Critical Theory

New Books in October

Couplets_coverOur October releases are not to be missed!

Couplets: Travels in Speculative Pragmatism is a collection of twenty-four essential essays written by Brian Massumi over the past thirty years and is both a primer for those new to his work and a supplemental resource for those already engaged with his thought.

A new twentieth anniversary edition of Brian Massumi’s pioneering and highly influential Parables for the Virtual: Movement, Affect, Sensation includes a significant new preface that situates the book in relation to developments since its first publication and outlines the evolution of its main concepts.

McHenry_coverIn To Make Negro Literature: Writing, Literary Practice, and African American Authorship Elizabeth McHenry locates a hidden chapter in the history of Black literature at the turn of the twentieth century, revising concepts of Black authorship and offering a fresh account of the development of “Negro literature” focused on the never published, the barely read, and the unconventional.

Celeste Day Moore’s Soundscapes of Liberation: African American Music in Postwar France turns to African American music and its popularization in post-war France, showing how various genres (from gospel and spirituals to blues and jazz) accrued new meanings and political power as it traveled globally.

In Moving Home: Gender, Place, and Travel Writing in the Early Black Atlantic, Sandra Gunning complicates understandings of the Black Atlantic through an exploration of 19th-century travel writing. Analyzing accounts from missionaries, abolitionists, entrepreneurs, and explorers, Gunning sheds light on African diasporic mobility even amidst the constraints of imperialism.

Saturation_cover

Saturation: An Elemental Politics, a collection edited by Melody Jue and Rafico Ruiz, brings a scientific concept to media studies, showing how elements in the natural world affect and are affected by human culture and politics.

In Atmospheres of Violence: Structuring Antagonism and the Trans/Queer Ungovernable, Eric A. Stanley casts doubt on liberal, State-driven bids for “inclusion” and “recognition” for LGBTQ folks, which, they argue, have done nothing to diminish violence against trans, queer and/or gender-nonconforming people of color. Stanley calls for abolitionist forms of organizing to achieve a better future.

Rana M. Jaleel’s The Work of Rape links international law’s redefinition of mass rape as a crime against humanity to the expansion of US imperialism and its effacement of racialized violence and dispossession.

In The Deconstruction of Sex, Irving Goh conducts a series of conversations with the late philosopher Jean-Luc Nancy, in which they deconstruct sex in the age of #MeToo, searching for the “senses of sex” and advocating for a critical awareness of the role sex plays in our relationships with ourselves and others.

Introducing Black Outdoors, a New Series

In 2020 we launched Black Outdoors: Innovations in the Poetics of Study, a new series edited by Sarah Jane Cervenak and J. Kameron Carter. Now that nine books are available in the series and two are shortly forthcoming, we invite you to learn more about the series and perhaps submit your own project.

Black Outdoors is dedicated to the study of alternative ecologies and socialities beyond logics of property, sovereignty, and propertied self-possession. It points to forms of social life exceeding the racial, sexual, gendered, economic, and neurological protocols of self- and civic administration and of the normatively human. Indeed, Black Outdoors attends to figurations of the outdoors as “black,” where blackness exceeds regulation.

Senior Executive Editor Ken Wissoker says, “I love when a series reconfigures our landscape in a profound way, putting work in relation that might have previously seemed disparate. From the beginning Black Outdoors has been just that kind of series, offering a home that expands what kind of writing is possible, calling more of it into being. Jay and Sarah have a genius for identifying brilliant writers and theorists who may not have previously met but are producing the conversation we all need.”

The series editors are seeking new projects for the series. It envisions books that imagine form itself as an occasion of reimagining language and relation without the enclosures dividing people from each other and from the earth and the universe. Black Outdoors invites a range of approaches to blackness and out(doors)ness, to what black outdoors as potential and possibility could mean to imaginations of being and relationality.

Sarah Jane Cervenak is Associate Professor of Women’s, Gender, and Sexuality Studies and of African American and African Diaspora Studies at the University of North Carolina, Greensboro. J. Cameron Carter is Professor of Religious Studies at Indiana University Bloomington. Potential authors can contact the series editors directly.

Cervenak says, “We’re so excited about how the series has reached people, how different thinkers have engaged Black Outdoors as a way to think about relationality, about symbolic and actual places, about unenclosed Black living. Every book is a beautiful offering and we’re thankful to be part of the conversations they engender together.”

The published books in the series are all 50% off during our Fall Sale. Pick them up using coupon FALL21 through October 15, 2021.

Beyond Man: Race, Coloniality, and Philosophy of Religion, edited by An Yountae and Eleanor Craig (2021)

How to Go Mad without Losing Your Mind: Madness and Black Radical Creativity, by La Marr Jurelle Bruce

Black Gathering: Art, Ecology, Ungiven Life, by Sarah Jane Cervenak

Maroon Choreography, by fahima ife

Sentient Flesh: Thinking in Disorder, Poiesis in Black, by R. A. Judy

Otherwise Worlds: Against Settler Colonialism and Anti-Blackness, edited by Tiffany Lethabo King, Jenell Navarro, Andrea Smith

Black Aliveness, or A Poetics of Being, by Kevin Quashie

Liquor Store Theatre, by Maya Stovall

No One′s Witness: A Monstrous Poetics, by Rachel Zolf

Forthcoming titles include Toward Camden by Mercy Romero (December 2021) and Black Trans Feminism by Marquis Bey (January 2022). 

New Books in September

Start off the semester strong by perusing our new September releases!

Drawing on oral and written testimonies from academics and students who have made complaints about harassment, bullying, and unequal working conditions at universities, Sara Ahmed examines what we can learn about power from those who complain about abuses of power in Complaint! Angela Y. Davis says, “Complaint! is precisely the text we need at this moment as we seek to understand and transform the institutional structures promoting racism and heteropatriarchy.”

Mark Rifkin examines nineteenth-century Native writings by William Apess, Elias Boudinot, Sarah Winnemucca, and and Zitkala-Ša to rethink and reframe contemporary debates around recognition, refusal, and resurgence for Indigenous peoples in Speaking for the People: Native Writing and the Question of Political Form.

In The Nature of Space, pioneering Afro-Brazilian geographer Milton Santos attends to globalization writ large and how local and global orders intersect in the construction of space.

In Hawaiʻi is my Haven: Race and Indigeneity in the Black Pacific, Nitasha Tamar Sharma maps the context and contours of Black life in Hawaiʻi, showing how despite the presence of anti-Black racism, the state’s Black residents consider it to be their haven from racism.

The contributors to Assembly Codes: The Logistics of Media, edited by Matthew Hockenberry, Nicole Starosielski, and Susan Zieger, document how media and logistics—the techniques of organizing and coordinating the movement of materials, bodies, and information—are co-constitutive and key to the circulation of information and culture.

In Philosophy for Spiders: On the Low Theory of Kathy Acker, McKenzie Wark combines an autobiographical account of her relationship with Kathy Acker with her transgender reading of Acker’s writing to outline Acker’s philosophy of embodiment and its importance for theorizing the trans experience.

In A Mass Conspiracy to Feed People: Food Not Bombs and the World-Class Waste of Global Cities David Boarder Giles traces the work of Food Not Bombs—a global movement of grassroots soup kitchens that recover wasted grocery surpluses and redistribute them to those in need—to examine the relationship between waste and scarcity in global cities under late capitalism and the fight for food justice

Patricia Stuelke traces the hidden history of the reparative turn, showing how it emerged out of the failed struggle against US empire and neoliberal capitalism in the 1970s and 1980s and unintentionally supported new forms of neoliberal and imperial governance in The Ruse of Repair: US Neoliberal Empire and the Turn from Critique.

Michael K. Bourdaghs, in A Fictional Commons: Natsume Sōseki and the Properties of Modern Literature, presents a radical reframing of the works of Natsume Sōseki—widely considered to be Japan’s greatest modern novelist—as critical and creative responses to the emergence of new forms of property ownership in nineteenth-century Japan.

The contributors to Embodying Black Religions in Africa and Its Diasporas, edited by Yolanda Covington-Ward and Jeanette S. Jouili, investigate the complex intersections between the body, religious expression, and the construction and negotiation of social relationships and collective identities throughout the Black diaspora.

Sarah Jane Cervenak traces how Black artists and writers who create alternative spaces for Black people to gather free from those Enlightenment philosophies that presume Black people and land as given to enclosure and ownership in Black Gathering: Art, Ecology, Ungiven Life.

The exhibition catalog to the Virginia Museum of Fine Arts’ The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse, by curator Valerie Cassel Oliver, chronicles the pervasive visual and sonic parallels in the work of Black artists from the southern United States.

Andil Gosine revises understandings of queer desire in the Caribbean in Nature’s Wild, Love, Sex and the Law in the Caribbean, showing how the very concept of homosexuality in the Caribbean (and in the Americas more broadly) has been overdetermined by a colonially-influenced human/animal divide.

In Between Gaia and Ground: Four Axioms of Existence and the Ancestral Catastrophe of Late Liberalism, Elizabeth A. Povinelli theorizes how legacies of colonial violence and the ways dispossession and extraction that destroyed indigenous and colonized peoples’ lives now poses an existential threat to the West.

In Roadrunner, cultural theorist and poet Joshua Clover examines Jonathan Richman and the Modern Lovers’ 1972 song “Roadrunner,” charting its place in rock & roll history and American culture.

Drawing on close readings of 1960s American art, Jason A. Hoelscher offers an information theory of art and an aesthetic theory of information in which he shows how art operates as information wherein art’s meaning cannot be determined in Art as Information Ecology: Artworks, Artworlds, and Complex Systems Aesthetics.

Farewell to Lauren Berlant

berlant1We are deeply sorry to learn of the death of theorist Lauren Berlant following a long illness. Berlant was the author or editor of six books with us. They were also a founding editor of the series Writing Matters! and Theory Q and a contributor to many edited collections and journal issues. 

Berlant was George M. Pullman Distinguished Service Professor in the Department of English Language and Literature at the University of Chicago, where they taught since 1984. Their first title with us was The Queen of American Goes to Washington City (1997), which Judith Butler called “a keen and disarming book.” They followed it up with The Female Complaint (2008) and then with Cruel Optimism (2011), which became their most popular book, reaching outside the academy and inspiring art and even a punk song. Writing in The Progressive, queer humorist Kate Clinton said, “If you are looking for some new language to use to describe the current crisis of hope, read Cruel Optimism. . . . It is a wild, deeply witty examination of our attachments to food, love, politics, family, and pop culture.” Berlant’s most recent book was Reading Sedgwick (2019), an edited collection on the work of Eve Kosofsky Sedgwick.

978-0-8223-5111-5_prCruel Optimism was the winner of the American Comparative Literature Association 2012 Rene Wellek Award. In 2019, Berlant received the  Hubbell Medal for Lifetime Achievement from the American Literature Section of Modern Language Association. They were also a member of the American Academy of Arts & Sciences.

Berlant contributed to a number of our journals, including Social Text, SAQ, the minnesota review, and Public Culture. We have made their 2012 interview in Qui Parle freely available until September 2021.

Berlant especially liked working collaboratively and published two co-written books with us, Sex, or the Unbearable (2013), with Lee Edelman, and The Hundreds (2019), with Kathleen Stewart. In an interview with UChicago News, Berlant said, “Other people’s minds are amazing. Collaboration is like a super-intensified version of teaching, where you and somebody else are working something out, and you’re building on each other—but you’re also just missing each other. There’s the complete joy of the ‘not me.’ Seeing somebody else at work, seeing somebody else’s generativity and seeing how, together, you can compose things that neither of you could have done by yourself.” Stewart says of Berlant, “Lauren held a door in the world open for so many of us. Now we shoulder on, in gratitude. The outpouring of love from everywhere is the biggest testimony to Lauren’s beauty and impact.”

The HundredsNot long after the publication of The Hundreds, Berlant was profiled by Hua Hsu in The New Yorker, an unusual honor for an academic, and a testament to the huge reach of Berlant’s work. Writing about The Hundreds, Hsu says, “In Berlant and Stewart’s hands, affect theory provides a way of understanding the sensations and resignations of the present, the normalized exhaustion that comes with life in the new economy. It is a way of framing uniquely modern questions.” 

Around the Press, those who worked with Berlant are deeply mourning the loss. Senior Executive Editor Ken Wissoker said, “I’ve known Lauren since shortly after they arrived at the University of Chicago in the mid-1980s. Lauren had a singularly brilliant mind, questioning their own thoughts mid-sentence in pursuit of a better account.  In book after book Lauren advanced a fully connected project, one with deep political commitments, but one that could never be fully known in advance. One of the greatest theorists of their generation— someone always generously reaching out to smart younger scholars—it was the greatest privilege to be their publisher and friend.”

Design Manager Amy Ruth Buchanan designed many of Berlant’s books, including the now iconic cover for Cruel Optimism. She says, “Lauren Berlant was one of the kindest, smartest, and most appreciative and generous authors a publisher could hope to work with. I am so sad to learn of their passing.”

Executive Editor Courtney Berger says, “Lauren was a fierce intellectual who relentlessly challenged our assumptions about gender, sex, nation, and feeling. Lauren was also an incredibly generous collaborator who sought out opportunities to think alongside and in conversation with others. Even as they dwelled on the structural violence and difficulties of thriving in a world dominated by capitalism, racism, and sexism, Lauren saw the potential for us to radically transform our relationship to the world and to ourselves. Lauren was a wit, who liked to share and hear new jokes. They loved cats, silly cat photos, and elaborate cat furniture. And they could always direct you to the best vegan food in town. Above all, Lauren was a friend and a comrade, and I will miss them terribly.”

Berger has been working with Berlant on their final book, On the Inconvenience of Other People. Berlant turned the manuscript in just a few weeks before their death and we expect to publish it in Fall 2022. In the new book Berlant considers how we might “loosen” our relations to the objects and situations that we are unhappily attached to in a way that might transform our political conditions and create new life worlds.

For three decades, we have been honored to publish the groundbreaking work of Lauren Berlant. We will miss them as a scholar, a collaborator, and a friend. Our condolences go out to all of Lauren’s friends, family, and colleagues, and especially to their partner Ian Horswill.

New Books in June

Looking for some summer reading? Check out the great new titles we have coming out in June!

Jennifer L. Morgan draws on the lived experiences of enslaved African women in the sixteenth- and seventeenth-centuries in Reckoning with Slavery to reveal the contours of early modern notions of trade, race, and commodification in the Black Atlantic.

In Decolonizing Memory, Jill Jarvis examines the crucial role that writers and artists have played in cultivating historical memory and nurturing political resistance in Algeria, showing how literature offers the unique ability to reckon with colonial violence and to render the experiences of those marginalized by the state.

The contributors to Beyond Man, edited by An Yountae and Eleanor Craig, reckon with the colonial and racial implications of the philosophy of religion’s history by staging a conversation between it and Black, Indigenous, and decolonial studies.

In Around the Day in Eighty Worlds, Martin Savransky draws on the pragmatic pluralism of William James and the ontological turn in anthropology to propose a “pluralistic realism”—an understanding of ontology in which at any given time the world is both one and many, ongoing and unfinished.

In How to Go Mad Without Losing Your Mind, La Marr Jurelle Bruce ponders the presence of “madness” in black literature, music, and performance since the early twentieth century, showing how artist ranging from Kendrick Lamar and Lauryn Hill to Nina Simone and Dave Chappelle activate madness as content, form, aesthetic, strategy, philosophy, and energy in an enduring black radical tradition.

Việt Lê examines contemporary art in Cambodia and Việt Nam in Return Engagements to trace the entwinement of militarization, trauma, diaspora, and modernity in Southeast Asian art.

In Images of Beirut, Hatim El-Hibri explores how the creation and circulation of images has shaped the urban spaces and cultural imaginaries of Beirut, showing how images can be used to consolidate or destabilize regimes of power.

Editors Diana Paton and Matthew J. Smith combine more than one hundred classic and lesser-known texts in The Jamaica Reader to present a panoramic history of the country—from its pre-contact Indigenous origins to the present—and provide an unparalleled look at Jamaica’s history, culture, and politics.

In Colonial Debts, Rocío Zambrana uses the current political-economic moment in Puerto Rico to outline how debt functions as both an apparatus that strengthens neoliberalism and the island’s colonial relation to the United States.

Nicole M. Guidotti-Hernández challenges the stereotypes of machismo in Archiving Mexican Masculinities in Diaspora with nuanced portraits of Mexican men and masculinities along and across the US-Mexico border.

The contributors to Words and Worlds, edited by Veena Das and Didier Fassin, examine the state of politics and the political imaginary within contemporary societies by taking up the everyday words such as democracy, revolution, and populism that we use to understand the political present.

A concise, easy-to-understand reference book, the revised and updated second edition of the bestselling All about Your Eyes tells you what you need to know to care for your eyes, various eye diseases and treatments, and what to expect from your eye doctor. The editors, Sharon Fekrat, Tanya S. Glaser, and Henry L. Feng are all physicians at the world-renown Duke Eye Center.

In an indispensable guide for all ethnographers, the editors of Experimenting with Ethnography, Andrea Ballestero and Brit Ross Winthereik, collect twenty-one essays that offer concrete suggestions for thinking about and doing ethnographic research and writing.

The contributors to Sound Alignments, edited by Michael K. Bourdaghs, Paola Iovene, and Kaley Mason, explore the myriad forms of popular music in Asia during the Cold War, showing how it took on new meanings and significance as it traveled across the region and forged and challenged alliances, revolutions, and countercultures.

Shaoling Ma examines late Qing China’s political upheavals and modernizing energies through the problem of the dynamics between new media technologies such as the telegraph the discursive representations of them in The Stone and the Wireless.

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New Books in April

Check out the great new titles we have coming out in April!

Right Here Right NowIn Right Here, Right Now, Lynden Harris collects the powerful first-person stories of dozens of men who are living on death row in the United States, offering a glimpse into the lives of some of the most marginalized people in America. Watch the trailer.

Rafico Ruiz uses the Grenfell Mission in Newfoundland and Labrador, Canada, to theorize how settler colonialism establishes itself through the building, maintenance, and mediation of site-specific infrastructure in Slow Disturbance.

Analyzing a range of Chicano/a and Native American novels, films, short stories and other cultural artifacts from the eighteenth century to the present, Rosaura Sánchez and Beatrice Pita in Spatial and Discursive Violence in the US Southwest examine literary representations of settler colonial land enclosure and dispossession in the US Southwest.

Hentyle Yapp analyzes contemporary Chinese art as it circulates on the global art market to outline the limitations of the predominant narratives that currently frame understandings of non-Western art in Minor China. Join an online book launch for Minor China on April 15.

We are excited to be bringing out two new volumes in the Stuart Hall: Selected Writings series. Selected Writings on Marxism, edited by Gregor McLennan, collects Stuart Hall’s key writings on Marxism surveys the formative questions central to his interpretations of and investments in Marxist theory and practice.

Race and DifferenceAnd in Selected Writings on Race and Difference, Ruth Wilson Gilmore and Paul Gilroy gather more than twenty essays by Stuart Hall that highlight his extensive and groundbreaking engagement with race, representation, identity, difference, and diaspora.

The contributors to Religion, Secularism, and Political Belonging, edited by Leerom Medovoi and Elizabeth Bentley, examine how the new political worlds that are emerging—from Trump’s America to the post-Arab-Spring Middle East—intersect with locally specific articulations of religion and secularism.

Todne Thomas explores the internal dynamics of community life among black evangelicals and the ways they create spiritual relationships through the practice of Kincraft—the construction of one another as brothers and sisters in Christ, partners in prayer, and spiritual mothers, fathers, and children.

Edited and translated by Ilinca Iurascu, Geoffrey Winthrop-Young, and Michael Wutz, Operation Valhalla collects eighteen texts by German media theorist Friedrich Kittler on the close connections between war and media technology.

Eating in TheoryAnnmarie Mol reassess notions of human being and becoming by thinking through the activity of eating, showing how eating is a lively practice bound up with our identities, actions, politics, and senses of belonging in the world in Eating in Theory.

Thuy Linh Nguyen Tu examines the legacies of the Vietnam War on contemporary ideas about race and beauty, in Experiments in Skin, showing how US wartime efforts to alleviate the environmental and chemical risks to soldiers’ skin has impacted how contemporary Vietnamese women use pharmaceutical cosmetics to repair the damage from the war’s lingering toxicity.

The Long EmancipationRinaldo Walcott posits that Black people globally live in the time of emancipation and that emancipation is definitely not freedom in The Long Emancipation, showing that wherever Black people have been emancipated from slavery and colonization, a potential freedom became thwarted.

Drawing on Black feminism, Afro-pessimism, and critical race theory, the contributors to Antiblackness, Moon-Kie Jung and João H. Costa-Vargas,trace the forms of antiblackness across time and space, showing how the dehumanization of Black people has been foundational to the establishment of modernity.

Thomas Aiello traces the complicated and fascinating life of pioneering journalist, television host, bestselling author, and important yet overlooked civil rights figure in The Life and Times of Louis Lomax. Lomax became one of the most influential voices of the civil rights movement despite his past as an ex-con, serial liar, and publicity-seeking provocateur.

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New Books in January

If you made a New Year’s resolution to read more, this month we have some great new books to help achieve your goals. Happy New Year!

The future of FalloutJoseph Masco examines the psychosocial, material, and affective consequences of the advent of nuclear weapons, the Cold War security state, climate change on contemporary US democratic practices and public imaginaries in The Future of Fallout, and Other Episodes in Radioactive World-Making.

Andrew Bickford analyzes the US military’s attempts to design performance enhancement technologies and create pharmacological “supersoldiers” capable of becoming ever more lethal while withstanding various forms of extreme trauma in Chemical Heroes.

Drawing on ethnographic research in the Palestinian city of Ramallah, Christopher Harker in Spacing Debt examines how Israel’s use of debt to keep Palestinians economically unstable is a form of slow colonial violence embedded into the everyday lives of citizens.

Whites are the Enemies of Heaven With The Whites are the Enemies of Heaven, Mark W. Driscoll examines Western imperialism in East Asia throughout the nineteenth century and the devastating effects of what he calls climate caucasianism—the West’s racialized pursuit of capital at the expense of people of color, women, and the environment.

In Dear Science and Other Stories Katherine McKittrick presents a creative and rigorous study of black and anticolonial methodologies, exploring how narratives of imprecision and relationality interrupt knowledge systems that seek to observe, index, know, and discipline blackness.

Christopher Freeburg’s Counterlife challenges the imperative to study black social life and slavery and its aftereffects through the lenses of freedom, agency, and domination and instead examines how enslaved Africans created meaning through spirituality, thought, and artistic creativity separate and alongside concerns about freedom.

emancipations daughtersRiché Richardson in Emancipation’s Daughters examines how five iconic black women—Mary McLeod Bethune, Rosa Parks, Condoleezza Rice, Michelle Obama, and Beyoncé—defy racial stereotypes and construct new national narratives of black womanhood in the United States.

Lingzhen Wang examines the work of Chinese women filmmakers of the Mao and post-Mao eras in Revisiting Women’s Cinema to theorize socialist and postsocialist feminism, mainstream culture, and women’s cinema in modern China.

Kaiama L. Glover examines Francophone and Anglophone Caribbean literature whose female protagonists enact practices of freedom that privilege the self, challenge the prioritization of the community over the individual, and refuse masculinist discourses of postcolonial nation building in A Regarded Self.

The Small Book of Hip ChecksErica Rand uses multiple meanings of hip check—an athlete using their hip to throw an opponent off balance and the inspection of racialized gender—to consider the workings of queer gender, race, and writing in the The Small Book of Hip Checks.

Drawing from ethnographic work with queer activist groups in contemporary Turkey, Evren Savcı’s Queer in Translation explores how Western LGBT politics are translated and reworked there in ways that generate new spaces for resistance and solidarity.

Anthony Reed takes the recorded collaborations between African American poets and musicians such as Amiri Baraka, Jayne Cortez, Cecil Taylor, and Charles Mingus to trace the overlaps between experimental music and poetry and the ways in which intellectuals, poets, and musicians define black sound as a radical aesthetic practice in Soundworks.

The Bruce B. Lawrence Reader assembles over two dozen selections of writing by leading scholar of Islam Bruce B. Lawrence which range from analyses of premodern and modern Islamic discourses, practices, and institutions to methodological and theoretical reflections on the study of religion.

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New Titles in African Studies

Every year we look forward to meeting authors, editors, and readers in person at the ASA Annual Meeting, and we are sad to be missing out this year, although the meeting has gone virtual. We know that many of you look forward to stocking up on new titles at special discounts at our conferences, so we are pleased to extend a discount on all in-stock books and journal issues with coupon code AFSA20 until December 31, 2020.

View our African Studies catalog below for a complete list of all our newest titles in African Studies and across disciplines. You can also explore all of our African Studies books and journals on dukeupress.edu.

Editor Elizabeth Ault has a welcome message for participants in this year’s African Studies Association Annual Meeting. See below, as well, for a brief written message.

Closed captioning is available.
Editor Elizabeth Ault

Hello African studies! I’m super looking forward to joining in the virtual panels over the next few days–something I rarely get to do at the in-person conference, so a real luxury. Since we won’t be able to celebrate the release of the new books I mention in my video above in person, I’m particularly excited for the panels devoted to three recent books: Monica Popescu’s At Penpoint, Xavier Livermon’s Kwaito Bodies, and Lynn Thomas’s Beneath the Surface. I’ll be the one with the champagne flute! And of course, as the Association continues to think about the racial politics of the field and the university more broadly, following an extraordinarily painful (if occasionally hopeful!) summer of pandemic and protests, I’m looking forward to President Ato Quayson’s address on Friday evening. 

But of course I’ll miss our in-person conversations and all the generosity that y’all have shown me since I started attending the conference back in 2014. I’m really excited to be in conversation about projects that think from the continent, that consider the relationship between African studies and Black studies, that center queer and trans lives, and that work to reach across disciplinary, regional, and linguistic barriers. Please sign up for office hours to discuss your work with me here

Elizabeth mentions a number of books and series in her video, including Hannah Appel’s The Licit Life of Capitalism, Catherine Besteman’s Militarized Global Apartheid, Leslie Green’s Rock |Water | Life, Stephanie Newell’s Histories of Dirt, and Jennifer Bajorek’s Unfixed. The Theory in Forms series features multiple new books: Naked Agency by Naminata Diabate, The Wombs of Women by Françoise Vergès, Beneath the Surface by Lynn Thomas, Genetic Afterlives by Noah Tamarkin, Revolution and Disenchantment by Fadi A. Bardawil, and At Penpoint by Monica Popescu.

And don’t forget about our outstanding journals in African studies, including Nka: Journal of Contemporary African Art and Comparative Studies of South Asia, Africa and the Middle East. All special issues, such as “Rethinking Cosmopolitanism: Africa in Europe ⁄ Europe in Africa,” “Black British Art Histories,” and “Time out of Joint: The Queer and the Customary in Africa,” are eligible for the 50% discount using code AFSA20.

Ian Baucom’s launch event for History 4° Celsius was hosted by Ranjana Khanna and Achille Mbembe and the Forum for Scholar’s and Publics. Check out new titles in the Visual Arts of Africa and Its Diasporas series and the Religious Cultures of Africa and the African Diaspora People series. And look out for a video conversation with Delinda Collier, author of Media Primitivism, very soon!

ASA President Ato Quayson will deliver the ASA Presidential Lecture Friday, November 20, 4:00pm-5:45pm EST.

Join DUP authors for author-meets-critics sessions:
Monica Popescu, At Penpoint, Saturday, November 21, 8:00am-9:45am EST
Xavier Livermon, Kwaito Bodies, Saturday, November 21, 12:00pm-1:45pm EST
Lynn Thomas, Beneath the Surface, Saturday, November 21, 4:00pm-5:45pm EST

The ASA will commemorate the work of the late Tejumola Olaniyan with four sessions on Thursday and Friday:
Thursday, November 19, 8:00am-9:45am EST | Thursday, November 19, 10:00am-11:45am EST | Thursday, November 19, 12:00pm-1:45pm EST | Friday, November 20, 10:00am-11:45am EST

New Books in November

November is here, and even though we may have the US election and the end of the semester on our minds, there are still new books to celebrate. Check out our November releases. They should all be out before the end of our 50% off sale on November 23, so be sure to check the website frequently. Use coupon code FALL2020 to save.

AnimaliaAnimalia: An Anti-Imperial Bestiary for Our Times is a unique new collection edited by Antoinette Burton and Renisa Mawani. The contributors analyze twenty-six animals—domestic, feral, predatory, and mythical—whose relationship to imperial authorities and settler colonists reveals how the presumed racial supremacy of Europeans underwrote the history of Western imperialism.

In Aesthetics of Excess: The Art and Politics of Black and Latina Embodiment, Jillian Hernandez examines how cultural discourses of aesthetic value racialize the bodies of women and girls of color by Analyzing the personal clothing, makeup, and hairstyles of working-class Black and Latina girls.

Liquor Store TheatreIn Liquor Store Theatre, artist and anthropologist Maya Stovall uses her Liquor Store Theatre conceptual art project—in which she danced near her Detroit neighborhood’s liquor stores as a way to start conversations with her neighbors—as a point of departure for understanding everyday life in Detroit and the possibilities for ethnographic research, art, and knowledge creation.

Mimi Sheller’s Island Futures: Caribbean Survival in the Anthropocene delves into the ecological crises and reconstruction challenges affecting the entire Caribbean region, showing how vulnerability to ecological collapse and the quest for a “just recovery” in the Caribbean emerge from specific transnational political, economic, and cultural dynamics.

Militarized Global ApartheidCatherine Besteman offers a sweeping theorization of the ways in which countries from the global North are reproducing South Africa’s apartheid system on a worldwide scale to control the mobility and labor of people from the global South in her new book Militarized Global Apartheid.

In Biopolitics of the More-Than-Human: Forensic Ecologies of Violence, Joseph Pugliese examines the concept of the biopolitical through a nonanthropocentric lens, arguing that more-than-human entities—from soil and orchards to animals and water—are actors and agents in their own right with legitimate claims to justice.

For a Pragmatics of the UselessFor a Pragmatics of the Useless by Erin Manning draws on the radical black tradition, process philosophy, and Felix Guattari’s schizoanalysis to explore the links between neurotypicality, whiteness, and black life.

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Congratulations to MacArthur Fellow Fred Moten

Black and BlurCongratulations to Fred Moten, who has won a MacArthur “Genius” Grant. Moten is the author of the consent not to be a single being trilogy, which includes Black and Blur, Stolen Life, and The Universal Machine. He is also the author of a book of poems, B Jenkins.

The MacArthur Fellows program is intended to encourage people of outstanding talent to pursue their own creative, intellectual, and professional inclinations. Recipients receive a $625,000 stipend. Of Moten’s work, the MacArthur Foundation says, “In his theoretical and critical writing on visual culture, poetics, music, and performance, Moten seeks to move beyond normative categories of analysis, grounded in Western philosophical traditions, that do not account for the Black experience. He is developing a new mode of aesthetic inquiry wherein the conditions of being Black play a central role.”

Watch Moten speak about his work. 

This week, Fred Moten is also being awarded the 2020 Truman Capote Award for Literary Criticism in Honor of Newton Arvin for his book Black and Blur. The Capote Award is a $30,000 prize and is the largest award for literary criticism in English.

Ken Wissoker, Senior Executive Editor says, “I’m so moved. Fred Moten is my idea of what a genius is. His capaciousness of thought, the generative spirit of engagement.” The staff of Duke University Press send Fred a huge congratulations for these well-deserved honors.

All of Fred Moten’s books are 50% off during our Fall Sale (through November 23, 2020) using coupon code FALL2020.