North are reproducing South Africa’s apartheid system on a worldwide scale to control the mobility and labor of people from the global South in her new book Militarized Global Apartheid.
In Biopolitics of the More-Than-Human: Forensic Ecologies of Violence, Joseph Pugliese examines the concept of the biopolitical through a nonanthropocentric lens, arguing that more-than-human entities—from soil and orchards to animals and water—are actors and agents in their own right with legitimate claims to justice.
For a Pragmatics of the Useless by Erin Manning draws on the radical black tradition, process philosophy, and Felix Guattari’s schizoanalysis to explore the links between neurotypicality, whiteness, and black life.
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Our Fall Sale continues through November 23. Are you still thinking about what to buy? Executive Editor Courtney Berger shares her recomendations today.
As always, there’s a super-abundance of exciting new books to recommend; it’s always a struggle to pick just a few. But, here are some recent titles that I’m excited about.
You may already have José Esteban Muñoz’s The Sense of Brown in your shopping cart. (And, if you don’t, you probably should.) Along with it, grab a copy of Race and Performance After Repetition, which features performance studies scholarship inspired and influenced by Muñoz’s work. Volume editors Soyica Diggs Colbert, Douglas A. Jones, and Shane Vogel have brought together an impressive set of contributors to focus on the relationship between race and temporality in performance, pushing past the trope of “repetition” to consider pauses, rests, gaps, afterlives, and other forms of temporal interruption.
Another one of my top picks: Samantha Pinto’s Infamous Bodies: Early Black Women’s Celebrity and the Afterlives of Rights. Focusing on five iconic Black women from the 18th and 19th centuries–Phyllis Wheatley, Sally Hemings, Sarah Baartman, Mary Seacole, and Sarah Forbes Bonetta—Pinto shows how Black women’s public presence was key to the establishment of many of the tenets of Western liberalism (freedom, rights, consent, agency). Through her provocative and engaging reading of these women’s lives and continued legacies, Pinto also reveals how the forms of pleasure, risk, violence, desire, and ambition that these women experienced can offer powerful models of political embodiment and vulnerability that remain relevant today.
Perhaps you got sucked into Tiger King this spring? Then take a look at Rosemary-Claire Collard’s Animal Traffic: Lively Capital in the Global Exotic Pet Trade, which delves into the multi-billion dollar world of the exotic pet trade. Following the commodity chain from the capture of parrots in Central America to the sale of monkeys at auctions in Idaho and Alabama to attempts to rehabilitate and reintroduce animals to the wild, Collard turns the notion of the lively commodity on its head, showing us how animals come to seem as though they don’t have their own lives apart from their connection to human economic and social structures. A perfect book for undergraduate courses.
I can’t stop talking about Cait McKinney’s Information Activism: A Queer History of Lesbian Media Technologies. Focusing on the community-oriented information networks founded by lesbian feminists in the 1970s, McKinney digs into the unglamorous and behind-the-scenes labor that goes into political activism, from entering information into a database to keeping call logs at a lesbian hotline. McKinney tells the stories of these information activists, highlighting their resourcefulness and their willingness to learn and implement new media technologies in ways that comported with a feminist commitment to craft, collectively organized work, and expediency. McKinney also attends to the trans-exclusionary attitudes that informed many of these projects and the ongoing challenges of addressing histories exclusion. This is a book for queer activists, librarians, indexers, technology geeks, lovers of the card catalog, archivists, media studies scholars, and everyone in between. (You can also check out my interview with Cait here.)
If you’re looking for a beautifully written ethnography to teach in the spring (or just to inspire your own writing), you should get a copy of Saiba Varma’s The Occupied Clinic: Militarism and Care in Kashmir. Varma recounts the complexities of mental health and humanitarian care in Indian-occupied Kashmir, site of the longest running military conflict in the world. Through the stories of patients, clinicians, and NGO workers, Varma shows us the subtle, indirect, and unintentional ways that militarism and the logic of emergency suffuse clinical and humanitarian care practices, from the medical use of electroshock therapy to the use of clinics as sites of counterinsurgency interrogation. Varma’s writing is both gripping and poetic.
And, finally, for those of you who are interested in the relationship between radical politics and environmentalism, I recommend Thea Riofrancos’ Resource Radicals: From Petro-Nationalism to Post-Extractivism in Ecuador. Riofrancos traces the tensions and conflicts that have arisen within the left in Ecuador over resource extraction, and she brings to light the forms of social resistance that have arisen in the wake of widespread dispossession and capitalist expansion. Riofrancos’s book is the latest installment in the Radical Américas series.
Use coupon code FALL2020 to save 50% on all of these titles and any other in-stock book and journal issues. This afternoon we’ll share editor Elizabeth Ault’s recommendations.
Congratulations to Fred Moten, who has won a MacArthur “Genius” Grant. Moten is the author of the consent not to be a single being trilogy, which includes Black and Blur, Stolen Life, and The Universal Machine. He is also the author of a book of poems, B Jenkins.
The MacArthur Fellows program is intended to encourage people of outstanding talent to pursue their own creative, intellectual, and professional inclinations. Recipients receive a $625,000 stipend. Of Moten’s work, the MacArthur Foundation says, “In his theoretical and critical writing on visual culture, poetics, music, and performance, Moten seeks to move beyond normative categories of analysis, grounded in Western philosophical traditions, that do not account for the Black experience. He is developing a new mode of aesthetic inquiry wherein the conditions of being Black play a central role.”
Watch Moten speak about his work.
This week, Fred Moten is also being awarded the 2020 Truman Capote Award for Literary Criticism in Honor of Newton Arvin for his book Black and Blur. The Capote Award is a $30,000 prize and is the largest award for literary criticism in English.
Ken Wissoker, Senior Executive Editor says, “I’m so moved. Fred Moten is my idea of what a genius is. His capaciousness of thought, the generative spirit of engagement.” The staff of Duke University Press send Fred a huge congratulations for these well-deserved honors.
All of Fred Moten’s books are 50% off during our Fall Sale (through November 23, 2020) using coupon code FALL2020.
As the days cool and leaves turn so should your new book pages! This month our new book titles will go great with your favorite hot drink.
Examining black performance practices that critique Western humanism, R. A. Judy offers an extended meditation on questions of blackness, the human, epistemology, and the historical ways in which the black being is understood in Sentient Flesh.
In Sensory Experiments, Erica Fretwell examines how psychophysics—a nineteenth-century scientific movement originating in Germany dedicated to the empirical study of sensory experience—became central to the process of creating human difference along the lines of race, gender, and ability in nineteenth-century America.
Brigitte Fielder presents an alternative theory of how race is constructed in Relative Races with readings of nineteenth-century personal narratives, novels, plays, stories, poems, and images to illustrate how interracial kinship follows non-heteronormative, non-biological, and non-patrilineal models of inheritance in nineteenth-century literary culture.
The Sense of Brown, which he was completing at the time of his death, is José Esteban Muñoz’s treatise on brownness and being as well as his most direct address to queer Latinx studies. Joshua Chambers-Letson and Tavia Nyong′o have edited the book and written an introduction.
Lyle Fearnley situates the production of ecological facts about the likely epicenter of viral pandemics inside the shifting cultural landscapes of agrarian change and the geopolitics of global health in the timely new book Virulent Zones.
Amalia Leguizamón reveals how the Argentine state, agribusiness, and their allies in the media and sciences deploy narratives of economic redistribution, scientific expertise, and national identity as a way to gain the public’s consent to grow genetically modified soybeans despite the massive environmental and social costs in Seeds of Power.
Drawing on ethnographic research with policy makers, politicians, activists, scholars, and the public in Manchester, England, Hannah Knox in Thinking Like a Climate confronts the challenges climate change poses to knowledge production and modern politics.
In Wild Things Jack Halberstam offers an alternative history of sexuality by tracing the ways in which the wild—a space located beyond normative borders of sexuality—offers sources of opposition to knowing and being that transgress Euro-American notions of the modern subject.
Saiba Varma in The Occupied Clinic, explores spaces of military and humanitarian care in Indian-controlled Kashmir—the world’s most militarized place—to examine the psychic, ontological, and political entanglements between medicine and violence.
With Cowards Don′t Make History, Joanne Rappaport examines the work of a group of Colombian social scientists led by Orlando Fals Borda, who in the 1970s developed a model of “participatory action research” in which they embedded themselves into local communities to use their research in the service of social and political organizing.
Vanessa Freije explores the causes and consequences of political scandals in Mexico from the 1960s through the 1980s in Citizens of Scandal, showing how Mexico City reporters began to denounce government corruption during this period in ways that defined the Mexican public sphere in the late twentieth century .
In Building Socialism, Christina Schwenkel analyzes the collaboration between East German and Vietnamese architects and urban planners as they attempted to transform the bombed-out industrial city of Vinh into a model socialist city.
Political theorist and anticapitalist activist Sabu Kohso uses the 2011 Fukushima nuclear disaster to illuminate the relationship between nuclear power, capitalism, and the nation-state in Radiation and Revolution, showing how nuclear power has become the organizing principle of the global order.
In Black Diamond Queens Maureen Mahon documents the major contributions African American women vocalists such as Big Mama Thornton, Betty Davis, Tina Turner, and Merry Clayton have made to rock and roll throughout its history.
Ethiraj Gabriel Dattatreyan in The Globally Familiar examines how the young men of Delhi’s hip hop scene construct themselves on- and off-line and how digital platforms offer these young men the means to reimagine themselves and their city through hip hop.
In essays addressing topics ranging from cinema, feminism, and art to hip hop, urban slums, and digital technology, Sujatha Fernandes in The Cuban Hustle explores the multitudinous ways ordinary Cubans have sought to hustle, survive, and create expressive cultures in the aftermath of the Soviet Union’s collapse.
In Genetic Afterlives, Noah Tamarkin illustrates how Lemba people in South Africa give their own meanings to the results of DNA tests that substantiated their ancestral connections to Jews and employ them to manage competing claims of Jewish ethnic and religious identity, African indigeneity, and South African citizenship.
Shane Denson examines the ways in which computer-generated digital images displace and transform the traditional spatial and temporal relationships that viewers had with conventional analog forms of cinema in Discorrelated Images.
Media Primitivism by Delinda Collier finds alternative concepts of mediation in African art by closely engaging with electricity-based works since 1944.
Writing in Space, 1973-2019 gathers the writings of conceptual artist Lorraine O’Grady as edited by Aruna D’Souza, including artist statements, scripts, magazine articles, critical essays on art and culture, and interviews.
Acknowledging the difficulty for artists in the twenty-first century to effectively critique systems of power, in The Play in the System Anna Watkins Fisher theorizes parasitism—a form of resistance in which artists comply with dominant structures as a tool for practicing resistance from within.
Filled with advice from over fifty contributors, this completely revised and expanded edition of our popular book The Academic’s Handbook guides academics at every career stage, whether they are first entering the job market or negotiating post-tenure challenges of accepting leadership and administrative roles. The volume is edited by Lori A. Flores and Jocelyn H. Olcott.
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Vanessa Díaz is Assistant Professor of Chicana/o and Latina/o Studies at Loyola Marymount University. In this Q&A she discusses her new book Manufacturing Celebrity in which she draws on ethnographic fieldwork, her experience reporting for People magazine, and dozens of interviews with photographers, journalists, publicists, magazine editors, and celebrities, Díaz traces the complex power dynamics of the reporting and paparazzi work that fuel contemporary Hollywood and American celebrity culture.
Chapter Two touches on the frustration that paparazzi experience when they are villified by celebrities, the media, and the public. Often there is a negative perception of paparazzi since they take the pictures. Why do you believe paparazzi receive the sole blame?
There are so many layers to this question. It’s really important to start off with the fact that there is a long history of celebrity irritation with paparazzi. After all, the term evolved from the 1960 Federico Fellini film La Dolce Vita in which the annoying celebrity photographer was called “paparazzo”—Italian for mosquito. The magazines and other media outlets need the paparazzi to be the bad guys of celebrity media, creating the perception that they are solely responsible for the lack of privacy faced by today’s stars, so that the media outlets can position themselves on the side of celebrities, furthering their relationships with the stars they cover. If paparazzi are the only ones out on the streets gathering the images that the magazines and other media outlets want and, frankly, need to sell their product, the paparazzi are the only ones in the line of direct contact with the celebrities. A magazine editor sitting in his office in a fancy high rise building in Hollywood is specifically and strategically positioned to not be blamed, despite the fact that he may be requesting the photo that the paparazzi are trying to get. Paparazzi are workers operating in the informal channels of an often highly formal media production process, within a hugely profitable corporate system, doing the dirty work for the celebrity media industry.
Since the demographics of the Los Angeles paparazzi shifted to being predominately Latinx, which I discuss in the book, the media and public discourse surrounding paparazzi has become highly racialized and xenophobic. So whereas there used to be general annoyance around paparazzi work, the language towards and the legal action taken against paparazzi was not anything like it is now. For instance, major news articles from outlets such as the Los Angeles Times, the New York Times, and AP have referred to contemporary paparazzi as “illegals,” “pack animals,” “knuckle-scraping mouth breathers,” and “foreigners working on…questionable visas.”
Can you elaborate on the process of deciding the final photos that are published in a magazine?
The decision as to which photos get published is entirely at the discretion of the staff of the media outlets (reporters may weigh in, but the decision is usually made photo editors, with approval from other senior editorial staff). The decisions tend to be made based on newsworthiness, so whatever is most newsworthy to that particular outlet. For example, the week that Kim Kardashian had her first wedding to former NBA player Kris Humphreys, all of the weekly celebrity magazines featured photos of their wedding, since it was the big (celebrity) news of the moment. When Brad Pitt and Angelina Jolie were first photographed together as a couple, People magazine bought those paparazzi images as an exclusive (meaning nobody else could buy the rights) and they were featured in a huge spread in the magazine. The magazine knew this story was big for their audience, and for celebrity and entertainment news more broadly, so they invested heavily in these photos since they knew it would boost sales.
It’s important to note that paparazzi take images based on what is deemed “newsworthy” in the moment, and that has very much to do with what they know the magazines want. So, while the paparazzi do not directly help the magazines decide which photos to publish, their work and their own judgement of newsworthiness in combination with the magazines’ and other media outlets’ decisions themselves impact which images end up circulating.
How do you believe advancements in technology have impacted the paparazzi industry?
There are so many ways, it’s hard to know where to even start. Technological advancements have impacted every realm of every media industry across the board. Even when I started reporting for People magazine in 2004 as an intern, the reporting that didn’t make it in the magazine was mostly used on their website just to create extra content, because most people were still not getting their news online. That shifted dramatically over the next few years and media outlet websites started to be the place where news broke. Whereas before it was the printed newspaper or printed magazine that held the breaking news, and stories were held specifically so that they could appear in printed press to break the news, it became customary to break news online first, since more and more people started getting their information online. So, while the internet was exploding, so was the digitization of images, which had huge impacts on how images were shot and circulated. As I discuss in chapter two of the book, in 2001 around fifty thousand digital photos were received by the magazines, but by 2011 that number had jumped to over eight million. Now most outlets receive close to twice that number per year. So that means a lot of different things. It means that there are more paparazzi taking images because there is more demand. It also means that there is an excess of photos that are taken because obviously the images can’t all be published. It means that there is more competition because there are more photos. And it means that photographers, like most other media workers, have to work extremely quickly and around the clock to ensure they get their content shared first. A minute difference in transmitting a photo can mean losing a sale if someone else get a similar shot and uploads it first.
During your research, when did you make the connection between gender disparity and the sexualization of women reporters?
I actually noticed this immediately after starting my internship with People magazine in New York, prior to starting my research in this area. I saw it when I covered red carpet events. I saw it in the way that stories were assigned at the magazine. When I became a stringer for the LA Bureau of People magazine in 2005, I saw it even more in Hollywood than in New York. There was always a conversation among the reporters (who I noticed from the beginning were mostly women) about the different ways that employers pressured them into particular kinds of situations with celebrity men. Once I started doing the research for the book and interviewing people about this, I heard more and more stories, many of them extremely disturbing, about the ways that women reporters were asked to handle themselves to help get a story. The most public of the situations is the one I discuss in the opening of the book, Natasha Stoynoff’s assault by Donald Trump.
You discuss the #MeToo movement in Chapter Five. Why do you believe the #MeToo movement is important, especially within the entertainment industry?
#MeToo became such a force in the entrainment industry because the type of abuse of power that is often exercised in cases of sexual assault is rampant throughout Hollywood. In fact, Hollywood is full of really serious and egregious abuses of power, abuses of labor, racism, gender discrimination and forms of abuse. And what’s amazing is that the whole image of Hollywood, and its movies, television shows, and celebrities, are all putting on a show for us. That’s what Hollywood does—it produces stories, it produces shows, and it creates very strategic images to draw in audiences, not to turn them away. And so it’s no accident that the kind of abuses of power I’m describing are simply not the picture we get when we look at beautiful glossy magazines like People and Us Weekly. And so I think the Hollywood figures who came forward as part of the #MeToo movement did so to help people see these layers. And so that’s part of what I’m trying to do in the book too—to understand the institutional complexities of the Hollywood-industrial complex, which I discuss in more depth in the book and which helps give us a framework for the level of institutional force of Hollywood.
How do magazines play positive and negative roles in the promotion of body image and standards, specifically for women?
The magazines have the potential to play a positive role on body image and beauty standards, and they sometimes play at least a marginally positive role. But most of the coverage contributes to negative body image perceptions. Across the weekly magazines, there is a consistent focus on stories that celebrate women’s weightloss, regardless of how healthy that weightloss may be. And, often times, the weightloss is focused on women who just have just given birth. So, not only are the expectations unrealistic, they are often unhealthy. As chapter six in the book discusses, many body-focused stories develop out of magazine workers ridiculing women’s bodies. The very climate of the conceptualization of body-focused coverage is negative. Even in the moments where the magazines attempt to confront negative perceptions, like the famous example I use in the book of Tyra Banks on the cover of People magazine, posting in a bathing suit and posing the question, “You call this fat?” Banks is photographed in a bathing suit, looking slim and trim. So, the point of the story is to prove that she isn’t fat, rather than to celebrate different body shapes and sizes. To be clear, it’s not just celebrity magazines, though. American culture more broadly celebrates unrealistic body and beauty standards that are also incredibly Eurocentric. The magazines reflect that. In the moments where the celebration of certain bodies are not reflective of Eurocentric standards of beauty, we often see that it takes place through the celebration of typically non-white features on white bodies, like the Kardashians/Jenners who physically alter their actual bodies. The representation and limited celebration of very particular kinds of women’s bodies in magazine and in popular culture more broadly is troubling.
What is the correlation between celebrity reporting and hard news in the Trump Era? How has reporting and news changed in the past few years?
In the book, I explain the story of Natasha Stoynoff, the former People magazine reporter, and my friend and colleague, who was sexually assaulted by Donald Trump while interviewing him for the magazine. While I was doing the research for this book, she had confided in me about this experience in both 2011 and 2012 during recorded interviews, with the expectation that I would anonymize everything. Then she came out publicly with the story in 2016. That my research on celebrity media became intertwined in the U.S. presidential race is emblematic of the way Trump has impacted what we understand as news. While there were always blurred lines between entertainment, celebrity, and politics, the distinction between entertainment and news media is not an empirical reality, but rather a function of a public imaginary—that there should be a difference between so-called hard news and entertainment news. The dynamics I talk about in the book are increasingly relevant to media in general, international politics, and to the state of American culture more broadly.
There is an interesting parallel in how Donald Trump fomented hatred of mainstream news media outlets like CNN and NBC News by relating to White House and national reporters in ways that mirror how celebrities often relate to celebrity media producers, especially paparazzi. He understands how to use the media to generate interest, such as when he revealed his Supreme Court nominee Apprentice-style on prime-time television. Yet he constantly performs anger toward the very media who gave his candidacy, and now his presidency, nonstop coverage. He disparages them as “fake news” and “dishonest.” This behavior mirrors the way celebrities rely on paparazzi shots for promotion while simultaneously performing hatred toward them. For Trump, it is directly carried over from his career as a celebrity. In his book How to Get Rich, he wrote, “If I happen to be outside, I’m probably on one of my golf courses, where I protect my hair from overexposure by wearing a golf hat. It’s also a way to avoid the paparazzi. Plus the hat always has a big TRUMP logo on it—it’s automatic promotion.” Trump references wanting to avoid the paparazzi while in the very next sentence revealing how he uses them to promote his own brand—a celebrity tactic I explore in depth in chapter 4 of the book.
While Trump has used celebrity media strategically to build his brand, he has also exploited, humiliated, and assaulted celebrity reporters. Since becoming president, he has continued this belligerent behavior in White House press conferences and other media events. Trump has kicked out, verbally bullied, and even banned news reporters and media outlets from his press conferences. His ire has been directed at the corporate media entities themselves, as well as individual media laborers. For example, in 2015 Trump had Univision’s Jorge Ramos symbolically deported from a press conference while yelling at him, “Go back to Univision,” another way of telling the Mexican American reporter to go back to Mexico. This kind of racialization and racialized discrimination is closely linked to the treatment of Latino paparazzi I expose in the book. A 2016 Dallas Morning News op-ed titled “Trump Can’t Treat Press Like Paparazzi” pointed to Trump’s problematic approach with the political media: “Trump may see these reporters as an extension of the paparazzi that hounded him when he was a reality television promoter and real estate mogul. They aren’t. The press pool isn’t about staking out celebrities.” The article insinuates that, unlike political reporters, paparazzi are and should be treated as problems. Trump has drawn no distinction between the celebrity news and hard news outlets that have followed him at various stages of his career. While using them for self-promotion, he has treated the political press with the same disdain that he showed to celebrity media producers— including Natasha Stoynoff.
With summer quickly coming to an end and the new academic year upon us, now is the perfect time to replenish your reading list! A great place to start is with our diverse array of new titles arriving this month.
Diary of a Detour is film scholar and author Lesley Stern’s memoir of living with cancer, where she chronicles the fears and daily experience of coming to grips with an incurable disease and turns to alternative obsessions and pleasures, from travel and friendships to her four chickens.
In Traffic in Asian Women, Laura Hyun Yi Kang demonstrates that the figure of “Asian women” functions as an analytic with which to understand the emergence, decline, and permutation of US power and knowledge at the nexus of capitalism, state power, global governance, and knowledge production throughout the twentieth century.
Abstract Barrios by Johana Londoño examines how the barrio has become a cultural force that has been manipulated in order to create Latinized urban landscapes that are palatable for white Americans who view concentrated areas of Latinx populations as a threat.
In Keith Haring’s Line, Ricardo Montez traces the drawn and painted line that was at the center of Keith Haring’s artistic practice, engaging with Haring’s messy relationships to race-making and racial imaginaries.
In Youth Power in Precarious Times, Melissa Brough explores how youth-centered forms of civic and cultural engagement in Medellín, Colombia, create networks of change that have the possibility to transform and democratize cities around the world.
Abigail A. Dumes offers an ethnographic exploration of the Lyme disease controversy to shed light on the relationship between contested illness and evidence-based medicine in the United States in Divided Bodies.
Examining theater, performance art, music, sports, dance, and photography, the contributors to Race and Performance after Repetition explore how theater and performance studies account for the complex relationship between race and time. The collection is edited by Soyica Diggs Colbert, Douglas A. Jones Jr., and Shane Voge.
Beyond the World’s End by T. J. Demos explores a range of artistic, activist, and cultural practices that provide compelling and radical propositions for building a just, decolonial, and environmentally sustainable future.
The contributors to Indigenous Textual Cultures examined the ways in which indigenous peoples created textual cultures to navigate, shape, and contest empire, colonialism, and modernity. The collection is edited by
Tony Ballantyne, Lachy Paterson, and Angela Wanhalla.
In Cultural Revolution and Revolutionary Culture, Alessandro Russo rethinks the history of China’s Cultural Revolution, arguing that it must be understood as a mass political experiment aimed at thoroughly reexamining the tenets of communism itself.
Animal Traffic by Rosemary-Claire Collard investigates the multibillion-dollar global exotic pet trade economy and the largely hidden processes through which exotic pets are produced and traded as lively capital.
Monica Popescu traces the development of African literature during the second half of the twentieth century in At Penpoint. She shows how the United States and the Soviet Union’s efforts to further their geopolitical and ideological goals influenced literary practices and knowledge production on the African continent.
Bolivia in the Age of Gas by Bret Gustafson examines the centrality of natural gas and oil to the making of modern Bolivia and the contradictory convergence of fossil-fueled capitalism, Indigenous politics, and revolutionary nationalism.
In this genealogy of Hindu right-wing nationalism, Hindutva as Political Monotheism, Anustup Basu connects Carl Schmitt’s notion of political theology to traditional theorems of Hindu sovereignty and nationhood, illustrating how Western and Indian theorists imagined a single Hindu political and religious people.
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The annual conference of the Society for Social Studies of Science (4s) has gone virtual. We’re pleased to offer some remarks by Executive Editor Courtney Berger, who usually attends the conference.
Greetings, 4S-ers! I am excited to attend this year’s virtual conference. While it has been difficult to miss out on the conversations and connections facilitated by in-person conferences, virtual conferences offer new opportunities. I’m not usually able to attend 4S on the years when it’s held outside of the U.S., so this is a bit of a bonus for me. I’ll be waking up early on East Coast time to attend panels, many of which include Duke University Press authors. My schedule is overflowing with panels that focus on more-than-human worlds (including the viral, of course); trans, queer, and feminist approaches to science studies; race and indigeneity; the environment (especially work on the elements, energy, and toxicity); and data and algorithmic thinking.
Duke University Press’s new books in science and technology studies reflect the wide ranging and politically relevant approaches found at the 4S conference. No doubt people will be reading and talking about Frédéric Keck’s Avian Reservoirs: Virus Hunters and Birdwatchers in Chinese Sentinel Posts, which highlights the importance of interspecies relations in managing pandemics. Noah Tamarkin’s Genetic Afterlives: Black Jewish Indigeneity in South Africa attends to the multivalent intersection of race, nation, and indigeneity. Lesley Green’s Rock|Water|Life: Ecology and Humanities for a Decolonial South Africa examines the interwoven realities of inequality, racism, colonialism, and environmental destruction in South Africa. Louise Amoore’s Cloud Ethics: Algorithms and the Attributes of Ourselves and Others calls for “an ethics of doubt” when it comes to understanding the work of machine learning algorithms. And Cait McKinney’s Information Activism: A Queer History of Lesbian Media Technologies reminds us that the ways that we store, organize, and provide access to information can have wide-reaching political effects. It’s tough not to be able to share these books, and so many more, in person. But you can still get a glimpse of our newest titles through our virtual exhibit and purchase books with the conference discount.
I’d also like to offer a virtual toast to our two 4S book prize winners: Sara Ann Wylie, whose book Fractivism: Corporate Bodies and Chemical Bonds won this year’s Rachel Carson Prize; and Noémi Tousignant, whose book Edges of Exposure: Toxicology and the Problem of Capacity in Postcolonial Senegal won the Ludwik Fleck Prize. Congratulations! We’re thrilled that their books have received this recognition.
Finally, unlike an in-person conference, where I spend most of my time meeting with potential authors and hearing about projects in the works, this year I will be focused on attending panels and deepening my knowledge of the field. However, I am still eager to hear about your book projects. You can send me an email or submit a proposal through our online submission portal. I look forward to seeing you around the conference.
See a few more of our science studies highlights in yesterday’s blog post. We are pleased to partner with Combined Academic Publishers to showcase our new work in science studies. Customers in the UK, Europe, Asia, Africa, and Australia can shop their site and save 30% off new titles with coupon code CSF20EASST. Customers in the US, Canada, and Latin America can save at our own site using coupon 4S2020. You’ll also want to check out the giveaway opportunity at CAP’s site for a chance to win a copy of the award-winning Fractivism by Sarah Ann Wylie!
This year the annual meeting of the Society for the Social Studies of Science (4S) was to be held in Prague. Like most academic conferences, it has moved online. We are pleased to partner with Combined Academic Publishers to showcase new work in science studies. Customers in the UK, Europe, Asia, Africa, and Australia can shop their site and save 30% off new titles with coupon code CSF20EASST. Customers in the US, Canada, and Latin America can save at our own site using coupon 4S2020. You’ll also want to check out the giveaway opportunity at CAP’s site for a chance to win a copy of Fractivism by Sarah Ann Wylie!
Several of our authors will be participating in online panels. Noemi Tousignant, author of Edges of Exposure, is presenting a paper entitled “Mutagenic Residues of Senegal’s Peanut Export Economy.” Juno Salazar Parreñas, author of Decolonizing Extinction, is presenting a paper called “Geriatric Ex-Dairy Cows: Caring for Otherwise Expendable Life.” Kalindi Vora, co-author of Surrogate Humanity, has organized a panel entitled “Teaching interdependent agency I: Feminist STS approaches to STEM pedagogy,” and is presenting a paper called “Teaching Technoscience Infrastructures of Care.” And Noah Tamarkin, whose book Genetic Afterlives will be out next month, is presenting a paper entitled “Locating Controversy in Established Technoscience: Debating National DNA Databases in South Africa.”
We hope you’ll check out these recent titles that we would have enjoyed showing off to you in our booth. In Anaesthetics of Existence, Cressida J. Heyes draws on examples of things that happen to us but are nonetheless excluded from experience, as well as critical phenomenology, genealogy, and feminist theory, showing how and why experience has edges, and analyzes phenomena that press against them. In Rock | Water | Life Lesley Green examines the interwoven realities of inequality, racism, colonialism, and environmental destruction in South Africa. In Wild Blue Media, Melody Jue destabilizes terrestrial-based ways of knowing and reorients our perception of the world by considering the ocean itself as a media environment—a place where the weight and opacity of seawater transforms how information is created, stored, transmitted, and perceived.
We have a number of recent books that engage with agriculture and resource extraction in Latin America, placing the non-human at the center of their studies. Vital Decomposition by Kristina M. Lyons presents an ethnography of human-soil relations in Colombia. In An Ecology of Knowledges, Micha Rahder examines how technoscience, endemic violence, and an embodied love of wild species and places shape conservation practices in Guatemala. Kregg Hetherington’s The Government of Beans is about the rough edges of environmental regulation in Paraguay, where tenuous state power and blunt governmental instruments encounter ecological destruction and social injustice. Seeds of Power by Amalia Leguizamón explores why Argentines largely support GM soy despite the widespread damage it creates. In Resource Radicals, Thea Riofrancos looks at Ecuador, expanding the study of resource politics by decentering state resource policy and locating it in a field of political struggle populated by actors with conflicting visions of resource extraction. And in Bolivia in the Age of Gas, Bret Gustafson explores how the struggle over natural gas has reshaped Bolivia, along with the rise, and ultimate fall, of the country’s first Indigenous-led government. Look for an online conversation about these issues featuring Riofrancos, Gustafson, Hetherington, and Leguizamón later this fall.
Also examining agriculture, Alex Blanchette’s Porkopolis immerses readers into the workplaces that underlie modern meat, from slaughterhouses and corporate offices to artificial insemination barns and bone-rendering facilities, outlining the deep human-hog relationships and intimacies that emerge through intensified industrialization. Check out Blanchette’s recent conversation with Senior Executive Editor Ken Wissoker.
One of our favorite conference traditions is the in-booth selfies that our authors often take with their books. We can’t do that this year, so we’ve asked some of our science studies authors to send them in. Check out our book selfie album on Facebook or look for the photos on Twitter this week.
Save on these and all our science studies titles on our site with coupon 4S2020 (North and South America, Caribbean) or at Combined Academic Publishers with coupon CSF20EASST (UK, Europe, Asia, Africa, Australia).
Also check out Environmental Humanities, a peer-reviewed open-access journal that draws humanities disciplines into conversation with the natural and social sciences around significant environmental issues. Start reading here.
We invite you to return to the blog tomorrow to read a message from Executive Editor Courtney Berger.